Digital Hollywood: The AI Summer Summit

Wednesday, July 24th, 2024

Noon – 12:50 PM Eastern Time Zone

Session III:

“Is AI Music the Piracy Machine? As Brian May has Stated, “It’s Gonna Get Very Weird Very Quick”

Let's take an AI Music test. Google “Best in AI Music Deep Fakes” and you will be taken on an amazing tour of “Music Imposters,” including “Deep Fakes” of Britney Spears, Frank Sinatra singing obscene Rap Lyrics; the infamous Drake/The Weeknd, “Heart on My Sleeve” having become a massive hit in a few days and Freddie Mercury singing "All I Want for Christmas,” a “Perfect Clone” of a Queen performance. And the technology behind AI song generators are becoming dangerously professional. It’s no wonder that Brian May, Queen’s lead guitarist and song writer is quoted having said, “It’s Gonna Get Very Weird Very Quick.” Music is always the artform first impacted by the combination of technology and the Internet because it does not require extensive bandwidth. In this session we bring together some of the best in the music business.

Speakers:

David Hughes,  Strategic Music Industry Consultant, former CTO, RIAA, VP Strategy, Sony Music, Moderator

Chris Horton, SVP Strategic Technology, Universal Music Group’s (UMG)

BT, Producer, Composer, Technologist, Soundlab.AI

Ian C. Ballon, Co-Chair, Global Intellectual Property & Technology, Practice Group, Greenberg Traurig LLP - Click Here - Additional Data

Additional speaker to be announced

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    Chris Horton

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    BT

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    David Hughes

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    Ian Ballon

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BT is a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point."  In 2010, he was nominated for a Grammy Award for Best Electronic/Dance Album for These Hopeful Machines.[3] He creates music within myriad styles, such as classical, film composition, and bass music.BT has produced, collaborated, and written with a variety of artists, including Death Cab for Cutie, Howard Jones, Peter Gabriel, David Bowie, Madonna, Markus Schulz, Armin van Buuren, Sting, Depeche Mode, Tori Amos, NSYNC, Blake Lewis, The Roots, Guru, Britney Spears, Paul van Dyk, and Tiësto. He has composed original scores for films such as Go, The Fast and the Furious, and Monster, and his scores and compositions have appeared on television series such as Smallville, Six Feet Under, and Philip K. Dick's Electric Dreams.


Chris Horton, SVP Strategic Technology, leads Universal Music Group’s Office of Strategic Technology, which is responsible for the technology aspects of digital partner deals and for long-term strategic technology projects and policy. Chris has worked on UMG’s digital distribution deals for more than 25 years, including on the first successful download and subscription services. Chris and his team collaborate with technology companies on the development of new music-related products and services, including high-resolution audio, stem-based formats, music-related AI, NFTs & web3, AR/VR projects, anti-piracy and more. He has developed and co-founded various music industry standards and standards bodies, including DDEX. He currently leads UMG's AI Task Force and UMG's AI Review Team. Chris received his undergraduate and M.Eng. degrees in computer science from the Massachusetts Institute of Technology.


David Hughes, Principal, Hughes Strategic: David has over 25 years' experience in online music distribution. He began at Sony Corp. in Tokyo before moving to Sony Music in New York where, as Vice President of Technology Strategies and Digital Policy, he created and ran the industry’s first online distribution department. In 2006, David joined the RIAA in Washington, DC where for 15 years he represented the major recording companies’ technology interests as CTO. Since April 2021 David has been a strategic business and technology consultant. Clients include the RIAA, SoundExchange, Jaxsta, Song Sleuth and Switchchord. He is also a founding member of AI:OK, an initiative formed to provide a sustainable and equitable approach to using AI in the music industry. David has contributed to numerous formats and standards including MPEG, DVD-Audio, SACD, Blu-ray, Ultraviolet, ISRC, ISNI and DDEX. He has also been active in the promotion of Hi-Resolution and Immersive music. David has a B.A. Honours in East Asian Studies from the University of Alberta and a Master of Management Science degree from the University of Tsukuba, Japan. He is a member of the Audio Engineering Society and the Recording Academy, sits on the National Recording Preservation Board, and is inventor of over a dozen patents.


Ian Ballon is an intellectual property and internet litigator who is the Co-Chair of Greenberg Traurig LLP’s Global Intellectual Property & Technology Practice Group. He represents clients in copyright, DMCA, trademark, trade secret, right of publicity, privacy, security, software, database and Internet- and mobile-related disputes and in the defense of data privacy, cybersecurity breach, adtech and behavioral advertising, TCPA and other Internet-related class action suits. Please click here to view a list of some of his recent cases. Mr. Ballon, who splits his time between the firm's Silicon Valley, L.A., and D.C. offices, is the author of the five-volume legal treatise, E-Commerce and Internet Law: Treatise With Forms 2d Edition (West 2008 & 2022 Cum. Supp., www.ianballon.net) and the earlier first edition, which has been cited in state and federal court opinions. In addition, he serves as the Executive Director of Stanford University Law School’s Center for the Digital Economy. He also chairs PLI's annual Advanced Defending Data Privacy, Cybersecurity Breach and TCPA Class Action Litigation conference. Mr. Ballon previously served as an advisor to ALI’s Intellectual Property: Principles Governing Jurisdiction, Choice of Law, and Judgments in Transactional Disputes (ALI Principles of the Law 2007) and was a member of the consultative group for the Data Privacy Principles of Law project (ALI Principles of the Law Data Privacy, 2020). Mr. Ballon was named the Lawyer of the Year for Information Technology Law in the 2022, 2021, 2020, 2019, 2018, 2016, and 2013 editions of Best Lawyers in America and was recognized as the 2012 New Media Lawyer of the Year by the Century City Bar Association. In 2022, 2021, 2020, 2019, and 2018 he was recognized as one of the Top 1,000 trademark attorneys in the world for his litigation practice by World Trademark Review. In addition, in 2019 he was named one of the top 20 Cybersecurity lawyers in California and in 2018 one of the Top Cybersecurity/Artificial Intelligence lawyers in California by the Los Angeles and San Francisco Daily Journal. He received the “Trailblazer” Award, Intellectual Property, 2017 from The National Law Journal and he has been recognized as a “Groundbreaker” in The Recorder’s 2017 Litigation Departments of the Year Awards for winning a series of TCPA cases. In addition, he was the recipient of the California State Bar Intellectual Property Law section's Vanguard Award for significant contributions to the development of intellectual property law. He is listed in Legal 500 U.S., The Best Lawyers in America (in the areas of information technology and intellectual property) and Chambers and Partners USA Guide in the areas of privacy and data security and information technology. He has been recognized as one of the Top 75 intellectual property litigators in California by the Los Angeles and San Francisco Daily Journal in every year that the list has been published (2009 through 2022). He was also listed in Variety’s “Legal Impact Report: 50 Game-Changing Attorneys” (2012), was recognized as one of the Top 100 lawyers in California by the Los Angeles and San Francisco Daily Journal L.A., as one of the Top 100 lawyers in Los Angeles by the Los Angeles Business Journal and has appeared on both the Northern California and Southern California Super Lawyers lists.






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