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TYRANTS AREN'T BORN. THEY'RE RAISED.
ANCIENT ROME, AD 37
It begins with a man’s hand curled around another’s throat.
Emperor Tiberius first dispatches a traitor.
Then his whole family.
Next all his friends. It is as if he never existed.
THIS IS ROMAN JUSTICE.
Into this fevered forum, a child is born.
His mother is Agrippina, granddaughter of Emperor Augustus. But their imperial blood is no protection. The closer you are to the heart of the empire, the closer you are to power, intrigue, and danger.
She faces soldiers, senators, rivals, silver-tongued pretenders, each vying for position. One mistake risks exile, incarceration, execution. Or, worst of all, the loss of her infant son.
For Agrippina knows that opportunity waits, even in your darkest moments. Her son is everything. She can make this boy, shape him into Rome itself – the one all must kneel before.
BUT FIRST, THEY MUST SURVIVE . . .
ANCIENT ROME, AD 37
It begins with a man’s hand curled around another’s throat.
Emperor Tiberius first dispatches a traitor.
Then his whole family.
Next all his friends. It is as if he never existed.
THIS IS ROMAN JUSTICE.
Into this fevered forum, a child is born.
His mother is Agrippina, granddaughter of Emperor Augustus. But their imperial blood is no protection. The closer you are to the heart of the empire, the closer you are to power, intrigue, and danger.
She faces soldiers, senators, rivals, silver-tongued pretenders, each vying for position. One mistake risks exile, incarceration, execution. Or, worst of all, the loss of her infant son.
For Agrippina knows that opportunity waits, even in your darkest moments. Her son is everything. She can make this boy, shape him into Rome itself – the one all must kneel before.
BUT FIRST, THEY MUST SURVIVE . . .
Kindle Edition
First published May 24, 2024
About the author
Conn Iggulden
97 books5,535 followersAlso publishes under author name C.F. Iggulden.
I was born in the normal way in 1971, and vaguely remember half-pennies and sixpences. I have written for as long as I can remember: poetry, short stories and novels. It’s what I always wanted to do and read English at London University with writing in mind. I taught English for seven years and was Head of English at St. Gregory’s RC High School in London by the end of that period. I have enormous respect for those who still labour at the chalk-face. In truth, I can’t find it in me to miss the grind of paperwork and initiatives. I do miss the camaraderie of the smokers’ room, as well as the lessons where their faces lit up as they understood what I was wittering on about.
My mother is Irish and from an early age she told me history as an exciting series of stories – with dates. My great-grandfather was a Seannachie, so I suppose story-telling is in the genes somewhere. My father flew in Bomber Command in WWII, then taught maths and science. Perhaps crucially, he also loved poetry and cracking good tales. Though it seems a dated idea now, I began teaching when boys were told only girls were good at English, despite the great names that must spring to mind after that statement. My father loved working with wood and equations, but he also recited ‘Vitai Lampada’ with a gleam in his eye and that matters, frankly.
I’ve always loved historical fiction as a genre and cut my teeth on Hornblower and Tai-Pan, Flashman, Sharpe and Jack Aubrey. I still remember the sheer joy of reading my first Patrick O’Brian book and discovering there were nineteen more in the series. I love just about anything by David Gemmell, or Peter F. Hamilton or Wilbur Smith. I suppose the one thing that links all those is the love of a good tale.
That’s about it for the moment. If you’d like to get in touch with me leave a comment in the forum or you can tweet me @Conn_Iggulden. I’ll leave it there for the moment. If you’ve read my books, you know an awful lot about the way I think already. There’s no point overdoing it.
Conn Iggulden
I was born in the normal way in 1971, and vaguely remember half-pennies and sixpences. I have written for as long as I can remember: poetry, short stories and novels. It’s what I always wanted to do and read English at London University with writing in mind. I taught English for seven years and was Head of English at St. Gregory’s RC High School in London by the end of that period. I have enormous respect for those who still labour at the chalk-face. In truth, I can’t find it in me to miss the grind of paperwork and initiatives. I do miss the camaraderie of the smokers’ room, as well as the lessons where their faces lit up as they understood what I was wittering on about.
My mother is Irish and from an early age she told me history as an exciting series of stories – with dates. My great-grandfather was a Seannachie, so I suppose story-telling is in the genes somewhere. My father flew in Bomber Command in WWII, then taught maths and science. Perhaps crucially, he also loved poetry and cracking good tales. Though it seems a dated idea now, I began teaching when boys were told only girls were good at English, despite the great names that must spring to mind after that statement. My father loved working with wood and equations, but he also recited ‘Vitai Lampada’ with a gleam in his eye and that matters, frankly.
I’ve always loved historical fiction as a genre and cut my teeth on Hornblower and Tai-Pan, Flashman, Sharpe and Jack Aubrey. I still remember the sheer joy of reading my first Patrick O’Brian book and discovering there were nineteen more in the series. I love just about anything by David Gemmell, or Peter F. Hamilton or Wilbur Smith. I suppose the one thing that links all those is the love of a good tale.
That’s about it for the moment. If you’d like to get in touch with me leave a comment in the forum or you can tweet me @Conn_Iggulden. I’ll leave it there for the moment. If you’ve read my books, you know an awful lot about the way I think already. There’s no point overdoing it.
Conn Iggulden
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Displaying 1 - 30 of 112 reviews
September 2, 2024
At the end of this book Nero is 5 years old. At this rate, I do not expect Nero to become Emperor until the third book of this trilogy. The subtitle should have been Agrippina and the Men in her Life. I usually like this author, and I didn’t hate this book, but I wasn’t looking for the Agrippina story. My favorite parts were about Caligula and Claudius. 3.5 stars
I received a free copy of this book from the publisher.
I received a free copy of this book from the publisher.
November 20, 2023
This was a fantastic blockbuster of a novel- how can I wait for the rest of the trilogy! of course the author has some amazing material to work with: Robert Graves and Racine have also used the rich history of the Imperial Roman Empire, but Iggulden’s is both the most accessible and entertaining. I did have to download a family tree of the Caesars’ reign as a memory aid though! Many thanks to Netgalley for an arc of this book.
November 14, 2023
Life was cheap in Roman times! The violence and brutality meted out mindlessly is horrific. Nevertheless, I was so excited to find that Conn Iggulden is writing another trilogy, this time on the life of Nero, as his books bring history to life more vividly for me than most.
This first book only takes us up to Nero’s (named Lucius) 10th year. He was born just a few months after the death of Tiberius, who was followed as princeps by Nero’s uncle, Caligula, and then by his great-uncle, Claudius. His mother, Agrippina, was ambitious for herself and her son and woe betide anyone who got in her way, whether they realised they were or not. This is a real page turner and if you don’t know your Roman history in detail, there are plenty of shocks and surprises along the way. Claudius’ invasion of Britain, told from both sides, is very well done.
