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Shield Maiden
Both epic and intimate, Sharon Emmerichs's extraordinary debut novel reimagines Beowulf from the perspective of a young woman reclaiming her power.
All her life, Fryda has longed to be a shield maiden, an honor reserved for Geatland’s mightiest warriors. When a childhood accident leaves her tragically injured and unfit for the battlefield, her dreams are dashed—or so she thinks. But a strange, unfathomable power is awakening within her, a power that will soon be put to the test.
For when foreign lords and chieftains descend upon Fryda’s home to celebrate her uncle King Beowulf’s fifty-year reign, she realizes not all their guests come with good intentions. Treachery is afoot, and Fryda must gather her courage to fight for her people…as a queen should—as a shield maiden would—and as only Fryda can.
But as Fryda’s power grows stronger, something ancient hears its call. For buried deep in her gilded lair, a dragon awakens…and Fryda must prove herself once and for all.
Praise for Shield Maiden :
"A heroine with a generous spirit, an unshakable will, and a dragon's fury." —H. M. Long, author of Hall of Smoke
"Casts a superb spell. Shimmering with detail, with a propulsive plot to match" —D. K. Fields, author of the Tales of Fenest trilogy
All her life, Fryda has longed to be a shield maiden, an honor reserved for Geatland’s mightiest warriors. When a childhood accident leaves her tragically injured and unfit for the battlefield, her dreams are dashed—or so she thinks. But a strange, unfathomable power is awakening within her, a power that will soon be put to the test.
For when foreign lords and chieftains descend upon Fryda’s home to celebrate her uncle King Beowulf’s fifty-year reign, she realizes not all their guests come with good intentions. Treachery is afoot, and Fryda must gather her courage to fight for her people…as a queen should—as a shield maiden would—and as only Fryda can.
But as Fryda’s power grows stronger, something ancient hears its call. For buried deep in her gilded lair, a dragon awakens…and Fryda must prove herself once and for all.
Praise for Shield Maiden :
"A heroine with a generous spirit, an unshakable will, and a dragon's fury." —H. M. Long, author of Hall of Smoke
"Casts a superb spell. Shimmering with detail, with a propulsive plot to match" —D. K. Fields, author of the Tales of Fenest trilogy
416 pages, Paperback
First published February 2, 2023
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May 25, 2024Thanks to Head of Zeus for this arc! Here’s my honest review.
This follows the story of Fryda, daughter of Lord Weohstan. Fryda has always dreamed of being a shield maiden, but when Fryda is 13 her life is drastically changed when her hand becomes permanently damaged in an accident. However, years later, Fryda begins to show signs of a greater power, one that had long been regarded as legend.
I like this tale, I think Emmerichs really showcases her knowledge as a professor, thanks to the extraordinary detail given to things like the interior, the clothing, as well as the tales. Whilst i am not particularly well-versed in the Beowulf legend, it is quite obvious that Emmerichs tries to maintain accuracy within her portrayal.
Emmerichs’ writing is actually very good, she certainly has an eye for creative detail and does well to captivate her audience. Her writing is actually some of the best I’ve read. However, some aspects could be hugely improved. For example, there are many plot holes that are revealed in dialogue. For example, here’s a scene in which Theow talks to Fryda about how the men just began to fall asleep, to which Fryda herself remarks that’s she felt tired when drinking the spiked mead, but nowhere in the events of the party was that previously implied; the idea that something quite eventful was about to happen. We didn’t get to see Fryda potentially woozy or tired, and given it was a feast/ party, it wasn’t well conveyed that the men had been spiked, given that it was not implied that it was abnormal for the men to be passed out on the table.
Additionally, it is hard to tell who is supposed to be the main character. Following from the events of the spiked mead, we suddenly get Theow’s POV in which he hears a Fryda scream and suddenly he’s in her bedroom and she’s being attacked by three men. I would’ve preferred a Fryda POV before that of her going to bed, signalling that the night was over, setting up what was about to happen. Furthermore, Fryda is incredibly naive for someone who has a close relationship with two slaves. Her decisions are often very thoughtless, and it’s mad to me that she doesn’t understand the consequences, given their close companionship.
Regarding the curse and the dragon, it all felt very redundant to the story. Given it was introduced early on and then consistently brought up, i figured it would play a larger role than it did. I felt the story would’ve had enough drive and realism without the presence of the captured dragon. Additionally, it was really hard to figure out the real purpose of the plot. As stated, the dragon was implied to play a larger role, but took up the last 50 pages. Prior to this event, we just see really predictable moments of betrayal.
Additionally, what was particularly odd to me was how every older man adored Fryda. Like, she had literally three father figures and it felt really weird that they were all just copy and pastes of each other ?
To conclude, Emmerichs is a truly gifted writer and i would really like to read more of their work. I would ask that more detail be given to the plot and the characters, because it is such a shame to waste excellent writing for lack of cohesive plot and half developed characters.
This follows the story of Fryda, daughter of Lord Weohstan. Fryda has always dreamed of being a shield maiden, but when Fryda is 13 her life is drastically changed when her hand becomes permanently damaged in an accident. However, years later, Fryda begins to show signs of a greater power, one that had long been regarded as legend.
I like this tale, I think Emmerichs really showcases her knowledge as a professor, thanks to the extraordinary detail given to things like the interior, the clothing, as well as the tales. Whilst i am not particularly well-versed in the Beowulf legend, it is quite obvious that Emmerichs tries to maintain accuracy within her portrayal.
Emmerichs’ writing is actually very good, she certainly has an eye for creative detail and does well to captivate her audience. Her writing is actually some of the best I’ve read. However, some aspects could be hugely improved. For example, there are many plot holes that are revealed in dialogue. For example, here’s a scene in which Theow talks to Fryda about how the men just began to fall asleep, to which Fryda herself remarks that’s she felt tired when drinking the spiked mead, but nowhere in the events of the party was that previously implied; the idea that something quite eventful was about to happen. We didn’t get to see Fryda potentially woozy or tired, and given it was a feast/ party, it wasn’t well conveyed that the men had been spiked, given that it was not implied that it was abnormal for the men to be passed out on the table.
Additionally, it is hard to tell who is supposed to be the main character. Following from the events of the spiked mead, we suddenly get Theow’s POV in which he hears a Fryda scream and suddenly he’s in her bedroom and she’s being attacked by three men. I would’ve preferred a Fryda POV before that of her going to bed, signalling that the night was over, setting up what was about to happen. Furthermore, Fryda is incredibly naive for someone who has a close relationship with two slaves. Her decisions are often very thoughtless, and it’s mad to me that she doesn’t understand the consequences, given their close companionship.
Regarding the curse and the dragon, it all felt very redundant to the story. Given it was introduced early on and then consistently brought up, i figured it would play a larger role than it did. I felt the story would’ve had enough drive and realism without the presence of the captured dragon. Additionally, it was really hard to figure out the real purpose of the plot. As stated, the dragon was implied to play a larger role, but took up the last 50 pages. Prior to this event, we just see really predictable moments of betrayal.
Additionally, what was particularly odd to me was how every older man adored Fryda. Like, she had literally three father figures and it felt really weird that they were all just copy and pastes of each other ?
To conclude, Emmerichs is a truly gifted writer and i would really like to read more of their work. I would ask that more detail be given to the plot and the characters, because it is such a shame to waste excellent writing for lack of cohesive plot and half developed characters.
January 25, 2023
So I haven’t enjoyed much YA fantasy romance recently. I’ve found issues of consent and grumpy male love interests to be the main culprits.
I only mention this because Shield Maiden is a welcome relief to what is currently on the market. We have both a captivating female protagonist called Fryda and a worthy partner in Theow. However, Fryda is a princess and Theow is a slave and they cannot be together.
These star crossed lovers don’t have an easy time, but their romance blossoms despite all this – and it was wonderful to read. As such it makes the story more wholesome and ‘coming of age’ than the average YA fantasy romance.
The world building is also interesting as the legend of Beowulf is the mythological inspiration. This story focuses only on the part of the Beowulf poem that deals with the dragon, which feels quite fresh as other stories around Beowulf usually feature Grendel and Grendel’s mother.
