Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion.
Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals. (Full article...)
Njörðr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, in euhemerized form as a beloved mythological early king of Sweden in Heimskringla, also written by Snorri Sturluson in the 13th century, as one of three gods invoked in the 14th century Hauksbókring oath, and in numerous Scandinavianplace names. Veneration of Njörðr survived into the 18th or 19th century Norwegian folk practice, where the god is recorded as Njor and thanked for a bountiful catch of fish. (Full article...)
The unicorn is a legendary creature that has been described since antiquity as a beast with a single large, pointed, spiraling horn projecting from its forehead.
In European literature and art, the unicorn has for the last thousand years or so been depicted as a white horse- or goat-like animal with a long straight horn with spiralling grooves, cloven hooves, and sometimes a goat's beard. In the Middle Ages and Renaissance, it was commonly described as an extremely wild woodland creature, a symbol of purity and grace, which could be captured only by a virgin. In encyclopedias, its horn was described as having the power to render poisoned water potable and to heal sickness. In medieval and Renaissance times, the tusk of the narwhal was sometimes sold as a unicorn horn. (Full article...)
Image 5The sheyd אַשְמְדּאָי (Ašmodai) in bird-like form, with typical rooster feet, as depicted in Compendium rarissimum totius Artis Magicae 1775 (from Comparative mythology)
Image 15As is usual in bestiaries, the lynx in this late 13th-century English manuscript is shown urinating, the urine turning to the mythical stone Lyngurium (from List of mythological objects)
Image 24Perillos being forced into the brazen bull that he built for Phalaris (from List of mythological objects)
Image 25The Deluge, frontispiece to Gustave Doré's illustrated edition of the Bible. Based on the story of Noah's Ark, this engraving shows humans and a tiger doomed by the flood futilely attempting to save their children and cubs. (from Comparative mythology)
Image 29Lord Vishnu took the form of Beauty Mohini and distributed the Amrita (Ambrosia, Elixir) to Devas. When Rahu (snake dragon) tried to steal the Amrita, his head was cut off (from List of mythological objects)
Image 35Sampo, a magical artifact of indeterminate type constructed by Ilmarinen that brought riches and good fortune to its holder, in the Finnish epic poetryKalevala (The Forging of the Sampo, Joseph Alanen, 1911) (from List of mythological objects)
Image 38The Stone of Destiny (Lia Fáil) at the Hill of Tara, once used as a coronation stone for the High Kings of Ireland (from List of mythological objects)
Image 55Amenonuhoko (天沼矛 or 天之瓊矛 or 天瓊戈, "heavenly jeweled spear") is the name given to the spear in Shinto used to raise the primordial land-mass, Onogoro-shima, from the sea (from List of mythological objects)
Image 60Several mythical creatures from Bilderbuch für Kinder (lit.'picture book for children') between 1790 and 1822, by Friedrich Justin Bertuch (from Legendary creature)
Image 69Opening lines of one of the Mabinogi myths from the Red Book of Hergest (written pre-13c, incorporating pre-Roman myths of Celtic gods): Gereint vab Erbin. Arthur a deuodes dala llys yg Caerllion ar Wysc... (Geraint the son of Erbin. Arthur was accustomed to hold his Court at Caerlleon upon Usk...) (from Myth)
Image 74This panel by Bartolomeo di Giovanni relates the second half of the Metamorphoses. In the upper left, Jupiter emerges from clouds to order Mercury to rescue Io. (from Myth)