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===Creation as a distinctive literary character===
[[File:Shadow Death From Nowhere.jpg|thumb|upright|left|''"Who knows what evil lurks in the hearts of men?"'' The Shadow as depicted on the cover of the July 15, 1939, issue of ''[[The Shadow (magazine)|The Shadow Magazine]]''. The story, "Death from Nowhere", was one of the magazine plots adapted for the legendary radio drama.]]
Recognizing the demand and responding promptly, circulation manager Henry William Ralston of Street & Smith commissioned [[Walter B. Gibson]] to begin writing stories about "The Shadow" Using the [[pen name]] of [[Maxwell Grant]] and claiming the stories were "from The Shadow's private annals" as told to him, Gibson wrote 282 out of 325 tales over the next 20 years: a novel-length story twice a month (1st and 15th). The first story produced was ''[[The Living Shadow]]'' published April 1, 1931.<ref name="Anthony Tollin"/>
 
Gibson's characterization of The Shadow laid the foundations for the [[archetype]] of the superhero, including stylized imagery and title, sidekicks, supervillains, and a secret identity. Clad in black, The Shadow operated mainly after dark as a vigilante in the name of justice, terrifying criminals into vulnerability. Gibson himself claimed the literary inspirations upon which he had drawn were [[Bram Stoker]]'s ''[[Dracula]]'' and [[Edward Bulwer-Lytton]]'s "The House and the Brain.".<ref name="Foreshadowings"/> Another possible inspiration{{citation needed|date=November 2019}} for The Shadow is the [[France|French]] character [[Judex]]; the first episode of the original ''[[Judex (1916 film)|Judex]]'' [[Serial film|film serial]] was released in the United States as ''The Mysterious Shadow'', and Judex's costume is similar to The Shadow's. French comics historian Xavier Fournier notes other similarities with another silent serial, ''[[The Shielding Shadow]]'', whose protagonist had a power of invisibility, and considers The Shadow to be a mix between the two characters. In the 1940s, some ''Shadow'' comic strips were translated in France as adventures of Judex.<ref>Xavier Fournier, ''Super-héros : une histoire française'', Huginn Muninn, 2014, p. 70–73</ref>
 
Because of the great effort involved in writing two full-length novels every month, several guest writers were hired to write occasional installments in order to lighten Gibson's workload. Those guest writers included [[Lester Dent]], who also wrote the [[Doc Savage]] stories, and [[Theodore Tinsley]]. In the late 1940s, mystery novelist [[Bruce Elliott (writer)|Bruce Elliott]] (also a magician) temporarily replaced Gibson as the primary author of the pulp series (he wrote #'s 306 through 320).<ref name="BruceElliot">{{Cite web|title=The Shadow in Review |url=http://www.spaceports.com/~deshadow/reviews/shadow321.html|website=Spaceports.com |access-date=2008-02-02}}</ref> [[Richard Wormser]], a [[Publisher's reader|reader]] for Street & Smith, wrote two Shadow stories.<ref>p.28 Wormser, Richard & Skutch, Ira ''How to Become a Complete Non-Entity: A Memoir'' 2006 iUniverse</ref> For a complete list of Street and Smith's Shadow novels (and a list of the reprint editions), see the [[List of The Shadow stories]] article.
 
===A new beginning at Belmont Books===
''The Shadow Magazine'' ceased publication with the Summer 1949 issue, but Walter B. Gibson wrote three new "official" stories between 1963 and 1980. The first began a new series of nine Shadow mass market paperback novels from [[Belmont Books]]. In this series, The Shadow is given psychic powers, including the radio character's ability "to cloud men's minds,", so that he effectively became invisible. ''Return of The Shadow'' was published under his own name. The remaining eight novels in this series, ''The Shadow Strikes'', ''Shadow Beware'', ''Cry Shadow'', ''The Shadow's Revenge'', ''Mark of The Shadow'', ''Shadow Go Mad'', ''Night of The Shadow'', and ''The Shadow, Destination: Moon'', were written by [[Michael Collins (American author)|Dennis Lynds]], not Gibson, under the Maxwell Grant pseudonym.
 
The other two Gibson works were the novelettes "The Riddle of the Rangoon Ruby", published June 1, 1979 in ''The Shadow Scrapbook''.<ref>{{Cite web|url=https://adventurehouse.com/shop/product/shadow-scrapbook/|title=Shadow Scrapbook – Adventure House}}</ref><ref>{{Cite web|url=http://public-library.uk/ebooks/80/22.pdf|title=The Riddle of the Rangoon Ruby}}</ref> and "Blackmail Bay", published February 1, 1980 in ''The Duende History of The Shadow Magazine''.<ref>{{Cite AV media |url=http://www.shadowsanctum.net/history/history_images/duende_shadow_fc.jpg {{Bare|title=History URLof The Shadow image|datelast=MarchMurray 2022|first=Will}}</ref><ref>{{Cite web|url=https://epdf.tips/blackmail-bay.html|title=Blackmail Bay}}</ref>
 
===Literary sequels and reboots===
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A sequel, ''Empire of Doom'', was published in 2016 and takes place seven years later in 1940. The Shadow's old enemy, Shiwan Khan, attacks his hated adversary. Doc Savage joins forces with The Shadow to vanquish Khan in a Doc Savage novel written by Murray, from a concept by Dent.
 
