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A Reliable Wife
He placed a notice in a Chicago paper, an advertisement for "a reliable wife." She responded, saying that she was "a simple, honest woman." She was, of course, anything but honest, and the only simple thing about her was her single-minded determination to marry this man and then kill him, slowly and carefully, leaving her a wealthy widow, able to take care of the one she truly loved.
What Catherine Land did not realize was that the enigmatic and lonely Ralph Truitt had a plan of his own. And what neither anticipated was that they would fall so completely in love.
Filled with unforgettable characters, and shimmering with color and atmosphere, A Reliable Wife is an enthralling tale of love and madness, of longing and murder.
What Catherine Land did not realize was that the enigmatic and lonely Ralph Truitt had a plan of his own. And what neither anticipated was that they would fall so completely in love.
Filled with unforgettable characters, and shimmering with color and atmosphere, A Reliable Wife is an enthralling tale of love and madness, of longing and murder.
291 pages, Hardcover
First published March 16, 2009
About the author
Robert Goolrick
14 books460 followersI was born in a small university town in Virginia, a town in which, besides teaching, the chief preoccupations were drinking bourbon and telling complex anecdotes, stories about people who lived down the road, stories about ancestors who had died a hundred years before. For southerners, the past is as real as the present; it is not even past, as Faulkner said.
I went to Johns Hopkins University in Baltimore and then lived in Europe for several years, thinking that I would be an actor or a painter, two things for which I had a passion that outran my talent. I wrote an early novel, and then my parents disinherited me, so I moved to New York, which is where small-town people move to do and say the things they can't do or say at home, and I ended up working in advertising, a profession that feeds on young people who have an amorphous talent and no particular focus.
Fired in my early fifties, the way people are in advertising, I tried to figure out what to do with the rest of my life, and I came back around to the pastime that had filled the days and nights of my childhood: telling complex anecdotes about the living and the dead. I think, when we read, we relish and devour remarkable voices, but these are, in the end, stories we remember.
I live in a tiny town in Virginia in a great old farmhouse on a wide and serene river with my dog, whose name is Preacher. Since he has other interests besides listening to my stories, I tell them to you.
I went to Johns Hopkins University in Baltimore and then lived in Europe for several years, thinking that I would be an actor or a painter, two things for which I had a passion that outran my talent. I wrote an early novel, and then my parents disinherited me, so I moved to New York, which is where small-town people move to do and say the things they can't do or say at home, and I ended up working in advertising, a profession that feeds on young people who have an amorphous talent and no particular focus.
Fired in my early fifties, the way people are in advertising, I tried to figure out what to do with the rest of my life, and I came back around to the pastime that had filled the days and nights of my childhood: telling complex anecdotes about the living and the dead. I think, when we read, we relish and devour remarkable voices, but these are, in the end, stories we remember.
I live in a tiny town in Virginia in a great old farmhouse on a wide and serene river with my dog, whose name is Preacher. Since he has other interests besides listening to my stories, I tell them to you.
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Displaying 1 - 30 of 10,330 reviews
November 9, 2017
**Contains Spoilers**
I read the summary, I was intrigued. I read the critical acclaim remarks, I was impressed.
I read the book and I was... disappointed.
While there are several places where the glimmer of genius shone through the prose--a turn of phrase or a beautiful sentence--it was by far one of the most self-indulgent, masturbatory works I've ever read. The Author is far too in love with his writing to see the flaws he creates. Four pages of "He wanted?" A convoluted, illogical thought where entire threads are dropped for chapters, then picked up and continued far too late. The entire thing culminates in rape and death.
The husband, a Mary-Sue who forgives far too much, is utterly unbelievable as a wealthy, lonely man who advertises for a wife. The wife, a well versed courtesan, comes across as flighty at best. She waxes poetic for several pages about her supposed resolve, only to show through every action that she has none. The son, the beautiful, prodigal son, is a waste of ink. He, in no way, grows throughout the text. He begins as a spoiled, rotten piece of shit. He ends the piece by raping his father's wife and waiting to die.
The story fluctuates between graphic, wanton sex and self-indulgent babbling about the "way things are."
I would not, in any way, recommend the book to anyone else. It gets two stars instead of one because there were some incredibly beautiful sentences.
I read the summary, I was intrigued. I read the critical acclaim remarks, I was impressed.
I read the book and I was... disappointed.
While there are several places where the glimmer of genius shone through the prose--a turn of phrase or a beautiful sentence--it was by far one of the most self-indulgent, masturbatory works I've ever read. The Author is far too in love with his writing to see the flaws he creates. Four pages of "He wanted?" A convoluted, illogical thought where entire threads are dropped for chapters, then picked up and continued far too late. The entire thing culminates in rape and death.
The husband, a Mary-Sue who forgives far too much, is utterly unbelievable as a wealthy, lonely man who advertises for a wife. The wife, a well versed courtesan, comes across as flighty at best. She waxes poetic for several pages about her supposed resolve, only to show through every action that she has none. The son, the beautiful, prodigal son, is a waste of ink. He, in no way, grows throughout the text. He begins as a spoiled, rotten piece of shit. He ends the piece by raping his father's wife and waiting to die.
The story fluctuates between graphic, wanton sex and self-indulgent babbling about the "way things are."
I would not, in any way, recommend the book to anyone else. It gets two stars instead of one because there were some incredibly beautiful sentences.
This entire review has been hidden because of spoilers.
January 22, 2010
They say that men think about sex approximately every seven seconds. This book mentions sex approximately every seven seconds and seeing the author is male, I no longer question the seven second theory. The storyline is a pretty good idea. Man places an ad in the paper for a reliable wife. Woman responds with hidden intentions of killing the man slowly with arsenic, making herself a wealthy widow. However, upon meeting the man's son, her plans may or may not change. The son addition may shock some readers. Peronally, I seen it coming. It's a bit twisted, much like the rest of the novel.
Truitt is always thinking about sex. Catherine is always thinking about sex. Moretti is always thinking about sex. And I don't mean simple sexual thoughts like, "Oh, I'd like to go a round or two with that.." but thoughts like "He wanted to slice her open and lay inside the warm blood of her body." When one of these three is not thinking about sex, at least two of them are "going at it." Meanwhile, while this sordid tale unfolds, the townfolk in Wisconsin are throwing their children down wells, eating entire dictionaries, or chopping off their hands.
Two stars. Need I say more?
Truitt is always thinking about sex. Catherine is always thinking about sex. Moretti is always thinking about sex. And I don't mean simple sexual thoughts like, "Oh, I'd like to go a round or two with that.." but thoughts like "He wanted to slice her open and lay inside the warm blood of her body." When one of these three is not thinking about sex, at least two of them are "going at it." Meanwhile, while this sordid tale unfolds, the townfolk in Wisconsin are throwing their children down wells, eating entire dictionaries, or chopping off their hands.
Two stars. Need I say more?
September 4, 2011
Actual rating: 1.5 stars generously rounded up to 2
There are some spoilers.
This novel centers around Ralph Truitt, a man who's been wronged many times — and his misfortunes are far from over. Mind you, Truitt isn't a saint, but in this reader's opinion he doesn't deserve what happens to him in this novel.
It all starts when Truitt puts an ad in the paper looking for a "reliable wife". But the women he comes to marry is anything but reliable. (She's also a faithless scheming bitch, but more on that later.) Catherine Land is a woman with a plan and a mission. She is to marry Ralph Truitt, then slowly poison him until he dies and she becomes sole possessor of all his possessions. After this she will reconnect with her lover, Tony Moretti. But Tony Moretti is actually Antonio Truitt, Ralph's non-biological son. (Sounds like a soap opera, doesn't it?) Catherine and Antonio (or Tony, whichever you prefer) set all of this up. You see, when Catherine saw Ralph's ad in the paper and showed it to Antonio it raised all of his old hatred for his father. He saw his father's loneliness as the perfect why to not only get back at his father but also to kill him. All he had to do was get Catherine to do his dirty work.
So, Catherine marries Ralph and soon after she is sent by Ralph to get his son back. Ironic, yes, but Ralph wants to make things up to his son and try to undo his wrongs. (Also, the author is trying to incorporate twists into this sex-filled mess called a novel.) As you can imagine, when Catherine goes to get Antonio lots of fun adultery ensues. But Antonio is also angry that Ralph isn't dead yet. So, Catherine returns to Ralph without his son and then the poisoning commences.