4.5 not 5 stars for very minor reasons, including the too abrupt ending. I turned the page expecting more but I’ll just have to have patience and wait for Part 2!
With thanks to Michael Joseph / Penguin Random House and NetGalley for a review copy.
This first book only takes us up to Nero’s (named Lucius) 10th year. He was born just a few months after the death of Tiberius, who was followed as princeps by Nero’s uncle, Caligula, and then by his great-uncle, Claudius. His mother, Agrippina, was ambitious for herself and her son and woe betide anyone who got in her way, whether they realised they were or not. This is a real page turner and if you don’t know your Roman history in detail, there are plenty of shocks and surprises along the way. Claudius’ invasion of Britain, told from both sides, is very well done.
4.5 not 5 stars for very minor reasons, including the too abrupt ending. I turned the page expecting more but I’ll just have to have patience and wait for Part 2!
With thanks to Michael Joseph / Penguin Random House and NetGalley for a review copy.
July 24, 2024
(1) I like the book cover!
(2) Right now Agrippina, Nero's mother and her brother, the infamous Caligula, are the main characters, but we will see how things will turn out later!
(3) We would also find out how far would Agrippina go to make her son an emperor!
(4) I am totally looking forward to the next book!
(5) Because, in this book, Nero so the story focuses mostly on Agrippina, her older brother, the infamous Caligula (formally known as Emperor Gaius Julius Caesar Augustus Germanicus), the old emperor Tiberius, and later Claudius etc. Some readers might be disappointed by this development but I like it! It is nice to see how this murderous family history of the royal family! Assassination! Poisoning! Exile! Public executions! Wars against the minorities! You name them, they are all there!
(6) I was a bit shocked that Claudius but whatever. *rolls eyes*
(7) It is an enjoyable and entirely readable book! I hope you will also like this!
(8) I am not sure how I feel about Agrippina, I can appreciate that she was a woman with an unhappy marriage (her first husband) and she was struggling to survive the everchanging temper and favour of her uncle (?) and even her own brother. On the other hand, she can be quite ruthless when she was trying to secure her own interest?
(9) There is already tension between Agrippina and Nero, I want to see what will happen next!
Extra:
The awesome artwork by Yoshikazu Yasuhiko, from his manga My name is Nero (Chinese translation: 一代暴君)
(Link: https://mangadex.org/title/75edfbac-7...)
PS: years ago I read "Caligula" by Camus and I love it!
(2) Right now Agrippina, Nero's mother and her brother, the infamous Caligula, are the main characters, but we will see how things will turn out later!
(3) We would also find out how far would Agrippina go to make her son an emperor!
(4) I am totally looking forward to the next book!
(5) Because, in this book, Nero so the story focuses mostly on Agrippina, her older brother, the infamous Caligula (formally known as Emperor Gaius Julius Caesar Augustus Germanicus), the old emperor Tiberius, and later Claudius etc. Some readers might be disappointed by this development but I like it! It is nice to see how this murderous family history of the royal family! Assassination! Poisoning! Exile! Public executions! Wars against the minorities! You name them, they are all there!
(6) I was a bit shocked that Claudius but whatever. *rolls eyes*
(7) It is an enjoyable and entirely readable book! I hope you will also like this!
(8) I am not sure how I feel about Agrippina, I can appreciate that she was a woman with an unhappy marriage (her first husband) and she was struggling to survive the everchanging temper and favour of her uncle (?) and even her own brother. On the other hand, she can be quite ruthless when she was trying to secure her own interest?
(9) There is already tension between Agrippina and Nero, I want to see what will happen next!
Extra:
The awesome artwork by Yoshikazu Yasuhiko, from his manga My name is Nero (Chinese translation: 一代暴君)
(Link: https://mangadex.org/title/75edfbac-7...)
PS: years ago I read "Caligula" by Camus and I love it!
July 13, 2024
4.8 ⭐️
May 28, 2024
Haven’t the slightest why this novel is called ‘Nero’. Regardless, I really enjoyed it!
November 21, 2023
Nero is book one of the Nero Trilogy set in Ancient Rome.
This book covers the early years of the boy who will one day become the infamous emperor. When the story begins, we are introduced to his parents. His father is an ex-chariot racer, who now spends much of his time drunk, while his mother, Agrippina, is a descendant of the Emperor Augustus.
Rome is a politically dangerous place, particularly when the ailing Tiberius returns from Capri to clean Rome of usurpers. He brings with him Agrippina’s brother, the next heir to the imperial throne. It is to her brother that Agrippina turns when she needs a favour, but it becomes a costly deed in times of terror.
Upon the death of Agrippina’s brother, her uncle becomes the next emperor. With thoughts of her own son and his future, she is determined to keep close to her uncle, even travelling with him on his campaign in Britannia.
This was a good start to the series. The violence and back-stabbing of the era is expected, but it is balanced with other elements of the Roman years. I particularly enjoyed the latter part of the book with the journey to Gaul and the invasion of Britannia.
The author’s notes at the back of the book were also very helpful, explaining the liberties taken with the changing of names, to help the reader where real-life characters shared similar or the same names.
This book covers the early years of the boy who will one day become the infamous emperor. When the story begins, we are introduced to his parents. His father is an ex-chariot racer, who now spends much of his time drunk, while his mother, Agrippina, is a descendant of the Emperor Augustus.
Rome is a politically dangerous place, particularly when the ailing Tiberius returns from Capri to clean Rome of usurpers. He brings with him Agrippina’s brother, the next heir to the imperial throne. It is to her brother that Agrippina turns when she needs a favour, but it becomes a costly deed in times of terror.
Upon the death of Agrippina’s brother, her uncle becomes the next emperor. With thoughts of her own son and his future, she is determined to keep close to her uncle, even travelling with him on his campaign in Britannia.
This was a good start to the series. The violence and back-stabbing of the era is expected, but it is balanced with other elements of the Roman years. I particularly enjoyed the latter part of the book with the journey to Gaul and the invasion of Britannia.
The author’s notes at the back of the book were also very helpful, explaining the liberties taken with the changing of names, to help the reader where real-life characters shared similar or the same names.
February 26, 2024
Conn Iggulden brings ancient Rome to life in his new series Nero.
This book covers the reign of Tiberius, Caligula, and Claudius, but mainly focuses on Agrippina - Nero's mother - her deadly ambition and scheming in the most brutal of times.
This is a great read, full of power games and political intrigue, and it builds the scene up well for the next book.
Conn Iggulden is a master storyteller when it comes to historical fiction. If you haven't read any of his books, I highly recommend them.
Thank you, NetGalley and publishers, for the ARC
This book covers the reign of Tiberius, Caligula, and Claudius, but mainly focuses on Agrippina - Nero's mother - her deadly ambition and scheming in the most brutal of times.
This is a great read, full of power games and political intrigue, and it builds the scene up well for the next book.
Conn Iggulden is a master storyteller when it comes to historical fiction. If you haven't read any of his books, I highly recommend them.
