Jump to content

Isao Tomita: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
Undid revision 1088828889 by Jowa fan (talk) that sounds like Original Research and a matter of opinion. The sources already in the article support the use of Tomita, be it "mononymously" or "professionally" or whatever other term we might attribute to it. I would suggest a source is required to support your original change to argue that somehow his professional recording name isn't significant for the lede.
m Reverted edit by 189.120.77.83 (talk) to last version by 2600:1702:1E40:B030:9D9C:5E13:64C7:AE15
 
(44 intermediate revisions by 31 users not shown)
Line 1: Line 1:
{{short description|Japanese electronic musician}}
{{Short description|Japanese composer (1932–2016)}}
{{Use dmy dates|date=November 2017}}
{{Use dmy dates|date=November 2017}}
{{Infobox musical artist
{{Infobox musical artist
Line 12: Line 12:
| genre = [[Ambient music|Ambient]], [[Classical music|classical]], [[Electronic music|electronic]], [[synth-pop]], [[Trance music|proto‑trance]], [[space music]]
| genre = [[Ambient music|Ambient]], [[Classical music|classical]], [[Electronic music|electronic]], [[synth-pop]], [[Trance music|proto‑trance]], [[space music]]
| label = [[RCA Red Seal|RCA Victor]]
| label = [[RCA Red Seal|RCA Victor]]
| yearsactive = 1950–2016
| years_active = 1950–2016
| website = {{URL|http://isaotomita.net}}
| website =
| background = non_performing_personnel
| background = non_performing_personnel
}}
}}
{{nihongo|'''Isao Tomita'''|冨田 勲|Tomita Isao|extra=22 April 1932&nbsp;– 5 May 2016}},<ref>{{cite news |url=https://www.japantimes.co.jp/culture/2016/05/08/music/isao-tomita-japanese-pioneer-of-synthesizer-music-dies-at-84/ |title=Isao Tomita, Japanese pioneer of synthesizer music, dies at 84 |first=Daisuke |last=Kikuchi |date=8 May 2016 |newspaper=[[The Japan Times]] |access-date=8 May 2016}}</ref> also known [[Mononymous person|mononymously]] as '''Tomita''', was a Japanese [[composer]], regarded <ref>{{cite web |url=https://consequenceofsound.net/2016/05/r-i-p-isao-tomita-japenese-pioneer-of-electronic-music-has-died-at-age-84/ |title=R.I.P. Isao Tomita, Japanese pioneer of electronic music, has died at age 84 |last=Kaye |first=Ben |date=9 May 2016 |website=[[Consequence of Sound]] |access-date=13 January 2019}}</ref> as one of the pioneers of [[electronic music]]<ref name="jenkins_2007">{{cite book |title=Analog synthesizers: from the legacy of Moog to software synthesis |first=Mark |last=Jenkins |author-link=Mark Jenkins (musician) |publisher=[[Elsevier]] |year=2007 |isbn=978-0-240-52072-8 |pages=133–134 |url=https://books.google.com/books?id=c3EHIpo0DKwC&pg=PA133 |access-date=27 May 2011}}</ref><ref>{{cite web |url=https://news.avclub.com/r-i-p-isao-tomita-electronic-music-pioneer-1798247051 |title=R.I.P. Isao Tomita, electronic music pioneer |last=Vishnevetsky |first=Ignatiy |date=9 May 2016 |website=[[The A.V. Club]] |access-date=13 January 2019}}</ref><ref name="billboard_tomita">{{cite magazine |url=http://www.billboard.com/artist/6944629/tomita/biography |title=Isao Tomita |magazine=[[Billboard (magazine)|Billboard]] |access-date=7 April 2016 |url-status=dead |archive-url=https://web.archive.org/web/20160813152103/https://www.billboard.com/artist/6944629/tomita/biography |archive-date=13 August 2016}}</ref> and [[space music]],<ref>{{cite book |title=Electronic and experimental music: technology, music, and culture |first=Thom |last=Holmes |edition=3rd |publisher=[[Taylor & Francis]] |year=2008 |isbn=978-0-415-95781-6 |chapter=Live Electronic Music and Ambient Music |page=403 |chapter-url=https://books.google.com/books?id=hCthQ-bec-QC&pg=PA403 |access-date=12 June 2011}}</ref> and as one of the most famous producers of [[analog synthesizer]] [[arrangement]]s.<ref name="allmusic_tomita">{{AllMusic |id=q6265 |label=Tomita |access-date=4 June 2011}}</ref> In addition to creating note-by-note realizations, Tomita made extensive use of the sound-design capabilities of his instrument, using synthesizers to create new sounds to accompany and enhance his electronic realizations of acoustic instruments.<ref name="allmusic_tomita" /> He also made effective use of analog [[music sequencer]]s<ref name="jenkins_2007" /> and the [[Mellotron]], and featured futuristic [[List of science fiction themes|science-fiction themes]],<ref name="billboard_tomita" /> while laying the foundations for [[synth-pop]] music<ref>{{cite magazine |title=Snowflakes Are Dancing |magazine=[[Billboard (magazine)|Billboard]] |url=http://www.billboard.com/artist/tomita/25745#/album/tomita/snowflakes-are-dancing-electronic-performances/85902/review |access-date=28 May 2011}}</ref> and [[Trance music|trance]]-like rhythms.<ref>{{cite book |title=Electronic and experimental music: technology, music, and culture |first=Thom |last=Holmes |edition=3rd |publisher=[[Taylor & Francis]] |year=2008 |isbn=978-0-415-95781-6 |page=214 |url=https://books.google.com/books?id=hCthQ-bec-QC&pg=PA214 |access-date=28 May 2011}}</ref> Many of his albums are electronic versions and adaptations of famous classical music pieces. He received four [[Grammy Award]] nominations for his 1974 album based on music by Claude Debussy, ''[[Snowflakes Are Dancing]]''.<ref name="billboard_tomita"/>
{{nihongo|'''Isao Tomita'''|冨田 勲|Tomita Isao|extra=22 April 1932&nbsp;– 5 May 2016}},<ref>{{cite news |url=https://www.japantimes.co.jp/culture/2016/05/08/music/isao-tomita-japanese-pioneer-of-synthesizer-music-dies-at-84/ |title=Isao Tomita, Japanese pioneer of synthesizer music, dies at 84 |first=Daisuke |last=Kikuchi |date=8 May 2016 |newspaper=[[The Japan Times]] |access-date=8 May 2016}}</ref> often known simply as '''Tomita''', was a Japanese [[composer]], regarded<ref>{{cite web |url=https://consequenceofsound.net/2016/05/r-i-p-isao-tomita-japenese-pioneer-of-electronic-music-has-died-at-age-84/ |title=R.I.P. Isao Tomita, Japanese pioneer of electronic music, has died at age 84 |last=Kaye |first=Ben |date=9 May 2016 |website=[[Consequence of Sound]] |access-date=13 January 2019}}</ref> as one of the pioneers of [[electronic music]]<ref name="jenkins_2007">{{cite book |title=Analog synthesizers: from the legacy of Moog to software synthesis |first=Mark |last=Jenkins |author-link=Mark Jenkins (musician) |publisher=[[Elsevier]] |year=2007 |isbn=978-0-240-52072-8 |pages=133–134 |url=https://books.google.com/books?id=c3EHIpo0DKwC&pg=PA133 |access-date=27 May 2011}}</ref><ref>{{cite web |url=https://news.avclub.com/r-i-p-isao-tomita-electronic-music-pioneer-1798247051 |title=R.I.P. Isao Tomita, electronic music pioneer |last=Vishnevetsky |first=Ignatiy |date=9 May 2016 |website=[[The A.V. Club]] |access-date=13 January 2019}}</ref><ref name="billboard_tomita">{{cite magazine |url=http://www.billboard.com/artist/6944629/tomita/biography |title=Tomita |magazine=[[Billboard (magazine)|Billboard]] |access-date=7 April 2016 |url-status=dead |archive-url=https://web.archive.org/web/20160813152103/https://www.billboard.com/artist/6944629/tomita/biography |archive-date=13 August 2016}}</ref> and [[space music]],<ref>{{cite book |title=Electronic and experimental music: technology, music, and culture |first=Thom |last=Holmes |edition=3rd |publisher=[[Taylor & Francis]] |year=2008 |isbn=978-0-415-95781-6 |chapter=Live Electronic Music and Ambient Music |page=403 |chapter-url=https://books.google.com/books?id=hCthQ-bec-QC&pg=PA403 |access-date=12 June 2011}}</ref> and as one of the most famous producers of [[analog synthesizer]] [[arrangement]]s.<ref name="allmusic_tomita">{{AllMusic |id=q6265 |label=Tomita |access-date=4 June 2011}}</ref> In addition to creating note-by-note realizations, Tomita made extensive use of the sound-design capabilities of his instrument, using synthesizers to create new sounds to accompany and enhance his electronic realizations of acoustic instruments.<ref name="allmusic_tomita" /> He also made effective use of analog [[music sequencer]]s<ref name="jenkins_2007" /> and the [[Mellotron]], and featured futuristic [[List of science fiction themes|science-fiction themes]],<ref name="billboard_tomita" /> while laying the foundations for [[synth-pop]] music<ref>{{cite magazine |title=Snowflakes Are Dancing |magazine=[[Billboard (magazine)|Billboard]] |url=http://www.billboard.com/artist/tomita/25745#/album/tomita/snowflakes-are-dancing-electronic-performances/85902/review |access-date=28 May 2011}}</ref> and [[Trance music|trance]]-like rhythms.<ref>{{cite book |title=Electronic and experimental music: technology, music, and culture |first=Thom |last=Holmes |edition=3rd |publisher=[[Taylor & Francis]] |year=2008 |isbn=978-0-415-95781-6 |page=214 |url=https://books.google.com/books?id=hCthQ-bec-QC&pg=PA214 |access-date=28 May 2011}}</ref> Many of his albums are electronic versions and adaptations of familiar classical music pieces. He received four [[Grammy Award]] nominations for his 1974 album based on music by Claude Debussy, ''[[Snowflakes Are Dancing]]''.<ref name="billboard_tomita"/>


