Moods and Modes: Vagrant Writings
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Moods and Modes - George W. May
Preface
In this incongruous collection of my writings comprising various literary forms, one may trace the development or non-development of my literary power from age 12 to age 90. Playwriting is not represented for the drama is not for me.
How may such a hodge-podge be justified? I have been reluctant to publish this book because of its disparity of material and its evidence of amateurish writing skills. I feel I am far short of even modest talent.
In extenuation, what follows is part apologia and part explanatory, but not abjectly and lacking in some spirit and independence. Some other related thoughts creep in.
Originally, my purpose was to collect these fugitive writings and to leave them in some form to be read by my kin, my children, grandchildren and select friends and acquaintances with no thought of publication. The project gradually gave birth to the thought of publishing the manuscripts. Any book, by anyone, must have something to offer else why had the author gone to the trouble of writing it. Early on, I had no thought of wide distribution (many to be given away) and certainly not of monetary profit.
Some may say this book is my swan song,
that I have scraped the bottom of my literary trunk, that I am finished. That may prove true. I think of an instance: Jerome Cardano, an Italian scientist, compiled a last volume of his Opera Omni, made up of things left out
of his other books, a sort of cleaning up of all the chips left in his workshop. So I have rather done. Perhaps at my age I should cease writing. What, then, is left? Some say honor; some, charity - both the refuge of the elderly. I only hope the reader will be indulgent and make allowance for my showing off.
It is about as Lord Byron said: Years steal fire from the mind as vigor from the limb.
Thoreau once said that every author writes in the faith that his book will last through the ages. Most writers are deluded but I am under no such illusion.
There is a Russian word kitsch that means vulgar or show off, as applied to bad art; something useless but often found in the bric-a-brac trade. Kitsch might well be applicable to some books (offbeat, uninteresting, ornate, wordy) but often with a lofty message, but badly crafted. To read such books could indicate a depraved taste but could also be a true extension of experience. One might simply be amused reading the feeble, fumbling, over-ambitious books.
Some may accuse me as a dilettante, a dabbler in literary forms. I plead guilty. Really, I place myself at the bottom of the literary totem pole. Lacking high skill, I must blame it on my heredity, my training or upon every facet of my environment or circumstance. Truly, we are what we are, with divine limitations.
Pursuing the points made above, consider any book, third rate or whatever, is worthy in some respects. It is the man’s record, his experience, in novelized form or in autobiography. There must be a few kernels worth saving. The writer’s efforts should not be curbed. We have a free press in America. Anyone may publish if the contents are within the bounds of decency and laws of defamation. The old Roman Pliny thought that even a bad book had some merit. And Dorothea Brande says: Even a bad book is tolerable when you are engaged in probing it for the reasons for its stiff, unnatural effects.
For the writer himself, Wash Young says: It is a pleasure merely to do one’s best, even if nothing happens.
Thomas Merton and many another writer have said that if a writer is too cautious to write anything because of a fear of criticism he will delay publication forever.
Not to belabor my points to excess, which I have perhaps done, I repeat that I have no illusions about Moods and Modes - Vagrant Writings and how it will be received. Likely, it will be a Russian nyet. That will be all right. Stendahl said: Do not try to falsify and praise a book beyond its merits, merely to avoid hurting the author’s feelings.
I am prepared. My primary purpose is to leave you, my children and grandchildren, this book as part of my legacy and I am doing this simply because I want to.
Kind reader, if there are to be any outside my kin and friends, excuse all these words which approach a diatribe and an over-blown apology. This heterogeneous bag of writings goes out upon a long-suffering reading public which, perforce, is made to diet largely upon contemporary styles of writing.
G.W.M.
November 1, 2000
Stories
Simpatico
Ras Wehmer knew Mexico. He ought to-he had traveled extensively through 18 states in that republic. But he was hardly prepared to meet the raw crowd that jeered and insulted him in the plaza of Santa Catarina that hot day.
He was taking his siesta on a plaza bench like the other people of that lazy pueblo. When the siesta began every shop had shut up and within five minutes not a soul could be seen. Three loose burros wandered slowly here and there in and out of private gates. The policia pulled up his chair, carried it within the carcel and folded up until two o’clock.
