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{{Short description|Austrian painter (1768–1839)}}
{{No footnotes|date=June 2013}}
{{No footnotes|date=June 2013}}
{{Infobox artist

| image = Joseph-Anton-Koch.jpg
{{Infobox artist
| caption = Drawing by [[Theodor Rehbenitz]], 1830
|image = Joseph-Anton-Koch.jpg
| birth_place= [[Elbigenalp]], [[Tyrol]], Austria
| birth_date = {{Birth date|1768|07|27|df=y}}
| death_date = {{Death date and age|1839|01|12|1768|07|27|df=yes}}
| death_place = [[Rome]], Italy
| resting_place = [[Teutonic Cemetery]]
}}
}}

'''Joseph Anton Koch''' (27 July 1768 – 12 January 1839) was an [[Austria]]n [[Painting|painter]] of [[Neoclassicism]] and later the [[German Romanticism|German Romantic]] movement; he is perhaps the most significant neoclassical landscape painter.
'''Joseph Anton Koch''' (27 July 1768 – 12 January 1839) was an Austrian painter of [[Neoclassicism]] and later the [[German Romanticism|German Romantic]] movement; he is perhaps the most significant neoclassical landscape painter.


==Biography==
==Biography==
[[File:Joseph Anton Koch (Austrian - Landscape with Abraham and the Three Angels in the Valley of Mambre - Google Art Project.jpg|thumbnail|left| Joseph Anton Koch (Austrian - Landscape with Abraham and the Three Angels in the Valley of Mambre]]
[[File:Joseph Anton Koch (Austrian - Landscape with Abraham and the Three Angels in the Valley of Mambre - Google Art Project.jpg|thumbnail|left|''Landscape with Abraham and the Three Angels in the Valley of Mambre'']]
The [[county of Tyrol|Tyrolese]] painter was born in [[Elbigenalp]]. Early in his life he was tending cattle. Through the recommendation of Bishop Umgelder (1785), he received academic training in the [[Karlsschule Stuttgart]], a strict military academy. In 1791, he ran away, and traveled through France and Switzerland. He arrived in [[Rome]] in 1795. Koch was close to the painter [[Asmus Jacob Carstens]] and carried on Carstens' "heroic" art, at first in a literal manner. He etched the pages of Carstens' ''Les Argonautes, selon Pindar, Orphée et Apollonius de Rhode'' (Rome, 1799).
The [[county of Tyrol|Tyrolese]] painter was born in [[Elbigenalp]]. Early in his life he was tending cattle. Through the recommendation of Bishop Umgelder (1785), he received academic training in the [[Karlsschule Stuttgart]], a strict military academy. In 1791, he ran away, and traveled through France and Switzerland. He arrived in [[Rome]] in 1795. Koch was close to the painter [[Asmus Jacob Carstens]] and carried on Carstens' "heroic" art, at first in a literal manner. He etched the pages of Carstens' ''Les Argonautes, selon Pindar, Orphée et Apollonius de Rhode'' (Rome, 1799).{{Citation needed|date=July 2020}}

[[File:Waterfalls at Subiaco Joseph Anton Koch.jpeg|thumb|''Waterfalls at Subiaco'' (1812–1813)]]


After 1800, Koch developed as a landscape painter. In Rome, he espoused a new type of "heroic" landscape, revising the classical compositions of [[Poussin]] and [[Claude Lorrain|Lorrain]] with a more rugged, mountainous scenery. In 1812, forced through inadequate income from his work, or in protest of the French invasion, he went to Vienna, where he worked prolifically. He stayed in Vienna until 1815. During this period, he incorporated more non-classical themes in his work. In Vienna, he was influenced by [[Karl Wilhelm Friedrich Schlegel|Friedrich Schlegel]] and enthusiasts of old German art. In response, his style became harsher.{{Citation needed|date=July 2020}}
[[File:Waterfalls at Subiaco Joseph Anton Koch.jpeg|thumb|''Waterfalls at Subiaco'' (1812-1813).]]
[[File:1834 Koch Landschaft mit Bileam anagoria.JPG|thumbnail|''Landscape with Bileam'', 1834]]
Koch returned to Rome, and became a conspicuous figure in the German artists' colony there. He painted, among other works, the four [[fresco]]es in the Dante Room of the Villa Massimi (1824–1829). His presence and personality had considerable influence among the younger generation in the art life of Rome, and his new approach had a wide influence on German landscape painters who visited Rome.{{Citation needed|date=July 2020}}