==Biography==
==Biography==
Line 32: Line 32:
Tomita then started arranging [[Claude Debussy]]'s [[Impressionism in music|impressionist]] pieces for synthesizer and, in 1974, released the album ''[[Snowflakes Are Dancing]]''; it became a worldwide success and was responsible for popularizing several aspects of synthesizer programming. It was the top-selling classical music album for that year. The album's contents included [[Ambient music|ambience]], realistic string simulations, an early attempt to synthesize the sound of a [[orchestra|symphony orchestra]], whistles, and abstract [[Cowbell (instrument)|bell-like]] sounds, as well as a number of processing effects including [[reverberation]], [[Phase (waves)#Phase shift|phase shifting]], [[flanging]], and [[ring modulation]]. [[Quadraphonic sound|Quadraphonic]] versions of the album provided a [[3D audio effect|spatial audio effect]] using four speakers.<ref name="jenkins_2007" /> A particularly significant achievement was its [[Polyphony|polyphonic]] sound, created prior to the era of [[Polyphony and monophony in instruments#Polyphonic|polyphonic synthesizers]]. Tomita created the album's polyphony as Carlos had done before him, with the use of [[multitrack recording]], recording each voice of a piece one at a time, on a separate tape track, and then mixing the result to stereo or quad. It took 14 months to produce the album.<ref name="amordian_1977">{{cite magazine |url=https://books.google.com/books?id=vb4JAQAAMAAJ |title=Tomita |magazine=[[Musician (magazine)|Musician, Player and Listener]] |issue=8 |publisher=Amordian Press |year=1977 |page=40 |access-date=28 May 2011 }}</ref>
Tomita then started arranging [[Claude Debussy]]'s [[Impressionism in music|impressionist]] pieces for synthesizer and, in 1974, released the album ''[[Snowflakes Are Dancing]]''; it became a worldwide success and was responsible for popularizing several aspects of synthesizer programming. It was the top-selling classical music album for that year. The album's contents included [[Ambient music|ambience]], realistic string simulations, an early attempt to synthesize the sound of a [[orchestra|symphony orchestra]], whistles, and abstract [[Cowbell (instrument)|bell-like]] sounds, as well as a number of processing effects including [[reverberation]], [[Phase (waves)#Phase shift|phase shifting]], [[flanging]], and [[ring modulation]]. [[Quadraphonic sound|Quadraphonic]] versions of the album provided a [[3D audio effect|spatial audio effect]] using four speakers.<ref name="jenkins_2007" /> A particularly significant achievement was its [[Polyphony|polyphonic]] sound, created prior to the era of [[Polyphony and monophony in instruments#Polyphonic|polyphonic synthesizers]]. Tomita created the album's polyphony as Carlos had done before him, with the use of [[multitrack recording]], recording each voice of a piece one at a time, on a separate tape track, and then mixing the result to stereo or quad. It took 14 months to produce the album.<ref name="amordian_1977">{{cite magazine |url=https://books.google.com/books?id=vb4JAQAAMAAJ |title=Tomita |magazine=[[Musician (magazine)|Musician, Player and Listener]] |issue=8 |publisher=Amordian Press |year=1977 |page=40 |access-date=28 May 2011 }}</ref>


