American illustration

Explore the world of American illustration and get inspired by the top ideas to create captivating visual masterpieces. Unleash your creativity and bring your artistic vision to life.
Tumblr, 1950s Artwork, Jon Whitcomb, Norman Rockwell Prints, Vintage American Art, Norman Rockwell Art, 50s Art, Rockwell Paintings, 1950s Art

The Expressive Face

How did artists like Norman Rockwell, Austin Briggs, Jon Whitcomb, and others create the believable unique faces that can tell a whole story by themselves? In a magazine cover, like those by Rockwell and Stevan Dohanos, the image, with its setting and, most of all, its characters, must convey an anecdote without any help from words. So each face must be carefully crafted to do its part in creating the drama⸺or comedy.

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Alexandra Titanic
Medieval Merry Christmas by American illustrator J.C. Leyendecker | The Saturday Evening Post, December 25, 1926.  From the turn of the last century up through the mid-1930s, the American public came to anticipate Leyendecker’s New Year's, Easter, Fourth of July, Thanksgiving, Christmas and other holiday covers for the Saturday Evening Post. J C Leyendecker Christmas, Leyendecker Art, J.c Leyendecker, Jc Leyendecker, Frederic Remington, Christmas December, American Illustration, Evening Post, Christian Christmas

Medieval Merry Christmas by American illustrator J.C. Leyendecker

Medieval Merry Christmas by American illustrator J.C. Leyendecker | The Saturday Evening Post, December 25, 1926. From the turn of the last century up through the mid-1930s, the American public came to anticipate Leyendecker’s New Year's, Easter, Fourth of July, Thanksgiving, Christmas and other holiday covers for the Saturday Evening Post.

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Joon Ahn
Illustration by Bob Peak Ipad Sketches, Auto Illustration, Bob Peak, Robert Mcginnis, American Illustration, Magazine Illustration, Automotive Art, Comic Illustration, Retro Art

Bob Peak: "Don't be an artist 'from the wrist down'"

"In the beginning, during my first period in New York, I realized I was on the wrong track when I tried to shape my style to commercial demands. I studied the works of illustrators who had done this; they were very successful for a year or two and then dropped from the scene." "It was apparent to me that an artist should not spend years developing a style which, in terms of demand, would quickly pass. In other words, he should not be an artist 'from the wrist down'." "Also, he isn't wise to…

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John Shipman