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* The capturing of sound with one or more [[microphone]]s<ref>{{cite book | last=Alten | first=S.R. | title=Audio in Media | publisher=Cengage Learning | year=2013 | isbn=978-1-285-67529-9 | url=https://books.google.com/books?id=lesWAAAAQBAJ&pg=PA74 | access-date=January 12, 2017 | page=74}}</ref>
* The capturing of sound with one or more [[microphone]]s<ref>{{cite book | last=Alten | first=S.R. | title=Audio in Media | publisher=Cengage Learning | year=2013 | isbn=978-1-285-67529-9 | url=https://books.google.com/books?id=lesWAAAAQBAJ&pg=PA74 | access-date=January 12, 2017 | page=74}}</ref>
* Balancing, mixing and adjusting sound signals from [[multitrack recording]] devices using a [[mixing console]]
* Balancing, mixing and adjusting sound signals from [[multitrack recording]] devices using a [[mixing console]]
* The control of audio levels<ref>{{cite book | last=Reinhardt | first=R. | last2=Dowd | first2=S. | title=Adobe Flash CS3 Professional Bible | publisher=John Wiley & Sons | series=Bible | year=2007 | isbn=978-0-470-11937-2 | url=https://books.google.com/books?id=UQs0sJ0NLDsC&pg=PA1165 | access-date=January 12, 2017 | page=1165}}</ref> using standardised types of metering
* The control of audio levels<ref>{{cite book | last=Reinhardt | first=R. | last2=Dowd | first2=S. | title=Adobe Flash CS3 Professional Bible | publisher=John Wiley & Sons | series=Bible | year=2007 | isbn=978-0-470-11937-2 | url=https://books.google.com/books?id=UQs0sJ0NLDsC&pg=PA1165 | access-date=January 12, 2017 | page=1165}}</ref> using standardized types of metering
* Sound signals passing through lengthy [[airchain|signal chain]]s involving processes at different times and places, involving a variety of skills
* Sound signals passing through lengthy [[airchain|signal chain]]s involving processes at different times and places, involving a variety of skills
* Compliance with organisational, national and international practices and standards established by such bodies as the [[International Telecommunication Union]], [[Audio Engineering Society]] and [[European Broadcasting Union]]
* Compliance with organizational, national and international practices and standards established by such bodies as the [[International Telecommunication Union]], [[Audio Engineering Society]] and [[European Broadcasting Union]]
* Setting up or designing sound reinforcement systems or recording studios
* Setting up or designing sound reinforcement systems or recording studios



Revision as of 17:17, 31 January 2023

A portable setup of various live audio production and recording equipment

Professional audio, abbreviated as pro audio, refers to both an activity and a category of high quality, studio-grade audio equipment. Typically it encompasses sound recording, sound reinforcement system setup and audio mixing, and studio music production by trained sound engineers, audio engineers, record producers, and audio technicians who work in live event support and recording using mixing consoles, recording equipment and sound reinforcement systems. Professional audio is differentiated from consumer- or home-oriented audio, which are typically geared toward listening in a non-commercial environment.

Professional audio can include, but is not limited to broadcast radio, audio mastering in a recording studio, television studio, and sound reinforcement such as a live concert, DJ performances, audio sampling, public address system set up, sound reinforcement in movie theatres, and design and setup of piped music in hotels and restaurants. Professional audio equipment is sold at professional audio stores and music stores.

Definition

The term professional audio has no precise definition, but it typically includes:

Stores

A professional audio store is a retail establishment that sells, and in many cases rents, expensive, high-end sound recording equipment (microphones,[3] audio mixers, digital audio recorders, speakers and surround sound speakers,[4] monitor speakers) and sound reinforcement system gear (e.g., speaker enclosure cabinets, stage monitor speakers, power amplifiers, subwoofer cabinets) and accessories used in both settings, such as microphone stands. Some pro audio stores also sell video equipment, such as video projectors, as this equipment is commonly used in live audio settings (e.g., business presentations and conventions). Some pro audio stores also sell and/or rent DJ gear (record turntables, DJ mixers) and the stage lighting equipment used in rock concerts, dance clubs, raves and theater/musical theater shows.

See also

References

  1. ^ Alten, S.R. (2013). Audio in Media. Cengage Learning. p. 74. ISBN 978-1-285-67529-9. Retrieved January 12, 2017.
  2. ^ Reinhardt, R.; Dowd, S. (2007). Adobe Flash CS3 Professional Bible. Bible. John Wiley & Sons. p. 1165. ISBN 978-0-470-11937-2. Retrieved January 12, 2017.
  3. ^ Gardner, S.; Birley, S. (2012). Blogging For Dummies. For dummies. Wiley. p. 229. ISBN 978-1-118-23925-4. Retrieved January 12, 2017.
  4. ^ Hanes, W. (2010). The 30-30 Career: Making 30 Grand in 30 Seconds!: Becoming a Platinum Composer. AuthorHouse. p. 67. ISBN 978-1-4520-5097-3. Retrieved January 12, 2017.