In his early albums, Tomita also made effective use of analog [[music sequencer]]s, which he used for pitch, filter or effects changes and processed Mellotron sounds - especially 8 Voice Choir, creating quite stunning ethereal effects. Tomita's modular human whistle sounds would also be copied in the presets of later electronic instruments.<ref>{{cite book |title=Analog synthesizers: from the legacy of Moog to software synthesis |first=Mark |last=Jenkins |author-link=Mark Jenkins (musician) |publisher=[[Elsevier]] |year=2007 |isbn=978-0-240-52072-8 |page=192 |url=https://books.google.com/books?id=c3EHIpo0DKwC&pg=PA133 |access-date=27 May 2011}}</ref> His version of "[[Deux arabesques|Arabesque No. 1]]" was later used as the theme to the astronomy television series ''[[Star Gazers|Jack Horkheimer: Star Gazer]]'' (originally titled ''Star Hustler'') seen on most [[PBS]] stations in the United States; in Japan, parts of his version of "Rêverie" were used for the opening and closing of [[Fuji Television]]'s transmissions; in Spain, "Arabesque No. 1" was also used for the intro and the outro for the children TV program ''Planeta Imaginario'' (imaginary planet).<ref>{{cite web |title=Intro for Planeta Imaginario |url=https://www.youtube.com/watch?v=CO3RoBZsbg4 |archive-url=https://ghostarchive.org/varchive/youtube/20211212/CO3RoBZsbg4| archive-date=2021-12-12 |url-status=live|date=16 February 2015 |website=YouTube}}{{cbignore}}</ref>
In his early albums, Tomita also made effective use of analog [[music sequencer]]s, which he used for pitch, filter or effects changes and processed Mellotron sounds - especially 8 Voice Choir, creating quite stunning ethereal effects. Tomita's modular human whistle sounds would also be copied in the presets of later electronic instruments.<ref>{{cite book |title=Analog synthesizers: from the legacy of Moog to software synthesis |first=Mark |last=Jenkins |author-link=Mark Jenkins (musician) |publisher=[[Elsevier]] |year=2007 |isbn=978-0-240-52072-8 |page=192 |url=https://books.google.com/books?id=c3EHIpo0DKwC&pg=PA133 |access-date=27 May 2011}}</ref> His version of "[[Deux arabesques|Arabesque No. 1]]" was later used as the theme to the astronomy television series ''[[Star Gazers|Jack Horkheimer: Star Gazer]]'' (originally titled ''Star Hustler'') seen on most [[PBS]] stations in the United States; in Japan, parts of his version of "Rêverie" were used for the opening and closing of [[Fuji Television]]'s transmissions; in Catalonia, "Arabesque No. 1" was also used for the intro and the outro for the children TV 1983 program ''Planeta Imaginari'' (imaginary planet).<ref>{{cite web |title=Intro for Planeta Imaginario |url=https://www.youtube.com/watch?v=CO3RoBZsbg4 |archive-url=https://ghostarchive.org/varchive/youtube/20211212/CO3RoBZsbg4| archive-date=2021-12-12 |url-status=live|date=16 February 2015 |website=YouTube}}{{cbignore}}</ref>


Following the success of ''Snowflakes Are Dancing'' (1974), Tomita released a number of "classically" themed albums, including arrangements of: [[Igor Stravinsky]]'s ''[[The Firebird]]'' (1976), [[Modest Mussorgsky]]'s ''[[Pictures at an Exhibition]]'' (1976), and [[Gustav Holst]]'s ''[[The Planets]]'' (1976). ''Holst: The Planets'' introduced a science fiction "[[Space music|space theme]]".<ref name="billboard_tomita" /> This album sparked controversy on its release, as [[Imogen Holst]], daughter of [[Gustav Holst]], refused permission for her father's work to be interpreted in this way.<ref>{{cite journal |title=Feedback |journal=New Scientist |date=July 1999 |issue=2194 |url=https://www.newscientist.com/article/mg16321947-100-feedback/ |access-date=March 6, 2022 |quote=In 1977 Tomita recorded an electronic version of ''The Planets'', which shot to number one in the US classical music charts. But Holst's estate in Britain hated the idea of this electronic tampering, and won a court injunction banning release in Britain. Holst died in 1934, so his music all went out of copyright in 1984. But in 1995 a new law from Brussels extended European copyrights by 20 years, apparently putting ''The Planets'' back under cover until 2004. But lawyers then found a loophole in the new law. It made no provision for extending injunctions as well as copyright. Imogen Holst, who fought for the original injunction, has died. So Tomita is now free to do whatever he likes with Gustav's music. Rock on, Tomita.}}</ref>
Following the success of ''Snowflakes Are Dancing'' (1974), Tomita released a number of "classically" themed albums, including arrangements of: [[Igor Stravinsky]]'s ''[[The Firebird]]'' (1976), [[Modest Mussorgsky]]'s ''[[Pictures at an Exhibition]]'' (1976), and [[Gustav Holst]]'s ''[[The Planets]]'' (1976). ''Holst: The Planets'' introduced a science fiction "[[Space music|space theme]]".<ref name="billboard_tomita" /> This album sparked controversy on its release, as [[Imogen Holst]], daughter of [[Gustav Holst]], refused permission for her father's work to be interpreted in this way.<ref>{{cite journal |title=Feedback |journal=New Scientist |date=July 1999 |issue=2194 |url=https://www.newscientist.com/article/mg16321947-100-feedback/ |access-date=March 6, 2022 |quote=In 1977 Tomita recorded an electronic version of ''The Planets'', which shot to number one in the US classical music charts. But Holst's estate in Britain hated the idea of this electronic tampering, and won a court injunction banning release in Britain. Holst died in 1934, so his music all went out of copyright in 1984. But in 1995 a new law from Brussels extended European copyrights by 20 years, apparently putting ''The Planets'' back under cover until 2004. But lawyers then found a loophole in the new law. It made no provision for extending injunctions as well as copyright. Imogen Holst, who fought for the original injunction, has died. So Tomita is now free to do whatever he likes with Gustav's music. Rock on, Tomita.}}</ref>
Line 43: Line 43:
In 1984, Tomita released ''Canon of the Three Stars'', which featured classical pieces renamed for astronomical objects. For example, the title piece is his version of [[Pachelbel's Canon]] in D Major. He credits himself with "The Plasma Symphony Orchestra", which was a computer synthesizer process using the wave forms of electromagnetic emanations from various stars and constellations for the sonic textures of this album.
In 1984, Tomita released ''Canon of the Three Stars'', which featured classical pieces renamed for astronomical objects. For example, the title piece is his version of [[Pachelbel's Canon]] in D Major. He credits himself with "The Plasma Symphony Orchestra", which was a computer synthesizer process using the wave forms of electromagnetic emanations from various stars and constellations for the sonic textures of this album.