Beowulf himself is a side character in this novel, however, we are treated to POV chapters from the dragon – which were beautifully written and intriguing – and contained some of my favourite moments from the whole novel.
Fans of YA fantasy romance will enjoy this novel and linking the story with the epic poem of Beowulf was an inspired decision by Sharon Emmerichs!
I only mention this because Shield Maiden is a welcome relief to what is currently on the market. We have both a captivating female protagonist called Fryda and a worthy partner in Theow. However, Fryda is a princess and Theow is a slave and they cannot be together.
These star crossed lovers don’t have an easy time, but their romance blossoms despite all this – and it was wonderful to read. As such it makes the story more wholesome and ‘coming of age’ than the average YA fantasy romance.
The world building is also interesting as the legend of Beowulf is the mythological inspiration. This story focuses only on the part of the Beowulf poem that deals with the dragon, which feels quite fresh as other stories around Beowulf usually feature Grendel and Grendel’s mother.
Beowulf himself is a side character in this novel, however, we are treated to POV chapters from the dragon – which were beautifully written and intriguing – and contained some of my favourite moments from the whole novel.
Fans of YA fantasy romance will enjoy this novel and linking the story with the epic poem of Beowulf was an inspired decision by Sharon Emmerichs!
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October 1, 2023not rating this because god what am I gonna do, admit a single flaw in something that dearly loves my literal biological grandma (the corpus of Old English literature) in public? and also because this was a fun YA that deserves to be rewarded for that; I was white-knuckling gritting my teeth preparing for this to trash Beowulf but this ended up being a very nice sort of "he's an extremely badass hero and a good leader and everyone rightfully loves him; also he's the kind of guy who thinks 'HELL yeah, BATTLES' right after somebody's beloved family member dies in one of those battles. value systems, baby!". completely fair.
just... a deeply, deeply weird aggressive Ron The Death Eater take on, of all people, ; this did not feel hugely rooted in the author's thoughts on the Beowulf text (there is an extended author tract in this book where a character goes UNFERTH FROM BEOWULF... WAS HE ACTUALLY BAD? I HAVE TAKES, which is legit interesting, if you are interested in Beowulf) so much as it did in a feeling that the book needed a villain, and the villain couldn't be (just) the dragon. fuck dude vibes but:
it is actually very jarring whenever any of the characters start talking in poetic Old English language because, you know, it sounds so egregiously better than absolutely all of the YA-standard dialogue we've been listening to up to that point, and—let's not get into it about Ursula K. Leguin's "From Elfland to Poughkeepsie" or whatever, but it seems sort of important to assert that style is not incidental in fiction, you know, especially not in genre (in fact it's arguable that if the essence of the piece of fiction relies on how its language is stylized, that's one of the things that separates genre from literary, I think). style isn't the coat of paint you put on top of a well-structured house—style is structure, style is character, style is setting. and let's not get into it about Tolkien or whatever, but no one really needs it explained to them why the bit when Aragorn's walking the Paths of the Dead sounds different than the bits where Bilbo's having his birthday party, I don't think; and more relevantly to this book, why both of those sound a little different from Rohan
and you know this is not an actual complaint about this book's prose quality—let me be clear, the prose is completely fine, no complaints whatsoever!—but more a reflection on like: why not make the villain the dragon? what is that part of us that gets stubborn and digs in our heels when addressed in the epic mode—where does that part of us come from, what exactly in the text's rhythm or pace or diction is it reacting to, what precisely do we distrust?
you know, I really don't much like Ron The Death Eater-ing characters, because I think what distinguishes it from regular and joyous "reading against the grain" is: do you accept the story's terms? I mean, a), do you accept that the textual plot points we are given are broadly true and all the facts we have, if tonally flexible as facts go, or are you just saying that your headcanons are canon. but more interestingly: b) do you accept that the moral worldview of the story is a worldview worth taking seriously? do you accept that the parts of the story that are designed to inspire you are designed to inspire you, and do you accept that the parts that are designed to make you sad are designed to make you sad, even if you yourself don't have those reactions? do you accept that the story's style defines the story, and whatever style you use to respond has to complement it or thoughtfully combat it or otherwise work with it? you know, I can guess at reasons for not making the dragon the villain, but—dragons do make very good villains, historically speaking, and in Beowulf too, and you need to explain why you give a damn about proving the Beowulf-poet was wrong on this one. you need to explain why a story where the monster isn't villainous needed a monstrous villain at all, you need to explain why Wiglaf's lovely speech where he rouses the men to come to Beowulf's aid doesn't inspire you or why it makes you skeptical or mad, you need to explain what it is about Beowulf's death scene that bothers you. I mean you really need to swim down and fight the poet in their own cave, here. you need to meet the epic style on the epic's own ground
this is obviously a big ask, especially from a YA book, but I also think it sort of is the ask that's defined the fantasy genre, in its successes and failures—what I'm always asking for: thinking a little less about romantic relationships, a little more about being romantic
just... a deeply, deeply weird aggressive Ron The Death Eater take on, of all people, ; this did not feel hugely rooted in the author's thoughts on the Beowulf text (there is an extended author tract in this book where a character goes UNFERTH FROM BEOWULF... WAS HE ACTUALLY BAD? I HAVE TAKES, which is legit interesting, if you are interested in Beowulf) so much as it did in a feeling that the book needed a villain, and the villain couldn't be (just) the dragon. fuck dude vibes but:
it is actually very jarring whenever any of the characters start talking in poetic Old English language because, you know, it sounds so egregiously better than absolutely all of the YA-standard dialogue we've been listening to up to that point, and—let's not get into it about Ursula K. Leguin's "From Elfland to Poughkeepsie" or whatever, but it seems sort of important to assert that style is not incidental in fiction, you know, especially not in genre (in fact it's arguable that if the essence of the piece of fiction relies on how its language is stylized, that's one of the things that separates genre from literary, I think). style isn't the coat of paint you put on top of a well-structured house—style is structure, style is character, style is setting. and let's not get into it about Tolkien or whatever, but no one really needs it explained to them why the bit when Aragorn's walking the Paths of the Dead sounds different than the bits where Bilbo's having his birthday party, I don't think; and more relevantly to this book, why both of those sound a little different from Rohan
and you know this is not an actual complaint about this book's prose quality—let me be clear, the prose is completely fine, no complaints whatsoever!—but more a reflection on like: why not make the villain the dragon? what is that part of us that gets stubborn and digs in our heels when addressed in the epic mode—where does that part of us come from, what exactly in the text's rhythm or pace or diction is it reacting to, what precisely do we distrust?
you know, I really don't much like Ron The Death Eater-ing characters, because I think what distinguishes it from regular and joyous "reading against the grain" is: do you accept the story's terms? I mean, a), do you accept that the textual plot points we are given are broadly true and all the facts we have, if tonally flexible as facts go, or are you just saying that your headcanons are canon. but more interestingly: b) do you accept that the moral worldview of the story is a worldview worth taking seriously? do you accept that the parts of the story that are designed to inspire you are designed to inspire you, and do you accept that the parts that are designed to make you sad are designed to make you sad, even if you yourself don't have those reactions? do you accept that the story's style defines the story, and whatever style you use to respond has to complement it or thoughtfully combat it or otherwise work with it? you know, I can guess at reasons for not making the dragon the villain, but—dragons do make very good villains, historically speaking, and in Beowulf too, and you need to explain why you give a damn about proving the Beowulf-poet was wrong on this one. you need to explain why a story where the monster isn't villainous needed a monstrous villain at all, you need to explain why Wiglaf's lovely speech where he rouses the men to come to Beowulf's aid doesn't inspire you or why it makes you skeptical or mad, you need to explain what it is about Beowulf's death scene that bothers you. I mean you really need to swim down and fight the poet in their own cave, here. you need to meet the epic style on the epic's own ground
this is obviously a big ask, especially from a YA book, but I also think it sort of is the ask that's defined the fantasy genre, in its successes and failures—what I'm always asking for: thinking a little less about romantic relationships, a little more about being romantic
October 29, 2023
Got this audiobook for review on netgally.