Thank you, NetGalley and publishers, for the ARC
June 16, 2024
I found this hard to finish. I read Iggulden's Caesar series many years ago and enjoyed it, so was excited to see what he did with this period of Roman history. It's obvious that the book was well researched; but the constant insertion of facts, some of them repeated, meant that the writing didn't flow, it felt clunky. Paradoxically, the author then changed key parts of the historical narrative we have from ancient sources. Don't get me wrong, I'm all for changing things to drive the narrative, this is historical fiction and you expect departures from the sources to make a modern novel more readable. But in this case, they did nothing for the plot and I found myself asking why on earth you'd change things and make them LESS interesting that the historical sources. I mean, why include Messalina at all if you're not going to explore her mind boggling "marriage" to Silius!
I could understand why you'd want to start the story of Nero here (the book is the first of a trilogy and centres around his mother Agrippina). His upbringing is really interesting, and Agrippina is a particularly fascinating character. But she is a shadow of herself in this book. Sure she's scheming and apparently incapable of loving anyone (except Nero) but she just feels a bit robotic. When she's exiled by Gaius (Caligula), it's basically because she has a son; but the sources tell us she was involved in a plot with her sister and her lover/brother-in-law?! Way more interesting!
There's just so much potential here for a gripping read and sadly Nero is not it.
I could understand why you'd want to start the story of Nero here (the book is the first of a trilogy and centres around his mother Agrippina). His upbringing is really interesting, and Agrippina is a particularly fascinating character. But she is a shadow of herself in this book. Sure she's scheming and apparently incapable of loving anyone (except Nero) but she just feels a bit robotic. When she's exiled by Gaius (Caligula), it's basically because she has a son; but the sources tell us she was involved in a plot with her sister and her lover/brother-in-law?! Way more interesting!
There's just so much potential here for a gripping read and sadly Nero is not it.
June 30, 2024
The read was excellent. Can Mr. Iggulden write anything less? The first half of the book dealt with personalities. Caligula has died, with a little help from those who would benefit from his demise. C-Claudius, the one who was ugly and had a stuttering problem, took the throne. Agripinna's son, Nero, stood next to Claudius' son to inherit. Sadly, Claudius' wife and progeny died by hit killing ordered by Claudius. He immediately proposed to Agrippina. Her little Nero stood to inherit from Claudius. The book ended there. Lest I forget, Claudius and Agrippina, were warring in Britannia when Claudius lost his family. The last third of the book took place on the rivers Medway and Thames. I was sympathetic to the English tribes, but my sympathy did not change the day.
The characters were real and their actions were real. Historical Fiction does not get better than that. What Mr. Iggulden can do with reality partnered with prose is among the finest I have ever read. What he did with the protagonists in this book was almost unreal, only it was not unreal. It was real. Agrippina poisoned anyone standing in her way. Claudius seemed to bumble about, but in reality he killed with impunity and stealth. He was ugly in his person and rotten in his soul while Agrippina was beautiful in her person but rotten to the core.
Every now and then, I thought the author had moved on leaving me without some core information. No worries. He always came back to where he had left me and picked me up to a place of understanding. Readers, read with joy and abandonment knowing this author will not trip you.
Again, Mr. Iggulden, if you were a cowboy....
Thank you for the read. Now, don't take all day writing the next book in the series.
Unedited.
The characters were real and their actions were real. Historical Fiction does not get better than that. What Mr. Iggulden can do with reality partnered with prose is among the finest I have ever read. What he did with the protagonists in this book was almost unreal, only it was not unreal. It was real. Agrippina poisoned anyone standing in her way. Claudius seemed to bumble about, but in reality he killed with impunity and stealth. He was ugly in his person and rotten in his soul while Agrippina was beautiful in her person but rotten to the core.
Every now and then, I thought the author had moved on leaving me without some core information. No worries. He always came back to where he had left me and picked me up to a place of understanding. Readers, read with joy and abandonment knowing this author will not trip you.
Again, Mr. Iggulden, if you were a cowboy....
Thank you for the read. Now, don't take all day writing the next book in the series.
Unedited.
This entire review has been hidden because of spoilers.
July 10, 2024
"𝙂𝙖𝙞𝙪𝙨, 𝙮𝙤𝙪 𝙘𝙖𝙣'𝙩 𝙢𝙚𝙖𝙣 𝙩𝙝𝙞𝙨. 𝙄 𝙝𝙖𝙫𝙚 𝙙𝙤𝙣𝙚 𝙣𝙤𝙩𝙝𝙞𝙣𝙜 𝙩𝙤 𝙬𝙤𝙪𝙣𝙙 𝙮𝙤𝙪. 𝙄'𝙫𝙚 𝙜𝙞𝙫𝙚𝙣 𝙮𝙤𝙪 𝙚𝙫𝙚𝙧𝙮𝙩𝙝𝙞𝙣𝙜 𝙮𝙤𝙪 𝙬𝙖𝙣𝙩𝙚𝙙. 𝙄 𝙙𝙤𝙣’𝙩 𝙘𝙖𝙧𝙚 𝙬𝙝𝙖𝙩 𝙮𝙤𝙪 𝙙𝙤 𝙬𝙞𝙩𝙝 𝙢𝙚. 𝘼𝙨 𝙡𝙤𝙣𝙜 𝙖𝙨 𝙄 𝙝𝙖𝙫𝙚 𝙢𝙮 𝙨𝙤𝙣, 𝙄’𝙡𝙡 𝙡𝙞𝙫𝙚 𝙞𝙣 𝙥𝙤𝙫𝙚𝙧𝙩𝙮, 𝙄’𝙡𝙡 𝙜𝙤 𝙖𝙬𝙖𝙮 𝙛𝙧𝙤𝙢 𝙍𝙤𝙢𝙚… 𝙬𝙝𝙖𝙩𝙚𝙫𝙚𝙧 𝙮𝙤𝙪 𝙬𝙖𝙣𝙩.’
🐞The book - 1st in the Nero trilogy - is a historical fiction that tells the life of Emperor Nero, from his birth till his first years through his mother Agrippina's perspective.
37 AD Rome. In the darker days of Emperor Tiberius's reign, Agrippina, granddaughter of Emperor Augustus gave birth to a boy who would become Nero. But her imperial blood is no protection against her drunken husband, maniac brother, lecherous uncle, and jealous aunt. She only has her great beauty and grace to navigate all the intrigue and danger that her family presents and stay close to the empire's power or risks facing exile, incarceration, and execution. Or, worst of all, the loss of her infant son.