Tomita performed a number of outdoor "SoundCloud" concerts, with speakers surrounding the audience in a "cloud of sound". He gave a big concert in 1984 at the annual contemporary music [[Ars Electronica]] festival in [[Linz]], [[Austria]] called ''Mind of the Universe'', mixing tracks live in a glass [[pyramid]] suspended over an audience of 80,000 people. He performed another concert in New York two years later to celebrate the [[Statue of Liberty]] centennial (''Back to the Earth'') as well as one in Sydney in 1988 for Australia's bicentennial. The Australian performance was part of a A$7&nbsp;million gift from Japan to New South Wales, which included the largest fireworks display up to that time: six fixed sound and lighting systems&nbsp;— one of those on a moored barge in the centre of a bay, the other flown in by Chinook helicopter&nbsp;— for the relevant parts of the show. A fleet of barges with Japanese cultural performances, including [[kabuki]] fire drumming, passed by at various times. His last SoundCloud event was in Nagoya, Japan in 1997, featuring guest performances by [[The Manhattan Transfer]], [[Ray Charles]], [[Dionne Warwick]], and [[Rick Wakeman]].
Tomita performed a number of outdoor "SoundCloud" concerts, with speakers surrounding the audience in a "cloud of sound". He gave a big concert in 1984 at the annual contemporary music [[Ars Electronica]] festival in [[Linz]], [[Austria]] called ''Mind of the Universe'', mixing tracks live in a glass [[pyramid]] suspended over an audience of 80,000 people. He also performed another two special concerts in 1986 to celebrate the [[Statue of Liberty]] centennial (''Back to the Earth'')<ref>{{Cite news |date=1986-09-13 |title=Synthesizer Concert |language=en-US |work=The New York Times |url=https://www.nytimes.com/1986/09/13/arts/synthesizer-concert.html |access-date=2023-04-24 |issn=0362-4331}}</ref><ref>{{Cite web |title=Tomita - Back to the Earth |url=http://www.tomita.org/recordings/back.html |access-date=2023-04-24 |website=www.tomita.org}}</ref> as well another one in [[Sydney]] on 1 January 1988 produced to celebrate Australia's bicentenary as unifield country. The Australian performance was part of a A$7&nbsp;million gift from Japan to the country, which included the largest fireworks display up to that time: six fixed sound and lighting systems&nbsp;— one of those on a moored barge in the centre of the [[Sydney Harbour]], another one was flown by Chinook helicopter during the relevant parts of the show. A fleet of barges with Japanese cultural performances,including a boat parade in which a kabuki theater performance was staged.passed by at various times. His last SoundCloud event was in Nagoya, Japan in 1997, featuring guest performances by [[The Manhattan Transfer]], [[Ray Charles]], [[Dionne Warwick]], and [[Rick Wakeman]].


In the late 1990s, he composed a symphonic fantasy for orchestra and synthesizer titled ''[[The Tale of Genji]]'', inspired by the eponymous old Japanese story. It was performed by symphony orchestras in Tokyo, Los Angeles, and London. A live concert CD version was released in 1999 followed by a studio version in 2000.
In the late 1990s, he composed a symphonic fantasy for orchestra and synthesizer titled ''[[The Tale of Genji]]'', inspired by the eponymous 11th-century Japanese story. It was performed by symphony orchestras in [[Tokyo]], [[Los Angeles]], and [[London]]. A live concert CD version was released in 1999 followed by a studio version in 2000.


===2001–2016: Later years===
===2001–2016: Later years===
Line 57: Line 57:


===Death===
===Death===
After having heart disease for many years, Tomita died of heart failure in Tokyo on 5 May 2016.<ref name="Bernardino">{{Cite web |last=Bernardino |first=Dexter Thomas Dexter Thomas is from San |last2=studies |first2=is a PhD candidate in East Asian studies at Cornell University He has taught media |last3=Japanese |last4=KUCR-FM |first4=is writing a book about Japanese hip-hop Thomas began working in new media as a student director of programming at |last5=Music |first5=Independently Producing Podcasts as Well as |last6=Internet |first6=news programs He has written for several outlets internationally on topics as diverse as |last7=Culture |first7=Youth |last8=Justice |first8=Social |last9=in 2016 |first9=video games He left The Times |date=2016-05-10 |title=The Japanese godfather of synthesizers who influenced Stevie Wonder has died |url=https://www.latimes.com/entertainment/music/la-et-ms-isao-tomita-stevie-wonder-20160509-snap-htmlstory.html |access-date=2023-12-26 |website=Los Angeles Times |language=en-US}}</ref>
After having heart disease for many years, Tomita died of heart failure in Tokyo on 5 May 2016.


== Legacy ==
== Legacy ==
Tomita is considered to be a pioneer in electronic music, but his influence spread beyond the genre both in Japan and overseas.<ref>{{cite news |url=https://www.japantimes.co.jp/culture/2016/05/08/music/isao-tomita-japanese-pioneer-of-synthesizer-music-dies-at-84/ |title=Isao Tomita Japanese Pioneer of Synthesizer Music dies at age 84 |newspaper=The Japan Times |access-date=8 November 2021}}</ref><ref>{{cite news |url=https://asia.nikkei.com/NAR/Articles/Japanese-synth-pioneer-Isao-Tomita-pushed-electronic-music-to-new-heights |title=Japanese synth pioneer Isao Tomita pushed electronic music to new heights |newspaper= Nikkei Asia Review |access-date=8 November 2021}}</ref>
Tomita is considered to be a pioneer in electronic music, but his influence spread beyond the genre both in Japan and overseas.<ref>{{cite news |url=https://www.japantimes.co.jp/culture/2016/05/08/music/isao-tomita-japanese-pioneer-of-synthesizer-music-dies-at-84/ |title=Isao Tomita Japanese Pioneer of Synthesizer Music dies at age 84 |newspaper=The Japan Times |access-date=8 November 2021}}</ref><ref>{{cite news |url=https://asia.nikkei.com/NAR/Articles/Japanese-synth-pioneer-Isao-Tomita-pushed-electronic-music-to-new-heights |title=Japanese synth pioneer Isao Tomita pushed electronic music to new heights |newspaper= Nikkei Asia Review |access-date=8 November 2021}}</ref>
In 1984, [[Stevie Wonder]] cited Tomita as one of the artists he respected most and a major influence exploring Romantic composers like Mussorgsky and Debussy.<ref>{{cite web |url=https://www.nytimes.com/1984/11/07/arts/the-pop-life-065214.html |newspaper=The New York Times |title=The Pop Life |date=7 November 1984 |access-date=8 November 2021}}</ref> In 1987, [[Michael Jackson]] toured Tomita's home studio.<ref>{{cite news |url=https://www.latimes.com/entertainment/music/la-et-ms-isao-tomita-stevie-wonder-20160509-snap-htmlstory.html |newspaper=LA Times |title=The Japanese godfather of synthesizers who influenced Stevie Wonder has died |date=8 May 2016}}</ref>
In 1984, [[Stevie Wonder]] cited Tomita<ref name="Bernardino"/> as one of the artists he respected most and a major influence exploring classical composers like Mussorgsky and Debussy.<ref>{{cite web |url=https://www.nytimes.com/1984/11/07/arts/the-pop-life-065214.html |newspaper=The New York Times |title=The Pop Life |date=7 November 1984 |access-date=8 November 2021}}</ref> In 1987, [[Michael Jackson]] toured Tomita's home studio.<ref>{{cite news |url=https://www.latimes.com/entertainment/music/la-et-ms-isao-tomita-stevie-wonder-20160509-snap-htmlstory.html |newspaper=Los Angeles Times |title=The Japanese godfather of synthesizers who influenced Stevie Wonder has died |date=8 May 2016}}</ref>


Tomita's music was featured during the Opening and Closing ceremonies of the [[2020 Tokyo Olympic Games]]. "Rise of the Planet 9" from Dr. Copellius composed by Tomita was played during the cauldron lighting in the Opening Ceremony, while the Debussy piece “Moonlight” arranged by Tomita was played during the extinguishing of the torch in the closing ceremony.
Tomita's music was featured during the Opening and Closing ceremonies of the [[2020 Tokyo Olympic Games]]. "Rise of the Planet 9" from Dr. Copellius composed by Tomita was played during the cauldron lighting in the Opening Ceremony, while the Debussy piece "Moonlight" arranged by Tomita was played during the extinguishing of the torch in the closing ceremony.