A Reliable Wife could've just as easily been titled The Misadventures of Harlots. Everyone has sex on the brain 24/7/365. And if they aren't thinking about sex, they're having it. It truly never ends! And none of it is sex y , either: there is adultery, rape, and even talk of sex with an unconscious partner. I don't know about you, but none of that interests me.
Catherine is probably one of the most deplorable characters I've ever read about. Among many other blunders that I won't bore you with, she deludes herself into thinking that Antonio loves her when he's clearly only using her as a means to kill his father.
Somewhere around page 140 I began to skim the hell out of this. I quickly grew tired of the endless talk of the characters getting high on opium and morphine in both their past and present and the minutiae of their endless sexual excursions and reminiscence.
The very fact that this is a #1 New York Times bestseller just reaffirms my belief that that list is crap and there's a lot of people who will forever love trash.
There are some spoilers.
This novel centers around Ralph Truitt, a man who's been wronged many times — and his misfortunes are far from over. Mind you, Truitt isn't a saint, but in this reader's opinion he doesn't deserve what happens to him in this novel.
It all starts when Truitt puts an ad in the paper looking for a "reliable wife". But the women he comes to marry is anything but reliable. (She's also a faithless scheming bitch, but more on that later.) Catherine Land is a woman with a plan and a mission. She is to marry Ralph Truitt, then slowly poison him until he dies and she becomes sole possessor of all his possessions. After this she will reconnect with her lover, Tony Moretti. But Tony Moretti is actually Antonio Truitt, Ralph's non-biological son. (Sounds like a soap opera, doesn't it?) Catherine and Antonio (or Tony, whichever you prefer) set all of this up. You see, when Catherine saw Ralph's ad in the paper and showed it to Antonio it raised all of his old hatred for his father. He saw his father's loneliness as the perfect why to not only get back at his father but also to kill him. All he had to do was get Catherine to do his dirty work.
So, Catherine marries Ralph and soon after she is sent by Ralph to get his son back. Ironic, yes, but Ralph wants to make things up to his son and try to undo his wrongs. (Also, the author is trying to incorporate twists into this sex-filled mess called a novel.) As you can imagine, when Catherine goes to get Antonio lots of fun adultery ensues. But Antonio is also angry that Ralph isn't dead yet. So, Catherine returns to Ralph without his son and then the poisoning commences.
A Reliable Wife could've just as easily been titled The Misadventures of Harlots. Everyone has sex on the brain 24/7/365. And if they aren't thinking about sex, they're having it. It truly never ends! And none of it is sex y , either: there is adultery, rape, and even talk of sex with an unconscious partner. I don't know about you, but none of that interests me.
Catherine is probably one of the most deplorable characters I've ever read about. Among many other blunders that I won't bore you with, she deludes herself into thinking that Antonio loves her when he's clearly only using her as a means to kill his father.
Somewhere around page 140 I began to skim the hell out of this. I quickly grew tired of the endless talk of the characters getting high on opium and morphine in both their past and present and the minutiae of their endless sexual excursions and reminiscence.
The very fact that this is a #1 New York Times bestseller just reaffirms my belief that that list is crap and there's a lot of people who will forever love trash.
June 15, 2024
How does one go about finding the most unreliable wife, since, well, ever, while looking for her complete opposite? Mr Ralph Truitt is giving the ultimate workshop on wifeal alchemy!
Reasonable writing (though, editing… tsk!) and plot that could have been partially inspired by the movie 'Original Sin' (which I happen to love!). Overall sensual enough to be non-sensical.
A slightly deranged sex-starved male protagonist:
Q: Sex was all he thought about in the dark. …
In every house, he thought with fascination, there is a different life. There is sex in every bed. (c)
who quickly becomes infatuated:
Q:
She smiled at him, and he knew then that he would die for her. (c)
+
with our very disappointed in life female opportunist:
Q:
Perhaps he loved them and treated them with kindness, with grace and affection. The world had not shown her that such things were common, but her unhappiness had been made bearable only by the certain knowledge that somewhere there lived people whose lives were not like her own. (c)
Q:
She would not, could not live without love or money. (c)
Q:
When I have his money, she thought, I will go far away, I will go to a country where I don’t know anybody and I don’t speak the language and I will never talk to anybody ever again. (c)
=
Caboom!
Q:
“This begins in a lie. I want you to know I know that.” (c)
Not so fortunate pieces:
Q:
Standing in the center of the crowd, his solitude was enormous. (c) A standing solitude. That's so new.
Q:
The train would come, late or not, and everything that happened before its arrival would be before, and everything that came after would be after. (c) Well, yeah! And everything during would be during!
Weirdish ones:
Q:
He had ordered punctuality the way another man might order a steak cooked to his liking. (c)
Q:
Since his first staggering losses twenty years before, his wife, his children, his heart’s best hopes and his last lavish fantasies, he had come to see the implacability of his own expectations as the only defense against the terrors he felt. It worked pretty well most of the time. He was relentless, and the people of the town respected that, feared it even. Now the train was late. …
Around him on the platform the people of his town walked and watched and waited, trying to look casual, as though their waiting had some purpose other than watching Ralph Truitt wait for a train that was late. They exchanged little jokes. They laughed. They spoke quietly, out of respect for what they knew to be Ralph Truitt’s failure. …
Serve him right, some thought, mostly the men. (c) Of course, a train late is the end of the world. This is supposed to illustrate that the guy is a control freak?
Loved these ones:
Q:
He felt that in all the vast and frozen space in which he lived his life — every hand needy, every heart wanting something from him — everybody had a reason to be and a place to land. Everybody but him. For him there was nothing. In all the cold and bitter world, there was not a single place for him to sit down. (c) Atmospheric!
Q:
The trick, Ralph knew, is not to give in. Not to hunch your shoulders in the cold or stamp your feet or blow warm breath into cold palms. The trick is to relax into the cold, accept that it had come and would stay a long time. To lean into it, as you might lean into a warm spring wind. The trick was to become part of it, so that you didn’t end a backbreaking day in the cold with rigid, aching shoulders and red hands.
Some things you escape, he thought. Most things you don’t, certainly not the cold. You don’t escape the things, mostly bad, thatjust happen to you. The loss of love. The disappointment. The terrible whip of tragedy. (c)
Q:
You can live with hopelessness for only so long before you are, in fact, hopeless. (с)
Q:
I’m the kind of woman who wants to know the end of the story, she thought, staring at her face in the jostling mirror. I want to know how it’s all going to end before it even starts.
Catherine Land liked the beginnings of things. The pure white possibility of the empty room, the first kiss, the first swipe at larceny. And endings, she liked endings, too. The drama of the smashing glass, the dead bird, the tearful goodbye, the last awful word which could never be unsaid or unremembered.
It was the middles that gave her pause. (c)
Q:
The sun set every day. It could not be that it would set in splendor only once in her lifetime. (c)
Q:
Perhaps the heart she imagined was one she had never really had at all. (c)
Q:
He felt displaced in his body, homeless in his heart. (c)
Q:
She had wanted something, and she had set out to get it, clear of her purpose and sure in her actions. But it had gotten confused, confused in the mass of the ordinary, confused in the way people live, in the way the heart attracts and repels the things it wants and fears. Her own heart had gone out in directions she never imagined, her hopes had become pinned to the things she would never have allowed. (c)
Q:
Learning became her. She loved the smell of the books from the shelves, the type on the pages, the sense that the world was an infinite but knowable place. Every fact she learned seemed to open another question, and for every question there was another book. She learned the card catalog. She never learned more than she needed to know. (c)
Reasonable writing (though, editing… tsk!) and plot that could have been partially inspired by the movie 'Original Sin' (which I happen to love!). Overall sensual enough to be non-sensical.
A slightly deranged sex-starved male protagonist:
Q: Sex was all he thought about in the dark. …
In every house, he thought with fascination, there is a different life. There is sex in every bed. (c)
who quickly becomes infatuated:
Q:
She smiled at him, and he knew then that he would die for her. (c)
+
with our very disappointed in life female opportunist:
Q:
Perhaps he loved them and treated them with kindness, with grace and affection. The world had not shown her that such things were common, but her unhappiness had been made bearable only by the certain knowledge that somewhere there lived people whose lives were not like her own. (c)
Q:
She would not, could not live without love or money. (c)
Q:
When I have his money, she thought, I will go far away, I will go to a country where I don’t know anybody and I don’t speak the language and I will never talk to anybody ever again. (c)
=
Caboom!
Q:
“This begins in a lie. I want you to know I know that.” (c)
Not so fortunate pieces:
Q:
Standing in the center of the crowd, his solitude was enormous. (c) A standing solitude. That's so new.