Two o’clock finally tolled in the church across the calle. Ras sat up suddenly, rubbed his eyes and looked around. The heat was still sweltering. Now at the stroke of the second hour the little pueblo awakened. Almost at once, it seemed, the little town took on life. Men came in from every street and moved toward the plaza. What was strange was that almost every man and boy carried a banner or a placard. What was this, thought Ras? A fiesta or fair day? He had no knowledge that it was a special day.
He read the banners closely as they approached: Down with the foreigners,
Down with exploiters,
and numerous others couched in no uncertain terms. What did it mean? His interest was suddenly aroused. Ras had seen nothing like it lately; since the little trouble in Morelia two years ago, to be exact.
The paraders were now gathering in the plaza. Ras addressed one of their number who did not seem to be as excited. What does it mean, senor?
The rough man looked at him curiously. His eyes fell to his guarchis. They returned to gaze at Ras. Funny fellows, these peones, thought Ras; so bashful-like yet possible to be so fierce.
"Con permiso, señor, he said,
We do not wish the foreigners here. They take our land, our oil; they take everything. We show why we do not like it." He swept his hand over the crowd.
Several had gathered around Ras while they were talking. They saw he was American and he saw they knew it. More gathered around. Some jeered and insinuated. Ras saw that many were drinking.
"Americano! Americano! shouted one of the mangy fellows.
Why is he here? Does he not see our banner?"
The powder-keg was upset and Ras knew it. The cry was repeated around the circle. Certainly he had been caught in the rougher element, if there were any responsible ones around. Ras doubted if there were any.
Their looks became lowering and threatening. The rough circle was inflamed my mescal or sodden with pulque. Ras knew the character of these men in such small pueblos. They felt no restraint; they had none. Once before he had felt the barest tip of a long knife and he had no wish to feel one again. Obviously, his situation was dangerous.
Why hadn’t the little girl in the cantina across the street warned him of probable trouble? She was a sweet little señorita, about 17, he guessed, hard to tell about their ages sometimes. He had stopped there for a drink after tramping the hot dusty road from Monterrey. Yes, he was out on another lark, a hike to Saltillo this time over that stiff upgrade road which wound in and out those sharp pinnacles of bare stone.
He had jabbered to her in Spanish. She had such a come-on look he couldn’t help telling her about himself. He had let out confidences that if it had not been for his egotistical nature, he would never have given. ‘Did she work here all the time?’ ‘Where did she live?’ ‘Was there anyone playing the bear now?’ Dangerous talk for a stranger in a little town like this, even if it were only in jest.
She had asked about him. Yes, he was out to enjoy the country first-hand. His headquarters were in Monterrey, Hotel Fronterrizco, Calle Hidalgo at corner of Puebla. Did he like Mexico?’
‘Ah, yes, mucho.’ He had been so amiable, so tolerant, so polite that she had lisped at him ‘Very simpático.’ He had thrilled to that apellation from so sweet a mouth. He knew it meant that she considered him a person who appreciated Mexico and the Mexicans at their true worth. Well, by george, he appreciated her.
These reflections were not helping him at the situation which now faced him. Around him rumbled an angry, intoxicated mob of peones. Squalor and poverty lay back in those huts in the hills. For this day that was left behind in the excitement of an affair which afforded a chance to get drunk. Here was sport aplenty: an American, a foreigner alone in their midst. Their crazy visions conjured up a hated enemy.
As yet no one had been so bold as to lay a hand on him. It would come, thought Ras. He tried to look across to where the policia had been sitting. He ought to be there now, if he tended his job, thought Ras. Should he attempt to push his way out toward, the carcel?
Ras stretched his neck to look over the slightly-less taller peones. Far too many wide sombreros were in the way to see much. Jumping up, he did see a number of horses tied to the lone hitching post on the far side of the plaza. The men followed his gaze. Impossible to make a dash for a horse. Ras saw no weapons in sight but he was certain there were knives about. It would not do to show hostility. "Gente sin razon, People without reason.
