Atlanta Nights: Difference between revisions

Atlanta Nights
Authors	"Travis Tea"
Language	English
Genre	Parody; Science fiction
Publisher	Lulu
Publication date	January 26, 2005
Publication place	United States
ISBN	978-1-4116-2298-2

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Atlanta Nights is a collaborative novel created in 2004 by a group of science fiction and fantasy authors, with the express purpose of producing an unpublishably bad piece of work, so as to test whether publishing firm PublishAmerica would still accept it.^[1] It was accepted; after the hoax was revealed, the publisher withdrew its offer.^[2]

The primary purpose of the exercise was to test PublishAmerica's claims to be a "traditional publisher" that would only accept high-quality manuscripts. Critics had long claimed that PublishAmerica is actually a vanity press that paid no special attention to the sales potential of the books they published, since most of their revenue came from the authors rather than book buyers. PublishAmerica had previously made some derogatory public remarks about science fiction and fantasy writers, because many of their critics came from those communities; those derogatory remarks influenced the decision to make such a public test of PublishAmerica's claims.^[3]

Background

PublishAmerica described itself as a "traditional publisher" and claimed to accept only high-quality manuscripts for publication. Its website further stated that the company received over 70 manuscripts a day and rejected most of them.

At one point, PublishAmerica posted articles on their AuthorsMarket website stating that, among other things:

[S]cience-fiction and fantasy writers have it easier. It's unfair, but such is life. As a rule of thumb, the quality bar for sci-fi and fantasy is a lot lower than for all other fiction. Therefore, beware of published authors who are self-crowned writing experts. When they tell you what to do and not to do in getting your book published, always first ask them what genre they write. If it's sci-fi or fantasy, run. They have no clue about what it is to write real-life stories, and how to find them a home. Unless you are a sci-fi or fantasy author yourself.^[4]
— Author's Market: Never Trust the "Experts"

But, alas, the SciFi and Fantasy genres have also attracted some of the lesser gods, writers who erroneously believe that SciFi, because it is set in a distant future, does not require believable storylines, or that Fantasy, because it is set in conditions that have never existed, does not need believable every-day characters. Obviously, and fortunately, there are not too many of them, but the ones who are indeed not ashamed to be seen as literary parasites and plagiarists, are usually the loudest, just like the proverbial wheel that needs the most grease.^[5]
— Author's Market: Only Trust Your Own Eyes

Preparation

In retaliation, a group of science fiction and fantasy authors under the direction of James D. Macdonald collaborated on a deliberately low-quality work, complete with obvious grammatical errors, nonsensical passages, and a complete lack of a coherent plot. The effort was partly inspired by another collaborative "hoax" work, Naked Came the Stranger, as the working title of Atlanta Nights was Naked Came the Badfic.^[6]

The distinctive flaws of Atlanta Nights include nonidentical chapters written by two different authors from the same segment of outline (13 and 15), a missing chapter (21), two chapters that are word-for-word identical (4 and 17), two different chapters with the same chapter number (12 and 12), and a chapter "written" by a computer program that generated random text based on patterns found in the previous chapters (34). Characters change gender and race; they die and reappear without explanation. Spelling and grammar are nonstandard and the formatting is inconsistent. The initials of characters who were named in the book spelled out the phrase "PublishAmerica is a vanity press."^[7]

Under Macdonald's direction, the denouement, which takes place in the middle of the book, revealed that all the previous events of the plot had been a dream, although the book continues for several more chapters.

Submission

The completed manuscript was offered to PublishAmerica by an unrevealed person not usually associated with fiction. The manuscript was accepted for publication on December 7, 2004.^[2] The hoaxers reviewed the contract with legal counsel, and made the decision not to carry the hoax through to actually publishing the book.