I was curious to pick this book up as it is a Beowulf reteling from a young woman's point of view. The story was emerisve and easy to get invested in. Loved the care and friendship Freyida had with some characters and and the romance as well as she was a strong person on her own. Enjoyed reading about the world it was set in and the plot itself. Not quite a 5 stats but a great read nevertheless. The audiobook was well done and didn't have any issues while listening to it.
I was curious to pick this book up as it is a Beowulf reteling from a young woman's point of view. The story was emerisve and easy to get invested in. Loved the care and friendship Freyida had with some characters and and the romance as well as she was a strong person on her own. Enjoyed reading about the world it was set in and the plot itself. Not quite a 5 stats but a great read nevertheless. The audiobook was well done and didn't have any issues while listening to it.
November 9, 2022
Thank you to NetGalley and Head of Zeus for providing this ARC.
This was a mixed bag. I read Beowulf for college and enjoyed both the content and analysis, I love Norse mythology and historical fiction so this looked like a really promising read. However, it tried to be so many things at once it just fell flat.
There's politics, a dragon, family drama, romance, the chosen one trope, a curse (that I didn't fully understand) and none of it really gripped me. We're stuck in a relatively small place geographically and I would've loved to see this world more expanded through more day to day life and customs. The cast of characters also felt small. I liked Wiglaf because I hated him. His POV came as a surprise but I thought it well done and it painted his twisted thought process nicely. I didn't care too much about the rest of them. I understand the circumstances but Fryda was painfully naive and blind to the abuses around her and considering how much time she spent with a servant and a slave it was rough to witness. Theow was... eh. Beowulf was funny and that's pretty much it.
The plot picked up way too late, and failed to make me care about what was going on before the 50+% mark. For what it's worth, by the end the story got pretty exciting, it simply took too long to get there with a lot of plot lines but nothing really happening. This might be one of the rare books I read that would benefit from being longer, it just needs more meat.
If you're enthusiastic about Beowulf or the time period, go for it. I'd love to see more thoughts on this.
This was a mixed bag. I read Beowulf for college and enjoyed both the content and analysis, I love Norse mythology and historical fiction so this looked like a really promising read. However, it tried to be so many things at once it just fell flat.
There's politics, a dragon, family drama, romance, the chosen one trope, a curse (that I didn't fully understand) and none of it really gripped me. We're stuck in a relatively small place geographically and I would've loved to see this world more expanded through more day to day life and customs. The cast of characters also felt small. I liked Wiglaf because I hated him. His POV came as a surprise but I thought it well done and it painted his twisted thought process nicely. I didn't care too much about the rest of them. I understand the circumstances but Fryda was painfully naive and blind to the abuses around her and considering how much time she spent with a servant and a slave it was rough to witness. Theow was... eh. Beowulf was funny and that's pretty much it.
The plot picked up way too late, and failed to make me care about what was going on before the 50+% mark. For what it's worth, by the end the story got pretty exciting, it simply took too long to get there with a lot of plot lines but nothing really happening. This might be one of the rare books I read that would benefit from being longer, it just needs more meat.
If you're enthusiastic about Beowulf or the time period, go for it. I'd love to see more thoughts on this.
January 10, 2023
I was beyond enthralled by this tale of a young princess tragically injured and forced to give up her dreams of becoming a Shield Maiden. Based heavily on old poetry about Beowulf the author wields a story of forbidden love, treachery and self belief. I perhaps wasn’t convinced by everything and it’s the relationship between father and daughter that stymies me here but the selfish twin brother with everything at his feet certainly made me want to keep turning the pages. Which brings me nicely to the Dragon whose woefully sad presence permeates as the story unfolds. A wonderful and heroic young heroine and a tale of growth and realisation.
This voluntary take is of a copy I requested from Netgalley and my thoughts and comments are honest and I believe fair
This voluntary take is of a copy I requested from Netgalley and my thoughts and comments are honest and I believe fair
January 27, 2024
Format: audiobook ~ Narrator: Victoria Fox
Content: 3 stars ~ Narration: 5 stars
Fryda is Beowulf’s niece, and from a young age, she wanted to be a shield maiden. But a terrible accident prevented her from becoming one.
Shield Maiden started a bit slow, but I had high hopes because I liked the writing. From the title Shield Maiden and the mention of Beowulf, I expected this novel to be more epic than it was, and the romance part was, for me, completely unnecessary.
In the end, the novel was ok. Narration by Victoria Fox was excellent.
Thanks to Hachette Audio for the advance copy and this opportunity! This is a voluntary review and all opinions are my own.
Content: 3 stars ~ Narration: 5 stars
Fryda is Beowulf’s niece, and from a young age, she wanted to be a shield maiden. But a terrible accident prevented her from becoming one.
Shield Maiden started a bit slow, but I had high hopes because I liked the writing. From the title Shield Maiden and the mention of Beowulf, I expected this novel to be more epic than it was, and the romance part was, for me, completely unnecessary.
In the end, the novel was ok. Narration by Victoria Fox was excellent.
Thanks to Hachette Audio for the advance copy and this opportunity! This is a voluntary review and all opinions are my own.
October 6, 2023
Shield Maiden is a unique reimagining of Beowulf’s last battle with the dragon but told from his niece’s point of view. I buddy read this with Leah from Leah’s Books, and we had some amazing conversations comparing this story to our recollections of the original and discussing the plot, characters, themes, romances, and so much more.
I love YA fantasy novels with fierce female protagonists, and I was gripped by Fryda’s story right from the start. A young woman who wants to be a shield maiden, Fryda’s dream is shattered when an accident causes permanent damage to her hand, leaving her unable to perform the duties of a warrior. It was interesting to see how Fryda navigated through life in a world where people with disabilities are often considered burdens or shameful. And though Fryda feels the sting of rejection, judgment, and scorn, she perseveres. Her bravery, loyalty, compassion, and strength make her a great leader, much like her beloved uncle.
Going into this read, I fully expected Beowulf to be presented in a negative light, but I was so wrong. Still a larger-than-life hero, Beowulf is humanized in his interactions with family and friends, most especially in his relationship with Fryda. He’s a beloved uncle, and he treats Fryda better than any other family she has. I like that Beowulf is not villainized and is instead presented in a positive, honorable light.
Hild is another character that I adored. Her jokes are hilarious (because penis jokes are funny in any time period), and her friendship with Fryda is lovely. I also love that Hild, Fryda, and Theow, along with several other secondary characters, form this strong unit that supports and protects each other (as much as they can, considering the circumstances). Oh my word, Bryce! He’s another amazing character whose story is super compelling. An air of mystery surrounds him, and his story is a bit heartbreaking, but his love for Fryda and Theow is unwavering and beautiful.
Of course, I have to talk about another favorite part of the story – the romance! It’s a sweet, forbidden love story that I adored. Fryda and Theow grew up together, and they care deeply for each other. Their relationship is a bright spot in the story. All of these characters are so devoted to each other and Fryda, and that loyalty becomes really important as the story progresses. These relationships also juxtapose the toxic relationship she has with her father and the unhealthy bordering on creepy relationship she has with her brother Wiglaf.
There are so many things I liked about this book – the action-packed plot with brewing dissension, traitors and murderers in their midst, natural disasters, and a dragon bent on destruction, the layered and detailed world-building, the dynamic characters and relationships, the immersive and captivating storytelling, the bits of humor, the love stories, the sections told from the dragon’s point of view (so cool!) – I enjoyed it all!
Special thanks to Redhook and Orbit for providing me with a copy of the book. All thoughts are my own.
I love YA fantasy novels with fierce female protagonists, and I was gripped by Fryda’s story right from the start. A young woman who wants to be a shield maiden, Fryda’s dream is shattered when an accident causes permanent damage to her hand, leaving her unable to perform the duties of a warrior. It was interesting to see how Fryda navigated through life in a world where people with disabilities are often considered burdens or shameful. And though Fryda feels the sting of rejection, judgment, and scorn, she perseveres. Her bravery, loyalty, compassion, and strength make her a great leader, much like her beloved uncle.
Going into this read, I fully expected Beowulf to be presented in a negative light, but I was so wrong. Still a larger-than-life hero, Beowulf is humanized in his interactions with family and friends, most especially in his relationship with Fryda. He’s a beloved uncle, and he treats Fryda better than any other family she has. I like that Beowulf is not villainized and is instead presented in a positive, honorable light.