Yes, that was the kind of people they were. In desperation he ventured to push gently out of the circle. For the first time he felt the touch of hands upon his arm. It was from behind.
He whirled. Two villainous pair of eyes looked at him. An almost uncontrollable anger beat in his breast. He made a perceptible move toward them; then stopped.
They gazed at each other intently, like cats about to spring, but waiting. Silence fell.
There was a slight motion behind Ras. Then he heard that sweet, sibilant voice say: What ees the matter, senor traveler?
All turned to face her. She was beautiful, compelling. Damn she was!
Ras explained.
Ah, señores, she cried gleefully.
You do not understand. He is all right. He is one of us he is muy simpático. Come, I buy you all drinks."
They all melted away like a snow in June and Ras was left alone, stunned in his isolation.
—1930’s
That Mexican Gal
Hugo looked up as new passengers sifted in from the Guaymas station. He looked them over casually: a bald businessman with his loquacious wife but strangely-contrasting quiet baby; two school boys in leather sandals and loose blouse; a number of country youths from the hinterlands with guitars slung over their backs; a tired, brown housewife, two mesh sacks dangling low from her hands. Hugo’s eyes turned from this sameness. Almost to the border and no excitement yet.
Carambra! Who was that?
Shuffling her way along came a substantial figure down the aisle. She reached a seat near Hugo, paused, looked up and down and around and sank into it.
The train started. Vendors faded back from the car windows to prepare for the next train, 12 hours later. Hugo saw it, hazily, sluggishly. His eyes returned to the lady.
Not bad looking - couldn’t be over 30 and probably not nearly that. Eyes a little prominent. Fair-skinned for a Mexie. Big enough, yes. But not too substantial to preclude the probability of a once good figure. She was gazing around again, searching, as if calculating the stature of each male passenger. Her eyes rested on Hugo’s temporary traveling companion, a thread salesman working out of the capital. Her scrutiny finished, she blinked her eyes toward Hugo. He seemed to feel it. He looked up. Their eyes met.
For one moment her eyes seemed to bury deep into his consciousness. He fidgeted and turned away, uncomfortable.
The train rattled along. No danger of being overheard. He inclined toward the thread man. What is she?
he asked timorously.
The man laughed and passed it off. He arose. We’ll see.
Animated conversation between the two.
Now the wild boys, Indians, of course they were. One could tell by their looks-Yaquis, no doubt-they started up. Wilder music, not boisterous, wild-primitive, sweet. Those words-what were they? Unfortunate man! Was he just now experiencing the soul of the true aborigines? Had he wasted a month across the border? So late, too late to linger longer. He leaned forward.
The thread man returned. He touched Hugo lightly. "Be friendly amigo, she says for you."
That music, señor,
said Hugo huskily. Dios! That’s wonderful
.
"Not bad, amigo. But they will get better before we reach Hermosillo."
Why?
"The more drink, the more abandon, the better músicos. Come, fren."
Wait. Who is she?
His companion shrugged. Who knows? Who cares to know? Some pleasure, some beguilement for us.
What’s she doing on this train? Where’s she going?
persisted Hugo.
Well, señor,
he began patiently, "she’s alooking for her marido, ah, her husband. He left her a la frances, as you say." He shrugged again.
Where is she from?
Mexico City.
Heavens! Relentless woman. Will she find him?
"Quite immaterial, señor. She says if she finds him not, she will find another, perhaps before she reaches Nogales, no es verdad?"
They moved toward her, where she was already making room.
She poured out tequila from a bottle which she had in her satchel. She passed it. The thread salesman sipped. Hugo passed. Too wild,
he said.
"Maybe vino is more better." She drew forth a large green bottle.
Don’t care if I do.
He drank the wine. She gave him two more.
Presently the señor arose and sauntered forward, close to the musicians. Hugo stayed.
He knew he should leave, too. He shouldn’t notice her; he shouldn’t encourage her. He told himself that. But something in the strange pornographic tempo of the wild boys’ music intoxicated him, led him on. Maybe it was partly the wine. He was talking to her recklessly, exhilaratingly, confidently. Diantre! Here was the chance!
There was only a brief stop at Hermosillo; then the train ran on over the vast wasteland through the night.