In 2020, James Patterson Entertainment and Condé Nast Entertainment announced a new series written by [[James Patterson]] and Brian Sitts. The arrangement also includes potential screen adaptionsadaptations of these novels.<ref>{{Cite web|url=https://www.forbes.com/sites/robsalkowitz/2020/07/16/james-patterson-reviving-30s-era-crimefighter-the-shadow-for-new-novels-films/|title=James Patterson Reviving 30s-Era Crimefighter 'The Shadow' For New Novels, Films|first=Rob|last=Salkowitz|website=Forbes}}</ref><ref>{{Cite web|url=https://deadline.com/2020/07/james-patterson-conde-nast-reviving-crime-fighter-the-shadow-new-book-series-1202987269/|title=James Patterson, Condé Nast Reviving The Shadow In New Original Book Series|first1=Dade|last1=Hayes|date=July 16, 2020}}</ref> The first novel, ''The Shadow'', released in 2021, serves as a sequel-update with some science-fiction elements, bringing Lamont Cranston from 1937 into 2087 to battle Shiwan Khan in a futuristic New York. The second Patterson-Sitts Shadow novel, ''Circle of Death'', was published in 2023.
 
==Character development==
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As depicted in the pulps, The Shadow wore a wide-brimmed black hat and a black, crimson-lined cloak with an upturned collar over a standard black business suit. In the 1940s comic books, the later comic book series, and the 1994 film starring [[Alec Baldwin]], he wore either the black hat or a wide-brimmed, black [[fedora]] and a crimson scarf just below his nose and across his mouth and chin. Both the cloak and scarf covered either a black double-breasted [[trench coat]] or a regular black suit. As seen in some of the later comics series, The Shadow also would wear his hat and scarf with either a black [[Inverness coat]] or [[Inverness cape]].{{citation needed|date=April 2020}}
 
In the [[radio drama]] that debuted in 1937, The Shadow does not wear a costume because he is invisible when he operates as a vigilante, a feature born out of necessity. Time constraints of 1930s radio made it difficult to explain to listeners where The Shadow was hiding and how he remained concealed from criminals until he was ready to strike, so the character was given invisibility, meaning the criminals (like the radio audience) only knew him by his haunting voice. The actors used their normal voice when the hero was in his civilian identity of Lamont Cranston and effects were added when he became invisible and acted as The Shadow, his voice now having a sinister and seemingly omnipresent quality. To explain this power, radio episodes regularly said that while a young man, The Shadow traveled around the world and then through the Orient, where he learned how to read thoughts and became a master of [[Hypnosis|hypnotism]], granting him "the mysterious power to cloud men's minds, so they could not see him.". In the episode "The Temple Bells of Neban" (1937), The Shadow said he developed these abilities in India specifically, under the guidance of a "Yogi priest" who was "Keeper of the Temple of Cobras" in [[Delhi]]. He does not wear a mask or any disguise while invisible, and so in episodes such as "The Temple Bells of Neban" (1937) he is cautious when he meets an enemy who could potentially disrupt his hypnotic abilities, exposing his true face and instantly making him a visible target for attack.
 
=== Background ===
 
In the print adventures, The Shadow is '''Kent Allard''', although his [[secret identity|real name]] is not revealed until ''The Shadow Unmasks'' (1937). Early stories explain he was once a famed aviator who fought for the [[French Third Republic|French]] during [[World War I]], known by the alias the "Black Eagle" according to one character in ''The Shadow's Shadow'' (1933). Later stories revised this alias as the "Dark Eagle,", beginning with ''The Shadow Unmasks''. After the war's conclusion, Allard finds a new challenge in waging war on criminals. Allard falsifies his death by crash landing his plane in [[Guatemala]], encountering the indigenous "Xinca tribe" as a result, who see him as a supernatural being and provide him with two loyal aides. Allard returns to the United States and takes residence in [[History of New York City (1898–1945)#1920s to 1940|New York City]], adopting numerous identities to acquire valuable information and conceal his true nature, and recruiting a variety of agents to aid his war on crime, only a few of whom are aware of his other identities.
 
As the vigilante called The Shadow, Allard hunts down and often violently confronts criminals, armed with Colt .45 pistols and sometimes using magician tricks to convince his prey that he's supernatural. One such trick is '''The“The Devil's WhisperWhisper”,''' a chemical compound on the thumb and forefinger, causing a flash of bright flame and sharp explosion when he snaps his fingers. The Shadow is also known for wearing a girasol ring with a purple stone (sometimes depicted as a red stone in cover artwork), giftedgiven to Kent Allard fromby the Czar of Russia (''The Romanoff Jewels,'', 1932) during World War I. The ring is later said to be one of two rings made with gemstones taken from the eyes of an idol made by the Xinca tribe (''The Shadow Unmasks,'' 1937).
 