==Discography==
==Discography==
Line 75: Line 75:
*''[[The Planets#Adaptations|Holst: The Planets]]'' (1976) <small>US #67</small>
*''[[The Planets#Adaptations|Holst: The Planets]]'' (1976) <small>US #67</small>
*''The Bermuda Triangle'' (1978) <small>US #152</small>
*''The Bermuda Triangle'' (1978) <small>US #152</small>
*''Kosmos'' (1978) <small>US #115</small>
*''Kosmos'' also known as ''Cosmos'' and ''Space Fantasy'' (1978) <small>US #115</small>
*''Daphnis et Chloé'', also known as ''Bolero'' and ''The Ravel Album'' (1979) <ref>{{cite web |url=https://www.discogs.com/Tomita-The-Ravel-Album/release/1120619 |title=Tomita - The Ravel Album (Vinyl, LP, Album) |website=Discogs.com |access-date=5 June 2016}}</ref> <small>US #174</small>
*''Daphnis et Chloé'', also known as ''Bolero'' and ''The Ravel Album'' (1979) <ref>{{cite web |url=https://www.discogs.com/Tomita-The-Ravel-Album/release/1120619 |title=Tomita - The Ravel Album (Vinyl, LP, Album) |website=Discogs.com |year=1979 |access-date=5 June 2016}}</ref> <small>US #174</small>
*''Grand Canyon'' (1982)
*''Grand Canyon'' (1982)
*''Dawn Chorus'' (1984)
*''Dawn Chorus'', also known as ''Canon of the Three Stars'' (1984)
⚫
*''Misty Kid of Wind'' (1989)
⚫
*''Storm from the East'' (1992)
*''Shin Nihon Kikou'' (1994)
*''Nasca Fantasy'' (1994) <small>(supporting [[Kodō (taiko group)|Kodō]])</small>
*''Nasca Fantasy'' (1994) <small>(supporting [[Kodō (taiko group)|Kodō]])</small>
*''Bach Fantasy'' (1996)
*''Bach Fantasy'' (1996)
*''21 seiki e no densetsushi Shigeo Nagashima'' (2000)
*''The Tale of Genji Symphonic Fantasy'' (2000)
*''The Planets 2003'' (2003)
*''The Planets 2003'' (2003, DVD-A only)
*''The Planets - Ultimate Edition'' (2011, re-recording with an additional movement)
⚫
*''Planet Zero'' (2011)
*''The Tale of Genji Symphonic Fantasy Ultimate edition'' (2011, new recording with new movements)
*''Clair de Lune - Ultimate Edition'' (2012, revised and expanded ''[[Snowflakes Are Dancing]]'')
*''Symphony Ihatov'' (2013)
*''Symphony Ihatov'' (2013)
*''Pictures at an Exhibition - Ultimate Edition -'' (2014, revised and expanded)
⚫
*''Space Fantasy'' (2015)
*''Space Fantasy'' (2015, revised and expanded ''Kosmos'')
⚫
*''Okhotsk Fantasy'' (2016)
*''Dr. Coppelius'' (2017)


===Live albums===
===Live albums===
*''The Mind of the Universe - Live at Linz'' (1985)
*''The Mind of the Universe - Live at Linz'' (1985)
*''Back to the Earth - Live in New York'' (1988)
*''Back to the Earth - Live in New York'' (1988)
*''Hansel und Gretel'' (1993)
*''Hansel und Gretel'' (Laserdisc-only 1993)
*''The Tale of Genji'' (1999)
*''The Tale of Genji'' (1999)
⚫
*''Planet Zero'' (2011)


===Compilation albums===
===Compilation albums===
*''Sound Creature'' (1977)
*''Sound Creature'' (1977, demonstration/education album with part unreleased material)
*''Greatest Hits'' (1979)
*''Greatest Hits'' (1979)
*''A Voyage Through His Greatest Hits, Vol. 2'' (1981) <ref>{{cite web |url=https://archive.org/details/voyagethroughhis00tomi |title=A Voyage Through His Greatest Hits, Vol. 2 |last=Tomita |first=Isao |date=1981 |website=Internet Archive |access-date=10 January 2019}}</ref>
*''A Voyage Through His Greatest Hits, Vol. 2'' (1981) <ref>{{cite web |url=https://archive.org/details/voyagethroughhis00tomi |title=A Voyage Through His Greatest Hits, Vol. 2 |last=Tomita |first=Isao |date=1981 |website=Internet Archive |access-date=10 January 2019}}</ref>
*''Best of Tomita'' (1984)
*''The Best of Tomita'' (1984)
*''Space Walk - Impressions of an Astronaut'' (1984) RCA Records, USA
*''Space Walk - Impressions of an Astronaut'' (1984) RCA Records, USA
*''Tomita on NHK'' (2003)
*''Tomita on NHK'' (2003)
Line 106: Line 109:


===Soundtracks===
===Soundtracks===
* ''[[Gulliver's Travels Beyond the Moon]]'' (1965) Japanese version
* ''[[Gulliver's Travels Beyond the Moon]]'' (1965, no soundtrack album) Japanese version
*''[[Kimba the White Lion#Music|Jungle Emperor Symphonic Poem]]'' (1966)
*''[[Kimba the White Lion#Music|Jungle Emperor Symphonic Poem]]'' (1966, 2009 re-recording, orchestral suite based on the TV series)
*''Zatoichi Goes to the Fire Festival'' (1970)
*''[[Prophecies of Nostradamus]]'' (1974)
*''[[Catastrophe 1999: Prophecies of Nostradamus]]'' (1974)
*''Demon Pond'' (1979)
*''Demon Pond'' (1979, no soundtrack album)
⚫
*''[[A Class to Remember|School]]'' (1993)
⚫
*''Misty Kid of Wind'' (1989)
⚫
*''Storm from the East'' (1992)
⚫
*''[[A Class to Remember|School|Gakko]]'' (1993)
*''Shin Nihon Kikou'' (Tomita supervised re-recordings of various TV scores 1994)
*''First Emperor'' (1994) <small>(as musical supervisor)</small>
*''First Emperor'' (1994) <small>(as musical supervisor)</small>
*''[[Gakko II]]'' (1996)
*''[[Gakko II]]'' (1996)
*''[[Jungle Emperor Leo]]'' (1997)
*''[[Jungle Emperor Leo]]'' (1997)
*''21 seiki e no densetsushi Shigeo Nagashima'' (2000)
*''[[Sennen no Koi Story of Genji]]'' (2001)
*''[[Sennen no Koi Story of Genji]]'' (2001)
*''Tokyo Disney Sea Aquasphere Theme Music'' (2002)
*''Tokyo Disney Sea Aquasphere Theme Music'' (2002)
Line 122: Line 130:
*''[[Love and Honor (2006 film)|Love and Honor]]'' (2006)
*''[[Love and Honor (2006 film)|Love and Honor]]'' (2006)
*''[[Kabei: Our Mother]]'' (2008)
*''[[Kabei: Our Mother]]'' (2008)
*''[[Welcome Home, Hayabusa]]'' (2012)
*''Isao Tomita Tezuka Osamu's Work Selection of Music'' (2016) (compilation CD release in Japan) <ref>{{cite web |url=http://columbia.jp/artist-info/tomita/discography/COCX-39821-5.html |title=冨田 勲 手塚治虫作品 音楽選集 |website=Nippon Columbia |language=ja |access-date=13 January 2019}}</ref>
*''Isao Tomita Tezuka Osamu's Work Selection of Music'' (2016) (compilation CD release in Japan) <ref>{{cite web |url=http://columbia.jp/artist-info/tomita/discography/COCX-39821-5.html |title=冨田 勲 手塚治虫作品 音楽選集 |website=Nippon Columbia |language=ja |access-date=13 January 2019}}</ref>