On January 23, 2005, the authors publicly revealed the hoax, and PublishAmerica retracted its acceptance the following day, stating that after "further review" the novel failed to meet their standards.^[8]

Publication

The authors subsequently published the book through print on demand publisher Lulu under the pseudonym "Travis Tea"^[1] with all profits going to the Science Fiction and Fantasy Writers of America Emergency Medical Fund. Teresa Nielsen Hayden's review said, "The world is full of bad books written by amateurs. But why settle for the merely regrettable? Atlanta Nights is a bad book written by experts."^[9]

Authors

The authors of the chapters of this book include:

Chapter 1 – Sherwood Smith
Chapter 2 – James D. Macdonald
Chapter 3 – Sheila Finch
Chapter 4 – Charles Coleman Finlay
Chapter 5 – Julia West
Chapter 6 – Brook West
Chapter 7 – Adam-Troy Castro
Chapter 8 – Allen Steele
Chapter 9 – Alan Rodgers
Chapter 10 – Mary Catelli
Chapter 11 – Andrew Burt
Chapter 12 – Victoria Strauss
Chapter 12 – Shira Daemon (There are two "Chapter 12"s)
Chapter 13 – Vera Nazarian
Chapter 14 – Sean P. Fodera
Chapter 15 – Teresa Nielsen Hayden
Chapter 16 – Ken Houghton
Chapter 17 – Charles Coleman Finlay (Identical to Chapter 4)
Chapter 18 – M. Turville Heitz
Chapter 19 – Kevin O'Donnell, Jr
Chapter 20 – Chuck Rothman
Chapter 22 – Laura J. Underwood (Chapter 21 was "missing")
Chapter 23 – Jena Snyder
Chapter 24 – Paul Melko
Chapter 25 – Tina Kuzminski
Chapter 26 – Ted Kuzminski
Chapter 27 – Megan Lindholm/Robin Hobb
Chapter 28 – Danica and Brook West
Chapter 29 – Rowan and Julia West
Chapter 30 – Derryl Murphy
Chapter 31 – Michael Armstrong
Chapter 32 – Pierce Askegren
Chapter 33 – Deanna Hoak
Chapter 34 – Computer-generated by the software Bonsai Story Generator
Chapter 35 – Catherine Mintz
Chapter 36 – Peter Heck
Chapter 37 – M. Turville Heitz
Chapter 38 –
Chapter 39 – Brenda Clough
Chapter 40 – Judi B. Castro
Chapter 41 – Terry McGarry

Film

The book and the story behind it were optioned for a film in February 2011 by producing team Roy C. Booth and Rachael Saltzman, who were also slated to co-write and co-direct the film. The options money has gone to the SFWA Emergency Medical Fund. Production was tentatively scheduled to begin August 2011, but on May 16, 2011 the crowd funding campaign ended without reaching its goal.^[10]

References

^ ^a ^b Tea, Travis (2005). Atlanta Nights. Lulu. ISBN 978-1-4116-2298-2.^{[permanent dead link]}
^ ^a ^b Meg Phillips (December 7, 2004). "PublishAmerica accepts Atlanta Nights manuscript" (PDF). University of Denver. PublishAmerica. Archived from the original (PDF) on January 5, 2007. Retrieved January 26, 2007.
^ "Ah, Schadenfreud!". Archived from the original on October 30, 2008. Retrieved October 30, 2009.
^ "Author's Market: Never Trust the "Experts"". Archived from the original on December 17, 2003. Retrieved September 8, 2009.
^ "Author's Market: Only Trust Your Own Eyes". Archived from the original on December 12, 2003. Retrieved September 8, 2009.
^ Denise Howell, James D. Macdonald (November 15, 2006). "Vanity Presses: Sound Policy with Denise Howell" (Podcast). The Conversations Network. Archived from the original on March 9, 2008. Retrieved July 24, 2008.
^ "Absolute Write Water Cooler: Is it a bird? Is it a plane? No, it's a TURKEY!". absolutewrite.com. Archived from the original on September 27, 2007. Retrieved January 9, 2007.
^ "Science Fiction Authors Hoax Vanity Publisher" (Press release). PRWeb. January 28, 2005. Archived from the original on February 3, 2006. Retrieved March 5, 2006.
^ Nielsen Hayden, Teresa "Atlanta Nights and PublishAmerica" Archived November 27, 2010, at the Wayback Machine, Making Light, January 28, 2005, accessed February 18, 2011.
^ Saltzman, Rachael (February 2011). "Atlanta Nights: The Movie". Archived from the original on February 18, 2011. Retrieved February 15, 2011.