The Shadow's best known alter ego is '''Lamont Cranston,''', a "wealthy young man-about-town.". In the pulps, Cranston is a separate character, a rich playboy who travels the world while The Shadow uses his identity and resources in New York (''The Shadow Laughs,'', 1931). The Shadow's disguise as Cranston works well because the two men resemble each other (''Dictator of Crime'', 1941). In their first meeting, The Shadow threatens Cranston, saying that unless the playboy agrees to allow the aviator to use his identity when he is abroad, then Allard will simply take over the man's identity entirely, having already made arrangements to begin the process, including switching signatures on various documents. Although alarmed at first, the real Lamont Cranston agrees, deciding that sharing his resources and identity is better than losing both entirely. The two men sometimes meet afterward in order to impersonate each other (''Crime over Miami'', 1940). As Cranston, The Shadow often attends the Cobalt Club, an exclusive restaurant and lounge catering to the wealthy, and associates with [[New York City Police Commissioner]] Ralph Weston.
 
The Shadow's other disguises include: businessman '''Henry Arnaud''', who like Cranston is a real person whose identity Allard simply assumes at times, as revealed in Arnaud's first appearance ''The Black Master'' (March 1, 1932); elderly '''Isaac Twambley''', who first appears in ''No Time Forfor Murder'' (December 1944); and '''Fritz''', an old, seemingly slow-witted, uncommunicative janitor who works at police headquarters, listening in on conversations and examining recovered evidence, first appearing in ''[[The Living Shadow]]'' (April 1931).
 
In ''Teeth of the Dragon'' and later stories including ''The Golden Pagoda'', The Shadow is known in Chinatown as '''Ying Ko''', often fighting the criminal [[Tong (organization)|Tong]].
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In the 2015 [[Altus Press]] novel ''The Sinister Shadow'' by [[Will Murray]], The Shadow masquerades as celebrated criminologist '''George Clarendon''' of [[Chicago]], a past member of the Cobalt Club and long-time friend of [[New York City Police Commissioner|Commissioner]] Weston.
 
For the first half of The Shadow's tenure in the pulps, his past and true identity (outside of his Cranston disguise) are ambiguous. In ''The Living Shadow'', a thug claiming to have seen the Shadow's face recalls seeing "a piece of white that looked like a bandage.". In ''The Black Master'' and ''The Shadow's Shadow'', the villains of both stories see The Shadow's true face and remark the vigilante is a man of many faces with no face of his own. It was not until the August 1937 issue, ''The Shadow Unmasks'', that The Shadow's real name was revealed.
 
In the radio drama series that premiered in 1937, the Allard [[secret identity]] and backstory were dropped for simplicity's sake. The radio incarnation of The Shadow is really and only '''Lamont Cranston''' with no other regular cover identities, though he does adopt disguises and short-term aliases during some adventures. The radio version of Cranston travels the world to "learn the old mysteries that modern science has not yet rediscovered" ("Death House Rescue" in 1937). Along with learning skills and knowledge in Europe, Africa, and Asia, he spends time training with a Yogi priest, "Keeper of the Temple of Cobras,", in [[Delhi]] and learns how to read thoughts and hypnotize people enough to "cloud" their minds, making himself invisible to them (as revealed in the episode "The Temple Bells of Neban" in 1937). He explicitly states in several episodes that his talents are not magic but based on science. Returning to New York, he decides he can best aid the police and his city by operating outside the law as an invisible vigilante. He is somewhat less ruthless and more compassionate than the pulp incarnation, and without the vast network of agents and operatives. Only cab driver/chauffeur Shrevvy makes regular appearances on the radio series, but the character is different from his print counterpart. Commissioner Weston and a few other supporting characters from the print stories also are adapted to radio.
 
===Supporting characters===
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==Comic books==
===Bibliography===
*====[[Street & Smith]]====
** ''Shadow Comics'' v1, 1 – v9, 5, March 1940 – September 1949 (101 issues)
* ====[[Archie Comics]]====
** ''The Shadow'', 1–8, August 1964 – September 1965
* ====[[DC Comics]]====
** ''The Shadow'', 1–12, November 1973 – September 1975
* ''[[Batman (comic book)|Batman]]'', #253, #259 (crossover appearances published in 1973 and 1974, respectively)
** 'The Shadow: Blood and Judgment'', 1–4, May–August 1986
** ''The Shadow: Blood and Judgment'', 1–191–4, 2 annuals, August 1987 – JanuaryMay–August 19891986
** ''The Shadow Strikes!'', 1–311–19, 12 annualannuals, SeptemberAugust 19891987MayJanuary 19921989
* ''The Private Files of the Shadow'', 1989 (graphic collection reprinting the first six issues of the 1973 series, with one new story)
** ''Batman and The Shadow: The Murder Geniuses'', 1–6, 2017 (co-published with [[Dynamite Entertainment]])
* ''The Shadow Strikes!'', 1–31, 1 annual, September 1989 – May 1992
* [[Dark Horse Comics]]
** ''GrendelBatman versusand The Shadow: The Murder Geniuses'', 1-31–6, 20142017 (crossoverco-published with [[GrendelDynamite (comics)|GrendelEntertainment]])
 
** ''The Shadow: In the Coils of Leviathan'', 1–4, 1993
====[[Marvel Comics]]====
** ''The Shadow Movie Adaptation'', 1–2, 1994, Dark Horse Comics
** ''The Shadow: HellHitler's Heat WaveAstrologer'', 1–3,(original 1995[[graphic novel]], Dark Horse Comics1988)
 