‘𝙉𝙤, 𝙮𝙤𝙪 𝙬𝙤𝙪𝙡𝙙 𝙣𝙤𝙩, 𝙇𝙪𝙘𝙞𝙪𝙨. 𝙄𝙛 𝙮𝙤𝙪 𝙗𝙚𝙘𝙖𝙢𝙚 𝙚𝙢𝙥𝙚𝙧𝙤𝙧, 𝙄 𝙬𝙤𝙪𝙡𝙙 𝙘𝙝𝙤𝙤𝙨𝙚 𝙩𝙝𝙚 𝙣𝙖𝙢𝙚 𝙛𝙤𝙧 𝙮𝙤𝙪 𝙖𝙣𝙙 𝙮𝙤𝙪 𝙬𝙤𝙪𝙡𝙙 𝙖𝙘𝙘𝙚𝙥𝙩 𝙞𝙩 𝙬𝙞𝙩𝙝𝙤𝙪𝙩 𝙨𝙘𝙤𝙬𝙡𝙞𝙣𝙜 𝙡𝙞𝙠𝙚 𝙩𝙝𝙖𝙩. 𝙄 𝙬𝙤𝙪𝙡𝙙 𝙣𝙖𝙢𝙚 𝙮𝙤𝙪 𝙖𝙛𝙩𝙚𝙧 𝙢𝙮 𝙗𝙧𝙤𝙩𝙝𝙚𝙧, 𝙩𝙤 𝙝𝙤𝙣𝙤𝙪𝙧 𝙝𝙞𝙢. 𝙔𝙚𝙨. 𝙄𝙛 𝙮𝙤𝙪 𝙬𝙚𝙧𝙚 𝙚𝙢𝙥𝙚𝙧𝙤𝙧, 𝙮𝙤𝙪 𝙬𝙤𝙪𝙡𝙙 𝙩𝙖𝙠𝙚 𝙝𝙞𝙨 𝙣𝙖𝙢𝙚. 𝙔𝙤𝙪 𝙬𝙤𝙪𝙡𝙙 𝙗𝙚 𝙉𝙚𝙧𝙤.’
🐞Conn Iggulden is one of my favorite authors. Similar to his other books, the plot of this one is also tightly knitted, the descriptions feel vivid, while the pacing and delivery are controlled and the multiple POVs make the narrative more engaging. However, you won't get to read any big battle scenes until the end as it mainly focuses on Agrippina and the man in her life. So it felt like a prelude book and should've been titled 'Agrippina' instead of Nero.
🐞All the characters feel real and authentic. The characterization of Agrippina as an ambitious woman was perfect, but it failed to portray the depth of her poisoned heart and cunning mind which is understandable since she is the protagonist. Other characters like her 1st husband Gnaeus, her brother Caligula, her 2nd husband Italus, her uncle Claudius, and her aunt Messalina are also worth mentioning as their stories equally contributed to her plot.
🐞The climax of the book was satisfactory. It ends with the conclusion of Claudius' successful invasion of Britain, and naming Agrippina's boy Nero, paving the way for the mother and son duo to rise to power.
Overall Nero was a good read, but it was certainly not Iggulden's best work. If you are into Roman history and love character-driven books then it was for you. One can also read it as standalone. Highly recommended.
𝙈𝙮 𝙍𝙖𝙩𝙞𝙣𝙜: ⭐⭐⭐✨(3.5/5)
🐞The book - 1st in the Nero trilogy - is a historical fiction that tells the life of Emperor Nero, from his birth till his first years through his mother Agrippina's perspective.
37 AD Rome. In the darker days of Emperor Tiberius's reign, Agrippina, granddaughter of Emperor Augustus gave birth to a boy who would become Nero. But her imperial blood is no protection against her drunken husband, maniac brother, lecherous uncle, and jealous aunt. She only has her great beauty and grace to navigate all the intrigue and danger that her family presents and stay close to the empire's power or risks facing exile, incarceration, and execution. Or, worst of all, the loss of her infant son.
‘𝙉𝙤, 𝙮𝙤𝙪 𝙬𝙤𝙪𝙡𝙙 𝙣𝙤𝙩, 𝙇𝙪𝙘𝙞𝙪𝙨. 𝙄𝙛 𝙮𝙤𝙪 𝙗𝙚𝙘𝙖𝙢𝙚 𝙚𝙢𝙥𝙚𝙧𝙤𝙧, 𝙄 𝙬𝙤𝙪𝙡𝙙 𝙘𝙝𝙤𝙤𝙨𝙚 𝙩𝙝𝙚 𝙣𝙖𝙢𝙚 𝙛𝙤𝙧 𝙮𝙤𝙪 𝙖𝙣𝙙 𝙮𝙤𝙪 𝙬𝙤𝙪𝙡𝙙 𝙖𝙘𝙘𝙚𝙥𝙩 𝙞𝙩 𝙬𝙞𝙩𝙝𝙤𝙪𝙩 𝙨𝙘𝙤𝙬𝙡𝙞𝙣𝙜 𝙡𝙞𝙠𝙚 𝙩𝙝𝙖𝙩. 𝙄 𝙬𝙤𝙪𝙡𝙙 𝙣𝙖𝙢𝙚 𝙮𝙤𝙪 𝙖𝙛𝙩𝙚𝙧 𝙢𝙮 𝙗𝙧𝙤𝙩𝙝𝙚𝙧, 𝙩𝙤 𝙝𝙤𝙣𝙤𝙪𝙧 𝙝𝙞𝙢. 𝙔𝙚𝙨. 𝙄𝙛 𝙮𝙤𝙪 𝙬𝙚𝙧𝙚 𝙚𝙢𝙥𝙚𝙧𝙤𝙧, 𝙮𝙤𝙪 𝙬𝙤𝙪𝙡𝙙 𝙩𝙖𝙠𝙚 𝙝𝙞𝙨 𝙣𝙖𝙢𝙚. 𝙔𝙤𝙪 𝙬𝙤𝙪𝙡𝙙 𝙗𝙚 𝙉𝙚𝙧𝙤.’
🐞Conn Iggulden is one of my favorite authors. Similar to his other books, the plot of this one is also tightly knitted, the descriptions feel vivid, while the pacing and delivery are controlled and the multiple POVs make the narrative more engaging. However, you won't get to read any big battle scenes until the end as it mainly focuses on Agrippina and the man in her life. So it felt like a prelude book and should've been titled 'Agrippina' instead of Nero.
🐞All the characters feel real and authentic. The characterization of Agrippina as an ambitious woman was perfect, but it failed to portray the depth of her poisoned heart and cunning mind which is understandable since she is the protagonist. Other characters like her 1st husband Gnaeus, her brother Caligula, her 2nd husband Italus, her uncle Claudius, and her aunt Messalina are also worth mentioning as their stories equally contributed to her plot.
🐞The climax of the book was satisfactory. It ends with the conclusion of Claudius' successful invasion of Britain, and naming Agrippina's boy Nero, paving the way for the mother and son duo to rise to power.
Overall Nero was a good read, but it was certainly not Iggulden's best work. If you are into Roman history and love character-driven books then it was for you. One can also read it as standalone. Highly recommended.