Q:
The train would come, late or not, and everything that happened before its arrival would be before, and everything that came after would be after. (c) Well, yeah! And everything during would be during!
Weirdish ones:
Q:
He had ordered punctuality the way another man might order a steak cooked to his liking. (c)
Q:
Since his first staggering losses twenty years before, his wife, his children, his heart’s best hopes and his last lavish fantasies, he had come to see the implacability of his own expectations as the only defense against the terrors he felt. It worked pretty well most of the time. He was relentless, and the people of the town respected that, feared it even. Now the train was late. …
Around him on the platform the people of his town walked and watched and waited, trying to look casual, as though their waiting had some purpose other than watching Ralph Truitt wait for a train that was late. They exchanged little jokes. They laughed. They spoke quietly, out of respect for what they knew to be Ralph Truitt’s failure. …
Serve him right, some thought, mostly the men. (c) Of course, a train late is the end of the world. This is supposed to illustrate that the guy is a control freak?
Loved these ones:
Q:
He felt that in all the vast and frozen space in which he lived his life — every hand needy, every heart wanting something from him — everybody had a reason to be and a place to land. Everybody but him. For him there was nothing. In all the cold and bitter world, there was not a single place for him to sit down. (c) Atmospheric!
Q:
The trick, Ralph knew, is not to give in. Not to hunch your shoulders in the cold or stamp your feet or blow warm breath into cold palms. The trick is to relax into the cold, accept that it had come and would stay a long time. To lean into it, as you might lean into a warm spring wind. The trick was to become part of it, so that you didn’t end a backbreaking day in the cold with rigid, aching shoulders and red hands.
Some things you escape, he thought. Most things you don’t, certainly not the cold. You don’t escape the things, mostly bad, thatjust happen to you. The loss of love. The disappointment. The terrible whip of tragedy. (c)
Q:
You can live with hopelessness for only so long before you are, in fact, hopeless. (с)
Q:
I’m the kind of woman who wants to know the end of the story, she thought, staring at her face in the jostling mirror. I want to know how it’s all going to end before it even starts.
Catherine Land liked the beginnings of things. The pure white possibility of the empty room, the first kiss, the first swipe at larceny. And endings, she liked endings, too. The drama of the smashing glass, the dead bird, the tearful goodbye, the last awful word which could never be unsaid or unremembered.
It was the middles that gave her pause. (c)
Q:
The sun set every day. It could not be that it would set in splendor only once in her lifetime. (c)
Q:
Perhaps the heart she imagined was one she had never really had at all. (c)
Q:
He felt displaced in his body, homeless in his heart. (c)
Q:
She had wanted something, and she had set out to get it, clear of her purpose and sure in her actions. But it had gotten confused, confused in the mass of the ordinary, confused in the way people live, in the way the heart attracts and repels the things it wants and fears. Her own heart had gone out in directions she never imagined, her hopes had become pinned to the things she would never have allowed. (c)
Q:
Learning became her. She loved the smell of the books from the shelves, the type on the pages, the sense that the world was an infinite but knowable place. Every fact she learned seemed to open another question, and for every question there was another book. She learned the card catalog. She never learned more than she needed to know. (c)
December 27, 2009
Even though I have alredy sent this, I am updating for my Best of 2009 list:
This was a terrific novel with the gothic feel of past novels such as REBECCA and the recent THIRTEENTH TALE. In 1907 Catherine Land answers an ad for a “reliable wife” to the wealthy businessman Ralph Truitt. He knows nothing of her sordid past nor does he have any idea of her plans, which is to leave rural Wisconsin a wealthy widow (in her suitcase is a small blue bottle filled with a nasty substance). But what gets in the way of her plans (and his, too) is the crux of the story and I couldn’t turn the pages fast enough. I so, so wanted this to have a happy ending but considering the subject, I wasn’t sure it would. And how did it end? You’ll have to wait to read the book…
I think this is good for book groups as there is much to discuss.
This was a terrific novel with the gothic feel of past novels such as REBECCA and the recent THIRTEENTH TALE. In 1907 Catherine Land answers an ad for a “reliable wife” to the wealthy businessman Ralph Truitt. He knows nothing of her sordid past nor does he have any idea of her plans, which is to leave rural Wisconsin a wealthy widow (in her suitcase is a small blue bottle filled with a nasty substance). But what gets in the way of her plans (and his, too) is the crux of the story and I couldn’t turn the pages fast enough. I so, so wanted this to have a happy ending but considering the subject, I wasn’t sure it would. And how did it end? You’ll have to wait to read the book…
I think this is good for book groups as there is much to discuss.
May 13, 2010
I kindled this book, inspired by a stormy Friday night home alone, hoping for a romantic transportation to a Wisconsin winter a century ago. The premise is good, some fellow, (a rich rural industrialist) advertises for a reliable wife and this female character turns up much prettier than the picture she sent, but that is just the least of her deception. Anyway, on it goes, murky pasts and dramatic ongoings, but soon I found myself realizing that this book was a hollow, repetitious, skeletal frame. There was no particular reason to read each sentence ( although I did, dutifully) Once something got established it was repeated in a way that reminded me of the Lutheran masses of my childhood; the minister would repeat the sentences with slight variations, it was a style appropriate for the ecclesial layout of a point; the device had a hypnotic quality. Here I found myself turning the pages listlessly, unengaged; there was no food there. There are a million references to sex, but no heat, no heartbeat, no actual physical or emotional happenings; just insipid formalistic cataloguing of references. One falls into a hypnotic stupor.
February 17, 2011
Halfway through this book, sick of every character having a wanton, unquenchable libido, I wanted to shout at Goolrick, "If you want some that bad, get some and then come back to the story." It wasn't raunchy or descriptive or anything like that. It was just an undertone that tainted the novel with an erotic feel. I didn't question one lustful character with a history of excessive sleeping around, but every single one was a bit much. I will give Goolrick credit that despite this being historical fiction and my distrust of modern authors to capture the right attitude of sex in historical fiction, I found myself believing all these characters in the shady side of town. I think Goolrick got the flavor of the era right. The characters were a little too much European-flavored tragic, but I liked that nobody was perfect and I didn't know if good or evil would prevail in them.
While Goolrick has some beautiful, poetic moments with his writing, he relies on them too heavily to tell his story instead of just telling the story. The number one rule in writing: show don't tell. I offer A Reliable Wife as exhibit A on why that rule exists. I trudged through the backstory in the first few chapters waiting for it to pick up, but even as the story took turns I didn't expect, I wasn't given actual scenes, only summaries of events and what the characters felt and what we were supposed to take away from it. When the story veered back from St. Louis I was sure Goolrick was finally going to show us something, but no. He kept on this summary and analyzation through the end of the book. The most annoying of these is the incident with the Larsens. Pretty integral characters and a rather alarming twist that is written off in a side note without much explanation. There's a whole lot of crazies going on in this small Wisconsin town that aren't really elaborated on.
At the core of the novel is a great story. I can't even tell you what it's about because it unfolds like an onion from chapter to chapter. All I can say is it starts with a woman who answers an ad in the paper for a spouse from a lonely Midwestern man, but why she answers the letter or why he sends it out is something you'll have to find out for yourself. Even when you think you know who the characters are and what they are out to achieve, they surprise you. It makes for a book you don't want to put down, even if the writing is a struggle to get through. I would love to see this done in a movie, if it were produced right.
While Goolrick has some beautiful, poetic moments with his writing, he relies on them too heavily to tell his story instead of just telling the story. The number one rule in writing: show don't tell. I offer A Reliable Wife as exhibit A on why that rule exists. I trudged through the backstory in the first few chapters waiting for it to pick up, but even as the story took turns I didn't expect, I wasn't given actual scenes, only summaries of events and what the characters felt and what we were supposed to take away from it. When the story veered back from St. Louis I was sure Goolrick was finally going to show us something, but no. He kept on this summary and analyzation through the end of the book. The most annoying of these is the incident with the Larsens. Pretty integral characters and a rather alarming twist that is written off in a side note without much explanation. There's a whole lot of crazies going on in this small Wisconsin town that aren't really elaborated on.
At the core of the novel is a great story. I can't even tell you what it's about because it unfolds like an onion from chapter to chapter. All I can say is it starts with a woman who answers an ad in the paper for a spouse from a lonely Midwestern man, but why she answers the letter or why he sends it out is something you'll have to find out for yourself. Even when you think you know who the characters are and what they are out to achieve, they surprise you. It makes for a book you don't want to put down, even if the writing is a struggle to get through. I would love to see this done in a movie, if it were produced right.