Hild is another character that I adored. Her jokes are hilarious (because penis jokes are funny in any time period), and her friendship with Fryda is lovely. I also love that Hild, Fryda, and Theow, along with several other secondary characters, form this strong unit that supports and protects each other (as much as they can, considering the circumstances). Oh my word, Bryce! He’s another amazing character whose story is super compelling. An air of mystery surrounds him, and his story is a bit heartbreaking, but his love for Fryda and Theow is unwavering and beautiful.
Of course, I have to talk about another favorite part of the story – the romance! It’s a sweet, forbidden love story that I adored. Fryda and Theow grew up together, and they care deeply for each other. Their relationship is a bright spot in the story. All of these characters are so devoted to each other and Fryda, and that loyalty becomes really important as the story progresses. These relationships also juxtapose the toxic relationship she has with her father and the unhealthy bordering on creepy relationship she has with her brother Wiglaf.
There are so many things I liked about this book – the action-packed plot with brewing dissension, traitors and murderers in their midst, natural disasters, and a dragon bent on destruction, the layered and detailed world-building, the dynamic characters and relationships, the immersive and captivating storytelling, the bits of humor, the love stories, the sections told from the dragon’s point of view (so cool!) – I enjoyed it all!
Special thanks to Redhook and Orbit for providing me with a copy of the book. All thoughts are my own.
May 26, 2023
I def thought the dragon would play a larger role in the overall story but really only got there in the last 40 ish pages. Otherwise it was a nice one to listen to as an audiobook and I thought the way the perspectives were constantly shifting was interesting, although not always used at the best times. Still not entirely sure what the curse was but that's probably my fault 😅
March 13, 2023
Aah, I wanted to love this so much more than I did. I've said previously that slow pacing doesn't tend to put me off - but I just needed something, anything, to happen for much of this book. Maybe I needed to be more familiar with Beowulf to appreciate it more - I think it also suffered from the books I've recently finished up, hot off the heels of a months long slump...
I loved Bryce, Hild, and Theow - but I found myself often more frustrated with other characters and the decisions made. The utter ignorance and backtracking when presented with certain characters deeds and actions. There's so many points where it could have been resolved before so much loss, if only that person had pursued this or took more note of some blaring red flags (if you asked me). But again, probably ignorance of the source material on my part.
I did enjoy the glimpses peppered throughout of Fýrdraca - the big climax featuring her though was pretty short. Sure there was a lot of losses and much destruction, but the space on the page dedicated to take us through the mighty battle was brief. After struggling to capture my attention throughout the book, I was hoping for a finale that would sweep me away... I do like how the story resolves itself though - but I also just didn't care enough about the characters to take true satisfaction in it.
I loved Bryce, Hild, and Theow - but I found myself often more frustrated with other characters and the decisions made. The utter ignorance and backtracking when presented with certain characters deeds and actions. There's so many points where it could have been resolved before so much loss, if only that person had pursued this or took more note of some blaring red flags (if you asked me). But again, probably ignorance of the source material on my part.
I did enjoy the glimpses peppered throughout of Fýrdraca - the big climax featuring her though was pretty short. Sure there was a lot of losses and much destruction, but the space on the page dedicated to take us through the mighty battle was brief. After struggling to capture my attention throughout the book, I was hoping for a finale that would sweep me away... I do like how the story resolves itself though - but I also just didn't care enough about the characters to take true satisfaction in it.
September 1, 2023
Let me start by saying I LOVE BEOWULF. SO MUCH. SO SO MUCH.
This book really just. It tapped on that door of Beowulf and threw it WIDE OPEN.
I never knew I needed this.
This book really just. It tapped on that door of Beowulf and threw it WIDE OPEN.
I never knew I needed this.
November 4, 2023
This book was fantastic. It was so well written I found myself enjoying the prose quite a lot. The MC Fryda, though naive, was so loveable as well as most of the side characters.
Listening to this as the audiobook was what made it even better. The narrator did a phenomenal job and all the voices she used were just spot on and completely enthralling. I would listen to 100 more books read by Victoria Fox with zero complaints.
Thank you to @netgalley and @hachetteaudio for the opportunity to listen to this in exchange for an honest review
Listening to this as the audiobook was what made it even better. The narrator did a phenomenal job and all the voices she used were just spot on and completely enthralling. I would listen to 100 more books read by Victoria Fox with zero complaints.
Thank you to @netgalley and @hachetteaudio for the opportunity to listen to this in exchange for an honest review
February 8, 2023
Full text review: https://jamreads.com/reviews/shield-m...
Shield Maiden is a read that goes a little bit outside of my comfort zone, being a kind of YA romance mixed with a coming-of-age historical fantasy, which I enjoyed greatly, especially with how Beowulf was implied in the plot.
We are going to be following Fryda, a captivating princess, whose dream of becoming a shieldmaiden was truncated at 13 years old, after an accident that left her with a useless hand. Despite her best efforts to train and improve, this will be a scourge on such an ableist society as the one we are seeing in this book; even being the daughter of the king and niece of the legendary Beowulf, she's seen as an invalid for the rest.
In the other part of the romance, we have Theow, a slave which was kidnapped when he was a mere kid. A brave man, who cares about Fryda's well-being, but whose condition makes this kind of relationship difficult.
Outside of this main point of the plot, we have a really interesting story around the politics and the fight for getting power in the Viking community; one that introduces some of the most interesting characters in Shield Maiden, such as can be Bryce and Wingraf. Bryce acts as a second father for Fryda, and at the same time, has his own secrets that he wants to protect. Wingraf is an excellently written character, Fryda's brother, and a despicable person who will be the catalyst of the change.
Worldbuilding is interesting, taking the legend of Beowulf as the inspiration, and blending it into a Viking setting, despite only using the last fragment, the one where Beowulf fights the dragon; and honestly, I think some of the best scenes of the novel appear as a result of taking this fragment.
In summary, I found Shield Maiden a great book, probably with a bit too much of romance for my taste, but really enjoyable and perfect for those who want an epic story in a Viking setting.
Shield Maiden is a read that goes a little bit outside of my comfort zone, being a kind of YA romance mixed with a coming-of-age historical fantasy, which I enjoyed greatly, especially with how Beowulf was implied in the plot.
We are going to be following Fryda, a captivating princess, whose dream of becoming a shieldmaiden was truncated at 13 years old, after an accident that left her with a useless hand. Despite her best efforts to train and improve, this will be a scourge on such an ableist society as the one we are seeing in this book; even being the daughter of the king and niece of the legendary Beowulf, she's seen as an invalid for the rest.
In the other part of the romance, we have Theow, a slave which was kidnapped when he was a mere kid. A brave man, who cares about Fryda's well-being, but whose condition makes this kind of relationship difficult.
Outside of this main point of the plot, we have a really interesting story around the politics and the fight for getting power in the Viking community; one that introduces some of the most interesting characters in Shield Maiden, such as can be Bryce and Wingraf. Bryce acts as a second father for Fryda, and at the same time, has his own secrets that he wants to protect. Wingraf is an excellently written character, Fryda's brother, and a despicable person who will be the catalyst of the change.
Worldbuilding is interesting, taking the legend of Beowulf as the inspiration, and blending it into a Viking setting, despite only using the last fragment, the one where Beowulf fights the dragon; and honestly, I think some of the best scenes of the novel appear as a result of taking this fragment.
In summary, I found Shield Maiden a great book, probably with a bit too much of romance for my taste, but really enjoyable and perfect for those who want an epic story in a Viking setting.
September 17, 2023
I won this e-ARC in a Goodreads giveaway. This story was absolutely fantastic and fast-paced. I loved our main character Fryda and her connection to Beowulf. I really appreciated the glossary with pronunciations as well. Every few chapters we get a perspective from the dragon, and I was living for the little glimpses of where the story started and where it was going. I loved that there were so many characters to root for, and I could fully visualize the setting. There was action every step of the way that led to a big climax. I can’t wait to add a physical copy of Shield Maiden to my shelves and go reread Beowulf.
November 7, 2023
3 of 5 stars at The BiblioSanctum https://bibliosanctum.com/2023/11/07/...