The Yaquis left the train at Llano. Sleepiness overcame Hugo. He dozed. Morning dawned chilly on the desert. Hugo awoke, then Nogales at eight o’clock. Gone were the passions of last evening.
A voice was asking softly. "Ees the Señor Hugo’s health good this morning?"
Rotten,
he said. I’ll be glad when I cross the line. These second-class seats are deucedly hard after riding 72 hours on them.
Hugo collected his two pieces of baggage, a laundry case of Mexicana and a guitar. He had not played it last night. The boys were too good for him.
The S.P. train stopped and he alighted. He strode toward the custom house. He heard someone following close behind. He turned. It was Teresa, the gal of last night.
What’s up?
he interrogated idly.
"Ah, señor. Maybe we can cross together, ah, as man and wife. It will be a great help to me. It will not trouble you much. Just for this little time."
You’re loony,
he cried. What could she mean? "No, señora, no, no." He passed into the custom house and opened his luggage. Teresa opened hers beside Hugo’s.
Man and wife?
asked the officer, looking over his spectacles.
Yes,
said Teresa before Hugo could reply.
She’s not,
exclaimed he furiously.
Let’s see your card, sir,
said the man. Hmm, single at Laredo.
He looked up and a grin of enlightenment came over his face. Got hooked up, eh. OK then. Close your baggage.
Hugo had heard that the officials were very indulgent toward tourists. Well, what should he do? Let her pose as a favor until she got across; then shake her off? He thought quickly, warily. No, it was too risky. Of course, he could prove he wasn’t married to this impostor. But it would take some wiring, some time.
I say again she’s not my wife.
He flushed hotly. "I never saw the woman until yesterday afternoon
The officer scratched his head. It was plain the Americano already regretted his hasty romance.
"Telegram, señor," announced a boy coming up.
The officer looked at it. Hmm, Laredo. Wonder what?
his countenance assumed seriousness as he read it. "You say you do not claim this señora as your lawful wife?"
Devil, no,
yelled Hugo.
Read,
commanded the officer.
Hugo scanned the yellow paper: BE ON LOOKOUT FOR WOMAN STOP ABOUT 25 YEARS OLD STOP HAS TRIED TO GAIN ENTRANCE TO US POSING AS WIFE OF VARIOUS MEN STOP LAST CHECK AT MATZATLAN STOP DETAIN.
That goes for Hugo when in a jovial mood at the club he tells about that good-looking señorita he had in Old Mexico.
—1930’s
The Hag of Nizhni Tag
Alexeiev Feodor looked out of the car window up to the forest-clad slopes of the low Urals, which began to be dimly outlined in the distance. Then he stretched his long legs as far as the forward seat would permit and yawned. It had been a long trip, but happily he would get a long rest in Ekaterinburg before beginning the long trek back.
But this last prison inspection lessened the anticipation of the pleasures he would enjoy in the big city. He had seen enough horror and human misery the past three months to last him some time. He made a wry grimace of distaste at the thought of visiting Camp No. 18.
The distortion, however, changed rapidly to one of complacency, as he reflected what a rise he had taken the past five years under the present regime. From mediocrity station he had risen rapidly in the favor of the Stalin circles. Promotion had followed promotion. He was now the inspector of camps. His duty was merely to secure statistics and look through the camps in a cursory way.
He had eaten well at Perm. So well, in fact, that he slept as the monotony of the ride lulled him into insensibility. He awoke once or twice to see the low mountains about him. Somewhere, on the other side lay the camp.
It was dark when Nizhni Tag was called out. He alighted, worn and hungry and made his way to the best hotel. He would not visit the camp that night.
He reached the camp late next morning. Two long rows of buildings faced one another at the foot of the mountains which reached westward. Prisoners were already returning with loads of timber. Feodor watched them come in. He saw their pained, emaciated faces. Always, he could hardly look upon those poor convicts. The job had not hardened his sensibilities, rather, they had been made keener. The greater number of the prisoners were there for purely political reasons. Many were ignorants, scarcely knowing for what they had been sent there for.