{{div col end}}
{{div col end}}

==Honours==
*[[File:JPN Kyokujitsu-sho 4Class BAR.svg|55px|ribbon bar]] [[Order of the Rising Sun|Order of the Rising Sun, 4th Class, Gold Rays with Rosette]] (2003)<ref>{{cite web |url= https://columbia.jp/~tomita/prof.html|title= 冨田勲プロフィール|access-date= December 30, 2023|work= Columbia Music Entertainment}}</ref>


==See also==
==See also==
Line 139: Line 151:
* [http://www.last.fm/music/Isao+Tomita Isao Tomita] - Last.fm
* [http://www.last.fm/music/Isao+Tomita Isao Tomita] - Last.fm
* {{IMDb name|0866724|Isao Tomita}}
* {{IMDb name|0866724|Isao Tomita}}
* [https://www.namm.org/library/oral-history/isao-tomita Isao Tomita Interview] NAMM Oral History Library (2014)
* [https://www.namm.org/library/oral-history/isao-tomita Isao Tomita Interview] at [[NAMM Oral History Program|NAMM Oral History Collection]] (2014)
* [http://www.tomita.org Fans' "Sound Creature" website] (includes [http://www.tomita.org/biography_one.html Fans' biography])
{{Electronic music}}
{{Electronic music}}
{{Electronic rock}}
{{Electronic rock}}
Line 148: Line 161:
[[Category:2016 deaths]]
[[Category:2016 deaths]]
[[Category:Anime composers]]
[[Category:Anime composers]]
⚫
[[Category:Composers from Tokyo]]
⚫
[[Category:Electronic composers]]
[[Category:Japanese classical composers]]
[[Category:Japanese classical musicians]]
[[Category:Japanese classical musicians]]
[[Category:Japanese electronic musicians]]
[[Category:Japanese electronic musicians]]
[[Category:Japanese film score composers]]
[[Category:Japanese film score composers]]
[[Category:Japanese male classical composers]]
[[Category:Japanese male film score composers]]
[[Category:Japanese male film score composers]]
[[Category:Japanese video game composers]]
[[Category:Keio University alumni]]
[[Category:Keio University alumni]]
⚫
[[Category:Musicians from Tokyo]]
[[Category:New-age composers]]
[[Category:New-age composers]]
[[Category:New-age synthesizer players]]
[[Category:New-age synthesizer players]]
[[Category:RCA Victor artists]]
[[Category:RCA Victor artists]]
[[Category:Recipients of the Order of the Rising Sun, 4th class]]
[[Category:Recipients of the Order of the Rising Sun, 4th class]]
⚫
[[Category:Video game composers]]
[[Category:Vocaloid musicians]]
[[Category:Vocaloid musicians]]

Latest revision as of 02:02, 4 July 2024

Isao Tomita
冨田 勲
Isao Tomita in 1977
Isao Tomita in 1977
Background information
Born(1932-04-22)22 April 1932
Tokyo, Empire of Japan
Died5 May 2016(2016-05-05) (aged 84)
Tokyo, Japan
GenresAmbient, classical, electronic, synth-pop, proto‑trance, space music
Years active1950–2016
LabelsRCA Victor

Isao Tomita (冨田 勲, Tomita Isao, 22 April 1932 – 5 May 2016),[1] often known simply as Tomita, was a Japanese composer, regarded[2] as one of the pioneers of electronic music[3][4][5] and space music,[6] and as one of the most famous producers of analog synthesizer arrangements.[7] In addition to creating note-by-note realizations, Tomita made extensive use of the sound-design capabilities of his instrument, using synthesizers to create new sounds to accompany and enhance his electronic realizations of acoustic instruments.[7] He also made effective use of analog music sequencers[3] and the Mellotron, and featured futuristic science-fiction themes,[5] while laying the foundations for synth-pop music[8] and trance-like rhythms.[9] Many of his albums are electronic versions and adaptations of familiar classical music pieces. He received four Grammy Award nominations for his 1974 album based on music by Claude Debussy, Snowflakes Are Dancing.[5]

Biography

[edit]

1932–1968: Early life and composing career

[edit]

Tomita was born in Tokyo and spent his early childhood with his father in China. After returning to Japan, he took private lessons in orchestration and composition while an art history student at Keio University, Tokyo. He graduated in 1955 and became a full-time composer for television, film and theatre. He composed the theme music for the Japanese Olympic gymnastics team for the 1956 Summer Olympics in Melbourne, Australia.

In 1965, Tomita wrote music for Osamu Tezuka's Kimba the White Lion, but the American-English version had a different theme by Bernie Baum, Bill Giant and Florence Kaye. In the same year he scored the original Japanese version of Gulliver's Travels Beyond the Moon, but the film was re-scored by Milton DeLugg when it was dubbed into English.

In 1966, he wrote a tone poem based on the Kimba the White Lion, and an original video animation synchronized to this tone poem was released in 1991. With Kunio Miyauchi, he created the music for the tokusatsu science fiction/espionage/action television series Mighty Jack, which aired in 1968. The same year, he co-founded Group TAC.[10]

1969-1979: Electronic music

[edit]

In the late 1960s, Tomita turned to electronic music with the impetus of Wendy Carlos and Robert Moog's work with synthesizers. He acquired a Moog III synthesizer and began building his home studio. He eventually realized that synthesizers could be used to create entirely new sounds in addition to mimicking other instruments.[7] His first electronic album was Electric Samurai: Switched on Rock, released in Japan in 1972 and in the United States in 1974. The album featured electronic renditions of contemporary rock and pop songs, while utilizing speech synthesis in place of a human voice.