External links

Listen to this article (11 minutes)

This audio file was created from a revision of this article dated 3 January 2016, and does not reflect subsequent edits.

Travis Tea -- The Official Website
Contract^{[permanent dead link]} offered by PublishAmerica
Full text of Atlanta Nights at the website of contributor Andrew Burt

[book-1] Tea, Travis (2005). Atlanta Nights. Lulu. ISBN 978-1-4116-2298-2.^{[permanent dead link]}

[bookAcceptance-2] Meg Phillips (December 7, 2004). "PublishAmerica accepts Atlanta Nights manuscript" (PDF). University of Denver. PublishAmerica. Archived from the original (PDF) on January 5, 2007. Retrieved January 26, 2007.

[3] "Ah, Schadenfreud!". Archived from the original on October 30, 2008. Retrieved October 30, 2009.

[4] "Author's Market: Never Trust the "Experts"". Archived from the original on December 17, 2003. Retrieved September 8, 2009.

[5] "Author's Market: Only Trust Your Own Eyes". Archived from the original on December 12, 2003. Retrieved September 8, 2009.

[Podcast-6] Denise Howell, James D. Macdonald (November 15, 2006). "Vanity Presses: Sound Policy with Denise Howell" (Podcast). The Conversations Network. Archived from the original on March 9, 2008. Retrieved July 24, 2008.

[7] "Absolute Write Water Cooler: Is it a bird? Is it a plane? No, it's a TURKEY!". absolutewrite.com. Archived from the original on September 27, 2007. Retrieved January 9, 2007.

[pressRelease-8] "Science Fiction Authors Hoax Vanity Publisher" (Press release). PRWeb. January 28, 2005. Archived from the original on February 3, 2006. Retrieved March 5, 2006.

[9] Nielsen Hayden, Teresa "Atlanta Nights and PublishAmerica" Archived November 27, 2010, at the Wayback Machine, Making Light, January 28, 2005, accessed February 18, 2011.

[10] Saltzman, Rachael (February 2011). "Atlanta Nights: The Movie". Archived from the original on February 18, 2011. Retrieved February 15, 2011.