Feodor turned to the main building and entered. He showed his credentials to the one in charge. Together, they entered the buildings, one by one. In several were found women. They had the looks of those sunken to the lowest depths of despair, ill-nourished, haggard and spiritless.
Ah, ye devils,
exclaimed a voice from a door they were approaching. It came from an old hag. Her voice rose to a shriek as the two drew up and stopped.
Ye demons of punishment,
she yelled. Infamous castigators.
Shut up,
commanded the manager, threatening to strike her.
She pointed her bony fingers toward the mountains. Her decrepit body shook as she went on heedlessly. That’s what I say. Stop me, if you will. Strike me down. ‘Tis no more than has been done in the forest.
Feodor’s companion made a move as if to strike her, then, letting his hand fall, said smiling, Let her yell. She’s crazy. We’re used to it. Let’s move along.
As they walked on down the row she continued to vituperate them. Oblansky, Kursov, Romanoff,
she cried, the names being separated by scathing language.
The two returned and faced the hag again.
Screeching Oblansky, Kursov, Romanoff,
she flew at Feodor, clawing and scratching.
He tried to shake her off.
The manager seized her and tore her off. He flung her violently to the floor. Lay there, fool,
he cried angrily.
She lay still a moment, then slowly got up. She faced Feodor. His head was turned from the miserable wretch. She pointed a bony finger at him and said, Alexeiev Feodor, you don’t seem to remember me.
He whirled to face her, as if he had been pricked by a Czarist sword. Astonishment and stark amazement showed in his face. In wonder, he asked, You, you, do you know me?
Why not? Haven’t I talked with you many times? So long ago, five, 10, these 18 years have gone by. No wonder. Doubtless, I am much changed. But you look very much the same. I wonder I didn’t recognize you at first. After you left, a few minutes ago, I collected my shattered memory enough to remember. Ah, it’s you, Alexeiev.
Who is this woman, Kocinski,
demanded Feodor, turning to his conductor abruptly.
Ah, er, I think the registry shows her to have been Orlav Ferma. Sent up from around Moscow back in 1920. Know her?
Kocinski looked at him half-mockingly.
My God, yes. That is, I did know her, well, too and the whole family. All were ex…,
He stopped short. This was a tight-mouthed job. He could easily say too much, even if he did not really mean it.
And this was Orlav Ferma, whom he had known when he was a mere youth. She had been a substantial property owner in those days. Often he had visited the family. He had spent many hours in their home. Oblansky, the youngest son, had been his favorite companion in those brief years. Where were they now? Feodor had left Kozlof and lost all further account of them. So they had been victims of the Soviet idea. And this was Madame, in a convict camp in the far-off Urals. He could scarcely make himself believe it.
Well, what could he do? Jeopardize himself, his job, his very life, in a useless effort to secure the discharge of this once dear friend? Did she expect it? Would she reproach him unless he did make an effort?
Back in the main building, Feodor asked, Could I beg to recommend that Madame Ferma be released from the sentence?
You have been so nice, so companionable, I don’t see why not,
Kocinsky smiled broadly.
He was one man who kept his word.
Orlav Ferma and Alexeiev Feodor are in America now.
Oh, why did Feodor happen to come to America? He lost his job, but he was out of the country before the case came up before the Spies Tribunal.
—1930’s
Spanish for Pretty
George Rhodes looked up from the row of beans which he was picking and gazed across the road to Glen Pasco’s truck farm. He was not looking at Pasco’s house nor for Pasco himself. His gaze settled upon a little house nestled among Pasco’s apple orchard. There lived the Martinez family: Luis, Otilia and the daughter Marie de los Angelos. They were employed by Pasco to work on his truck farm. The Ben Rhodes farm was second only to old Pasco’s, which was known all over the Elgin country.
George’s look was rewarded by a wave from the Martinez home. A bright handkerchief fluttered from Marie’s hand at the side path which led directly to the Pasco house. George signaled in reply. He shouted, I’ll be over again tonight.
Another wave of the handkerchief answered for welcome.