Tomita then started arranging Claude Debussy's impressionist pieces for synthesizer and, in 1974, released the album Snowflakes Are Dancing; it became a worldwide success and was responsible for popularizing several aspects of synthesizer programming. It was the top-selling classical music album for that year. The album's contents included ambience, realistic string simulations, an early attempt to synthesize the sound of a symphony orchestra, whistles, and abstract bell-like sounds, as well as a number of processing effects including reverberation, phase shifting, flanging, and ring modulation. Quadraphonic versions of the album provided a spatial audio effect using four speakers.[3] A particularly significant achievement was its polyphonic sound, created prior to the era of polyphonic synthesizers. Tomita created the album's polyphony as Carlos had done before him, with the use of multitrack recording, recording each voice of a piece one at a time, on a separate tape track, and then mixing the result to stereo or quad. It took 14 months to produce the album.[11]

In his early albums, Tomita also made effective use of analog music sequencers, which he used for pitch, filter or effects changes and processed Mellotron sounds - especially 8 Voice Choir, creating quite stunning ethereal effects. Tomita's modular human whistle sounds would also be copied in the presets of later electronic instruments.[12] His version of "Arabesque No. 1" was later used as the theme to the astronomy television series Jack Horkheimer: Star Gazer (originally titled Star Hustler) seen on most PBS stations in the United States; in Japan, parts of his version of "Rêverie" were used for the opening and closing of Fuji Television's transmissions; in Catalonia, "Arabesque No. 1" was also used for the intro and the outro for the children TV 1983 program Planeta Imaginari (imaginary planet).[13]

Following the success of Snowflakes Are Dancing (1974), Tomita released a number of "classically" themed albums, including arrangements of: Igor Stravinsky's The Firebird (1976), Modest Mussorgsky's Pictures at an Exhibition (1976), and Gustav Holst's The Planets (1976). Holst: The Planets introduced a science fiction "space theme".[5] This album sparked controversy on its release, as Imogen Holst, daughter of Gustav Holst, refused permission for her father's work to be interpreted in this way.[14]

1978's Kosmos featured his renditions of Arthur Honegger's Pacific 231, Charles Ives's The Unanswered Question and the Star Wars theme.[15]

While working on his classical synthesizer albums, Tomita also composed numerous scores for Japanese television and films, including the Zatoichi television series, two Zatoichi feature films, the Oshi Samurai (Mute Samurai) television series and the Toho science fiction disaster film, Catastrophe 1999, The Prophesies of Nostradamus (U.S. title: Last Days of Planet Earth) in 1974. The latter blends synthesizer performances with pop-rock and orchestral instruments. It and a few other partial and complete scores of the period have been released on LP and later CD over the years in Japan. While not bootlegs, at least some of these releases were issued by film and television production companies without Tomita's artistic approval.

1980-2000: SoundCloud concerts

[edit]

In 1984, Tomita released Canon of the Three Stars, which featured classical pieces renamed for astronomical objects. For example, the title piece is his version of Pachelbel's Canon in D Major. He credits himself with "The Plasma Symphony Orchestra", which was a computer synthesizer process using the wave forms of electromagnetic emanations from various stars and constellations for the sonic textures of this album.

Tomita performed a number of outdoor "SoundCloud" concerts, with speakers surrounding the audience in a "cloud of sound". He gave a big concert in 1984 at the annual contemporary music Ars Electronica festival in Linz, Austria called Mind of the Universe, mixing tracks live in a glass pyramid suspended over an audience of 80,000 people. He also performed another two special concerts in 1986 to celebrate the Statue of Liberty centennial (Back to the Earth)[16][17] as well another one in Sydney on 1 January 1988 produced to celebrate Australia's bicentenary as unifield country. The Australian performance was part of a A$7 million gift from Japan to the country, which included the largest fireworks display up to that time: six fixed sound and lighting systems — one of those on a moored barge in the centre of the Sydney Harbour, another one was flown by Chinook helicopter during the relevant parts of the show. A fleet of barges with Japanese cultural performances,including a boat parade in which a kabuki theater performance was staged.passed by at various times. His last SoundCloud event was in Nagoya, Japan in 1997, featuring guest performances by The Manhattan Transfer, Ray Charles, Dionne Warwick, and Rick Wakeman.

In the late 1990s, he composed a symphonic fantasy for orchestra and synthesizer titled The Tale of Genji, inspired by the eponymous 11th-century Japanese story. It was performed by symphony orchestras in Tokyo, Los Angeles, and London. A live concert CD version was released in 1999 followed by a studio version in 2000.

2001–2016: Later years

[edit]

In 2001, Tomita collaborated with The Walt Disney Company to compose the background atmosphere music for the AquaSphere entrance at the Tokyo DisneySea theme park outside Tokyo. Tomita followed this with a synthesizer score featuring acoustic soloists for the 2002 film The Twilight Samurai (たそがれ清兵衛, Tasogare Seibei), which won the 2003 Japanese Academy Award for Outstanding Achievement in Music.

The advent of the DVD-Audio format allowed Tomita to further pursue his interests in multichannel audio with reworked releases of The Tale of Genji Symphonic Fantasy and The Tomita Planets 2003. He also performed a version of Claude Debussy's "Clair de lune" for the soundtrack of Ocean's 13 in 2007.

In 2012 Tomita performed "Symphony Ihatov" in Tokyo, directing the Japan Philharmonic, an accompanying choir, and featuring cyber-celebrity/diva, Hatsune Miku, a digital avatar created by the Japanese company Crypton Future Media.[18]

In 2015, a number of tracks from Snowflakes are Dancing were featured on the soundtrack to Heaven Knows What, an American film directed by the Safdie brothers. The same year, in recognition of his long career and global influence on electronic music, Tomita won the Japan Foundation Award, an award launched "to honor individuals or organizations who have made a significant contribution to promoting understanding and friendship between Japan and the rest of the world through academic, artistic and other cultural pursuits".[19]

Death

[edit]

After having heart disease for many years, Tomita died of heart failure in Tokyo on 5 May 2016.[20]

Legacy

[edit]

Tomita is considered to be a pioneer in electronic music, but his influence spread beyond the genre both in Japan and overseas.[21][22] In 1984, Stevie Wonder cited Tomita[20] as one of the artists he respected most and a major influence exploring classical composers like Mussorgsky and Debussy.[23] In 1987, Michael Jackson toured Tomita's home studio.[24]

Tomita's music was featured during the Opening and Closing ceremonies of the 2020 Tokyo Olympic Games. "Rise of the Planet 9" from Dr. Copellius composed by Tomita was played during the cauldron lighting in the Opening Ceremony, while the Debussy piece "Moonlight" arranged by Tomita was played during the extinguishing of the torch in the closing ceremony.