April 27, 2017
At first I was drawn to this book because of it's apparent similarities to the movie, Original Sin, which I happen to love and think is both dark and sexy - hey, it's a guilty pleasure. This book though, is a lot different from what I originally imagined it would be. It's incredibly well-written, dark and poetic, sexy, disturbing, and sad. I was surprised at some of the twists and turns the story took and I have to say I was pleasantly misled into thinking I knew what was going on. This is one of those stories that I know will stay with me for a long time, but also one I'm not sure I could reread.
Ralph Truitt places an ad for a "reliable wife" in the classifieds and Catherine Land answers. He speaks to her through letters and she sends a picture and he in turn sends her a train ticket to come live with him as his wife. When she arrives she looks nothing like the picture she sent and he realizes that the woman he has brought into his life is not what she seems. But then, neither is Ralph Truitt. His past is dark and his future is uncertain - will he ever find love or any kind of release from the tedium of his life?
I enjoyed this book immensely, but this story was like driving past a car crash that you have to slow down and stare at, hoping to see something gruesome. Once I started reading I couldn't put it down and I had to know what was going to happen with the characters. Sex, love, insanity, and death are all major themes of this novel and I think the author did a fantastic job of weaving them throughout the story.
I loved the way Catherine was portrayed; she likes sex, money, reading, flowers, and good food. She's very complex and hard to read at first, but the more you get of her story, the easier it is to relate to her. I thought she was both weak and strong, loving and conniving, and an incredibly well-developed character. She struggled with her sense of self and what she thought she deserved throughout the novel. She's unique, but she's also "every woman."
Ralph on the other hand, I liked from the start, even though I don't think I was supposed to. I don't think it helped that I imagined a slightly older Clive Owen when I thought of him. Ralph had a hard life, but his main problem is he blames himself over everything bad that had happened to him. From an early age he's made to believe that he's a wicked child that will grow into a wicked man, his veins filled with a poison that will kill anything he touches. It's not until he meets Catherine, who is both a cause and relief for his pain, that he truly feels he has the right to be loved and live a full life.
Now, there's a whole other half to this novel that I can't even discuss without spoiling the surprise. Maybe I'm dense but I didn't see the twist coming. Even up to the last page I wasn't sure how things would end, and I was again surprised at how they did. The ending was satisfying and just about perfect. I look forward to reading more by this author and I hope he gets going on his next novel!
Ralph Truitt places an ad for a "reliable wife" in the classifieds and Catherine Land answers. He speaks to her through letters and she sends a picture and he in turn sends her a train ticket to come live with him as his wife. When she arrives she looks nothing like the picture she sent and he realizes that the woman he has brought into his life is not what she seems. But then, neither is Ralph Truitt. His past is dark and his future is uncertain - will he ever find love or any kind of release from the tedium of his life?
I enjoyed this book immensely, but this story was like driving past a car crash that you have to slow down and stare at, hoping to see something gruesome. Once I started reading I couldn't put it down and I had to know what was going to happen with the characters. Sex, love, insanity, and death are all major themes of this novel and I think the author did a fantastic job of weaving them throughout the story.
I loved the way Catherine was portrayed; she likes sex, money, reading, flowers, and good food. She's very complex and hard to read at first, but the more you get of her story, the easier it is to relate to her. I thought she was both weak and strong, loving and conniving, and an incredibly well-developed character. She struggled with her sense of self and what she thought she deserved throughout the novel. She's unique, but she's also "every woman."
Ralph on the other hand, I liked from the start, even though I don't think I was supposed to. I don't think it helped that I imagined a slightly older Clive Owen when I thought of him. Ralph had a hard life, but his main problem is he blames himself over everything bad that had happened to him. From an early age he's made to believe that he's a wicked child that will grow into a wicked man, his veins filled with a poison that will kill anything he touches. It's not until he meets Catherine, who is both a cause and relief for his pain, that he truly feels he has the right to be loved and live a full life.
Now, there's a whole other half to this novel that I can't even discuss without spoiling the surprise. Maybe I'm dense but I didn't see the twist coming. Even up to the last page I wasn't sure how things would end, and I was again surprised at how they did. The ending was satisfying and just about perfect. I look forward to reading more by this author and I hope he gets going on his next novel!
July 27, 2017
This book just made it into my TWISTER HALL OF FAME at www.booksbejeweled.com
If you’re in the mood for a quick easy read, you might want to skip this one. A Reliable Wife deserves your time to digest, enjoy, study. Filled with symbolism and theme, it is one of my all time favorite books. It is a suspenseful, plot twisted story that takes place in the early American 1900’s. The setting is isolated, cold and creepy and the characters are wholly unpredictable. At the heart of the story is a smoldering power of sexuality. There are three main characters, all motivated by a kind of Victorian sexual lust you don’t see in modern books. It is truly a fascinating literary experience.
If you’re in the mood for a quick easy read, you might want to skip this one. A Reliable Wife deserves your time to digest, enjoy, study. Filled with symbolism and theme, it is one of my all time favorite books. It is a suspenseful, plot twisted story that takes place in the early American 1900’s. The setting is isolated, cold and creepy and the characters are wholly unpredictable. At the heart of the story is a smoldering power of sexuality. There are three main characters, all motivated by a kind of Victorian sexual lust you don’t see in modern books. It is truly a fascinating literary experience.
November 6, 2016
Cuando terminas de leer un libro como éste, no puedes dejar de preguntarte cómo puedes transmitir todo lo que sientes, en unas pocas palabras. O cómo puedes plasmar las sensaciones que anegan tu alma, sin hacer antes un dibujo de cada palabra; de cada párrafo; de cada página que has pasado, ávida. Sencillamente es imposible. Es como querer retener un puñado de aire en un puño cerrado. Sólo puedo decir que olvides la carátula, que olvides la sinopsis, que olvides estas palabras... y lo leas. Sólo eso.
April 18, 2009
I waited two days from the time I finished this to update my review. In all seriousness, I could not decide between three and four. I couldn't figure out if I loved it or liked it.
There were certain parts that I thought warranted five stars, but others that I simply didn't care for. The opening scene of Ralph Truitt waiting for the train, with the whispering town all around him was so evocative, desperate, and beautiful. The parts in St. Louis after Catherine Land found Truitt's son dragged on for me. But then after she got back, the storyline began to soar again.
I don't know: I think it was the son that ruined everything for me. I know he was supposed to be with fault and unlikeable, but I really just didn't see him as a fleshed out character. He was this caricature of what a lost, bitter son was supposed to be...and he was boring because of this.
Had Goolrick focused less on him, there would have been less action, yes. But the development and evolution of Truitt and Land's relationship held enough tension and suspense in and of itself that it could have been its own book without these other distractions.
So I guess in the end I say two stars whenever the son's around, and five for the rest.
There were certain parts that I thought warranted five stars, but others that I simply didn't care for. The opening scene of Ralph Truitt waiting for the train, with the whispering town all around him was so evocative, desperate, and beautiful. The parts in St. Louis after Catherine Land found Truitt's son dragged on for me. But then after she got back, the storyline began to soar again.
I don't know: I think it was the son that ruined everything for me. I know he was supposed to be with fault and unlikeable, but I really just didn't see him as a fleshed out character. He was this caricature of what a lost, bitter son was supposed to be...and he was boring because of this.
Had Goolrick focused less on him, there would have been less action, yes. But the development and evolution of Truitt and Land's relationship held enough tension and suspense in and of itself that it could have been its own book without these other distractions.
So I guess in the end I say two stars whenever the son's around, and five for the rest.
January 19, 2019
I loved this book. It is set in Wisconsin in the early 1900's, it is historical fiction, mystery, plotting, sexual tension and incredible characters all rolled into one. By it's title it could easily be passed by had I not had very enthusiastic recommendations.
It is a page turner from the beginning until the very last page and it is never actually what you think it is going to be !!
Ralph Truitt is the capitalist in a small town in Wisconsin where his companies employ most everyone an his products used by all. He is wealthy many times over, inheriting his father's prosperous business.
My feelings for this character started out as lukewarm and ended up very complicated. In the end I felt sorrow for Ralph who turned out, for me, to actually a very intensely lonely person who had tried repeatedly to make his life work.
Catherine Lund, the "mail order bride" is a complicated woman, she herself changing her plans several times through the story.