𝙈𝙮 𝙍𝙖𝙩𝙞𝙣𝙜: ⭐⭐⭐✨(3.5/5)
June 19, 2024
Very approachable and entertaining. I'd say a good entry point for a bit of history I feel muddled about.
August 28, 2024
3 1/2 stars
i support all women’s rights and wrongs!!!!! agrippina you icon!!!!
i support all women’s rights and wrongs!!!!! agrippina you icon!!!!
June 10, 2024
Conn Iggulden is a good author
February 6, 2024
I knew from reading Tacitus and Suetonius during my Ancient History degree that the Julio-Claudian dynasty were a pretty nasty bunch on the whole, but this first instalment of the “Nero Trilogy” brings the historical figures to life in a way that reveals the true brutality of the period in glorious technicolour.
Although called “Nero”, this title mainly focuses on the exploits of Nero’s mother Agrippina during the last few months of the reign of Tiberius, followed by her brother Caligula, and then by her uncle Claudius. During the reigns of these powerful men, Agrippina is manipulative and scheming, certainly, but is above all a survivor who realises the tenuous position that herself and her son hold in the ruthless Roman Empire.
The author takes artistic license with a fair few details, but the bulk of the story is true to historical sources and obviously very meticulously researched. It was fascinating to see the seeds being planted that will lead to the Nero becoming the tyrant we know through the ancient historians, but told in such a contemporary and accessible way. The pacing was perfect and I’m very excited for the next in the series!
My thanks to the author, NetGalley, and the publisher for the arc to review.
Although called “Nero”, this title mainly focuses on the exploits of Nero’s mother Agrippina during the last few months of the reign of Tiberius, followed by her brother Caligula, and then by her uncle Claudius. During the reigns of these powerful men, Agrippina is manipulative and scheming, certainly, but is above all a survivor who realises the tenuous position that herself and her son hold in the ruthless Roman Empire.
The author takes artistic license with a fair few details, but the bulk of the story is true to historical sources and obviously very meticulously researched. It was fascinating to see the seeds being planted that will lead to the Nero becoming the tyrant we know through the ancient historians, but told in such a contemporary and accessible way. The pacing was perfect and I’m very excited for the next in the series!
My thanks to the author, NetGalley, and the publisher for the arc to review.
January 13, 2024
Conn Igguldon never fails to disappoint, and I was thrilled to see that he would be turning his hand to the Emperor Nero. As with his Emperor series, and Julius Caesar the first of these books looks towards the childhood of Nero, with a focus more predominantly on his mother Agrippina. Covering the reins of Tiberius, Caligula and Claudius, Igguldon once more creates a vivid vision of Ancient Rome, with the viciousness, intrigue and death one associates with the Julio-Claudian dynasty.
Having recently read SQPR (Mary Beard's fantastic non-fiction delve into Rome) it was great to see the attention to detail within this book BUT a word of caution. This is historical fiction, "fiction" being the key word. History buffs will notice several significant divergences from fact (Messalina's part grieves me but I blame Honor Cargill-Martin's excellent re-examination of this female powerhouse - another highly recommended book for those interested - I digress) but it keeps it interesting - kind of like when a TV show deviates from the book but you don't mind. However, the exploration and development of Agrippina is fascinating - especially when thinking about the influence she has on her son Nero.
You really can't go wrong with this - I was thinking of who I'd recommend to and realise all the books that come to mind are Igguldon's - this really is his forte.
Available for pre-order now, with a release on 23rd May 2024.
Having recently read SQPR (Mary Beard's fantastic non-fiction delve into Rome) it was great to see the attention to detail within this book BUT a word of caution. This is historical fiction, "fiction" being the key word. History buffs will notice several significant divergences from fact (Messalina's part grieves me but I blame Honor Cargill-Martin's excellent re-examination of this female powerhouse - another highly recommended book for those interested - I digress) but it keeps it interesting - kind of like when a TV show deviates from the book but you don't mind. However, the exploration and development of Agrippina is fascinating - especially when thinking about the influence she has on her son Nero.
You really can't go wrong with this - I was thinking of who I'd recommend to and realise all the books that come to mind are Igguldon's - this really is his forte.
Available for pre-order now, with a release on 23rd May 2024.
November 19, 2023
Conn Iggulden is one of my favourite authors and has been for many years. This is the first of a new series and it certainly reads like an introduction to a series.
The story is almost an exact retelling with very little additional story woven in. With this period of history the events are almost unbelievable so I guess there is no need to create huge amounts of fiction on top. It did however mean the book sometimes read as a history lecture.
As with all CI books, the pacing and delivery is controlled . The books goes through a clean and direct journey.
It's a shame this isn't realised until May 2024 because I'm ready for book 2 already!!
The story is almost an exact retelling with very little additional story woven in. With this period of history the events are almost unbelievable so I guess there is no need to create huge amounts of fiction on top. It did however mean the book sometimes read as a history lecture.
As with all CI books, the pacing and delivery is controlled . The books goes through a clean and direct journey.
It's a shame this isn't realised until May 2024 because I'm ready for book 2 already!!
July 8, 2024
The genesis story of Nero Claudius Caesar Augustus Germanicus, although I feel a more apt title would've been "Agrippina" as this first installment in the trilogy is mostly about his mother, her first two marriages, and her scheming to stay alive and prosper in a world of powerful, unspeakably violent men.
This is the first book by Conn Iggulden I have read and I devoured it. The prose was...inelegant...which is usually a miss for me, but somehow it really worked here. I can only speculate that the expert pacing just swept me away and caused me to overlook that, and/or that this is a story of absolute savagery that doesn't require flowery language.
This is the first book by Conn Iggulden I have read and I devoured it. The prose was...inelegant...which is usually a miss for me, but somehow it really worked here. I can only speculate that the expert pacing just swept me away and caused me to overlook that, and/or that this is a story of absolute savagery that doesn't require flowery language.
May 23, 2024
'Nero' is a brilliant historical novel from Iggulden. I love reading anything about the Romans and was excited to see how Iggulden would tackle it and I was not disappointed. Iggulden covers a lot of ground in this book to start the series but it meant the book moved at pace and I was never disinterested. The people are really brought to life as is the atmosphere. 'Nero' is very entertaining as well as interesting and I look forward to the rest of the series.
Thank you to NetGalley and Michael Joseph for an advance copy.
Thank you to NetGalley and Michael Joseph for an advance copy.
June 4, 2024
An enjoyable historical read . This is book one of a trilogy so if you are expecting the full Nero story you will be disappointed. This book ends when he is still a v young boy . What the author does very well is create the context in which the young Nero grew up .The power ,intrigue and danger are all ever present . Nero’s mother ,Agrippina is the real force in the novel and we watch her relentless vying for position from exile to empress. I look forward to the next instalment .
June 14, 2024
Should have been titled "Agrippina".
July 31, 2024
Conn Iggulden is one of my favourite historical fiction authors. I loved the Emperor series and am glad he has come back to writing in Ancient Rome again.