** ''The Shadow and Doc Savage'', 1–2, 1995, Dark Horse Comics
* ====[[Dark Horse Comics]]====
*[[Dynamite Entertainment]]
** ''The Shadow: In Bloodthe andCoils Judgmentof Leviathan'', 1–4, May–August 19861993
** ''Grendel vs. The Shadow'', 1-3, 2014 (crossover with [[Grendel(comics)|Grendel]])
** ''The Shadow Movie Adaptation'', 1–251–2, +1994, 0Dark +Horse 2Comics annuals(based +on 2[[The specials,Shadow (1994 film)|the feature 2012–2015film]])
** ''The Shadow: NowHell's Heat Wave'', 1–61–3, 20131995, Dark Horse Comics
** ''The Shadow: Yearand OneDoc Savage'', 1–101–2, 2013–20141995, Dark Horse Comics (crossover with [[Doc Savage]])
** ''Ghost & The Shadow'' one-shot, 1–51995, 2015(crossover with [[Ghost (Dark Horse Comics)|Ghost]])
** ''BatmanGrendel andversus The Shadow: The Murder Geniuses'', 1–61-3, 20172014 (crossover with [[Grendel (comics)|Grendel]], co-published with [[Dynamite Entertainment]])
** ''The Shadow: Midnight In Moscow'', 2014
 
** ''The Shadow'', 1–6, 2016
*====[[Dynamite Entertainment]]====
** ''The Shadow: The Death of Margo Lane'', 1–6, 2016
* ''Altered States: The Shadow'', one-shot, 2015
** ''The Shadow/Batman'', 1–6, 2017-8 ([[Batman]] crossover co-published with DC Comics)
* ''The Shadow'', 1–25, 0, two annuals, two specials, 2012–2015
* ''The Shadow/Green Hornet: Dark Nights'', 5 issues, 2013-2015 (crossover with the [[Green Hornet]])
* ''Masks', 1-8, 2012-2013 (featuring the Shadow with the Green Hornet, [[Spider (pulp fiction character)|the Spider]] and other comic book and pulp characeers)
** ''The Shadow: The Death of Margo LaneNow'', 1–6, 20162013
* ''The Shadow: Year One'', 1–10, 2013–2014
* ''The Shadow'', 1–5, 2015
** ''The Shadow: Midnight In Moscow'', 2014
* ''Justice, Inc.'' 1-6 (2014-5) (the Shadow with [[Doc Savage]] and the [[Avenger (pulp-magazine character)|Avenger]])
** ''The Shadow'', 1–6, 2016
** ''The Shadow/Batman'', 1–6, 2017-8 ,([[Batman]] crossover co-published with DC Comics)
** ''The Shadow: InThe the CoilsDeath of LeviathanMargo Lane'', 1–41–6, 19932016
* ''The Shadow Over Innsmouth'' (sequel to the [[H.P. Lovecraft]] [[novella]] [[The Shadow Over Innsmouth|of the same name]], 2014
* ''The Twilight Zone: The Shadow'', 1-4, 2016 (miniseries featuring a ''[[The Twilight Zone]]'' style scenario)
 
===History===
====1940s-1960s====
{{More citations needed section|date=July 2020}}
To both cross-promote ''The Shadow'' and attract a younger audience to its other pulp magazines, [[Street & Smith]] published 101 issues of the comic book ''Shadow Comics'' from Vol. 1, #1 – Vol. 9, #5 (March 1940 – Sept. 1949).<ref>{{cite web|url=https://www.comics.org/series/208/|title=GCD :: Series :: Shadow Comics|website=Comics.org|access-date=25 April 2019}}</ref> A Shadow story led off each issue, with the remainder of the stories being strips based on other Street & Smith pulp heroes.<ref>{{cite book |last1=Benton |first1=Mike |title=Superhero Comics of the Golden Age: The Illustrated History |date=1992 |publisher=Taylor Publishing Company |location=Dallas |isbn=0-87833-808-X |url=https://archive.org/details/superherocomicso0000bent |url-access=registration |access-date=1 April 2020 |pages=[https://archive.org/details/superherocomicso0000bent/page/134 134]–135}}</ref>
 
In ''[[Mad (magazine)|Mad]]'' #4 (April–May 1953), ''The Shadow'' was spoofed by [[Harvey Kurtzman]] and [[Will Elder]]. Theirwith charactera wascharacter called "The Shadow'" (with an apostrophe), which is short for "Lamont Shadowskeedeeboomboom".<ref>{{cite web|url=https://www.comics.org/issue/1551050/|title=GCD :: Issue :: The Complete Color Mad #3|website=Comics.org|access-date=25 April 2019}}</ref> The Shadow' is invisible as in the radio series; when he makes himself visible, he is attired like the pulp character but is very short and ugly; his companion, "Margo Pain", begs him to cloud her mind again. Throughout the story, someone is trying to kill Margo, getting "Shad", as she calls him, into various predicaments: He is beaten up by gangsters and has a piano dropped on him. He tricks Margo into an [[outhouse]] (the interior of which is an impossibly huge mansion) that he demolishes with dynamite. As The Shadow' gleefully presses the detonator, he says, "NOBODY knows to whom the voice of the invisible Shadow' belongs!" This story was reprinted in ''The Brothers Mad'' (ibooks, New York, 2002, {{ISBN|0-7434-4482-5}}). LamontThe Shadowskeedeeboomboomcharcer returned in ''[[Mad (magazine)|Mad]]'' #14 (August 1954) to guest-star in "Manduck the Magician", a spoof by [[Harvey Kurtzman]] and [[Will Elder]] of the ''[[Mandrake the Magician]]'' comic strip. This story was reprinted in ''Mad Strikes Back!'' (ibooks, New York, 2002, {{ISBN|0-7434-4478-7}}).
 