Sweetest little girl I ever knew, even if she is a Mex,
mused George following her figure until it was lost among the trees. Too bad dad is so prejudiced against them. He seldom hires a Mexican unless he knows about them for sure. I know Luis is all right. Dad hasn’t been around the family as much as I have.
Too bad," he muttered, as he fell to his knees again.
Night came. The truck was loaded with green beans and corn, ready to start the next morning for Chicago. Supper over, George walked the 300 yards to the Martinez home and knocked.
It ees our George again,
said Luis, welcoming him in. "How ees your back after all the bean-picking, amigo?"
Pretty stiff, Luis,
George laughed. but still able to walk here. Where is Marie?
he asked with ill-concealed eagerness.
In answer, Marie came out of the kitchen. She was dressed coolly and simply but in a most charming mode. Her olive skin shone softly in the light of the living room. George’s eyes could scarcely leave her. Luis looked at her in unfeigned admiration, while Otilia restrained hers by taking up some needlework.
Too tired to walk a little, Marie?
George asked, after an interval of small talk.
On, no. My work was nothing today. But you, perhaps, you are too stiff?
Oh no,
replied George. The work of the day was forgotten.
Then come.
Marie seized his arm and they passed out into the road.
Want a drink, after the hot day?
he asked.
If you do,
she replied, gleefully.
They walked down the road to a station a half-mile away for soda water. Lingering only a short while, they returned to Marie’s yard.
Want to walk through the orchard? I have a nice little bower just a little way behind the house. I made two little seats under a tree just for me and you,
said Marie.
Two little seats for you and me,
repeated George. Are they together?
Oh yes, of course,
Marie replied. Why would you ask that?
And her voice trilled in a merry laugh.
But your feet, your shoes,
he remonstrated with an attempt at sincerity, they will get soiled in the dew.
Oh no, foolish boy.
she laughed again. There is a path. Come.
She snuggled to him closer to keep her feet in the narrow path.
Marie had performed her work well. George saw two rustic seats. They were not together, but he seized Marie’s implication and moved them side by side.
You like the farm, Marie?
he asked when they had been seated.
Oh much, George. I have lived in town so much where we couldn’t have a decent garden. The little plants would come up through the ashy soil so strong, then grow sickly and never do well. It was sad to see them linger so. They never had a chance to grow like they do on Pasco’s or your farm. Oh, I like so much the little plants come up, then grow and grow and at last make the fruit or grain.
You really like growing things, don’t you, Marie?
Oh so much. I would like to live on the farm always. But dad, he talks of going back to the railroad.
She signed heavily, as if to return to that life would grieve her deeply.
George looked upon her bowed head. A wild burst of love beat in his breast for the strange little Mexican girl. No, she was woman with a wonderful love for the soil, that noblest of human sentiment. It was not the first time she had uttered her desires. Everyday, every night, she had let slip, here and there, little intimations that she loved the truck gardeners life.
Did he dare to press that beautiful head to him and tell her that she could be his, that she could have this life if she would say so?
Then the kind but firm image of his father arose before him. He would never sanction it. He would not hire one of them to say nothing of marriage with one.
He touched her hair gently, caressingly. She looked up. He kissed her undemonstratively. She did not scold him.
Doesn’t Luis like his work on the farm?
he asked.
Yes, I suppose so. He never complains. But he says he can make more money on the old railroad job.
That’s true,
agreed George. But tell me, Marie, is money always the only consideration?
No, no,
she whispered.
For instance?
Love, George.
She looked into his eyes as if to seek agreement.
Their arms clasped one another and their lips met. George knew there was no other girl for him. He looked into her dark eyes and upon her sweet face. Tell me,
he asked, what is the Spanish word for pretty?
"Bonita," Maria responded.
Then I will call you my little Bonita,
and he kissed her again.
Just a moment, boy,
she said, laughing and breaking away. "I will call you ‘Jorge,’ Spanish for George. How do you like having your name changed?"
Fine,
he cried and chased her to the house.
A week passed in which George made the market every morning. He was up and on the road long before daylight. Occasionally he made day trips to Elgin but for the most part smaller truckers supplied that market. Saturday night he took Maria to a show, stopped for eats at a place near the edge of Elgin and reached the Martinez home about midnight.