Discography

[edit]

Studio albums

[edit]
  • Switched on Rock (1972) (as Electric Samurai)
  • Snowflakes Are Dancing (1974) US #57 Can #57
  • Pictures at an Exhibition (1975) US #49 Can #55
  • Firebird (1976) US #71 Can #88
  • Holst: The Planets (1976) US #67
  • The Bermuda Triangle (1978) US #152
  • Kosmos also known as Cosmos and Space Fantasy (1978) US #115
  • Daphnis et Chloé, also known as Bolero and The Ravel Album (1979) [25] US #174
  • Grand Canyon (1982)
  • Dawn Chorus, also known as Canon of the Three Stars (1984)
  • Nasca Fantasy (1994) (supporting Kodō)
  • Bach Fantasy (1996)
  • The Tale of Genji Symphonic Fantasy (2000)
  • The Planets 2003 (2003, DVD-A only)
  • The Planets - Ultimate Edition (2011, re-recording with an additional movement)
  • The Tale of Genji Symphonic Fantasy Ultimate edition (2011, new recording with new movements)
  • Clair de Lune - Ultimate Edition (2012, revised and expanded Snowflakes Are Dancing)
  • Symphony Ihatov (2013)
  • Pictures at an Exhibition - Ultimate Edition - (2014, revised and expanded)
  • Space Fantasy (2015, revised and expanded Kosmos)
  • Okhotsk Fantasy (2016)
  • Dr. Coppelius (2017)

Live albums

[edit]
  • The Mind of the Universe - Live at Linz (1985)
  • Back to the Earth - Live in New York (1988)
  • Hansel und Gretel (Laserdisc-only 1993)
  • The Tale of Genji (1999)
  • Planet Zero (2011)

Compilation albums

[edit]
  • Sound Creature (1977, demonstration/education album with part unreleased material)
  • Greatest Hits (1979)
  • A Voyage Through His Greatest Hits, Vol. 2 (1981) [26]
  • The Best of Tomita (1984)
  • Space Walk - Impressions of an Astronaut (1984) RCA Records, USA
  • Tomita on NHK (2003)
  • Tomita Different Dimensions (1997)

Soundtracks

[edit]

Honours

[edit]

See also

[edit]

References

[edit]
  1. ^ Kikuchi, Daisuke (8 May 2016). "Isao Tomita, Japanese pioneer of synthesizer music, dies at 84". The Japan Times. Retrieved 8 May 2016.
  2. ^ Kaye, Ben (9 May 2016). "R.I.P. Isao Tomita, Japanese pioneer of electronic music, has died at age 84". Consequence of Sound. Retrieved 13 January 2019.
  3. ^ a b c Jenkins, Mark (2007). Analog synthesizers: from the legacy of Moog to software synthesis. Elsevier. pp. 133–134. ISBN 978-0-240-52072-8. Retrieved 27 May 2011.
  4. ^ Vishnevetsky, Ignatiy (9 May 2016). "R.I.P. Isao Tomita, electronic music pioneer". The A.V. Club. Retrieved 13 January 2019.
  5. ^ a b c d "Tomita". Billboard. Archived from the original on 13 August 2016. Retrieved 7 April 2016.
  6. ^ Holmes, Thom (2008). "Live Electronic Music and Ambient Music". Electronic and experimental music: technology, music, and culture (3rd ed.). Taylor & Francis. p. 403. ISBN 978-0-415-95781-6. Retrieved 12 June 2011.
  7. ^ a b c Tomita at AllMusic. Retrieved 4 June 2011.
  8. ^ "Snowflakes Are Dancing". Billboard. Retrieved 28 May 2011.
  9. ^ Holmes, Thom (2008). Electronic and experimental music: technology, music, and culture (3rd ed.). Taylor & Francis. p. 214. ISBN 978-0-415-95781-6. Retrieved 28 May 2011.
  10. ^ Clements, Jonathan; McCarthy, Helen (2006). The Anime Encyclopedia, Revised & Expanded Edition: A Guide to Japanese Animation Since 1917. Berkeley, California: Stone Bridge Press. p. 253. ISBN 978-1-933330-10-5.
  11. ^ "Tomita". Musician, Player and Listener. No. 8. Amordian Press. 1977. p. 40. Retrieved 28 May 2011.
  12. ^ Jenkins, Mark (2007). Analog synthesizers: from the legacy of Moog to software synthesis. Elsevier. p. 192. ISBN 978-0-240-52072-8. Retrieved 27 May 2011.
  13. ^ "Intro for Planeta Imaginario". YouTube. 16 February 2015. Archived from the original on 12 December 2021.
  14. ^ "Feedback". New Scientist (2194). July 1999. Retrieved 6 March 2022. In 1977 Tomita recorded an electronic version of The Planets, which shot to number one in the US classical music charts. But Holst's estate in Britain hated the idea of this electronic tampering, and won a court injunction banning release in Britain. Holst died in 1934, so his music all went out of copyright in 1984. But in 1995 a new law from Brussels extended European copyrights by 20 years, apparently putting The Planets back under cover until 2004. But lawyers then found a loophole in the new law. It made no provision for extending injunctions as well as copyright. Imogen Holst, who fought for the original injunction, has died. So Tomita is now free to do whatever he likes with Gustav's music. Rock on, Tomita.
  15. ^ "Tomita: Kosmos". isaotomita.net. Retrieved 13 January 2019.
  16. ^ "Synthesizer Concert". The New York Times. 13 September 1986. ISSN 0362-4331. Retrieved 24 April 2023.
  17. ^ "Tomita - Back to the Earth". www.tomita.org. Retrieved 24 April 2023.
  18. ^ Fox, Margalit (11 May 2016). "Isao Tomita Dies at 84; Combined Electronic and Classical Music". The New York Times. Retrieved 31 May 2018.
  19. ^ Kikuchi, Daisuke (10 January 2016). "Isao Tomita's journey from snowflakes to holograms". The Japan Times. Retrieved 1 February 2016.
  20. ^ a b Bernardino, Dexter Thomas Dexter Thomas is from San; studies, is a PhD candidate in East Asian studies at Cornell University He has taught media; Japanese; KUCR-FM, is writing a book about Japanese hip-hop Thomas began working in new media as a student director of programming at; Music, Independently Producing Podcasts as Well as; Internet, news programs He has written for several outlets internationally on topics as diverse as; Culture, Youth; Justice, Social; in 2016, video games He left The Times (10 May 2016). "The Japanese godfather of synthesizers who influenced Stevie Wonder has died". Los Angeles Times. Retrieved 26 December 2023.{{cite web}}: CS1 maint: numeric names: authors list (link)
  21. ^ "Isao Tomita Japanese Pioneer of Synthesizer Music dies at age 84". The Japan Times. Retrieved 8 November 2021.
  22. ^ "Japanese synth pioneer Isao Tomita pushed electronic music to new heights". Nikkei Asia Review. Retrieved 8 November 2021.
  23. ^ "The Pop Life". The New York Times. 7 November 1984. Retrieved 8 November 2021.
  24. ^ "The Japanese godfather of synthesizers who influenced Stevie Wonder has died". Los Angeles Times. 8 May 2016.
  25. ^ "Tomita - The Ravel Album (Vinyl, LP, Album)". Discogs.com. 1979. Retrieved 5 June 2016.
  26. ^ Tomita, Isao (1981). "A Voyage Through His Greatest Hits, Vol. 2". Internet Archive. Retrieved 10 January 2019.
  27. ^ "冨田 勲 手塚治虫作品 音楽選集". Nippon Columbia (in Japanese). Retrieved 13 January 2019.
  28. ^ "冨田勲プロフィール". Columbia Music Entertainment. Retrieved 30 December 2023.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Isao_Tomita&oldid=1232501790"