This is just a very unusual, beautifully written book. Not easily categoried but an absolute "must read". I wish I could start it anew without the knowledge I now have of the happenings, it's that good.
***All time favorite***
It is a page turner from the beginning until the very last page and it is never actually what you think it is going to be !!
Ralph Truitt is the capitalist in a small town in Wisconsin where his companies employ most everyone an his products used by all. He is wealthy many times over, inheriting his father's prosperous business.
My feelings for this character started out as lukewarm and ended up very complicated. In the end I felt sorrow for Ralph who turned out, for me, to actually a very intensely lonely person who had tried repeatedly to make his life work.
Catherine Lund, the "mail order bride" is a complicated woman, she herself changing her plans several times through the story.
This is just a very unusual, beautifully written book. Not easily categoried but an absolute "must read". I wish I could start it anew without the knowledge I now have of the happenings, it's that good.
***All time favorite***
January 21, 2010
I read this novel in one day, my first novel of 2010, and I could not put it down. It is the type of novel that gets under your skin and is difficult to shake for several days. It was a unique story, the characters were extremely compelling, and the atmosphere was very dark and Gothic. If this novel was ever made into a movie, I would expect it to be set in perpetual snow and gray fog.
Other reviewers here have set forth the main story here so I won't reiiterate it. I agree with those who said they never really felt 'close' to any of the main characters, but I don't think the author intended for us to feel close to them. They were not very sympathetic people, but they were compelling with all of their flaws.
I loved how the characters and their secrets were unpeeled, layer by layer as the novel progressed. I also loved the stunning twists and turns. I really could not put it down and highly recommend it.
Other reviewers here have set forth the main story here so I won't reiiterate it. I agree with those who said they never really felt 'close' to any of the main characters, but I don't think the author intended for us to feel close to them. They were not very sympathetic people, but they were compelling with all of their flaws.
I loved how the characters and their secrets were unpeeled, layer by layer as the novel progressed. I also loved the stunning twists and turns. I really could not put it down and highly recommend it.
January 20, 2010
The story had potential, even though it's been done a hundred times. A lonely, rich man places an ad in the paper for "a reliable wife," and a beautiful, mysterious woman answers, with the hidden intent of killing him and taking his fortune.
The main problem I had with this book was the length--it could have easily been cut in half had the author not felt the need to repeat and over-elaborate on every little detail. It took an immense amount of discipline not to fast forward through every other chapter. (If I had read the book versus listened to the audio book, I would have skimmed through pages at a time.) It seemed like the author added pointless storylines to the plot just to pack pages. Nothing but fluff.
I also found the characters weak, boring, and annoying. The three main characters were borderline nymphomaniacs, which got a little monotonous. I'm not disputing the fact that the story required a bit of sex, but really, if I had a nickel for every time the author used the word "desire," I'd have a damn lot of money. Next, please!
Bottom line: boring, boring, boring. I'm being very generous by giving this book two stars. I can't believe NPR recommended this book--I guess there's no accounting for taste.
Koz, if this book is on your to-read list, I suggest you remove it. I can guarantee you'd hate it.
The main problem I had with this book was the length--it could have easily been cut in half had the author not felt the need to repeat and over-elaborate on every little detail. It took an immense amount of discipline not to fast forward through every other chapter. (If I had read the book versus listened to the audio book, I would have skimmed through pages at a time.) It seemed like the author added pointless storylines to the plot just to pack pages. Nothing but fluff.
I also found the characters weak, boring, and annoying. The three main characters were borderline nymphomaniacs, which got a little monotonous. I'm not disputing the fact that the story required a bit of sex, but really, if I had a nickel for every time the author used the word "desire," I'd have a damn lot of money. Next, please!
Bottom line: boring, boring, boring. I'm being very generous by giving this book two stars. I can't believe NPR recommended this book--I guess there's no accounting for taste.
Koz, if this book is on your to-read list, I suggest you remove it. I can guarantee you'd hate it.
February 2, 2023
I feel that this is one of the most complex plots I have ever read. It starts simply until the first lie is revealed. And so it goes . . . one lie building upon the next and the next. Eventually I began to love the story, to empathize with the characters as best as I could. Then the darkness began until I hated what was happening. Yet, still I continued to read, to rethink my beliefs, my hatred. What was left was a dread, a slow locomotive that started moving, eventually racing towards the remarkable end. I gave this book 5 stars. Not because I loved it from start to finish. . . but because of how my heart and brain were tremendously engaged, affected, enraging, and overwhelming me.
March 7, 2011
In a word: horrible.
It's been awhile since I read a book this bad. In fact, I may never have read a book this bad.
Such things happen.
A Reliable Wife starts out slow and never picks up speed. The contrived, implausible, paper-thin plot took about 70 pages to develop. A wealthy, unhappy middle-aged man advertises for a wife. The rest of the story is filled with wordy sentences, rambling narratives, stumbling dialogue, plot inconsistencies and one-dimensional characters so undeveloped and uninteresting as to almost be stale. And sex. Lots of sex. This is a lurid romance trying to pass itself off as literary fiction. There's no mystery here, there's no drama here, no thrills or suspense, no passion or intrigue. Worst of all, there's no story here. I've read bad books before, and A Reliable Wife will takes its well deserved spot on that list, but I've never been as bored reading a book in my life as I was with A Reliable Wife.
Such things happen.
I think A Reliable Wife started out as a short story, maybe a novella, and then someone suggested the author should add only another 100,000, or so, words to his short story and he'd have a complete novel. It's in those extra 100,000 extra words where the story really crashes. I'm not going to cite examples because, even though they're on every page of this overlong book, that would mean I'd have to go back and read those passages again and I have no plans on handling A Reliable Wife again until I try and sell it at the used bookstore. I hope they have a new employee working that day.
The best thing about A Reliable Wife from my perspective is that if this book can get published then there's hope for anyone who enjoys writing to eventually see their work in print so keep writing!
It's been awhile since I read a book this bad. In fact, I may never have read a book this bad.
Such things happen.
A Reliable Wife starts out slow and never picks up speed. The contrived, implausible, paper-thin plot took about 70 pages to develop. A wealthy, unhappy middle-aged man advertises for a wife. The rest of the story is filled with wordy sentences, rambling narratives, stumbling dialogue, plot inconsistencies and one-dimensional characters so undeveloped and uninteresting as to almost be stale. And sex. Lots of sex. This is a lurid romance trying to pass itself off as literary fiction. There's no mystery here, there's no drama here, no thrills or suspense, no passion or intrigue. Worst of all, there's no story here. I've read bad books before, and A Reliable Wife will takes its well deserved spot on that list, but I've never been as bored reading a book in my life as I was with A Reliable Wife.
Such things happen.
I think A Reliable Wife started out as a short story, maybe a novella, and then someone suggested the author should add only another 100,000, or so, words to his short story and he'd have a complete novel. It's in those extra 100,000 extra words where the story really crashes. I'm not going to cite examples because, even though they're on every page of this overlong book, that would mean I'd have to go back and read those passages again and I have no plans on handling A Reliable Wife again until I try and sell it at the used bookstore. I hope they have a new employee working that day.
The best thing about A Reliable Wife from my perspective is that if this book can get published then there's hope for anyone who enjoys writing to eventually see their work in print so keep writing!
January 10, 2010
I know they say sex sells, but this was ridiculous. If they weren’t doing the deed, they were talking about it, or thinking about it, or it was just lingering in the air somehow. That by itself didn’t make this a bad novel. It just lacked so much substance and the intrigue I was hoping for. It’s like the author relied on sex to make up for a badly executed novel.
The premise of A Reliable Wife sounded intriguing. It’s the early 1900’s. A guy puts an ad in for “a reliable wife” and, indeed, gets a wife with a dark past and even darker intentions. I read this with the intention of reading a dark, gothic novel about two complex people who may or may not fall in love, kill each other, or all of the above. What I got was two people who moaned and groaned (quite literally) about their past lives, and did I mention the sex? I bring this up again because the author insists on throwing it in your face every other page or so, and also because this is how everyone relates to one another. It’s also the only uniting factor between Ralph and Catherine, and so the ending is unconvincing, or maybe I just stopped caring.
The premise of A Reliable Wife sounded intriguing. It’s the early 1900’s. A guy puts an ad in for “a reliable wife” and, indeed, gets a wife with a dark past and even darker intentions. I read this with the intention of reading a dark, gothic novel about two complex people who may or may not fall in love, kill each other, or all of the above. What I got was two people who moaned and groaned (quite literally) about their past lives, and did I mention the sex? I bring this up again because the author insists on throwing it in your face every other page or so, and also because this is how everyone relates to one another. It’s also the only uniting factor between Ralph and Catherine, and so the ending is unconvincing, or maybe I just stopped caring.