A light was still burning in the front room. The couple was surprised for it was long past the parent’s bedtime. Someone must be sick,
said Maria.
I’ll just step in with you,
said George.
Neither was sick, but Luis jumped up upon their entrance and seemed a little excited.
What’s the matter, dad?
asked Maria.
Oh, nothing. I just have a decision to make and I am having trouble making it. I couldn’t sleep. I thought I would wait till you two came in. Then if you weren’t too sleepy, maybe you could help me.
What is it, Luis?
questioned George.
I have been in Elgin today, down at the shops and they tell me I can get on the railroad again if I want to. The job is over at Rockford and a good one, too.
You are trying to decide whether to take it or to stay here?
finished George.
That’s it,
returned Luis.
Maria’s form seemed to sink and her eyes dropped toward the floor. George was silent.
Luis looked at them, puzzled. "Well, what would you do, amigo?"
Take the job, I suppose,
replied George, reluctantly.
You don’t seem very keen about it,
remarked Luis, seeing Maria’s dejected mood.
I don’t dad,
she replied, lowly, I don’t want to leave here. I like it here best.
That’s it, Luis,
spoke up George. I don’t want you to leave, either. I’d miss you a lot and especially Maria, I’ll be frank in saying.
Struck?
said Luis, soberly.
In answer, George passed one arm around Maria and took one of her hands in his. Yes.
The following week the Martinezs moved to Rockford. It was a sad day for the lovers. George vowed he would visit her every chance he got. True to his promise, he was in Rockford the following Saturday where he stayed until Sunday.
This continued for a month until Ben Rhodes remarked to his son, Going it pretty hard, aren’t you? Can’t you forget the Mex?
No, I can’t and please don’t call her a Mex.
Rhodes smiled broadly. You called them Mexies yourself when they moved in.
It’s different now,
said George, ill-humoredly.
The next trip Luis told him, I can get you on the welding job if you want it. Of course, you weren’t on the job long down on the I.C., but I think you will do well enough for the work here. You and Maria could be together every day. What do you say?
George considered a few moments. All right, Luis, I’ll take the job if they will have me. I hate to leave the farm, though. Dad will be as sore as boils.
Sunday morning a month later, George and Maria visited the two truck farms. Pasco’s little tenant house was still unoccupied. The couple walked through the orchard to the rustic bower and lived over again the happy hours of their earlier nocturnal meetings. They looked about the fertile acres. Their looks met and they signed.
So close, yet so far from us,
said Maria.
Maybe it will not be always so, Maria. This is a good job Luis put me on to. Maybe I can save enough money to get a place someday.
Some day, Jorge,
signed Maria. That is far too long.
Silence. Then Maria said quietly, You remember that Pasco wants to sell out and retire.
Why, yes. We saw the sign along the road some minutes ago. It’s been there a year. Why do you mention it?
Just a thought, George, a vain hope, a daydream. Maybe he would make some arrangements for us to take over the place.
I doubt it, Maria. Of course, he likes us all. It would take real money to buy his farm. It’s hopeless to think of buying it. But why let us wait. Let’s go over and tell dad we are going to marry today, before we start back to Rockford.
Your dad, he wouldn’t help you out?
No use,
said George, brusquely. Come, let’s go over and see the folks a few minutes, get married and start for Rockford.
"Bueno," said Maria, lightly.
The father and mother greeted them warmly. Ben had missed his son. He knew without asking that George’s heart was right here.
How much do you suppose old Pasco wants for his place,
George asked of his father.
Plenty,
replied Ben. He looked at the couple quizzically. Why?
Oh, nothing, just idle curiosity.
George looked away across to the field of corn which would be ready for the pulling within a few days.
Of course,
continued Ben eyeing them closely he might come down a little considering that he seemed rather eager to retire. I have an idea I could drive a very good bargain with him.
This assurance did not inspirit the couple any. They stood silent, dejected. Ben Rhodes hadn’t volunteered help nor encouraged either one in their love, nor in their desire for a farm life.
George looked up. Throwing off the mood with a feint at lightness and gaiety, he announced, "Well, good-bye, mother and dad. We will