Writer's Digest

Revising

Back when you wrote the draft you now realize needs fixing, you thought you were ready—to send it out into the world, to get it published. Revision will be difficult but perhaps more accessible now that you have tools, standards, and targeted benchmarks to work with.

But to make sure you’re ready, let’s look at what all this really means.

NOBODY LIKES TO TALK ABOUT REVISION

But that’s why we’re here, and already we’re well down a contrarian path. But to fully embrace the revision process, we need to get your mind in the right place, myopically focusing on the formidable task of making your story better using a new and upgraded set of storytelling skills, tools, and principles.

Here’s a short list for you.

This one identifies criteria from the reader’s side of the page and defines the things readers are looking for in a story, grouped into three categories. Readers don’t care about plot

You’re reading a preview, subscribe to read more.

More from Writer's Digest

Writer's Digest4 min read
Editing the Sulks
I was sulking. I draped over my couch like an afghan. The writer’s magazine I held would soon expire. Finally. Then all those published writers could stop gloating. These writers seemed to mock my unfulfilled dreams, but now there was an upside. I’d
Writer's Digest6 min read
From Ordinary to Extraordinary
Wonder isn’t just for children or fiction; it’s a powerful tool in nonfiction that pulls readers into a universe of awe and amazement. From the mysteries of the cosmos to the intricacies of human DNA, infusing your books and articles with a sense of
Writer's Digest2 min read
Contributors
MONA SUSAN POWER is the author of four books of fiction: The Grass Dancer (awarded the PEN/Hemingway prize), Roofwalker, Sacred Wilderness, and A Council of Dolls (winner of the Minnesota Book Award, longlisted for the National Book Award and the Car

Related Books & Audiobooks