During the superhero revival of the 1960s, [[Archie Comics]] published an eight-issue series, ''The Shadow'' (Aug. 1964 – Sept. 1965), under the company's [[Dark Circle Comics|Mighty Comics]] [[imprint (trade name)|imprint]]. In the first issue, The Shadow was loosely based on the radio version, but with blond hair. In issue #2 (Sept. 1964), the character was transformed into a campy, heavily muscled superhero in a green and blue costume by writer [[Robert Bernstein (comics)|Robert Bernstein]] and artist [[John Rosenberger]]. Later issues of this eight-issue series were written by [[Superman]] co-creator [[Jerry Siegel]].<ref>{{cite web|url=https://www.comics.org/series/1859/|title=GCD :: Series :: The Shadow|website=Comics.org|access-date=25 April 2019}}</ref> The change was not well received. "Totally at odds with everything that personified the classic Shadow," ''American Comic Book Chronicles'' says, "Archie's incarnation is still regarded in many quarters as one of the greatest comic book misfires of the 1960s."<ref>{{cite book |last=Wells |first=John |title=American Comic Book Chronicles: 1960–64 |date=2015 |publisher=TwoMorrows Publishing |isbn=978-1605490458 |page=185}}</ref>
 
During the mid-1970s, [[DC Comics]] published an "atmospheric interpretation" of the character by writer [[Dennis O'Neil]] and artist [[Michael Kaluta]]<ref>{{cite book|last1=McAvennie|first1= Michael|last2=Dolan|first2=Hannah, ed.|chapter= 1970s|title = DC Comics Year By Year A Visual Chronicle|publisher=[[Dorling Kindersley]] |year=2010 |isbn= 978-0-7566-6742-9 |page=157 |quote =Writer Denny O'Neil and artist Mike Kaluta presented their interpretation of writer Walter B. Gibson's pulp-fiction mystery man of the 1930s}}</ref> in a 12-issue series (Nov. 1973 – Sept. 1975) attempting to be faithful to both the pulp-magazine character and radio-drama character. Kaluta drew issues 1–4 and 6 and was followed by [[Frank Robbins]] and then [[E. R. Cruz]]. Fellow pulp fiction hero the [[Avenger (pulp-magazine character)|Avenger]] guest-starred in issue #11.<ref>{{cite web|url=https://www.comics.org/series/2105/|title=GCD :: Series :: The Shadow|website=Comics.org|access-date=25 April 2019}}</ref> The Shadow also appeared in DC's ''[[Batman]]'' #253 (Nov. 1973), in which Batman teams with an aging Shadow and calls the famous crime fighter his "biggest inspiration." In ''Batman'' #259 (Nov.–Dec. 1974), Batman again meets The Shadow, and we learn that, in the past, The Shadow saved Bruce Wayne's life when the future Batman was a boy and that The Shadow knows Batman's secret identity (he assures Batman, however, that his secret is safe with him).
 
The Shadow is also referenced in DC's ''[[Detective Comics]]'' #446 (1975), page 4, panel 2: Batman, out of costume and in disguise as an older night janitor, makes a crime fighting acknowledgement, in a [[thought balloon]], to the Shadow.
 