Sharon Emmerich’s Shield Maiden is a historical fantasy novel which reimagines Beowulf from the perspective of a young woman, presenting an intriguing premise. However, that it is the author’s debut is also evident in the story’s unrealized potential and its noticeably rough edges.
The book begins with an introduction to Fryda of Clan Waegmunding, daughter of the Lord of Eceweall and also niece of King Beowulf, the legendary monster slayer turned ruler of Geatland. Ever since she was a little girl, Fryda has dreamed of becoming a shield maiden, an elite woman warrior, but a tragic accident soon put an end to those aspirations. With a shattered hand that became permanently misshapen even after it healed, the clandestine combat training sessions with the blacksmith is the closest she will ever get to a battlefield.
Still, Fryda has put her courage and compassion to work in other areas, becoming a natural leader, even if she is generally ignored by her father and twin brother Wiglaf. In a dramatic turn of events, her uncle Beowulf arrives at their hall for a feast celebrating his fifty-year reign on the throne. Amidst a large number of guests, the event becomes a chaotic affair, leading to perfect conditions for an attack. Fryda becomes victim of an attempted abduction, which is thankfully thwarted by her secret lover Theow, a Celtic slave. The incident also reveals a conspiracy to overthrow Fryda’s father, but of course, no one is willing to take her seriously, forcing our protagonist to take the investigation into her own hands.
First, the good: I love to check out unique retellings, and a fresh take on the Beowulf legend was certainly enticing. And ultimately, I think that’s where the strength of Shield Maiden lies. Beowulf himself may play a role, but for the most part, he is a background character. This is and always will be Fryda’s story, her journey to break free from societal norms and to fulfill her dreams on her own now that the conventional way is barred to her, which is the heart of the novel and an admirable message on its own. It’s also clear that the author has done a lot of research for this book, diving deep into the historical and cultural details to make the world come to life.
But now, for the not so great. While the book’s premise may be its strongest asset, there were a few major stumbling blocks that prevented it from fulfilling its full potential. My number one issue was the simplistic character development. Yes, Fryda’s motivations were commendable, but her behaviors and decisions were often predictable and unimaginative. Additionally, many of the interpersonal relationships seemed forced and one-dimensional. Fryda could do no wrong, for example, and her heart remains oh so pure and free of bitterness despite her one true dream being ripped away from her as a child. She and she alone in the entire clan was kind to the slaves and servants, and everyone loved her, including of course Uncle Beowulf with whom she has a special friendship. I mean, one can’t help but wonder if the book might have been written with elements of wish-fulfillment in mind.
In the end, Shield Maiden proved to be an enjoyable and entertaining read, and I think it will also appeal to those looking for a different approach to the retellings of classic legends. Still, I did finish it with a yearning for more depth and complexity in both story and characters, which I’m sure the author will get a chance to refine in her future projects. I’ll be watching what she does next with interest.
Sharon Emmerich’s Shield Maiden is a historical fantasy novel which reimagines Beowulf from the perspective of a young woman, presenting an intriguing premise. However, that it is the author’s debut is also evident in the story’s unrealized potential and its noticeably rough edges.
The book begins with an introduction to Fryda of Clan Waegmunding, daughter of the Lord of Eceweall and also niece of King Beowulf, the legendary monster slayer turned ruler of Geatland. Ever since she was a little girl, Fryda has dreamed of becoming a shield maiden, an elite woman warrior, but a tragic accident soon put an end to those aspirations. With a shattered hand that became permanently misshapen even after it healed, the clandestine combat training sessions with the blacksmith is the closest she will ever get to a battlefield.
Still, Fryda has put her courage and compassion to work in other areas, becoming a natural leader, even if she is generally ignored by her father and twin brother Wiglaf. In a dramatic turn of events, her uncle Beowulf arrives at their hall for a feast celebrating his fifty-year reign on the throne. Amidst a large number of guests, the event becomes a chaotic affair, leading to perfect conditions for an attack. Fryda becomes victim of an attempted abduction, which is thankfully thwarted by her secret lover Theow, a Celtic slave. The incident also reveals a conspiracy to overthrow Fryda’s father, but of course, no one is willing to take her seriously, forcing our protagonist to take the investigation into her own hands.
First, the good: I love to check out unique retellings, and a fresh take on the Beowulf legend was certainly enticing. And ultimately, I think that’s where the strength of Shield Maiden lies. Beowulf himself may play a role, but for the most part, he is a background character. This is and always will be Fryda’s story, her journey to break free from societal norms and to fulfill her dreams on her own now that the conventional way is barred to her, which is the heart of the novel and an admirable message on its own. It’s also clear that the author has done a lot of research for this book, diving deep into the historical and cultural details to make the world come to life.
But now, for the not so great. While the book’s premise may be its strongest asset, there were a few major stumbling blocks that prevented it from fulfilling its full potential. My number one issue was the simplistic character development. Yes, Fryda’s motivations were commendable, but her behaviors and decisions were often predictable and unimaginative. Additionally, many of the interpersonal relationships seemed forced and one-dimensional. Fryda could do no wrong, for example, and her heart remains oh so pure and free of bitterness despite her one true dream being ripped away from her as a child. She and she alone in the entire clan was kind to the slaves and servants, and everyone loved her, including of course Uncle Beowulf with whom she has a special friendship. I mean, one can’t help but wonder if the book might have been written with elements of wish-fulfillment in mind.
In the end, Shield Maiden proved to be an enjoyable and entertaining read, and I think it will also appeal to those looking for a different approach to the retellings of classic legends. Still, I did finish it with a yearning for more depth and complexity in both story and characters, which I’m sure the author will get a chance to refine in her future projects. I’ll be watching what she does next with interest.
August 13, 2023
Thank you to libro.fm for the ALC! This is an honest review.
I was really looking forward to this one. A tale that retells a classic from an entirely new perspective, Shield Maiden presents the journey of Fryda, a young woman determined to become a shield maiden. When an injury leaves her disabled, her dream is shattered. Yet, an unexpected inner power begins to stir, emerging just as foreign dignitaries gather to celebrate the reign of her uncle, King Beowulf. Danger lurks beneath the festivities, and Fryda finds herself facing unforeseen challenges.
While the narrative of Shield Maiden displays strong writing, it does grapple with certain aspects that impact the overall reading experience. Uneven pacing, particularly in the beginning, hindered my engagement. The characters and relationships are not well-defined; we are told rather than shown over and over. Fryda in particular is incredibly naive and never seems to learn from others' past actions. She has to be saved over and over, whether it is by the dragon slumbering under her lands, the indentured (token) diverse maiden, her uncle, or the enslaved Irish young man she loves.
The premise and lore in Shield Maiden are intriguing, though the story sometimes shifts between darker themes and moments of child-like simplicity. The portrayal of villains tends to the exaggerated and formulaic. Her brother, in particular.
Despite these considerations, Shield Maiden offers an innovative perspective on a timeless narrative and the unique interpretation may resonate with readers seeking a fresh exploration of classic epic tales.
I was really looking forward to this one. A tale that retells a classic from an entirely new perspective, Shield Maiden presents the journey of Fryda, a young woman determined to become a shield maiden. When an injury leaves her disabled, her dream is shattered. Yet, an unexpected inner power begins to stir, emerging just as foreign dignitaries gather to celebrate the reign of her uncle, King Beowulf. Danger lurks beneath the festivities, and Fryda finds herself facing unforeseen challenges.
While the narrative of Shield Maiden displays strong writing, it does grapple with certain aspects that impact the overall reading experience. Uneven pacing, particularly in the beginning, hindered my engagement. The characters and relationships are not well-defined; we are told rather than shown over and over. Fryda in particular is incredibly naive and never seems to learn from others' past actions. She has to be saved over and over, whether it is by the dragon slumbering under her lands, the indentured (token) diverse maiden, her uncle, or the enslaved Irish young man she loves.
The premise and lore in Shield Maiden are intriguing, though the story sometimes shifts between darker themes and moments of child-like simplicity. The portrayal of villains tends to the exaggerated and formulaic. Her brother, in particular.
Despite these considerations, Shield Maiden offers an innovative perspective on a timeless narrative and the unique interpretation may resonate with readers seeking a fresh exploration of classic epic tales.
