Fear photograph

**Shadows** can add a lot to a photograph. They can emphasize emotions, create surreal images, and be used in a variety of ways. While strong use of shadows in color photographs tends to be mostly used in silhouettes, it can also appear in a variety of other forms in color photos as well. In my opinion though, shadows are most powerful when used in black and white photographs…

(Mia's fear) Monophobia. The fear of being alone

One would imagine that most people would love to catch sight of one of Scotland's legendary Loch Ness Monsters. They probably would – at least, until they actually see such a beast. It’s a curious and intriguing fact that many witnesses to the Nessies react not with amazement, incredulity, or excitement. No, the response to

“I still feel fear, but I like to smile,” writes Magdalena Pacewicz, describing the ambivalent subjects of her ghostly overlay photography. Based in Wroclaw, Poland, Pacewicz mixes digital technology with traditional media to create black-and-white portraits, melting together facial features with ghoulish eyes and lipless mouths. Seeking to dive deep into the human psyche, Pacewicz...

TryToScareMe🎃

Silvia Grav is a Spanish photographer who creates mostly black and white surreal images with the idea to express her deepest emotions and human fears and passion.

Last week, a collection of 36 prints by William Eggleston was sold for $5.9 million at auction. The top ten list of most expensive photographs ever sold

Mirrors. Something each one of us owns. Most people use it to make sure they look OK, but some people use it to create awesome portraits. Using a mirror can give depth to your image, give you more detail you'll never get without it. It shows you things that are usually hidden from the camera. Portraits using a mirror as a prop also tell a stories - they make you think about

Photographic Chronicles: Diana Dulcey (Colombia), Randi Lynn Beach (USA), Marco Marotto (Italy), Álvaro Martino (Portugal) | Exhibition: Teresa Vick (USA) | Author Of The Month: Carlos Lopes Franco (Portugal)