During the superhero revival of the 1960s, [[Archie Comics]] published an eight-issue series, ''The Shadow'' (Aug. 1964 – Sept. 1965), under the company's [[Dark Circle Comics|Mighty Comics]] [[imprint (trade name)|imprint]]. In the first issue, The Shadow was loosely based on the radio version, but with blond hair. In issue #2 (Sept. 1964), the character was transformedchanged into a campy, heavily muscled superhero in a green and blue costume by writer [[Robert Bernstein (comics)|Robert Bernstein]] and artist [[John Rosenberger]]. Later issues of this eight-issue series were written by [[Superman]] co-creator [[Jerry Siegel]].<ref>{{cite web|url=https://www.comics.org/series/1859/|title=GCD :: Series :: The Shadow|website=Comics.org|access-date=25 April 2019}}</ref> The change was not well received. "Totally at odds with everything that personified the classic Shadow," ''American Comic Book Chronicles'' says, "Archie's incarnation is still regarded in many quarters as one of the greatest comic book misfires of the 1960s."<ref>{{cite book |last=Wells |first=John |title=American Comic Book Chronicles: 1960–64 |date=2015 |publisher=TwoMorrows Publishing |isbn=978-1605490458 |page=185}}</ref>
====1970s====
DuringStarting thein mid-1970s1973, [[DC Comics]] published an "atmospheric interpretation" of the character by writer [[Dennis O'Neil]] and artist [[Michael Kaluta]]<ref>{{cite book|last1=McAvennie|first1= Michael|last2=Dolan|first2=Hannah, ed.|chapter= 1970s|title = DC Comics Year By Year A Visual Chronicle|publisher=[[Dorling Kindersley]] |year=2010 |isbn= 978-0-7566-6742-9 |page=157 |quote =Writer Denny O'Neil and artist Mike Kaluta presented their interpretation of writer Walter B. Gibson's pulp-fiction mystery man of the 1930s}}</ref> in a 12-issue series (Nov. 1973 – Sept. 1975) attempting to be faithful to both the pulp-magazine character and radio-drama character. Kaluta drew issues 1–4 and 6 and was followed by [[Frank Robbins]] and then [[E. R. Cruz]]. Fellow pulp fiction hero the [[Avenger (pulp-magazine character)|Avenger]] guest-starred in issue #11.<ref>{{cite web|url=https://www.comics.org/series/2105/|title=GCD :: Series :: The Shadow|website=Comics.org|access-date=25 April 2019}}</ref> The Shadow also appeared in DC's ''[[Batman]]'' #253 (Nov. 1973), in which Batman teams with an aging Shadow and calls the famous crime fighter his "biggest inspiration." In ''Batman'' #259 (Nov.–Dec. 1974), Batman again meets The Shadow, and we learn that, in the past, The Shadow had saved Bruce Wayne's life when the future Batmanlatter was a boy and that The Shadow knows Batman's secret identity (he assures Batman, however, that his secret is safe with him). The Shadow is also referenced in DC's ''[[Detective Comics]]'' #446 (1975), page 4, panel 2: Batman, out of costume and in disguise as an older night janitor, makes a crime fighting acknowledgement, in a [[thought balloon]], to the Shadow.
====1980s====
In 1986, another DC adaptation was developed by [[Howard Chaykin]]. This four-issue miniseries, ''The Shadow: Blood and Judgement'', brought The Shadow to modern-day New York. While initially successful,<ref>"the series sold well – earning an early graphic novel treatment and leading to an ongoing series by Andy Helfer, Bill Sienkiewicz and Kyle Baker". Kiel Phegley, [http://www.comicbookresources.com/?page=article&id=37084 Howard Chaykin: The Art of The Shadow]. In ''Comic Book Resources'', Feb. 28, 2012, page found 2012-03-30.</ref> this version proved unpopular with traditional Shadow fans<ref>"... Simply for bucks because he has confessed in interviews that he never cared a gram about the character, ''auteur'' Howard Chaykin has taken The Shadow and turned him, in a four-issue mini-series, into a sexist, calloused, clearly psychopathic obscenity. Rather than simply ignoring characters from the Shadow's past, Chaykin has murdered them in full view... And when Mr. Chaykin was asked why he had this penchant for drawing pictures of thugs jamming .45's into the mouths of terrified women, Mr. Chaykin responded that the only readers who might object to this bastardization of a much-beloved fictional character were 'forty-year-old boys'. These comics bear the legend FOR MATURE READERS. For MATURE read DERANGED." Harlan Ellison, essay titled "In Which Youth Goeth Before A Fall", in ''The Magazine of Fantasy & Science Fiction'', August 1986.</ref> because it depicted The Shadow using two [[Uzi]] submachine guns, as well as featuring a strong strain of [[black comedy]] and extreme violence throughout.<ref>Chaykin, in an interview after the book came out, had this to say: "I thought the book was well received by the people I cared about. Comic book fandom is evenly divided between people who like comics in a general way and are fans of comics in general, and then there's an entire spate of juvenilists who attach themselves to the old joke about the Golden Age of comics. 'What's the Golden Age of comics? 12!' There's this tremendous idea that their tastes were formed and refined at 12, and frankly, I'm not interested in supporting that sensibility. By the same token, if I'm going to be doing a mature readers product, I don't feel the need to stand by the standards of a 12-year-old sensibility. I certainly feel the pain of the people who were offended by the material, but fuck 'em. Life is hard all over. I was hired to do a job, and I feel I did a pretty damn good job with the material I had to work with. I'm happy with the work. I know that I antagonize and piss people off, but it's fine. Who cares?" Kiel Phegley, [http://www.comicbookresources.com/?page=article&id=37084 Howard Chaykin: The Art of The Shadow]. In ''Comic Book Resources'', Feb. 28, 2012, page found 2012-03-30.</ref>
 
''The Shadow'', set in ourthe modernthen-current eraday, was continued in 1987 as a monthly DC comics series by writer [[Andy Helfer]] (editor of the miniseries); it was drawn primarily by artists [[Bill Sienkiewicz]] (issues 1–6) and [[Kyle Baker]] (issues 8–19 and the second of two ''Shadow Annual''s, the first having been drawn by [[Joe Orlando]]).
 