January 21, 2023
Read via NetGalley.
Sadly, this was a bit too much "modern YA in a historical setting" for me. The main character was TOO recognisably a feisty modern woman, which simply didn't ring true for the period - she's contemporaneous with the end of Beowulf's reign. Being highborn and being in love with a slave... it just doesn't ring true, without any struggles around identity and so on that I think would actually have been the case. She was all too willing to ignore the importance of family, despite acknowledging the horrors of exile, for "love". While I often love a good bit of exposition and description, there was just a bit too much of that here, too - I found myself skipping a LOT of the book.
Not for me. I genuinely think it will find an audience, though, and I'm really glad for that - I suspect this will hit the right buttons for the right people, which would be great.
Sadly, this was a bit too much "modern YA in a historical setting" for me. The main character was TOO recognisably a feisty modern woman, which simply didn't ring true for the period - she's contemporaneous with the end of Beowulf's reign. Being highborn and being in love with a slave... it just doesn't ring true, without any struggles around identity and so on that I think would actually have been the case. She was all too willing to ignore the importance of family, despite acknowledging the horrors of exile, for "love". While I often love a good bit of exposition and description, there was just a bit too much of that here, too - I found myself skipping a LOT of the book.
Not for me. I genuinely think it will find an audience, though, and I'm really glad for that - I suspect this will hit the right buttons for the right people, which would be great.
October 10, 2023
“On the morning of her thirteenth birthday, Fryda of Clan Waegmunding—daughter of Weohstan and jewel of King Beowulf’s eye—wanted only one good kill.”
This was an interesting historical fiction; it delves into politics, family/social dynamics of the time, betrayals, and the Beowulf Mythos (particularly him taking on the dragon).
The author knows her stuff for this time frame, so there was a lot of descriptive imagery and detail which I loved.
The characters were so-so, some felt a bit flat, others I wanted to know more about. The POVs switch throughout the story, it works, but I think just sticking with Fryda would’ve helped with the continuity of the tale and kept the reader in the moment.
Thank you to the author, NetGalley, and RedHook Books for a copy!
This was an interesting historical fiction; it delves into politics, family/social dynamics of the time, betrayals, and the Beowulf Mythos (particularly him taking on the dragon).
The author knows her stuff for this time frame, so there was a lot of descriptive imagery and detail which I loved.
The characters were so-so, some felt a bit flat, others I wanted to know more about. The POVs switch throughout the story, it works, but I think just sticking with Fryda would’ve helped with the continuity of the tale and kept the reader in the moment.
Thank you to the author, NetGalley, and RedHook Books for a copy!
December 29, 2023
“Shield Maiden” is an excellent fantasy/mythological debut by Sharon Emmerichs, a Viking-esque story from the perspective of a young woman as she navigates her patriarchal society as a woman and crippled from a childhood accident. This story is a reimagined Beowulf decades after his feats, as experienced by Fryda.
Fryda dreams of being a Shield Maiden, though her hand is mangled and her father mostly ignores her and treats her as incapable of becoming a shield maiden or leader. Fryda’s twin brother, Wiglaf, though has a very different upbringing, which leads to most of the conflict within the story. When King Beowulf (lovingly known as Uncle Beowulf) comes to her settlement to celebrate his reign, along with numerous foreign lords and chieftains, Wiglaf takes drastic and disturbing measures in an attempt to guarantee his succession. However, there are other powers at play including long lost heroes, magic come to life, and an ancient and well rested dragon. Fryda’s story also includes her friends and love interest, Theow.
This story is a fantastic debut, and light enough to enjoy in a couple sittings - though the start may be slow moving for some. The book really picks up around 40 percent into it and keeps moving from there. I enjoyed this book and it was exactly what I wanted at the time - fantasy, mythology, not terribly heavy, but also addressing important topics and themes. Some of the themes explored include family, enslavement, patriarchy and equality. I will absolutely read additional books by Sharonda Emmerichs, if she continues to write and publish.
Fryda dreams of being a Shield Maiden, though her hand is mangled and her father mostly ignores her and treats her as incapable of becoming a shield maiden or leader. Fryda’s twin brother, Wiglaf, though has a very different upbringing, which leads to most of the conflict within the story. When King Beowulf (lovingly known as Uncle Beowulf) comes to her settlement to celebrate his reign, along with numerous foreign lords and chieftains, Wiglaf takes drastic and disturbing measures in an attempt to guarantee his succession. However, there are other powers at play including long lost heroes, magic come to life, and an ancient and well rested dragon. Fryda’s story also includes her friends and love interest, Theow.
This story is a fantastic debut, and light enough to enjoy in a couple sittings - though the start may be slow moving for some. The book really picks up around 40 percent into it and keeps moving from there. I enjoyed this book and it was exactly what I wanted at the time - fantasy, mythology, not terribly heavy, but also addressing important topics and themes. Some of the themes explored include family, enslavement, patriarchy and equality. I will absolutely read additional books by Sharonda Emmerichs, if she continues to write and publish.
November 9, 2023
Thank you to Redhook and Angela Man for sending me an ARC of this book in exchange for an honest review.
This was a buddy read that I did with Julie @ One Book More, and I’m so glad I did because we got to fangirl over this story and vent our frustrations together. This was one that we were super excited for, and it didn’t let us down. It was probably the easiest rating I’ve given in a while, too.
It’s been quite some time since I read Beowulf, but thankfully this book doesn’t require that you actually read and remember the original story to be able to follow and enjoy this one. Also, it helps that the events in this book actually take place after the ones that made Beowulf the famous hero. In this story, we focus more on Beowulf’s niece, Fryda.
Fryda was a character that I found immensely easy to empathize with. Early on in the story, she experiences a disabling injury that crushes her dream of becoming a shield maiden. Despite being the daughter of a lord, and the niece of King Beowulf, she still experiences ableism and internalizes this shame over her disability, causing her to hide her disabled hand as often as she can. But she still practices to be a shield maiden, and doesn’t let her disability get in her way.
Fryda is very close with two other characters in the story, both of which I loved. Hild is an enslaved woman of African descent, and she is Fryda’s best friend. She strictly maintains the boundaries expected between a slave and a lord’s daughter, no matter what Fryda asks of her, and despite the fact that Fryda treats her as a friend and never as a slave. Their relationship is a close one, and I loved seeing how they interact with each other. The bond between them is obvious throughout the story. Theow is the other character, another enslaved person that Fryda has grown up with, and the two of them have a star-crossed lovers dynamic between them.
Emmerichs has done a fantastic job with this story. Everything is so well researched, and the descriptions are so detailed that I was able to picture everything vividly as I read. It made this even more enjoyable to read, especially since it was building on the previous tale of Beowulf, and providing a new perspective to the story. The author incorporates action, romance, friendship, family dynamics, grief, and loss. Towards the end of the story, there are some scenes of violence that are beautifully juxtaposed with scenes of love and strong emotion, and it was done so well, and in a way that I have never seen before. This was a fantastic book that I thoroughly enjoyed, and strongly recommend to others. It’s one that you don’t want to miss out on.
This was a buddy read that I did with Julie @ One Book More, and I’m so glad I did because we got to fangirl over this story and vent our frustrations together. This was one that we were super excited for, and it didn’t let us down. It was probably the easiest rating I’ve given in a while, too.
It’s been quite some time since I read Beowulf, but thankfully this book doesn’t require that you actually read and remember the original story to be able to follow and enjoy this one. Also, it helps that the events in this book actually take place after the ones that made Beowulf the famous hero. In this story, we focus more on Beowulf’s niece, Fryda.
Fryda was a character that I found immensely easy to empathize with. Early on in the story, she experiences a disabling injury that crushes her dream of becoming a shield maiden. Despite being the daughter of a lord, and the niece of King Beowulf, she still experiences ableism and internalizes this shame over her disability, causing her to hide her disabled hand as often as she can. But she still practices to be a shield maiden, and doesn’t let her disability get in her way.
Fryda is very close with two other characters in the story, both of which I loved. Hild is an enslaved woman of African descent, and she is Fryda’s best friend. She strictly maintains the boundaries expected between a slave and a lord’s daughter, no matter what Fryda asks of her, and despite the fact that Fryda treats her as a friend and never as a slave. Their relationship is a close one, and I loved seeing how they interact with each other. The bond between them is obvious throughout the story. Theow is the other character, another enslaved person that Fryda has grown up with, and the two of them have a star-crossed lovers dynamic between them.