August 3, 2024
I LOVED this book. It was exactly what I expected and wanted to read. The pace, writing, intertwining stories, all hit the spot.
I hope he writes more about many others from Ancient Rome.
I can’t wait for the next one!
5/5.
I hope he writes more about many others from Ancient Rome.
I can’t wait for the next one!
5/5.
July 15, 2024
I've been meaning to read Conn Iggulden's book for a while now, so when I saw an ARC for Nero I immediately requested it.
Retelling the infamous tale of Nero and his family, enemies and people, Iggulden brings a new perspective on the rise and fall of the Roman Emperor who "played the lyre while Rome burned". Showing the politically charged and brutal Roman life, Iggulden still creates a compelling and interesting narrative to add to the long list of Nero retellings. I found it an interesting read with a writing style that is easy to read and keeps readers engaged. As the first novel in a new trilogy, it had me hooked and I can't wait to read the next one.
If you love Historical retellings, especially of the Roman Empire, then I recommend Nero to add to your reading list.
Thank you, NetGalley and Penguin Random House for sending me an ARC in exchange for my honest review.
Retelling the infamous tale of Nero and his family, enemies and people, Iggulden brings a new perspective on the rise and fall of the Roman Emperor who "played the lyre while Rome burned". Showing the politically charged and brutal Roman life, Iggulden still creates a compelling and interesting narrative to add to the long list of Nero retellings. I found it an interesting read with a writing style that is easy to read and keeps readers engaged. As the first novel in a new trilogy, it had me hooked and I can't wait to read the next one.
If you love Historical retellings, especially of the Roman Empire, then I recommend Nero to add to your reading list.
Thank you, NetGalley and Penguin Random House for sending me an ARC in exchange for my honest review.
December 14, 2023
Book 1 of 3 should be subtitled 'Agrippina' as its all about her overwhelming & hard to grasp deadly ambition to succeed for her family in a time of horror & terror where she only has her great beauty & grace to assist overwhelming odds. Hard to realise just how awful she was but she's not alone in her dark deeds which the book doesn't quite manage to portray the same depth.
The author style for this book is changed as there are no big battle scenes until the end of the book, where the author tries to give more character definition to the times & the effort to succeed in the invasion plans.
Many thanks to the author, publisher and NetGalley for gifting me this arc in exchange for an honest, unbiased review.
The author style for this book is changed as there are no big battle scenes until the end of the book, where the author tries to give more character definition to the times & the effort to succeed in the invasion plans.
Many thanks to the author, publisher and NetGalley for gifting me this arc in exchange for an honest, unbiased review.
October 19, 2023
Nero is the new series by master storyteller Conn Iggulden. In this, the first instalment of the trilogy he is setting the scene focusing on Nero’s birth and childhood. I strongly suspect he is working from the premise that ‘tyrants aren't born. they're raised’. This brilliant piece of fiction with its extensive research of those times attempts to reveal this truth. Does it? Well I leave the reader to decide.
He begins his tale at AD 37. Tiberius, Rome’s Emperor holds the reins but rules from a distance, preferring to live on the island of Capreae. He has appointed a Roman prefect to rule in his place and report to him. Roman justice is brutal especially so in these capricious times. Despite Rome displaying her might in the then known world, its citizens lived in fear. The slightest threat to the Emperor or the Empire meant ruin for the suspect. Even if they were innocent, mercurial Tiberius could order their death and often it included their entire family. At the very least they would be left destitute and powerless. Rome had always had spies everywhere yet by Tiberius’s time this had become oppressive. No one was free of the Emperors gaze. This is the picture that Iggulden paints as he opens his narrative.
Despite Agrippina being granddaughter of Emperor Augustus, her imperial blood does not protect her in these treacherous times. Quite the opposite. Relatives of the Emperor are in greater danger than ordinary folk. The power, intrigue, and danger is ever present and she knows well that she too must play the game to survive. Into this treacherous world is born her son whose life hangs on a thread, a flame that can be snuffed out at any moment through political machinations. This is their story.
I loved how Iggulden drew me into the plot. His descriptions of ancient Rome were thorough yet not excessive. He paints a vivid picture of ancient Rome and I could see myself there. Equally he subtly weaves into the tale Agrippina’s anxiety for both herself and her son’s safety. Could the treacherous times they live in affect their characters? This is one of the many topics Iggulden poignantly explores. The danger, the treachery, the intrigue was real and ever present. I was thrust back into the gory and uncompassionate world of ancient Rome. Not surprisingly the pages kept turning. Moreover, he set the narrative at the right pace to achieve this. I could not help realising that very little had escaped the master storytellers eye. This is one wordsmith who definitely knows his craft. I was disappointed to reach the end and wanted more. I can’t wait for the next book in the series.
The Historical Note at the end of the novel gave me an insight into the characters and the fictional aspects of the novel. Guess that’s why it’s fiction and not history. I must add though that Iggulden has barely digressed from historical facts and barring a few tropes that make the tale easier to narrate he has stuck to history. Great read and glad to have discovered it. I don’t think my review can do sufficient justice to this brilliantly written book.
He begins his tale at AD 37. Tiberius, Rome’s Emperor holds the reins but rules from a distance, preferring to live on the island of Capreae. He has appointed a Roman prefect to rule in his place and report to him. Roman justice is brutal especially so in these capricious times. Despite Rome displaying her might in the then known world, its citizens lived in fear. The slightest threat to the Emperor or the Empire meant ruin for the suspect. Even if they were innocent, mercurial Tiberius could order their death and often it included their entire family. At the very least they would be left destitute and powerless. Rome had always had spies everywhere yet by Tiberius’s time this had become oppressive. No one was free of the Emperors gaze. This is the picture that Iggulden paints as he opens his narrative.
Despite Agrippina being granddaughter of Emperor Augustus, her imperial blood does not protect her in these treacherous times. Quite the opposite. Relatives of the Emperor are in greater danger than ordinary folk. The power, intrigue, and danger is ever present and she knows well that she too must play the game to survive. Into this treacherous world is born her son whose life hangs on a thread, a flame that can be snuffed out at any moment through political machinations. This is their story.
I loved how Iggulden drew me into the plot. His descriptions of ancient Rome were thorough yet not excessive. He paints a vivid picture of ancient Rome and I could see myself there. Equally he subtly weaves into the tale Agrippina’s anxiety for both herself and her son’s safety. Could the treacherous times they live in affect their characters? This is one of the many topics Iggulden poignantly explores. The danger, the treachery, the intrigue was real and ever present. I was thrust back into the gory and uncompassionate world of ancient Rome. Not surprisingly the pages kept turning. Moreover, he set the narrative at the right pace to achieve this. I could not help realising that very little had escaped the master storytellers eye. This is one wordsmith who definitely knows his craft. I was disappointed to reach the end and wanted more. I can’t wait for the next book in the series.