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@@ Line 1: / Line 1: @@
+{{Use mdy dates|date=March 2022}}
-{{Italic title}}
+{{Short description|Intentionally bad 2004 collaborative novel}}
 {{Infobox book
 | image = Atlanta Nights.jpg
-| authors         =
+| authors        = "[[#Authors|Travis Tea]]"
 | country        = United States
 | language       = English
 | genre          = [[Parody]]<br>[[Science fiction]]
-| publisher     = [[Lulu (company)|Lulu]]
+| publisher      = [[Lulu (company)|Lulu]]
-| pub_date     = January 26, 2005
+| pub_date       = January 26, 2005
-| isbn             = 978-1-4116-2298-2
+| isbn           = 978-1-4116-2298-2
 }}
-'''''Atlanta Nights''''' is a [[collaborative fiction|collaborative novel]] created in 2004 by a group of [[science fiction]] and [[fantasy]] authors, with the express purpose of producing an unpublishably bad piece of work, so as to test whether publishing firm [[America Star Books|PublishAmerica]] would still accept it.<ref name=book>{{cite book|title=Atlanta Nights|last=Tea|first=Travis|year=2005|isbn=978-1-4116-2298-2|publisher=[[Lulu (company)|Lulu]]|url=ftp://ftp.sff.net/pub/people/doylemacdonald/sting/StingManuscript.rtf}}{{dead link|date=September 2017 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> It was accepted; after the hoax was revealed, the publisher withdrew its offer.<ref name=bookAcceptance>{{cite web|url=http://www.cs.du.edu/~aburt/StingAcceptance.pdf|title=PublishAmerica accepts Atlanta Nights manuscript|author=Meg Phillips|date=7 December 2004|accessdate=26 January 2007|publisher=[[PublishAmerica]]|work=[[University of Denver]]|archiveurl=https://web.archive.org/web/20070105023200/http://www.cs.du.edu/~aburt/StingAcceptance.pdf|archivedate=5 January 2007|url-status=dead}}</ref>
+'''''Atlanta Nights''''' is a [[collaborative fiction|collaborative novel]] created in 2004 by a group of [[science fiction]] and [[fantasy]] authors, with the express purpose of producing an unpublishably bad piece of work, so as to test whether publishing firm [[America Star Books|PublishAmerica]] would still accept it.<ref name=book>{{cite book|title=Atlanta Nights|last=Tea|first=Travis|year=2005|isbn=978-1-4116-2298-2|publisher=[[Lulu (company)|Lulu]]|url=ftp://ftp.sff.net/pub/people/doylemacdonald/sting/StingManuscript.rtf}}{{dead link|date=September 2017 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> It was accepted; after the hoax was revealed, the publisher withdrew its offer.<ref name=bookAcceptance>{{cite web|url=http://www.cs.du.edu/~aburt/StingAcceptance.pdf|title=PublishAmerica accepts Atlanta Nights manuscript|author=Meg Phillips|date=December 7, 2004|accessdate=January 26, 2007|publisher=[[PublishAmerica]]|work=[[University of Denver]]|archiveurl=https://web.archive.org/web/20070105023200/http://www.cs.du.edu/~aburt/StingAcceptance.pdf|archivedate=January 5, 2007|url-status=dead}}</ref>
-The primary purpose of the exercise was to test PublishAmerica's claims to be a "traditional publisher" that would only accept high-quality manuscripts. Critics have long claimed that PublishAmerica is actually a [[vanity press]] that pays no special attention to the sales potential of the books they publish since most of their revenue comes from the authors rather than book buyers. PublishAmerica had previously made some highly derogatory public remarks about science fiction and fantasy writers, because many of their critics came from those communities; those derogatory remarks influenced the decision to make such a public test of PublishAmerica's claims.<ref>{{cite web|url=http://www.scifidimensions.com/May05/ahschadenfreud.htm |title=Archived copy |accessdate=2009-10-30 |url-status=dead |archiveurl=https://web.archive.org/web/20081030100139/http://www.scifidimensions.com/May05/ahschadenfreud.htm |archivedate=2008-10-30 }}</ref>