Emmerichs has done a fantastic job with this story. Everything is so well researched, and the descriptions are so detailed that I was able to picture everything vividly as I read. It made this even more enjoyable to read, especially since it was building on the previous tale of Beowulf, and providing a new perspective to the story. The author incorporates action, romance, friendship, family dynamics, grief, and loss. Towards the end of the story, there are some scenes of violence that are beautifully juxtaposed with scenes of love and strong emotion, and it was done so well, and in a way that I have never seen before. This was a fantastic book that I thoroughly enjoyed, and strongly recommend to others. It’s one that you don’t want to miss out on.
August 20, 2023
I love mythology retellings that center anyone other than the straight, male, probably white main character. I especially love when we see a mythology other than the classic Greek/Roman tales. So you can see why I was excited about this one.
Emmerich's a professor and it absolutely shows in the detail throughout the world and character building. Emmerich's overall writing was compelling as well. I don't know that you'd need to be familiar with Beowulf to follow the story, but it would probably help. I liked the detailing of politics and power infused within the book. I read this one on audio and it was well narrated.
Unfortunately, I struggled with a few aspects of the book. First, the plotting had a lot of holes that seemed to be filled with dialogue but weren't supported by other details in the story. Fryda is our main character, but part way through the story she gets somewhat sidelined as a Theow's character's perspective takes a up a lot of time. Fryda herself was frustratingly naive. Finally, the dragon storyline is supposed to be a central piece of the story but while it's talked about but only featured in the very end of the book in the end.
Ultimately, though, what most rubbed me the wrong way was the way that Fryda's disability is treated. She wanted to be a shield maiden and then sustained a hand injury that crushed that dream. And then later she's redeemed because she's useful again since she has powers? It's an overdone trope and I think could have been handled better in a retelling than it was. Perhaps I'm overly sensitive as a disabled person myself.
A huge thank you to the author and the publisher for providing an e-ARC via Netgalley. This does not affect my opinion regarding the book.
Emmerich's a professor and it absolutely shows in the detail throughout the world and character building. Emmerich's overall writing was compelling as well. I don't know that you'd need to be familiar with Beowulf to follow the story, but it would probably help. I liked the detailing of politics and power infused within the book. I read this one on audio and it was well narrated.
Unfortunately, I struggled with a few aspects of the book. First, the plotting had a lot of holes that seemed to be filled with dialogue but weren't supported by other details in the story. Fryda is our main character, but part way through the story she gets somewhat sidelined as a Theow's character's perspective takes a up a lot of time. Fryda herself was frustratingly naive. Finally, the dragon storyline is supposed to be a central piece of the story but while it's talked about but only featured in the very end of the book in the end.
Ultimately, though, what most rubbed me the wrong way was the way that Fryda's disability is treated. She wanted to be a shield maiden and then sustained a hand injury that crushed that dream. And then later she's redeemed because she's useful again since she has powers? It's an overdone trope and I think could have been handled better in a retelling than it was. Perhaps I'm overly sensitive as a disabled person myself.
A huge thank you to the author and the publisher for providing an e-ARC via Netgalley. This does not affect my opinion regarding the book.
January 25, 2023
Sharon Emmerichs’ Shield Maiden is the next perfect read for fans of the How to Train Your Dragon franchise and The Guinevere Deception. Emmerichs includes representations of chronic pain and disability, as well as PTSD. Not only that, but her knowledge from being a professor of early British literature shines true in her attention to detail within her descriptions. With that being said, sometimes the description is a little heavy and I found myself anticipating action rather than delving into descriptions of historical accuracies.
Emmerichs weaves together the heroism from ancient tales for a reader who actively seeks and devours feminist retellings of classic tales.
Thank you to Head of Zeus for sending me an advanced reader copy.
⭐⭐⭐💫 / 5
Emmerichs weaves together the heroism from ancient tales for a reader who actively seeks and devours feminist retellings of classic tales.
Thank you to Head of Zeus for sending me an advanced reader copy.
⭐⭐⭐💫 / 5
April 16, 2023
I was sent a copy of this by Head Of Zeus in exchange for an honest review
I'll put a more in depth written review with quote examples of my issues late but for now, this is my tiktok review
https://vm.tiktok.com/ZMYWNxJG4/
I'll put a more in depth written review with quote examples of my issues late but for now, this is my tiktok review
https://vm.tiktok.com/ZMYWNxJG4/
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November 19, 2023Thank you to Orbit Books, Redhook Books and Angela Man for providing me with this book in exchange for my honest opinion. Shield Maiden is available now.
I have a bit of an obsession with Beowulf. I’ve devoured many different translations, retellings, and vaguely-inspired-by’s and am always hungry for more. Shield Maiden is different than others in that it follows a shield maiden and not the muscled-up Beowulf. This idea intrigued me immensely and I was eager to dive in.
Shield Maiden is a bit of a conundrum for me. Based on the author’s note, I expected it to adhere a little more to the epic poem than it does. It definitely takes inspiration from the encounter with the dragon, but more than anything, it is a story of struggles and of forbidden love.
Fryda wants to be shield maiden, a female warrior. However, she fears her dreams are shattered after an accident leaves her with a permanently damaged hand. She is the niece of the legendary Beowulf but is still seen as lesser-than because of her injury. I liked that this was something she struggled against because it added depth to what could have otherwise been just a slightly flat character. In fact, I unfortunately found that most of the characters needed just a bit more development. The bones for great characters were there, but I kind of wanted more. I struggled to stay invested in what was happening, with the characters just not grabbing me.
I was also a little confused because at times Fryda, who is meant to be the main character, was just sort of shunted to the side in favor of other characters. Theow in particular took center stage a lot more than I expected. It was surprising and I’m still not sure what I think of that choice.
Unfortunately, as far as the plot goes, it did not live up to the hype for me. It became a rather generic fantasy, one that I’m sure I’ve read before. The subject matter that it drew inspiration from is so iconic and has had such a long-lasting effect on literature over time that I was massively disappointed to see it seem simply…not present. The plot itself really didn’t interest me.
What did interest me was the setting. The author is obviously an expert and wrote with confidence. It shone through and kept me reading despite the issues I had with other aspects of the book. The setting was deep and rich, with the descriptions adding nuance and covering up some of the other issues in the writing.
I also enjoyed getting the dragon’s point of view here and there. It broke up the narrative in a way that added a sense of urgency and made everything seem larger and much more dangerous. It was a clever addition by the author that I think really worked.
I feel that the idea of taking inspiration from Beowulf yet using a shield maiden is a great one. However, it just didn’t pay off. Readers who like star-crossed lovers might enjoy it, but it wasn’t for me.
I have a bit of an obsession with Beowulf. I’ve devoured many different translations, retellings, and vaguely-inspired-by’s and am always hungry for more. Shield Maiden is different than others in that it follows a shield maiden and not the muscled-up Beowulf. This idea intrigued me immensely and I was eager to dive in.
Shield Maiden is a bit of a conundrum for me. Based on the author’s note, I expected it to adhere a little more to the epic poem than it does. It definitely takes inspiration from the encounter with the dragon, but more than anything, it is a story of struggles and of forbidden love.
Fryda wants to be shield maiden, a female warrior. However, she fears her dreams are shattered after an accident leaves her with a permanently damaged hand. She is the niece of the legendary Beowulf but is still seen as lesser-than because of her injury. I liked that this was something she struggled against because it added depth to what could have otherwise been just a slightly flat character. In fact, I unfortunately found that most of the characters needed just a bit more development. The bones for great characters were there, but I kind of wanted more. I struggled to stay invested in what was happening, with the characters just not grabbing me.
I was also a little confused because at times Fryda, who is meant to be the main character, was just sort of shunted to the side in favor of other characters. Theow in particular took center stage a lot more than I expected. It was surprising and I’m still not sure what I think of that choice.