The Historical Note at the end of the novel gave me an insight into the characters and the fictional aspects of the novel. Guess that’s why it’s fiction and not history. I must add though that Iggulden has barely digressed from historical facts and barring a few tropes that make the tale easier to narrate he has stuck to history. Great read and glad to have discovered it. I don’t think my review can do sufficient justice to this brilliantly written book.
June 16, 2024
I received a copy of Nero from Penguin Random House Australia to review.
Rating of 4.5.
One of the absolute best authors of historical fiction in the world today, Conn Iggulden, returns with an exciting new series as he examines the life of Rome’s most infamous Emperor, Nero.
Rome, AD 37. The greatest city in the world is in turmoil. The decrepit and vengeful Emperor Tiberius has returned to Rome after a lengthy absence, and his first act is to order the strangulation of the man he left in charge. As a flurry of sanctioned killings and destruction begins to reign down upon Rome, a young boy is born who is destined to burn everything around him.
Born Lucius Domitius Ahenobarbus, the boy is the son of a former champion charioteer of noble lineage, and Agrippina, the great-granddaughter of the Emperor Augustus. With family ties reaching all the way back to original emperors, Lucius is already considered an eventual claimant to the Roman throne. However, there are many within Rome who want power and influence for themselves and care little for the hopes and ambitions of a noblewoman and her young son.
With dark clouds on Rome’s horizon, Agrippina soon discovers that the greatest threat comes from closer to home than she realises in the form of her brother, Caligula. Banished and robbed of everything, including her young son, Agrippina finds herself at the mercy of those around her. However, Agrippina does not intend to be powerless forever, and when fate intervenes, she finds herself with the opportunity to influence the very heart of Roman politics. Can Agrippina ensure the rise of her young son, the boy who will eventually be known as Nero, and will Rome ever be the same again?
This was an intriguing and gripping novel from Iggulden, who continues to show why he is one of the most consistent and entertaining authors of historical fiction. Nero is a fascinating and thrilling read that cleverly examines the early life of the future emperor from those around him and proves very hard to put down.
To see the full review, click on the link below:
https://unseenlibrary.com/2024/06/16/...
An abridged review of this book also ran in the Canberra Weekly on 13 June 2024:
https://unseenlibrary.com/2024/06/16/...
For other exciting reviews and content, check out my blog at:
https://unseenlibrary.com/
Rating of 4.5.
One of the absolute best authors of historical fiction in the world today, Conn Iggulden, returns with an exciting new series as he examines the life of Rome’s most infamous Emperor, Nero.
Rome, AD 37. The greatest city in the world is in turmoil. The decrepit and vengeful Emperor Tiberius has returned to Rome after a lengthy absence, and his first act is to order the strangulation of the man he left in charge. As a flurry of sanctioned killings and destruction begins to reign down upon Rome, a young boy is born who is destined to burn everything around him.
Born Lucius Domitius Ahenobarbus, the boy is the son of a former champion charioteer of noble lineage, and Agrippina, the great-granddaughter of the Emperor Augustus. With family ties reaching all the way back to original emperors, Lucius is already considered an eventual claimant to the Roman throne. However, there are many within Rome who want power and influence for themselves and care little for the hopes and ambitions of a noblewoman and her young son.
With dark clouds on Rome’s horizon, Agrippina soon discovers that the greatest threat comes from closer to home than she realises in the form of her brother, Caligula. Banished and robbed of everything, including her young son, Agrippina finds herself at the mercy of those around her. However, Agrippina does not intend to be powerless forever, and when fate intervenes, she finds herself with the opportunity to influence the very heart of Roman politics. Can Agrippina ensure the rise of her young son, the boy who will eventually be known as Nero, and will Rome ever be the same again?
This was an intriguing and gripping novel from Iggulden, who continues to show why he is one of the most consistent and entertaining authors of historical fiction. Nero is a fascinating and thrilling read that cleverly examines the early life of the future emperor from those around him and proves very hard to put down.
To see the full review, click on the link below:
https://unseenlibrary.com/2024/06/16/...
An abridged review of this book also ran in the Canberra Weekly on 13 June 2024:
https://unseenlibrary.com/2024/06/16/...
For other exciting reviews and content, check out my blog at:
https://unseenlibrary.com/
January 14, 2024
Conn Igguldon's latest foray into the annals of history, "Nero," paints a vivid, almost tangible portrait of Ancient Rome in its most tumultuous era. Igguldon, renowned for his masterful storytelling in the "Emperor" series and his depiction of Julius Caesar, does not falter in his newest offering. This time, the spotlight shines on Nero's infancy, under the shadow of his mother, Agrippina, whose ambition and cunning are as palpable as the marble columns of Rome.
What sets "Nero" apart is Igguldon's skill in weaving a tapestry rich in historical detail and drama, much like the murals of the Roman villas. The narrative spans the reigns of Tiberius, Caligula, and Claudius, immersing the reader in a world rife with intrigue, betrayal, and the brutal politics of the Julio-Claudian dynasty. The book is a vibrant carnival of the senses, where the aroma of the Roman streets and the clamour of the Senate are as real as the pages in your hands.
For history aficionados, a word of caution – Igguldon takes creative liberties, deviating from strict historical accuracy in favour of a narrative that grips and entertains. His portrayal of characters like Messalina might make purists wince, but it adds a layer of compelling drama to the tale. This fictional reimagining is akin to a master painter adding vivid hues to a classic landscape – different, yet mesmerizing in its own right.
The heart of this novel, however, beats in the character of Agrippina. Igguldon delves deep into her psyche, exploring her influence over Nero with a deftness that is both intriguing and enlightening. It's a study of power, maternal bonds, and political maneuvering that adds a rich depth to the narrative.
"Nero" is an opulent feast, a blend of historical finesse and storytelling prowess. It's a journey through the cobbled streets of Rome, where every turn brings a new intrigue, a new alliance, and a glimpse into the making of one of history's most enigmatic emperors. This book is not just a read; it's an experience, a time machine that transports you back to the heart of Ancient Rome. Conn Igguldon proves once again that he is a colossus in the realm of historical fiction.
What sets "Nero" apart is Igguldon's skill in weaving a tapestry rich in historical detail and drama, much like the murals of the Roman villas. The narrative spans the reigns of Tiberius, Caligula, and Claudius, immersing the reader in a world rife with intrigue, betrayal, and the brutal politics of the Julio-Claudian dynasty. The book is a vibrant carnival of the senses, where the aroma of the Roman streets and the clamour of the Senate are as real as the pages in your hands.
For history aficionados, a word of caution – Igguldon takes creative liberties, deviating from strict historical accuracy in favour of a narrative that grips and entertains. His portrayal of characters like Messalina might make purists wince, but it adds a layer of compelling drama to the tale. This fictional reimagining is akin to a master painter adding vivid hues to a classic landscape – different, yet mesmerizing in its own right.
The heart of this novel, however, beats in the character of Agrippina. Igguldon delves deep into her psyche, exploring her influence over Nero with a deftness that is both intriguing and enlightening. It's a study of power, maternal bonds, and political maneuvering that adds a rich depth to the narrative.