+The primary purpose of the exercise was to test PublishAmerica's claims to be a "traditional publisher" that would only accept high-quality manuscripts. Critics had long claimed that PublishAmerica is actually a [[vanity press]] that paid no special attention to the sales potential of the books they published, since most of their revenue came from the authors rather than book buyers. PublishAmerica had previously made some derogatory public remarks about science fiction and fantasy writers, because many of their critics came from those communities; those derogatory remarks influenced the decision to make such a public test of PublishAmerica's claims.<ref>{{cite web|url=http://www.scifidimensions.com/May05/ahschadenfreud.htm |title=Ah, Schadenfreud! |accessdate=October 30, 2009 |url-status=dead |archiveurl=https://web.archive.org/web/20081030100139/http://www.scifidimensions.com/May05/ahschadenfreud.htm |archivedate=October 30, 2008 }}</ref>
 == Background ==
@@ Line 19: / Line 21: @@
 At one point, PublishAmerica posted articles on their AuthorsMarket website stating that, among other things:
 <!-- As a rule of thumb, the quality bar for sci-fi and fantasy is a lot lower than for all other fiction... {{interp|science fiction authors}} have no clue about what it is to write real-life stories, and how to find them a home... {{interp|science fiction}} writers who erroneously believe that SciFi, because it is set in a distant future, does not require believable storylines, or that Fantasy, because it is set in conditions that have never existed, does not need believable every-day characters.}} -->
-{{Cquote|quote=[S]cience-fiction and fantasy writers have it easier. It's unfair, but such is life. As a rule of thumb, the quality bar for sci-fi and fantasy is a lot lower than for all other fiction. Therefore, beware of published authors who are self-crowned writing experts. When they tell you what to do and not to do in getting your book published, always first ask them what genre they write. If it's sci-fi or fantasy, run. They have no clue about what it is to write real-life stories, and how to find them a home. Unless you are a sci-fi or fantasy author yourself.<ref>{{cite web|url=http://www.authorsmarket.net/experts.htm|title=Author's Market: Never Trust the "Experts"|archiveurl=https://web.archive.org/web/20031217113119/http://www.authorsmarket.net/experts.htm|archivedate=17 December 2003|accessdate=8 September 2009}}</ref>|source=Author's Market: ''Never Trust the "Experts"''}}<br>
+{{Cquote|quote=[S]cience-fiction and fantasy writers have it easier. It's unfair, but such is life. As a rule of thumb, the quality bar for sci-fi and fantasy is a lot lower than for all other fiction. Therefore, beware of published authors who are self-crowned writing experts. When they tell you what to do and not to do in getting your book published, always first ask them what genre they write. If it's sci-fi or fantasy, run. They have no clue about what it is to write real-life stories, and how to find them a home. Unless you are a sci-fi or fantasy author yourself.<ref>{{cite web|url=http://www.authorsmarket.net/experts.htm|title=Author's Market: Never Trust the "Experts"|archiveurl=https://web.archive.org/web/20031217113119/http://www.authorsmarket.net/experts.htm|archivedate=17 December 2003|accessdate=8 September 2009}}</ref>|source=Author's Market: ''Never Trust the "Experts"''}}
 {{Cquote|quote=But, alas, the SciFi and Fantasy genres have also attracted some of the lesser gods, writers who erroneously believe that SciFi, because it is set in a distant future, does not require believable storylines, or that Fantasy, because it is set in conditions that have never existed, does not need believable every-day characters. Obviously, and fortunately, there are not too many of them, but the ones who are indeed not ashamed to be seen as literary parasites and plagiarists, are usually the loudest, just like the proverbial wheel that needs the most grease.<ref>{{cite web|title=Author's Market: Only Trust Your Own Eyes|url=http://www.authorsmarket.net/youreyes.htm|archiveurl=https://web.archive.org/web/20031212115034/http://www.authorsmarket.net/youreyes.htm|archivedate=12 December 2003|accessdate=8 September 2009}}</ref>|source=Author's Market: ''Only Trust Your Own Eyes''}}
 == Preparation ==