January 22, 2018
Wow... okay, this book got darker and darker, and basically delivered a gut punch that left me reeling and feeling a little sick! BUT at the same time, it was beautifully written -- even as the characters did some extremely ugly things. Some of my overwhelmed-sick-gut-punch feelings might have to do with how I gulped down more than half the book in one sitting (but this also speaks to its addictive readability!). The twists are classic/familiar ones, but I felt were combined in such a way as to form a unique constellation in this iteration. For me, this book reminded me somewhat of John Steinbeck's East of Eden at times, and then Gone Girl at other times -- which makes this sound a bit like a schizophrenic book perhaps, but it was such an interesting combination of literary vs. commercial and historical (setting) vs. contemporary (plotwise). A fast but emotionally draining read.
December 7, 2008
A Reliable Wife by Robert Goolrick,
ISBN 9781565125964, Algonquin Books
$23.95, March 2009
With A Reliable Wife, Robert Goolrick has given us a rare treat, a story so good we are loathe to start another book for fear it will fail utterly in comparison.
It is 1907 and Ralph Truitt is seeking a wife. Catherine Land is the woman who answers his call. In the midst of a swirling snowstorm, she steps off of the train and into his life. She is not what he expected. Nor is he as naïve as she had hoped.
What follows is a skillfully told tale of lies and betrayals, of rampant passion and unchecked desires, and occasionally of hope and compassion. Fierce and original, sensual but never crass, Goolrick spins a remarkable tale that takes the reader from the sophistications of Chicago to a bitterly cold and barren Wisconsin winter to the opium dens and music halls of St. Louis.
the orgianl title was to be A Memory of Desire (which I loved) but will be published under the more mundane A Rleiable Wife.
ISBN 9781565125964, Algonquin Books
$23.95, March 2009
With A Reliable Wife, Robert Goolrick has given us a rare treat, a story so good we are loathe to start another book for fear it will fail utterly in comparison.
It is 1907 and Ralph Truitt is seeking a wife. Catherine Land is the woman who answers his call. In the midst of a swirling snowstorm, she steps off of the train and into his life. She is not what he expected. Nor is he as naïve as she had hoped.
What follows is a skillfully told tale of lies and betrayals, of rampant passion and unchecked desires, and occasionally of hope and compassion. Fierce and original, sensual but never crass, Goolrick spins a remarkable tale that takes the reader from the sophistications of Chicago to a bitterly cold and barren Wisconsin winter to the opium dens and music halls of St. Louis.
the orgianl title was to be A Memory of Desire (which I loved) but will be published under the more mundane A Rleiable Wife.
December 28, 2008
Intense. Atmospheric (has been compared to Wuthering Heights and Rebecca, and I can see that). Sooooo good. Some of the sexual content will not be for everyone, and tipped my own scales in terms of comfort level, but I could not let this story go. Or maybe it couldn't let me go. You just get so consumed by what is going on. I *had* to know how it would end.
August 26, 2011
Beautifully written emotions of loss, love and redemption. The plot is well woven and exciting you take a step into the darkness of the heart and of their mistakes and losses of love and finding of new love and chances of redemption. You really want love to be found and the relationship to work for the two main characters but also you anticipate who will be killed off an enjoyable easy read, atmospheric set in rural Wisconsin 1907 during bitter cold snow.
http://more2read.com/?review=a-reliable-wife-by-robert-goolrick
http://more2read.com/?review=a-reliable-wife-by-robert-goolrick
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April 21, 2013Read, read, skim skim skim, read, skim skim, read, skim read. Oh dear. I found this book hilarious, which is certainly not what the author intended. Enough already after ten pages. I get the point: the guy is damaged and lonely. Enough already about snow, enough already about libraries, enough already about oysters and champagne. Even enough already about sex. Could never have imagined sex scenes could be this boring and repetitious.
Sorry for any spoilers that follow, but I couldn’t care less.
I think this is what happened with the author: he had a pretty good idea. Rich man sends away for a mail-order bride, but she is really after his money. “Such things happen,” to quote the author. But that isn’t much of a story, so he invents a former lover who is really the man’s estranged son, so they are both plotting. But then the author is forced to make it more complicated and it fell apart for me. Why is the son estranged? Oh, the author makes him think his dad killed his mother. Oh, so now we have to invent a dead first wife. The whole thing becomes unbelievable. This is a man who obsesses about trains being on time, has private detectives spend ten years looking for his son, and he doesn’t bother to have them spend ten minutes investigating the woman he has sent for??? I mean, this isn’t some country yokel ordering a wife. Oh, but I forget, if he had investigated the woman there wouldn’t have been a story. And then the author wouldn’t have made piles of money by having book clubs like mine read this stupid book.
Antonio is a cardboard figure. We are mostly told he was like a child. That’s about it. Where do the clothes come from? Is he a gigolo? Does he really afford the clothes he wears by playing piano in a whorehouse? And Antonio and Catherine—By not getting inside their heads in the restaurant scene the author misses a chance to show us something more psychologically interesting about them, but he doesn’t let us know at that point that they were lovers because he wants to surprise us (surprise! surprise!) when she shows up at his house. Antonio is described, but we get almost no insight into him except he hates his father because he beat him and because he thinks his father killed his mother. And likes sex with Catherine.
And Emilia. Totally unbelievable. OK, she is a gold-digger. “Such things happen.” But presumably she is a well-brought up impoverished, aristocratic, Italian Catholic gold-digger. Surely she knows where her bread is buttered. And she runs off with a piano teacher?? Really?
And the Larsens. Good solid people about which we are told almost nothing, and then suddenly Mr. Larsen chops his hand off because his wife doesn’t want him touching her. Where on earth did that come from??
There are a one or two interesting things about the book. The idea that Truitt is so besotted with Catherine that he would allow her to poison him is one. Why? Is he just so besotted with her that he would let her do anything? What is the difference between lust and love? This is all just skimmed over.
The plot complication that Catherine finally starts to poison Truitt because Antonio is basically blackmailing her is a nice touch, and here the author develops Catherine’s feelings more than he does elsewhere. It is finally here that she is faced with making a real moral choice—protect herself or save Truitt. But she knows that Antonio is really a creep and would throw her over as soon as he got the house and money, so what is she to do?
I think this could have been a good book if the author had cut out a hundred pages of repetition and showed us more of the characters, rather than just telling us everything. Can you imagine how Edith Wharton might have handled this plot? There is so much more the author could have developed. Why are there so many crazy local people—including Mr. Larsen? Again, he tells us what happens, he doesn’t show us anything interesting leading up to it. Is it just the isolation? The religion? I assume from the names that most of the local people are Scandinavian Lutheran immigrants. Does this affect them? The author develops the religious angle with Truitt’s crazy religious mother and her influence on him, but he could have done more with this. What about the difference in religion between Emilia and Truitt?
We know from the get-go that there is going to be a happy ending to all this, because, after all, that is the sort of book this is. So, to have a happy ending the author has to kill off Antonio, who could spoil everything, and then have Truitt forgive Catherine. Therefore he has Truitt, a middle-aged, out-of-shape man who has just gotten over being confined to bed with poison sickness AND been hit over the head with a poker able to chase down Antonio, who conveniently falls through the ice and drowns.
But THIS is what SHOULD have happened to the characters: Because Catherine refuses to poison Truitt Antonio makes good on his threat and sends Truitt a letter telling him that Catherine was a prostitute (but leaving out that they had been lovers). Catherine, not thinking that Truitt might already know this and forgive her, poisons HERSELF. Antonio runs off to Italy, finds out his Italian grandparents have no money, becomes a highly paid gigolo to middle-aged American women in Rome and dies in an opium haze. In his grief, Truitt allows his business to go bankrupt and lives out his life in loneliness and poverty, slowly selling off the furniture in the fake Italian mansion bit by bit, looked after by the loyal Mrs. Larsen, who now has mostly only potatoes to cook. Good riddance to them all.
November 24, 2009
A Reliable Wife, by Robert Goolrick, is the story of how Catherine Land answers a rather pathetic sounding classified ad placed by a lonely, tormented rich man. From the beginning of her correspondence with him, Catherine is up to no good at all: she plans on slowly poisoning Ralph Truitt and having his fortune for herself.