"Nero" is an opulent feast, a blend of historical finesse and storytelling prowess. It's a journey through the cobbled streets of Rome, where every turn brings a new intrigue, a new alliance, and a glimpse into the making of one of history's most enigmatic emperors. This book is not just a read; it's an experience, a time machine that transports you back to the heart of Ancient Rome. Conn Igguldon proves once again that he is a colossus in the realm of historical fiction.
June 17, 2024
I was torn on this one and ended up settling on 3 stars. This was my first Iggulden and it won't be my last, but this book didn't solidify him as a go-to historical fiction author for me. I'm eager to try out his Mongol or Greek series and see how that goes.
Reading this book really got me thinking about who this book specifically--and historical fiction in general--is for. It also got me thinking about what I, personally, am looking for when I read historical fiction, and does that answer change based on whether or not I have more than a working knowledge of the period in question. I'll be doing a video soon about that, but as it stands, I think for me, if I'm aware of the history of a certain period, the changes in the historical part of the narrative should be more interesting than the same section historically and I just don't think this book succeeds.
For starters, the main character is Agrippina, which is fine, but this book isn't about Nero. It's about Tiberius, Caligula, and Claudius, something I think is better and more interestingly covered in Graves's I, Claudius. Now, I think Agrippina the Younger is a super interesting historical figure, but I'm not sure how to feel about this version of the character vs. her historical counterpart. The jury is still out. Interestingly, she can't be the MC for the whole trilogy, as she doesn't actually outlive her son...
At any rate, I actually really enjoyed Part 1 of this book, especially Iggulden's attempt at making Nero's father, Gnaeus Ahenobarbus, into a full-fledged character, rather than just a general douche barely mentioned. There are scenes that are truly stomach-turning and a very exciting chase on a chariot that I thought were really well done. But then I liked Part 2 less and I didn't like Part 3 at all. And what bothers me is I don't really know why. There was a lot changed from how these events went in history and, though most of the choices are explained in the Historical Notes, he doesn't really say why for most of them, and I can't really figure out why either. The changes in Part 3 were especially bizarre to me, as they didn't even seem to fit the character of Agrippina as she's been characterized thus far.
At any rate, I'm not giving up on Iggulden and I'll probably continue this trilogy when the next one is out. What I do want to know is how this book measures up with people who have only passing familiarity or no knowledge at all of these events because maybe that really does color my judgment personally when reading historical fiction.
Reading this book really got me thinking about who this book specifically--and historical fiction in general--is for. It also got me thinking about what I, personally, am looking for when I read historical fiction, and does that answer change based on whether or not I have more than a working knowledge of the period in question. I'll be doing a video soon about that, but as it stands, I think for me, if I'm aware of the history of a certain period, the changes in the historical part of the narrative should be more interesting than the same section historically and I just don't think this book succeeds.
For starters, the main character is Agrippina, which is fine, but this book isn't about Nero. It's about Tiberius, Caligula, and Claudius, something I think is better and more interestingly covered in Graves's I, Claudius. Now, I think Agrippina the Younger is a super interesting historical figure, but I'm not sure how to feel about this version of the character vs. her historical counterpart. The jury is still out. Interestingly, she can't be the MC for the whole trilogy, as she doesn't actually outlive her son...
At any rate, I actually really enjoyed Part 1 of this book, especially Iggulden's attempt at making Nero's father, Gnaeus Ahenobarbus, into a full-fledged character, rather than just a general douche barely mentioned. There are scenes that are truly stomach-turning and a very exciting chase on a chariot that I thought were really well done. But then I liked Part 2 less and I didn't like Part 3 at all. And what bothers me is I don't really know why. There was a lot changed from how these events went in history and, though most of the choices are explained in the Historical Notes, he doesn't really say why for most of them, and I can't really figure out why either. The changes in Part 3 were especially bizarre to me, as they didn't even seem to fit the character of Agrippina as she's been characterized thus far.
At any rate, I'm not giving up on Iggulden and I'll probably continue this trilogy when the next one is out. What I do want to know is how this book measures up with people who have only passing familiarity or no knowledge at all of these events because maybe that really does color my judgment personally when reading historical fiction.
February 12, 2024
I'm not sure this book should be called 'Nero', as the young Lucius as he was known, is a secondary character. For me this seemed like Conn Iggulden going back to doing what he did so well with his Caesar and Ghengis books, and that is taking a character from their very beginnings and telling their story in full.
This book then, is more of Agripinna, Nero's mother, rather than the future emperor himself. I have read countless novels based on this era, and I have to admit I was indifferent coming to this one. What would another book on Rome's classical era bring? Surely there would be nothing covered here that Manda Scott, Simon Scarrow or Robert Fabbri etc haven't already done to death.
But, it is a Conn Iggulden book. Written with the staple authoritative, clean prose that never veers from the characters' thoughts. I learnt about Nero's father (I won't try and spell his name here) and that he was a charioteer and raced for the Greens. I learned that Nero spent part of his childhood living in the slums of Rome, when his father was killed and his uncle sent his mother to prison.
Iggulden draws you into Rome, its brutality and its glory, and brings it back to life with such seemless ease. Agripinna's story is fascinating. She survived so much, with nothing but a family name and her own wits and beauty. Hers is a story that deserves to be told. I note other reviews on Goodreads stating the book has a rather abrupt ending. And that is true enough. We leave Agripinna on the shores of Britannia, Emperor Claudius having just proposed. The wild isles of Britain are still to be conquered, but I feel the meat of this tale will take place far away from the white cliffs of England, and in the melting pot that was Rome in its pomp. I can't wait to see what happens next!
This book then, is more of Agripinna, Nero's mother, rather than the future emperor himself. I have read countless novels based on this era, and I have to admit I was indifferent coming to this one. What would another book on Rome's classical era bring? Surely there would be nothing covered here that Manda Scott, Simon Scarrow or Robert Fabbri etc haven't already done to death.
But, it is a Conn Iggulden book. Written with the staple authoritative, clean prose that never veers from the characters' thoughts. I learnt about Nero's father (I won't try and spell his name here) and that he was a charioteer and raced for the Greens. I learned that Nero spent part of his childhood living in the slums of Rome, when his father was killed and his uncle sent his mother to prison.
Iggulden draws you into Rome, its brutality and its glory, and brings it back to life with such seemless ease. Agripinna's story is fascinating. She survived so much, with nothing but a family name and her own wits and beauty. Hers is a story that deserves to be told. I note other reviews on Goodreads stating the book has a rather abrupt ending. And that is true enough. We leave Agripinna on the shores of Britannia, Emperor Claudius having just proposed. The wild isles of Britain are still to be conquered, but I feel the meat of this tale will take place far away from the white cliffs of England, and in the melting pot that was Rome in its pomp. I can't wait to see what happens next!
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