-In retaliation, a group of science fiction and fantasy authors under the direction of [[James D. Macdonald]] collaborated on a deliberately low-quality work, complete with obvious grammatical errors, nonsensical passages, and a complete lack of a coherent plot. The effort was partly inspired by another collaborative "hoax" work, ''[[Naked Came the Stranger]]'', as the working title of ''Atlanta Nights'' was ''Naked Came the Badfic''.<ref name="Podcast">{{cite web | author = Denise Howell, [[James D. Macdonald]] | title = Vanity Presses: Sound Policy with Denise Howell | url = http://itc.conversationsnetwork.org/shows/detail1666.html | publisher = The Conversations Network | format = Podcast | date = 15 November 2006 | accessdate = 24 July 2008 | archive-url = https://web.archive.org/web/20080309141154/http://itc.conversationsnetwork.org/shows/detail1666.html | archive-date = 9 March 2008 | url-status = live }}</ref>
+In retaliation, a group of science fiction and fantasy authors under the direction of [[James D. Macdonald]] collaborated on a deliberately low-quality work, complete with obvious grammatical errors, nonsensical passages, and a complete lack of a coherent plot. The effort was partly inspired by another collaborative "hoax" work, ''[[Naked Came the Stranger]]'', as the working title of ''Atlanta Nights'' was ''Naked Came the Badfic''.<ref name="Podcast">{{cite web | author = Denise Howell, [[James D. Macdonald]] | title = Vanity Presses: Sound Policy with Denise Howell | url = http://itc.conversationsnetwork.org/shows/detail1666.html | publisher = The Conversations Network | format = Podcast | date = November 15, 2006 | accessdate = July 24, 2008 | archive-url = https://web.archive.org/web/20080309141154/http://itc.conversationsnetwork.org/shows/detail1666.html | archive-date = March 9, 2008 | url-status = live }}</ref>
-The distinctive flaws of ''Atlanta Nights'' include nonidentical chapters written by two different authors from the same segment of outline (13 and 15), a missing chapter (21), two chapters that are word-for-word identical (4 and 17), two different chapters with the same chapter number (12 and 12), and a chapter "written" by a computer program that generated random text based on patterns found in the previous chapters (34). Characters change gender and race; they die and reappear without explanation.  Spelling and grammar are nonstandard and the formatting is inconsistent.  The initials of characters who were named in the book spelled out the phrase "PublishAmerica is a vanity press."<ref>{{cite web|url=http://www.absolutewrite.com/forums/showpost.php?p=1032467&postcount=44|title=Absolute Write Water Cooler: Is it a bird? Is it a plane? No, it's a TURKEY!|work=absolutewrite.com|access-date=2007-01-09|archive-url=https://web.archive.org/web/20070927074329/http://www.absolutewrite.com/forums/showpost.php?p=1032467&postcount=44|archive-date=2007-09-27|url-status=live}}</ref>
+The distinctive flaws of ''Atlanta Nights'' include nonidentical chapters written by two different authors from the same segment of outline (13 and 15), a missing chapter (21), two chapters that are word-for-word identical (4 and 17), two different chapters with the same chapter number (12 and 12), and a chapter "written" by a computer program that generated random text based on patterns found in the previous chapters (34). Characters change gender and race; they die and reappear without explanation.  Spelling and grammar are nonstandard and the formatting is inconsistent.  The initials of characters who were named in the book spelled out the phrase "PublishAmerica is a vanity press."<ref>{{cite web|url=http://www.absolutewrite.com/forums/showpost.php?p=1032467&postcount=44|title=Absolute Write Water Cooler: Is it a bird? Is it a plane? No, it's a TURKEY!|work=absolutewrite.com|access-date=January 9, 2007|archive-url=https://web.archive.org/web/20070927074329/http://www.absolutewrite.com/forums/showpost.php?p=1032467&postcount=44|archive-date=September 27, 2007|url-status=live}}</ref>
 Under Macdonald's direction, the [[denouement]], which takes place in the middle of the book, revealed that [[Dream sequence|all the previous events of the plot had been a dream]], although the book continues for several more chapters.