Automatically, I expected this tale to turn into one of those beautiful, gradual love stories in which Catherine falls in love with Ralph and realizes the dream of having both love and money in her life. However, the story involves other people who make the plot more complicated, but not more interesting. In other words, I'm not raving about this book. I found the writing style to be incongruent with the time period, which was just after the turn of the century (1908), and I felt that the characters were not very fleshed out. Their past lives were told in a quick, glancing way, while the flowers Catherine loved so much were described in lush detail. There is a climatic scene near the end that seems to drag on and on, and just before the too-happy ending, the author actually beats into the reader what this story has been all about. Just in case she missed it.
One of the themes of Goolrick's book is that life in Wisconsin was harsh for most people back then, and people went mad and did insane things. This is true, but parts of this tale seemed either too unlikely or not explained well enough. Goolrick also commits repetition of information, which I found to be very annoying, besides being a detriment to the movement of the story.
I feel so weird for panning this book! It's not that Robert Goolrick is a bad writer, it's that this particular story was executed poorly. Despite its flaws, I did not have trouble finishing it, but I did wince as I did so. This is my humble opinion after hearing such good things about this book.
So don't throw tomatoes at me!
Automatically, I expected this tale to turn into one of those beautiful, gradual love stories in which Catherine falls in love with Ralph and realizes the dream of having both love and money in her life. However, the story involves other people who make the plot more complicated, but not more interesting. In other words, I'm not raving about this book. I found the writing style to be incongruent with the time period, which was just after the turn of the century (1908), and I felt that the characters were not very fleshed out. Their past lives were told in a quick, glancing way, while the flowers Catherine loved so much were described in lush detail. There is a climatic scene near the end that seems to drag on and on, and just before the too-happy ending, the author actually beats into the reader what this story has been all about. Just in case she missed it.
One of the themes of Goolrick's book is that life in Wisconsin was harsh for most people back then, and people went mad and did insane things. This is true, but parts of this tale seemed either too unlikely or not explained well enough. Goolrick also commits repetition of information, which I found to be very annoying, besides being a detriment to the movement of the story.
I feel so weird for panning this book! It's not that Robert Goolrick is a bad writer, it's that this particular story was executed poorly. Despite its flaws, I did not have trouble finishing it, but I did wince as I did so. This is my humble opinion after hearing such good things about this book.
So don't throw tomatoes at me!
December 21, 2021
Comprei este livro pois era o que Jake Epping, o protagonista de 11.22.63 estava a ler na história, logo achei que seria um bom livro. Não é! As personagens são todas tão rasas, mas tentam ser ambíguas e profundas, o que só faz com que pareçam ainda mais parvas. Lê-se bem, daí as três estrelas, mas não é nada de extraordinário.
April 9, 2009
This book, the #1 IndieNext list pick for April 2009, is an infinite loop of love turning to hate and hate turning to love and what all that kinetic passion does to the people who experience it. Set mainly in rural Wisconsin in the depths of the winter of 1907, this is a story of a wealthy man and his mail-order bride at it's very basic root. Both of these people have dark histories that they are trying to forget--or are they? They are strangers to each other--or are they? All that is true in this book is that nothing is quite as it seems. Ulterior motives abound. Yet, in a strange and twisted way, it basically ends in a version of "and they lived happily ever after". Don't worry--that isn't really a spoiler. It's a long and crooked path to get to that ending, with many Victorian flourishes along the way.
June 23, 2019
“Learning became her. She loved the smell of the book from the shelves, the type on the pages, the sense that the world was an infinite but knowable place. Every fact she learned seemed to open another question, and for every question there was another book.”
― Robert Goolrick, A Reliable Wife
Taking place in snowy Wisconsin, this work of historical fiction, involves a man placing an Add for a reliable wife. From that ad he gets Catherine although as time goes on, the businessman realizes this Catherine is not quite the sweet and reliable wife he expected.
The writing here is really intense. I could almost feel myself in Wisconsin with the wind and snow all around me. I really enjoyed the book which strongly reminded me of a movie called “Original sin” and that movie was based on another book called ”Waltz into darkness”.
This is a dark Gothic novel that is pretty long but well written and quite interesting. The strong point is the writing. This topic is not new so the book could’ve been mediocre but the quality of the writing really sets it apart and I enjoyed every moment of this dark little novel. Highly recommended.
― Robert Goolrick, A Reliable Wife
Taking place in snowy Wisconsin, this work of historical fiction, involves a man placing an Add for a reliable wife. From that ad he gets Catherine although as time goes on, the businessman realizes this Catherine is not quite the sweet and reliable wife he expected.
The writing here is really intense. I could almost feel myself in Wisconsin with the wind and snow all around me. I really enjoyed the book which strongly reminded me of a movie called “Original sin” and that movie was based on another book called ”Waltz into darkness”.
This is a dark Gothic novel that is pretty long but well written and quite interesting. The strong point is the writing. This topic is not new so the book could’ve been mediocre but the quality of the writing really sets it apart and I enjoyed every moment of this dark little novel. Highly recommended.
March 8, 2010
A decent, engrossing read, but it's really not anything unique. It's a little bit Michael Lesy's Wisconsin Death Trip (which Goolrick cites as the inspiration), and a lot Cornell Woolrich's Waltz Into Darkness, which inspired the 2001 film Original Sin with Antonio Banderas and Angelina Jolie. If you're acquainted with any of these works, you'll be in familiar territory here.
Just cutting to the chase - the storyline is predictable and the ending a little unsettled. It's not wholly without merit, however. Goolrick's prose is very vivid, but somewhat repetitious at times, and I found myself skimming a little too frequently. There are no admirable characters here to identify with & care about, so the overall feel of this book is one of voyeurism; watching them wreak havoc on each other & generally make a muck of their lives, and the ending more a trailing off, or closing of the curtain, than a resolution. I gave it a B-.
Just cutting to the chase - the storyline is predictable and the ending a little unsettled. It's not wholly without merit, however. Goolrick's prose is very vivid, but somewhat repetitious at times, and I found myself skimming a little too frequently. There are no admirable characters here to identify with & care about, so the overall feel of this book is one of voyeurism; watching them wreak havoc on each other & generally make a muck of their lives, and the ending more a trailing off, or closing of the curtain, than a resolution. I gave it a B-.
January 24, 2011
This book was recommended to me quite some time ago by family members, but the time never seemed right to read it. This week, though, as I needed a new book and nothing on my TBR bookshelf appealed to me, I remembered this book and decided to give it a try. I'm very glad I did.
Goolrick has an almost poetic way with the language and builds suspense beautifully in this, his first, novel. It is a very gothic tale. As I was reading it, for some reason I kept thinking of Edgar Allan Poe, and the poem of his that came to mind was Annabel Lee. Not that the stories that the poem and this novel tell are particularly related but the cadence of the language and the use of repetition struck me as being similar. The book also reminded me of younger (much younger) days when I used to devour the novels of Daphne du Maurier and the Bronte' sisters. This book would be right at home on a shelf with those ladies' works.
The story begins in 1907 in Wisconsin during a viciously cold winter. Indeed, the action of the novel which runs through 1908 seems to always be in winter. It is always cold and miserable, but perhaps that is just a reflection of the characters' personalities.
Ralph Truitt is a rich country businessman in Wisconsin. He has been a widower for 20 years. His life has been filled with family tragedy. For 20 years he has not felt the touch of a woman, and for 20 years, he has burned for such a touch. This book, you see, is not just a gothic novel, it is a thorough-going bodice-ripper! We are privy to all of Ralph's memories of his sexual history and his ongoing fantasies which burn with such smoldering desire that one almost expects the book to burst into flames!
At long last, Ralph decides to take steps to end his loneliness. He advertises in several newspapers for a mail order bride. His ad requests "a reliable wife. Compelled by practical not romantic reasons." But Ralph obviously is not just what his staid and discreetly worded ad implies.
He receives several responses and from them chooses Catherine Land from St. Louis. He sends his private railroad car to bring her to him. In the dead of winter.
Ah, but Catherine also is not exactly the person that she seems at first. Our two main characters are both playing roles, and it seems that one of those roles may lead to murder. I won't say more than that for you may wish to read this book and I don't want to spoil it for you. If you are up for a psychological thriller/bodice-ripper/tale of possible redemption, this might just be the book for you.
It really is a beautifully written novel that maintains the tension throughout. It's also deliciously wicked. Much of its appeal, I think, comes from its strong sense of place - a Wisconsin where winter never seems to end and where those endless winters can drive people mad with loneliness, melancholia, and desire.
Such things happen.
