A painting by a noted black artist vanished from Howard University in the 1970s and hadn’t been seen publicly until it turned up at Sotheby’s Auction House last month — and now the school is suing to get back the piece that they believes was stolen from them decades ago.
The historically black university in Washington, DC, acquired the artwork, “Centralia Madonna,” in the 1940s after its creator, Charles White, completed an artist-in-residency at the school, according to a lawsuit filed Friday in Manhattan federal court.
The ink drawing depicts an African American Madonna figure and had been in the university’s possession until at least 1974, when a graduate student viewed the work in the school’s collection and made a record of the piece, according to the suit.
At some point soon after, the artwork was stolen from the school’s collection and marked as “missing” by a university curator in 1976, according to the lawsuit.
Staff at the university hadn’t been able to locate it in the decades since — until Sotheby’s Auction House in Manhattan contacted them in May to let them know it had been consigned and was scheduled to be put up for auction.
Charles WhiteGetty Images
Staff at the auction house told administrators at Howard that two people from South Carolina, Larry and Virginia Borders, had consigned the painting but provided no paperwork showing how it ended up in their personal collection, according to the suit.
The Borders gave shifting stories about how they acquired the work, first saying they received it as a wedding gift from someone named J.D. Kibler in 1972, according to the suit.
They allegedly changed their story, claiming Kibler gave it to them as a gift for no particular reason — but couldn’t expand on their relationship with him, or even provide his first name.
“They claimed J.D. Kibler to be a close friend, they stated that they did not know what the ‘J.D.’ stood for,” the suit states.
In several phone calls and emails this week, the university demanded the Borders return the painting to the school, which the pair refused to do, according to the lawsuit.
The university filed the suit Friday, seeking the artwork’s return and attorney fees related to the legal action.
Lawyers for the Borders denied the couple changed their story about how the received the painting, and said they were “appalled” at how Howard has handled the situation.
“Their claims seem based on speculation, slanderous inferences, and to be barred by the applicable law,” the lawyers said.
In a statement, Sotheby’s said they are a third party and the ownership dispute involves the Borders and Howard.
“This is an ownership dispute between the University and the consignors, which follows Sotheby’s due diligence in researching the work’s provenance,” the auction house said.
“Sotheby’s is merely a third-party stakeholder and will comply with any decision of the court,” it added.