 == Submission ==
-The completed manuscript was offered to PublishAmerica by an unrevealed person not usually associated with fiction. The manuscript was accepted for publication on 7 December 2004.<ref name=bookAcceptance />
+The completed manuscript was offered to PublishAmerica by an unrevealed person not usually associated with fiction. The manuscript was accepted for publication on December 7, 2004.<ref name=bookAcceptance /> The hoaxers reviewed the contract with legal counsel, and made the decision not to carry the hoax through to actually publishing the book.
-The hoaxers reviewed the contract with legal counsel, and made the decision not to carry the hoax through to actually publishing the book.
-On 23 January 2005, the hoax was publicly revealed by the authors.  On 24 January 2005, PublishAmerica retracted its acceptance, stating that after "further review" the novel failed to meet their standards.<ref name="pressRelease">{{cite press release|url=http://www.prweb.com/releases/2005/1/prweb202277.htm|title=Science Fiction Authors Hoax Vanity Publisher|date=28 January 2005|accessdate=5 March 2006|publisher=PRWeb| archiveurl= https://web.archive.org/web/20060203173625/http://www.prweb.com/releases/2005/1/prweb202277.htm| archivedate= 3 February 2006 | url-status= live}}</ref>
+On January 23, 2005, the authors publicly revealed the hoax, and PublishAmerica retracted its acceptance the following day, stating that after "further review" the novel failed to meet their standards.<ref name="pressRelease">{{cite press release|url=http://www.prweb.com/releases/2005/1/prweb202277.htm|title=Science Fiction Authors Hoax Vanity Publisher|date=January 28, 2005|accessdate=March 5, 2006|publisher=PRWeb| archiveurl= https://web.archive.org/web/20060203173625/http://www.prweb.com/releases/2005/1/prweb202277.htm| archivedate= February 3, 2006 | url-status= live}}</ref>
 == Publication ==
-The authors subsequently published the book through [[print on demand]] publisher [[Lulu (company)|Lulu]] under the [[pseudonym]] "[[wikt:travesty|Travis Tea]]"<ref name=book /> with all profits going to the [[Science Fiction and Fantasy Writers of America]] Emergency Medical Fund. [[Teresa Nielsen Hayden]]'s review said, "The world is full of bad books written by amateurs. But why settle for the merely regrettable? ''Atlanta Nights'' is a bad book written by experts."<ref>Nielsen Hayden, Teresa  [http://nielsenhayden.com/makinglight/archives/006032.html "Atlanta Nights and PublishAmerica"] {{Webarchive|url=https://web.archive.org/web/20101127120454/http://nielsenhayden.com/makinglight/archives/006032.html |date=2010-11-27 }}, ''Making Light'', January 28, 2005, accessed February 18, 2011.</ref>
+The authors subsequently published the book through [[print on demand]] publisher [[Lulu (company)|Lulu]] under the [[pseudonym]] "[[wikt:travesty|Travis Tea]]"<ref name=book /> with all profits going to the [[Science Fiction and Fantasy Writers of America]] Emergency Medical Fund. [[Teresa Nielsen Hayden]]'s review said, "The world is full of bad books written by amateurs. But why settle for the merely regrettable? ''Atlanta Nights'' is a bad book written by experts."<ref>Nielsen Hayden, Teresa  [http://nielsenhayden.com/makinglight/archives/006032.html "Atlanta Nights and PublishAmerica"] {{Webarchive|url=https://web.archive.org/web/20101127120454/http://nielsenhayden.com/makinglight/archives/006032.html |date=November 27, 2010 }}, ''Making Light'', January 28, 2005, accessed February 18, 2011.</ref>
 ==Authors==
@@ Line 48: / Line 49: @@
 *Chapter 4 – [[Charles Coleman Finlay]]
 *Chapter 5 – Julia West
-*Chapter 6 – Brooke West
+*Chapter 6 – Brook West
 *Chapter 7 – [[Adam-Troy Castro]]
 *Chapter 8 – [[Allen Steele]]
@@ Line 55: / Line 56: @@
 *Chapter 11 – Andrew Burt
 *Chapter 12 – [[Victoria Strauss]]
-*Chapter 12 – [[Shira Daemon]] ''(There are two "Chapter 12"s)''
+*Chapter 12 – Shira Daemon ''(There are two "Chapter 12"s)''
 *Chapter 13 – [[Vera Nazarian]]
-*Chapter 14 – [[Sean P. Fodera]]