Goolrick has an almost poetic way with the language and builds suspense beautifully in this, his first, novel. It is a very gothic tale. As I was reading it, for some reason I kept thinking of Edgar Allan Poe, and the poem of his that came to mind was Annabel Lee. Not that the stories that the poem and this novel tell are particularly related but the cadence of the language and the use of repetition struck me as being similar. The book also reminded me of younger (much younger) days when I used to devour the novels of Daphne du Maurier and the Bronte' sisters. This book would be right at home on a shelf with those ladies' works.
The story begins in 1907 in Wisconsin during a viciously cold winter. Indeed, the action of the novel which runs through 1908 seems to always be in winter. It is always cold and miserable, but perhaps that is just a reflection of the characters' personalities.
Ralph Truitt is a rich country businessman in Wisconsin. He has been a widower for 20 years. His life has been filled with family tragedy. For 20 years he has not felt the touch of a woman, and for 20 years, he has burned for such a touch. This book, you see, is not just a gothic novel, it is a thorough-going bodice-ripper! We are privy to all of Ralph's memories of his sexual history and his ongoing fantasies which burn with such smoldering desire that one almost expects the book to burst into flames!
At long last, Ralph decides to take steps to end his loneliness. He advertises in several newspapers for a mail order bride. His ad requests "a reliable wife. Compelled by practical not romantic reasons." But Ralph obviously is not just what his staid and discreetly worded ad implies.
He receives several responses and from them chooses Catherine Land from St. Louis. He sends his private railroad car to bring her to him. In the dead of winter.
Ah, but Catherine also is not exactly the person that she seems at first. Our two main characters are both playing roles, and it seems that one of those roles may lead to murder. I won't say more than that for you may wish to read this book and I don't want to spoil it for you. If you are up for a psychological thriller/bodice-ripper/tale of possible redemption, this might just be the book for you.
It really is a beautifully written novel that maintains the tension throughout. It's also deliciously wicked. Much of its appeal, I think, comes from its strong sense of place - a Wisconsin where winter never seems to end and where those endless winters can drive people mad with loneliness, melancholia, and desire.
Such things happen.
November 15, 2017
This was an ok read. That was clear from the second chapter. I would call this American Gothic. It is dark, dealing with the historical time and the relationships involved.
The richest man in town seeks and finds a wife through a personal ad. What he gets is a woman with her own agenda. There are back stories and subplots that do tie together eventually. Instead of allowing the sexual tension to build as a natural part of the plot, the author took an in your face approach. When I finished the book, I felt life I needed a shower. This should have been a terrific thriller. It turned out to be sexual fantasy gone wrong.
The richest man in town seeks and finds a wife through a personal ad. What he gets is a woman with her own agenda. There are back stories and subplots that do tie together eventually. Instead of allowing the sexual tension to build as a natural part of the plot, the author took an in your face approach. When I finished the book, I felt life I needed a shower. This should have been a terrific thriller. It turned out to be sexual fantasy gone wrong.
January 7, 2017
התלבטתי בין כוכב לשניים, בין ספר סתמי לספר רע והחלטתי שהוא סתמי אבל אחרי שכתבתי את הביקורת שלי החלטתי שהוא באמת היה רע ובזבוז זמן משווע.
דווקא בבסיס של העלילה ישנו משהו מעניין, קתרין לנד עונה למודעה בעיתון של גבר עשיר, ראלף טרויט, המחפש אישה אמינה. אחרי התכתבות הוא מזמין אותה אליו והם נישאים.
היא צעירה ויפה, הוא עשיר ומבוגר ממנה והסודות של כל אחד מהם מפעפעים לחיים הזוגיים שלהם.
הביצוע ירוד, גולש למחוזות הזויים ומתמרח עד אין קץ. עיסה דביקה שמקדיחה.
***ספויילרים*** ראו הוזהרתם
מסתבר שקתרין לנד היתה אשת ליווי יוקרתית או למעשה זונה שמעניקה שירותי מין לעשירים. התירוץ הם חייה של קתרין שצריכה את הכסף.
היא מתאהבת בבנו היפיפה והעני של ראלף טרויט, ונשבעת לעזור לו להרעיל את אביו. ואז היא מתחרטת.
מילא הגלישה למקום הנמוך הזה של זונה בתירוצים עלובים, מילא הקשר לרצוח, אבל כל החלק האחרון של הספר כשקתרין חוזרת לביתו של ראלף ומנסה לרצוח אותו באמצעות ארסן, הוא מלודרמה סרת טעם, עיסה דביקה ובלתי ניתנת לעיכול.
אז במחשבה שניה, אחרי שכתבתי למעלה מה שכתבתי, באמת מדובר בספר רע ולא סתמי. בעיניי הסופר פשוט מקדיח את הקדירה עם כל הנסיונות שלו להיות פואטי ופילוסופי. הירהורי הגסיסה של ראלף, תהליך הגסיסה שלו ויסורי המצפון של קתרין ממלאים דפים ארוכים בשליש האחרון של הספר.
לאיזו מטרה כל התיאורים הללו נכתבים? הם לא מקדמים את העלילה שממילא רדודה עד בלתי נראית. זה לא אמור להיות ספר פילוסופי ולא אמור לספק לקורא תובנות על נפשו וחרטותיו של הרוצח.
בל נשכח שכל החלק השני של הספר עוסק בבילויים והזינזונים של קתרין עם בנו של ראלף כשהיא נוסעת לסנט לואיס להחזירו לביתם. באמת זו תחילת המאה ה 20, היתה מופקרות, היה חוסר מוסריות מסויים בחברה, אבל עד כדי כך? ואז חלק שלם על נסיונות הרצח ונסיונות ההצלה כאילו ש 10 דפים לפני כן לא קראנו תיאורים שטופי זימה של הגיבורה במיטה של הבן.
פשוט חסכו לעצמכם את הזמן והאנרגיה.
דווקא בבסיס של העלילה ישנו משהו מעניין, קתרין לנד עונה למודעה בעיתון של גבר עשיר, ראלף טרויט, המחפש אישה אמינה. אחרי התכתבות הוא מזמין אותה אליו והם נישאים.
היא צעירה ויפה, הוא עשיר ומבוגר ממנה והסודות של כל אחד מהם מפעפעים לחיים הזוגיים שלהם.
הביצוע ירוד, גולש למחוזות הזויים ומתמרח עד אין קץ. עיסה דביקה שמקדיחה.
***ספויילרים*** ראו הוזהרתם
מסתבר שקתרין לנד היתה אשת ליווי יוקרתית או למעשה זונה שמעניקה שירותי מין לעשירים. התירוץ הם חייה של קתרין שצריכה את הכסף.
היא מתאהבת בבנו היפיפה והעני של ראלף טרויט, ונשבעת לעזור לו להרעיל את אביו. ואז היא מתחרטת.
מילא הגלישה למקום הנמוך הזה של זונה בתירוצים עלובים, מילא הקשר לרצוח, אבל כל החלק האחרון של הספר כשקתרין חוזרת לביתו של ראלף ומנסה לרצוח אותו באמצעות ארסן, הוא מלודרמה סרת טעם, עיסה דביקה ובלתי ניתנת לעיכול.
אז במחשבה שניה, אחרי שכתבתי למעלה מה שכתבתי, באמת מדובר בספר רע ולא סתמי. בעיניי הסופר פשוט מקדיח את הקדירה עם כל הנסיונות שלו להיות פואטי ופילוסופי. הירהורי הגסיסה של ראלף, תהליך הגסיסה שלו ויסורי המצפון של קתרין ממלאים דפים ארוכים בשליש האחרון של הספר.
לאיזו מטרה כל התיאורים הללו נכתבים? הם לא מקדמים את העלילה שממילא רדודה עד בלתי נראית. זה לא אמור להיות ספר פילוסופי ולא אמור לספק לקורא תובנות על נפשו וחרטותיו של הרוצח.
בל נשכח שכל החלק השני של הספר עוסק בבילויים והזינזונים של קתרין עם בנו של ראלף כשהיא נוסעת לסנט לואיס להחזירו לביתם. באמת זו תחילת המאה ה 20, היתה מופקרות, היה חוסר מוסריות מסויים בחברה, אבל עד כדי כך? ואז חלק שלם על נסיונות הרצח ונסיונות ההצלה כאילו ש 10 דפים לפני כן לא קראנו תיאורים שטופי זימה של הגיבורה במיטה של הבן.
פשוט חסכו לעצמכם את הזמן והאנרגיה.
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