In 1988, O'Neil and Kaluta, with inker [[Russ Heath]], returned to The Shadow with the [[Marvel Comics]] [[graphic novel]] ''The Shadow: Hitler's Astrologer'', set during [[World War II]]. This one-shot appeared in both [[hardcover]] and [[Trade paperback (comics)|trade paperback]] editions.
 
The Vernon Greene/Walter Gibson Shadow newspaper comic strip from the early 1940s was collected by Malibu Graphics ([[Malibu Comics]]) under its [[Eternity Comics]] imprint, beginning with the first issue of ''Crime Classics'' dated July 1988. Each cover was illustrated by Greene and colored by one of Eternity's colorists. A total of 13 issues appeared featuring just the black-and-white daily until the final issue, dated November 1989. Some of the Shadow storylines were contained in one issue, while others were continued over into the next. When a Shadow story ended, another tale would begin in the same issue. This back-to-back format continued until the final issue (#13). Here is a list of the reprinted strip's storylines:
'''Crime Classics'''
1 and 2, "Riddle of the Sealed Box";
2 and 3, "Mystery of the Sleeping Gas";
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13, "Robberies at Lake Calada".
[[Dave Stevens]]' nostalgic comics series ''[[The Rocketeer (character)|The Rocketeer]]'' contains a great number of pop culture references to the 1930s. Various characters from the Shadow pulps make appearances in the storyline published in the ''Rocketeer Adventure Magazine'', including The Shadow's famous [[alter ego]] Lamont Cranston. Two issues were published by [[Comico: The Comic Company|Comico]] in 1988 and 1989, but the third and final installment did not appear until years later, finally appearing in 1995 from [[Dark Horse Comics]]. All three issues were then collected by Dark Horse into a slick trade paperback titled ''The Rocketeer: Cliff's New York Adventure'' ({{ISBN|1-56971-092-9}}).
 
In 1989, DC released a hardcover graphic novel reprinting five issues (#1–4 and 6 by Dennis O'Neil and Michael Kaluta) of their 1970s series as ''The Private Files of The Shadow''. The volume also featured "In the Toils of Wing Fat", a new Shadow adventure drawn by Kaluta.
 
In 1989, DC released a hardcover graphic novelcollection reprinting five issues (#1–4 and 6 by Dennis O'Neil and Michael Kaluta) of their 1970s series as ''The Private Files of The Shadow''. The volume also featured "In the Toils of Wing Fat", a new Shadow adventure drawn by Kaluta.
====1990s====
From 1989 to 1992, DC published a new Shadow comic book series, ''The Shadow Strikes!'', written by [[Gerard Jones]] and [[Eduardo Barreto]]. This series was set in the 1930s and returned The Shadow to his pulp origins. During its run, it featured The Shadow's first-ever team-up with [[Doc Savage]], another popular hero of the pulp magazine era. The two characters appeared together in a four-issue story that crossed back and forth between each character's DC comic book series. ''The Shadow Strikes'' often led The Shadow into encounters with well-known celebrities of the 1930s, such as [[Albert Einstein]], [[Amelia Earhart]], [[Charles Lindbergh]], union organizer [[John L. Lewis]], and [[Chicago]] gangsters [[Frank Nitti]] and [[Jake Guzik]]. In issue #7, The Shadow meets a radio announcer named Grover Mills, a character based on the young [[Orson Welles]], who has been impersonating The Shadow on the radio. The character's name is taken from [[Grover's Mill, New Jersey]], the name of the small town where the [[Martian]]s land in Welles's 1938 radio broadcast of ''[[The War of the Worlds (radio drama)|The War of the Worlds]].'' When Shadow rights holder [[Condé Nast]] increased its licensing fee, DC concluded the series after 31 issues and one ''Annual''; it became the longest-running Shadow comic book series since Street & Smith's original 1940s series.
 
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The Shadow made an uncredited cameo in issue #2 of DC's 1996 four-issue miniseries ''[[Kingdom Come (comics)|Kingdom Come]]'', re-released as a trade paperback in 1997. The Shadow appears in the nightclub scene standing in the background next to the [[Question (character)|Question]] and [[Rorschach (comics)|Rorschach]].
 
The early 1940s Shadow newspaper daily strip was reprinted by [[RogerCharlton BroughtonMedia Group (Canada)|Avalon Communications]] under its [[RogerCharlton Media Group Broughton(Canada)|ACG Classix]] imprint. The Shadow daily began appearing in the first issue of ''Pulp Action'' comics. It carried no monthly date or issue number on the cover, only a 1999 copyright and a ''Pulp Action'' #1 notation at the bottom of the inside cover. Each issue's cover is a colorized panel blow-up, taken from one of the reprinted strips. The eighth issue uses for its cover a Shadow serial black-and-white [[film still]], with several hand-drawn alterations. The first issue of ''Pulp Action'' is devoted entirely to reprinting the Shadow daily, but subsequent issues began offering back-up stories not involving The Shadow in every issue. These Shadow strip reprints stopped with ''Pulp Action''{{'}}s eighth issue, before the story was complete. Here are the strip's reprinted storylines (the last issue carries a 2000 copyright date):
 
'''Pulp Action'':''
1, "Riddle of the Sealed Box";
2, "Mystery of the Sleeping Gas";
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5 and 6, "The Shadow and the Adele Varne Mystery";
7 and 8, "The Shadow and the Darvin Fortune".
====21st century====
 