+*Chapter 14 – Sean P. Fodera
 *Chapter 15 – [[Teresa Nielsen Hayden]]
 *Chapter 16 – Ken Houghton
 *Chapter 17 – Charles Coleman Finlay ''(Identical to Chapter 4)''
-*Chapter 18 – [[M. Turville Heitz]]
+*Chapter 18 – M. Turville Heitz
 *Chapter 19 – [[Kevin O'Donnell, Jr]]
-*Chapter 20 – [[Chuck Rothman]]
+*Chapter 20 – Chuck Rothman
-*Chapter 22 – [[Laura J. Underwood]] ''(Chapter 21 was "missing")''
+*Chapter 22 – Laura J. Underwood ''(Chapter 21 was "missing")''
-*Chapter 23 – [[Jena Snyder]]
+*Chapter 23 – Jena Snyder
 *Chapter 24 – [[Paul Melko]]
-*Chapter 25 – [[Tina Kuzminski]]
+*Chapter 25 – Tina Kuzminski
-*Chapter 26 – [[Ted Kuzminski]]
+*Chapter 26 – Ted Kuzminski
 *Chapter 27 – [[Megan Lindholm]]/[[Robin Hobb]]
-*Chapter 28 – [[Danica West|Danica]] and Brook West
+*Chapter 28 – Danica and Brook West
-*Chapter 29 – [[Rowan West|Rowan]] and Julia West
+*Chapter 29 – Rowan and Julia West
-*Chapter 30 – [[Derryl Murphy]]
+*Chapter 30 – Derryl Murphy
-*Chapter 31 – [[Michael Armstrong (author)|Michael Armstrong]]
+*Chapter 31 – Michael Armstrong
 *Chapter 32 – [[Pierce Askegren]]
-*Chapter 33 – [[Deanna Hoak]]
+*Chapter 33 – Deanna Hoak
 *Chapter 34 – Computer-generated by the software Bonsai Story Generator
-*Chapter 35 – [[Catherine Mintz]]
+*Chapter 35 – Catherine Mintz
 *Chapter 36 – [[Peter Heck]]
 *Chapter 37 – M. Turville Heitz
 *Chapter 38 –
 *Chapter 39 – [[Brenda Clough]]
-*Chapter 40 – [[Judi B. Castro]]
+*Chapter 40 – Judi B. Castro
-*Chapter 41 – [[Terry McGarry]]
+*Chapter 41 – Terry McGarry
 }}
 ==Film==
-The book and the story behind it were [[option (filmmaking)|option]]ed for a film in February 2011 by producing team [[Roy C. Booth]] and Rachael Saltzman, who were also slated to co-write and co-direct the film.  The options money has gone to the SFWA Emergency Medical Fund. Production was tentatively scheduled to begin August 2011, but on 16 May 2011 the [[crowd funding]] campaign ended without reaching its goal.<ref>{{Cite web | last = Saltzman | first = Rachael | title = Atlanta Nights: The Movie | date = February 2011 | url = http://www.kickstarter.com/projects/1603898280/atlanta-nights-the-movie | accessdate = 2011-02-15 | archive-url = https://web.archive.org/web/20110218181128/http://www.kickstarter.com/projects/1603898280/atlanta-nights-the-movie | archive-date = 2011-02-18 | url-status = live }}</ref>
+The book and the story behind it were [[option (filmmaking)|option]]ed for a film in February 2011 by producing team [[Roy C. Booth]] and Rachael Saltzman, who were also slated to co-write and co-direct the film.  The options money has gone to the SFWA Emergency Medical Fund. Production was tentatively scheduled to begin August 2011, but on May 16, 2011 the [[crowd funding]] campaign ended without reaching its goal.<ref>{{Cite web | last = Saltzman | first = Rachael | title = Atlanta Nights: The Movie | date = February 2011 | url = http://www.kickstarter.com/projects/1603898280/atlanta-nights-the-movie | accessdate = February 15, 2011 | archive-url = https://web.archive.org/web/20110218181128/http://www.kickstarter.com/projects/1603898280/atlanta-nights-the-movie | archive-date = February 18, 2011 | url-status = live }}</ref>
 ==See also==
@@ Line 98: / Line 99: @@
 ==External links==
 {{Wikiquote}}
-{{Spoken Wikipedia|Spoken Wikipedia en Atlanta Nights.ogg|2016-01-03}}
+{{Spoken Wikipedia|Spoken Wikipedia en Atlanta Nights.ogg|date=January 3, 2016}}
 *[http://www.travistea.com Travis Tea -- The Official Website]
 *[ftp://ftp.sff.net/pub/people/doylemacdonald/sting/Contract.pdf Contract]{{dead link|date=October 2016 |bot=InternetArchiveBot |fix-attempted=yes }} offered by PublishAmerica
-*[http://tvtropes.org/pmwiki/pmwiki.php/Literature/AtlantaNights Literature: Atlanta Nights] at [[TV Tropes]]
 * [http://www.sfwa.org/members/aburt/StingManuscript.pdf Full text of ''Atlanta Nights''] at the website of contributor Andrew Burt
 [[Category:2005 novels]]
 [[Category:Literary forgeries]]
-[[Category:Literary collaborations]]
+[[Category:Collaborative novels]]
 [[Category:Internet memes]]
 [[Category:Works published under a pseudonym]]