Unfortunately, as far as the plot goes, it did not live up to the hype for me. It became a rather generic fantasy, one that I’m sure I’ve read before. The subject matter that it drew inspiration from is so iconic and has had such a long-lasting effect on literature over time that I was massively disappointed to see it seem simply…not present. The plot itself really didn’t interest me.
What did interest me was the setting. The author is obviously an expert and wrote with confidence. It shone through and kept me reading despite the issues I had with other aspects of the book. The setting was deep and rich, with the descriptions adding nuance and covering up some of the other issues in the writing.
I also enjoyed getting the dragon’s point of view here and there. It broke up the narrative in a way that added a sense of urgency and made everything seem larger and much more dangerous. It was a clever addition by the author that I think really worked.
I feel that the idea of taking inspiration from Beowulf yet using a shield maiden is a great one. However, it just didn’t pay off. Readers who like star-crossed lovers might enjoy it, but it wasn’t for me.
September 21, 2023
I received this arc from NetGalley in exchange for a fair review.
A rivetting blend of historical fiction and mythology, Shield Maiden is an exciting story revolving around loyalty and love.
If you know the story of Beowulf, you’ll find this quite fun. It’s an adaptation, of course. I studied the poem in university in an Old English course (where I fell in love with the language), so this was right up my alley!
And it was so much fun. If you love those Claire North/Madeline Miller Greek myth retellings, you should really check this out.
The characters are great. Fryda is tough-as-nails but also incredibly kind. She has a deformity from an accident in her youth that is included in the novel in a realistic way. Theow, the love interest (an enslaved Gaelic young man), is a decent kid, and I liked the two of them both separately and as a couple. They did tend to be a bit too good at times - their conflicts being more external than internal - but I cared about their fates. The main antagonist’s motives were a bit all over the place, but then again, he’s twenty. The inclusion of Beowulf himself was fun, as he was boisterous and brave, and it suited his characterization from the original poem.
I also enjoyed how Hild, a Black indentured woman, was included in the novel. People did travel back then and thus (unfortunately) enslaved or pulled people into indentured servitude from all over the world. Hild’s inclusion was an excellent way to include some diversity in the novel.
In this vein, I would push back a bit on some reviews that say Fryda felt “too modern.” Women in this time period in this culture had a great deal more autonomy than women in the 1910s in America, even- they could get divorced, own property, and shared the running of the household, so Fryda being a firecracker who is strong-willed and not afraid to challenge men isn't necessarily anachronistic.
The pacing of the book is excellent - I flew through it - and the prose is engaging and peppered with lovely turns of phrase.
Unfortunately, while the other action scenes are exciting, I wasn’t entirely sure how the dragon aspect really tied into the story and found it fell a bit flat. I understood that aspect is a major part of Beowulf, but while there were elements woven into the novel in the narrative itself about the dragon, it felt a little bit tacked on. There are sections in the Fyrdraca’s point of view - very short sections - that I believed were intended to tie this part in a bit more, but I think it might have been more fun for those who haven’t read the original poem to tease the dragon a bit more and leave those sections out. I’m not sure why, but I just found the other aspects of the novel a bit more compelling, but it could be because they were more grounded in real-life issues - slavery, loyalty, parenting failures, etc., than the fantastical.
Yet, it’s also possible it was because I was very tired after a long day at a cottage (if you call drinking and paddleboarding and boating “a long day”) when I read the climax, so maybe it’s me!
But overall, I very very much enjoyed this fun, at times emotional, historically rich novel and definitely recommend it for those who love fantastical (or even just regular) historical fiction.
A rivetting blend of historical fiction and mythology, Shield Maiden is an exciting story revolving around loyalty and love.
If you know the story of Beowulf, you’ll find this quite fun. It’s an adaptation, of course. I studied the poem in university in an Old English course (where I fell in love with the language), so this was right up my alley!
And it was so much fun. If you love those Claire North/Madeline Miller Greek myth retellings, you should really check this out.
The characters are great. Fryda is tough-as-nails but also incredibly kind. She has a deformity from an accident in her youth that is included in the novel in a realistic way. Theow, the love interest (an enslaved Gaelic young man), is a decent kid, and I liked the two of them both separately and as a couple. They did tend to be a bit too good at times - their conflicts being more external than internal - but I cared about their fates. The main antagonist’s motives were a bit all over the place, but then again, he’s twenty. The inclusion of Beowulf himself was fun, as he was boisterous and brave, and it suited his characterization from the original poem.
I also enjoyed how Hild, a Black indentured woman, was included in the novel. People did travel back then and thus (unfortunately) enslaved or pulled people into indentured servitude from all over the world. Hild’s inclusion was an excellent way to include some diversity in the novel.
In this vein, I would push back a bit on some reviews that say Fryda felt “too modern.” Women in this time period in this culture had a great deal more autonomy than women in the 1910s in America, even- they could get divorced, own property, and shared the running of the household, so Fryda being a firecracker who is strong-willed and not afraid to challenge men isn't necessarily anachronistic.
The pacing of the book is excellent - I flew through it - and the prose is engaging and peppered with lovely turns of phrase.
Unfortunately, while the other action scenes are exciting, I wasn’t entirely sure how the dragon aspect really tied into the story and found it fell a bit flat. I understood that aspect is a major part of Beowulf, but while there were elements woven into the novel in the narrative itself about the dragon, it felt a little bit tacked on. There are sections in the Fyrdraca’s point of view - very short sections - that I believed were intended to tie this part in a bit more, but I think it might have been more fun for those who haven’t read the original poem to tease the dragon a bit more and leave those sections out. I’m not sure why, but I just found the other aspects of the novel a bit more compelling, but it could be because they were more grounded in real-life issues - slavery, loyalty, parenting failures, etc., than the fantastical.
Yet, it’s also possible it was because I was very tired after a long day at a cottage (if you call drinking and paddleboarding and boating “a long day”) when I read the climax, so maybe it’s me!
But overall, I very very much enjoyed this fun, at times emotional, historically rich novel and definitely recommend it for those who love fantastical (or even just regular) historical fiction.
November 4, 2023
Found the characters lacked, the romances were too twee for the legend+war backdrop.
Having a big dragon and warrior action helped but the story dragged for me.
Did like the main character and enjoyed wishing her brother every ill under the sun.
Having a big dragon and warrior action helped but the story dragged for me.
Did like the main character and enjoyed wishing her brother every ill under the sun.
March 10, 2024
I was drawn in initially. I love Beowulf and other tales about quests and monsters but all of those great components were lost when the book got overly romamcy. The dragon was cool but unnecessary. I’m wondering if the book was edited down to make it a certain length?
December 26, 2023
Full thoughts in this video:
https://youtu.be/PJqzblSV8dE?si=God63...
https://youtu.be/PJqzblSV8dE?si=God63...
October 16, 2023
HAPPY PUB DAY to SHIELD MAIDEN by Sharon Emmerichs and read by Victoria Fox!
I had a great time going way back to the epic days of Beowulf for this story!
I have been enjoying feminist retellings of old stories quite a bit. It is long past time that women get a say, and to hear even imaginary women speak from so long ago is empowering.
Fryda is King Beowulf's niece and is hoping to become a warrior shield maiden. When the politics of the land threaten this goal, and her desire for another, she is pushed to fight. She is becoming aware of a new source of internal power just as another more sinister force is threatening to awake.
I was absolutely in the mood to head into this ancient land and hear a young woman rise. The story was narrated very well, capturing the building rage and confusion Fryda experiences.
Thank you to @netgalley and @hachetteaudio for @redhookbooks for giving me a chance to listen to this ALC and share my thoughts!
I had a great time going way back to the epic days of Beowulf for this story!
I have been enjoying feminist retellings of old stories quite a bit. It is long past time that women get a say, and to hear even imaginary women speak from so long ago is empowering.
Fryda is King Beowulf's niece and is hoping to become a warrior shield maiden. When the politics of the land threaten this goal, and her desire for another, she is pushed to fight. She is becoming aware of a new source of internal power just as another more sinister force is threatening to awake.
I was absolutely in the mood to head into this ancient land and hear a young woman rise. The story was narrated very well, capturing the building rage and confusion Fryda experiences.
Thank you to @netgalley and @hachetteaudio for @redhookbooks for giving me a chance to listen to this ALC and share my thoughts!
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