In August 2011, [[Dynamite Entertainment|Dynamite]] licensed ''The Shadow'' from Condé Nast for an ongoing comic book series and several limited run miniseries.<ref>Siegel, Lucas (August 17, 2011). [http://www.newsarama.com/comics/dynamite-the-shadow-comics-110817.html "Dynamite Returns THE SHADOW to Comics After 16-Year Hiatus"] [[Newsarama]].</ref> Its first on-going series was written by [[Garth Ennis]] and illustrated by Aaron Campbell; it debuted on April 19, 2012. This series ran for 26 issues; the regular series ended in May 2014, but a prologue issue #0 was published in July 2014. Dynamite followed with the release of an eight-issue miniseries, ''Masks'', teaming the 1930s Shadow with Dynamite's other pulp hero comic book adaptations, the [[Spider (pulp fiction)|Spider]], the [[Green Hornet]] and [[Kato (The Green Hornet)|Kato]], and a 1930s [[Zorro]], plus four other heroes of the pulp era from Dynamite's comics lineup. Dynamite offered a 10-issue Shadow miniseries, ''The Shadow: Year One'', followed by the team-up five-issue miniseries, ''The Shadow/Green Hornet: Dark Nights'', and a Shadow six-issue miniseries set in the modern era, ''The Shadow: Now''. In August 2015, Dynamite Entertainment launched volume 2 of ''The Shadow'', a new ongoing series written by Cullen Bunn and drawn by Giovanni Timpano.
 
==Films==
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The film combines elements from The Shadow pulp novels and comic books with the aforementioned ability to cloud minds described only on the radio show. In the film [[Alec Baldwin]], as The Shadow, wears a black cloak and a long red scarf that covers his mouth and chin; he also wears a black, double-breasted [[trench coat]] and a wide-brimmed, black [[fedora|slouch hat]]. Contrarily to pulp novels, he is armed with a pair of modified [[M1911]] .45-caliber semi-automatic pistols that for the film have longer barrels, are nickel plated, and have ivory grips. In reality, the prop guns were modified [[LAR Grizzly Win Mag]]s nicknamed "Silver Heat."<ref>{{cite web | url=https://www.imfdb.org/wiki/Shadow,_The | title=Shadow, the – Internet Movie Firearms Database – Guns in Movies, TV and Video Games }}</ref> The film also displays a first: Cranston's ability to conjure the illusion of a false face whenever he is in his guise as The Shadow, giving him an appearance similar to the character's physical portrayal in the pulp magazines and comics.
 
The film was financially and critically unsuccessful.<ref>"[http://www.rottentomatoes.com/m/1054125-shadow/ The Shadow (1994)]." ''[[Rotten Tomatoes]]''.</ref><ref>"[https://archive.today/20080704145424/http://www.ew.com/ew/gallery/0,,20186843_2,00.html 20 Worst Comic-Book Movies Ever. ''The Shadow'', Alec Baldwin]." ''[[Entertainment Weekly]]'' {{Webarchive|url=https://web.archive.org/web/20131005014547/http://www.ew.com/ew/gallery/0,,20186843_2,00.html |date=2013-10-05 }}</ref>
 
===Unmade Sam Raimi ''Shadow'' feature film===
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On October 16, 2007, Raimi stated, "I don't have any news on ''The Shadow'' at this time, except that the company that I have with Josh Donen, my producing partner, we've got the rights to ''The Shadow.'' I love the character very much and we're trying to work on a story that'll do justice to the character".<ref>{{Cite web|last=Rotten |first=Ryan |title= Sam Raimi on Spider-Man 4 and The Shadow |url=http://www.superherohype.com/news/topnews.php?id=6410 |work=Superherohype.com |publisher=Coming Soon Media, ltd. |date=2007-10-16 |access-date=2008-07-28}}</ref>
 
On August 23, 2012, the website ShadowFan reported that during a Q&A session at [[San Diego]]'sthe 2012 [[San Diego Comic-Con International|Comic-Con]], director Sam Raimi, when asked about the status of his Shadow film project, stated they had not been able to develop a good script and the film would not be produced as planned.
 
==Game adaptations==
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The Shadow is also one of the inspirations for Disney's 1991–1992 cartoon series ''[[Darkwing Duck]]''.{{citation needed|date=February 2024}}
 
The 2015 video game ''[[Fallout 4]]'' includes a quest series centered on a character called "Thethe Silver Shroud," a masked crime-fighting detective from old-world radio shows; the character is based largely on The Shadow.<ref>{{cite web |last1=Roberts |first1=Samuel |title=Why I love the Silver Shroud quest in Fallout 4 |url=https://www.pcgamer.com/why-i-love-the-silver-shroud-quest-in-fallout-4/ |website=PC Gamer |access-date=11 April 2022 |language=en |date=7 June 2017}}</ref>
 
Inspired[[The byLamont theCranston nameBand]] oftakes thisits character,name afrom rock band named itself [[The LamontShadow's Cranstonalter Band]]ego.{{citation needed|date=February 2024}}
 
==See also==