He wrote ''Moderne Kunstchronik oder die rumfordische Suppe gekocht und geschrieben von J. A. Koch'' (Stuttgart, 1834) which was directed humorously against unjustifiable criticism and false connoisseurship.{{Citation needed|date=July 2020}}
After 1800, Koch developed as a landscape painter. In Rome, he espoused a new type of "heroic" landscape, revising the classical compositions of [[Poussin]] and [[Claude Lorrain|Lorrain]] with a more rugged, mountainous scenery. In 1812, forced through inadequate income from his work, or in protest of the French invasion, he went to Vienna, where he worked prolifically. He stayed in Vienna until 1815. During this period, he incorporated more non-classical themes in his work. In Vienna, he was influenced by [[Karl Wilhelm Friedrich Schlegel|Friedrich Schlegel]] and enthusiasts of old German art. In response, his style became harsher.
[[File:1834 Koch Landschaft mit Bileam anagoria.JPG|thumbnail|Koch Landscape with Bileam 1834]]
Koch returned to Rome, and became a conspicuous figure in the German artists' colony there. He painted, among other works, the four [[fresco]]es in the Dante Room of the Villa Massimi (1824–29).His presence and personality had considerable influence among the younger generation in the art life of Rome, and his new approach had a wide influence on German landscape painters who visited [[Rome]].
He wrote ''Moderne Kunstchronik oder die rumfordische Suppe gekocht und geschrieben von J. A. Koch'' (Stuttgart, 1834) which was directed humorously against unjustifiable criticism and false connoisseurship.


Koch's last years were spent in great poverty. He died in Rome, where he was buried in the [[Teutonic Cemetery]], located next to [[St. Peter's Basilica]] within [[Vatican City]].
Koch's last years were spent in great poverty. He died in Rome, where he was buried in the [[Teutonic Cemetery]], located next to [[St. Peter's Basilica]] within [[Vatican City]].{{Citation needed|date=July 2020}}


==Works==
==Works==
* ''[[:File:Joseph Anton Koch 006.jpg|Landscape with Noah]]'', ca. 1803 - ''oil on canvas'' [86 × 116 cm] (Städel Museum, Frankfurt)
* ''Landscape with Noah'', ca. 1803 oil on canvas [86 × 116 cm] (Städel Museum, Frankfurt)
* ''Schmadribach Falls in the Lauterbach Valley'', 1811
* ''Schmadribach Falls in the Lauterbach Valley'', 1811
* ''Noah's Sacrifice'', 1813
* ''Noah's Sacrifice'', 1813
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* ''View in the Sabine Mountains'', 1813
* ''View in the Sabine Mountains'', 1813
* ''Monastery of San Francesco di Civitella'', 1814
* ''Monastery of San Francesco di Civitella'', 1814
*''Landscape with Ruth and Boaz'', ca. 1823/25 - ''oil on canvas''
*''Landscape with Ruth and Boaz'', ca. 1823/25 oil on canvas
*''Grindelwald Glacier in the Alps'', 1823, [[National Museum in Wrocław]]
* ''View of Nauplia'', 1830
* ''View of Nauplia'', 1830
* ''View Near Subiaco''
* ''View Near Subiaco''
* ''Macbeth and the Witches''
* ''Macbeth and the Witches''
He etched 20 [[Italy|Italian]] landscapes and a large sheet representing ''The Oath of the French at Millesimo''; 14 pages after [[Dante]], adding later another 30 pages (published Vicenza, 1904), and 36 pages after [[Ossian]]. He contributed American landscape scenes to the works of [[Alexander von Humboldt]] (1805).
He etched 20 Italian landscapes and a large sheet representing ''The Oath of the French at Millesimo''; 14 pages after [[Dante]], adding later another 30 pages (published Vicenza, 1904), and 36 pages after [[Ossian]]. He contributed American landscape scenes to the works of [[Alexander von Humboldt]] (1805).
<gallery mode="packed" heights="200px">
<gallery mode="packed" heights="200px">
File:Joseph Anton Koch 006.jpg|''Landscape with Noah'', c. 1803
File:Der Schmadribachfall, 1821-22.jpg|Der Schmadribachfall, 1821
File:Der Schmadribachfall, 1821-22.jpg|''Der Schmadribachfall'', 1821
File:Joseph Anton Koch - Serpentaralandschaft mit Hirten und Rindern an der Quelle.jpg|Landscape with Shepherds and Cows and at the Spring
File:Joseph Anton Koch - Serpentaralandschaft mit Hirten und Rindern an der Quelle.jpg|''Landscape with Shepherds and Cows and at the Spring''
File:Joseph Anton Koch - Heroic Landscape with Rainbow - WGA12230.jpg|''Heroic Landscape with a Rainbow'' (1805).
File:Joseph Anton Koch - Heroic Landscape with Rainbow - WGA12230.jpg|''Heroic Landscape with a Rainbow'' (1805).
File:Koch, Joseph Anton — Landschaft bei Olevano mit reitendem Mönch — um 1830.JPG|Landschaft bei Olevano mit reitendem Mönch, (1830)
File:Koch, Joseph Anton — Landschaft bei Olevano mit reitendem Mönch — um 1830.JPG|''Landschaft bei Olevano mit reitendem Mönch'', (1830)
File:Josef Anton Koch (circle) Raub von Proserpina.jpg|Raub von Proserpina
File:Josef Anton Koch (circle) Raub von Proserpina.jpg|''Raub von Proserpina''
</gallery>
</gallery>


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*Vaughan, William (1980). ''German Romantic Painting''. New Haven and London: Yale University Press; pp.&nbsp;37–38. {{ISBN|0-300-02387-1}}
*Vaughan, William (1980). ''German Romantic Painting''. New Haven and London: Yale University Press; pp.&nbsp;37–38. {{ISBN|0-300-02387-1}}


;Attribution
'''Attribution'''
*{{Americana|wstitle=Koch, Joseph Anton|year=1920}}
*{{Americana|wstitle=Koch, Joseph Anton|year=1920|ref=none}}
*{{NIE |wstitle=Koch, Joseph Anton|year=1905}}
*{{NIE |wstitle=Koch, Joseph Anton|year=1905|ref=none}}


== Further reading ==
== Further reading ==
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{{commons category}}
{{commons category}}
* [https://collections.tepapa.govt.nz/agent/1280 Works by Joseph Koch at the Museum of New Zealand Te Papa Tongarewa]
* [https://collections.tepapa.govt.nz/agent/1280 Works by Joseph Koch at the Museum of New Zealand Te Papa Tongarewa]
*[http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/71300 ''German masters of the nineteenth century: paintings and drawings from the Federal Republic of Germany''], a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on Joseph Anton Koch (no. 38-40)
*[http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/71300 ''German masters of the nineteenth century: paintings and drawings from the Federal Republic of Germany''], a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on Joseph Anton Koch (no. 38–40)


{{Authority control}}
{{Authority control}}
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[[Category:1768 births]]
[[Category:1768 births]]
[[Category:1839 deaths]]
[[Category:1839 deaths]]
[[Category:18th-century Austrian people]]
[[Category:19th-century Austrian people]]
[[Category:19th-century Austrian people]]
[[Category:18th-century Austrian painters]]
[[Category:18th-century Austrian painters]]
[[Category:18th-century Austrian male artists]]
[[Category:Austrian male painters]]
[[Category:Austrian male painters]]
[[Category:19th-century Austrian painters]]
[[Category:19th-century Austrian painters]]
[[Category:19th-century Austrian male artists]]
[[Category:Austrian landscape painters]]
[[Category:Austrian landscape painters]]
[[Category:People from Reutte District]]
[[Category:People from Reutte District]]
[[Category:Burials at the Teutonic Cemetery]]
[[Category:Burials at the Teutonic Cemetery]]
[[Category:People educated at the Karlsschule Stuttgart]]
[[Category:Nazarene painters]]
[[Category:State Academy of Fine Arts Stuttgart alumni]]

Latest revision as of 05:16, 30 July 2024

Joseph Anton Koch
Drawing by Theodor Rehbenitz, 1830
Born(1768-07-27)27 July 1768
Elbigenalp, Tyrol, Austria
Died12 January 1839(1839-01-12) (aged 70)
Rome, Italy
Resting placeTeutonic Cemetery

Joseph Anton Koch (27 July 1768 – 12 January 1839) was an Austrian painter of Neoclassicism and later the German Romantic movement; he is perhaps the most significant neoclassical landscape painter.

Biography

[edit]
Landscape with Abraham and the Three Angels in the Valley of Mambre

The Tyrolese painter was born in Elbigenalp. Early in his life he was tending cattle. Through the recommendation of Bishop Umgelder (1785), he received academic training in the Karlsschule Stuttgart, a strict military academy. In 1791, he ran away, and traveled through France and Switzerland. He arrived in Rome in 1795. Koch was close to the painter Asmus Jacob Carstens and carried on Carstens' "heroic" art, at first in a literal manner. He etched the pages of Carstens' Les Argonautes, selon Pindar, Orphée et Apollonius de Rhode (Rome, 1799).[citation needed]

Waterfalls at Subiaco (1812–1813)

After 1800, Koch developed as a landscape painter. In Rome, he espoused a new type of "heroic" landscape, revising the classical compositions of Poussin and Lorrain with a more rugged, mountainous scenery. In 1812, forced through inadequate income from his work, or in protest of the French invasion, he went to Vienna, where he worked prolifically. He stayed in Vienna until 1815. During this period, he incorporated more non-classical themes in his work. In Vienna, he was influenced by Friedrich Schlegel and enthusiasts of old German art. In response, his style became harsher.[citation needed]

Landscape with Bileam, 1834

Koch returned to Rome, and became a conspicuous figure in the German artists' colony there. He painted, among other works, the four frescoes in the Dante Room of the Villa Massimi (1824–1829). His presence and personality had considerable influence among the younger generation in the art life of Rome, and his new approach had a wide influence on German landscape painters who visited Rome.[citation needed]

He wrote Moderne Kunstchronik oder die rumfordische Suppe gekocht und geschrieben von J. A. Koch (Stuttgart, 1834) which was directed humorously against unjustifiable criticism and false connoisseurship.[citation needed]

Koch's last years were spent in great poverty. He died in Rome, where he was buried in the Teutonic Cemetery, located next to St. Peter's Basilica within Vatican City.[citation needed]

Works

[edit]
  • Landscape with Noah, ca. 1803 – oil on canvas [86 × 116 cm] (Städel Museum, Frankfurt)
  • Schmadribach Falls in the Lauterbach Valley, 1811
  • Noah's Sacrifice, 1813
  • Grimsel Pass, 1813
  • View in the Sabine Mountains, 1813
  • Monastery of San Francesco di Civitella, 1814
  • Landscape with Ruth and Boaz, ca. 1823/25 – oil on canvas
  • Grindelwald Glacier in the Alps, 1823, National Museum in Wrocław
  • View of Nauplia, 1830
  • View Near Subiaco
  • Macbeth and the Witches

He etched 20 Italian landscapes and a large sheet representing The Oath of the French at Millesimo; 14 pages after Dante, adding later another 30 pages (published Vicenza, 1904), and 36 pages after Ossian. He contributed American landscape scenes to the works of Alexander von Humboldt (1805).

References

[edit]
  • Vaughan, William (1980). German Romantic Painting. New Haven and London: Yale University Press; pp. 37–38. ISBN 0-300-02387-1

Attribution

Further reading

[edit]
  • Strauss, Kleine Schriften (Bonn, 1877)
  • Frimmel, in Dohme, Kunst und Künstler des neunzehnten Jahrhunderts (Leipzig, 1884)
[edit]