Humanity is struggling to hold out against a hostile takeover by an alien race that claims to be on a religious mission to bring all sentient life to its God at the End of Time. But while things may look grim in the immediate aftermath of the attack, mankind is busy playing an even longer game than the aliens may have expected. Will a strategy millennia in the making finally be enough to defeat this seemingly unstoppable enemy? And what secrets are the aliens truly hiding in their most deeply protected stronghold?
With his trademark optimism about humanity's tenacity and capacity for greatness, Peter F. Hamilton ends this brilliant saga with a bang--and reveals a few startling surprises along the way.
Peter F. Hamilton is a British science fiction author. He is best known for writing space opera. As of the publication of his tenth novel in 2004, his works had sold over two million copies worldwide, making him Britain's biggest-selling science fiction author.
One of the greatest current space opera conductors finishes his possibly best series
Incredible complexity About in the middle of the work the concepts, philosophy, technobabble got so amazingly complex, dense, and astonishing that it was tricky to both get the full picture and pleasure and follow the plots. This is one of the most amazing showing of what Hamilton got I saw in all of his works, an ultimate I´ll Chuck out everything I have in an epic overkill. Because it combines
So many fields of science by mixing real theories with alternative physics, Clarketech, relativity, theory of mind, AI, consciousness, and great characterization to a tour de force of to what sci-fi can lift off. No other genre is able to integrate science, the full potential of fantasy and horror combined, and do critical vivisection of past, current, and future human societies bursting from irony and cynicism, at the same time.
Preparation is everything Some people can´t get into Hamiltons´work because he does mega expositions, often in the scale of shorter average books. And in this case, he lead all the opened storylines, characters, timelines to a conclusion so epic that my poor little brain really had problems getting everything out of this whole thing, although it´s amazingly never difficult to still somewhat follow the storyline.
Switching between timelines and even splitting a fraction Current and future storylines come closer and closer together, a group splits into two, all characters fully live up to the expectations in great showdowns, and a feeling of satisfaction sets in after finishing another series that lets real life seem both so trivial and primitive at the same time.
This wise, just joking, advice is added to all reviews of Hamiltons´series. One of the most fascinating aspects of Hamilton´s future vision is to see the technology and society developing in very detail over long periods of time, making a return to his universe something always stunning and inspiring. It also makes me wonder why he is the only author I know of who did this. One, who is new, lucky you, by the way, ought consider reading it in chronological order:
Salvation year 2200 Commonwealth year 2400 The Night´s Dawn trilogy year 2700 The Chronicle of the Fallers year 3400 Void trilogy year 3600
You can of course do as you wish, it´s just how I arrange my rereading to get the most out of it and slowly move further and further away from the boring present.
I have nothing but positive things to say about Peter F. Hamilton's new series, now on its third book.
It has everything I dream of in a story. Not just a good story that takes on the full subjugation of humanity, but tens of thousands of whole technological alien species, but a rebellion story that goes all the extra miles with solid tech, solid circumstances, and mind-blowing ramifications.
For not only did we start out with micro-black-hole technologies in the first book, but we go way beyond that with post-human neutron-star hacking, expanded and split consciousness immortals, standard and not-so-standard cyberpunk, and a scope that spans the entire freaking galaxy.
The stakes? Freaking end-of-the-universe stakes. The enemies? An alien species that started its monocultural crusade to cocoon ALL other species to "save" them for the end of times more than a couple of a million years ago. The resolution?
Muahahahahahaha it's epic, man. It's epic.
Hamilton rocks. I've known this for a while. I did take some time to get into his earlier works, it's true, but now I'm a believer.
Okay I followed maybe 75% of this but it was still 100% EPIC.
WARNING: This review contains spoilers for the previous two novels in the series.
HERE WE ARE AT THE END.
The Saints are tasked with infiltrating an Olyix ship and stowing away until they reach the enclave. The hope is that they'll be able to send out a signal so that future generations can send the cavalry. Of course, we're familiar with some members of that future generation - and they are going to need some serious firepower if they're going to succeed.
I've never been big on sci-fi, but this trilogy has completely turned that around. Even though the science is mostly completely beyond me, I've immensely enjoyed my time spent with Dellian, Yirella and the Saints. These are some cool cats making science fun again. I'm definitely keen to explore the genre further, thanks to this trilogy.
The stakes are super high for this grand finale, so the tension is way up. The plots are thickening and technology is advancing at a crazy rate. My head was properly spinning for most of it.
Yirella's always been the smart one, so it's fun watching her work her way through the problems in this book. Dellian is mostly just along for the ride, but he's still one tough cookie and he provides some interesting insights to mull over. But the Saints are still my favourite. They're such an interesting bunch and the dynamics between them are a lot of fun. I love grumpy old Yuri and sarcastic Alik; I love badass Kandara and sulky Callum; I love how Jessika does all the work and is still patient when the others constantly bug her about Neana things and she keeps explaining that she doesn't know. I love how much they get on each other's nerves and yet still work together as such a solid unit.
They're the most relatable unit in this whole series for me.
I can't talk too much about the story because I'm not kidding when I say a lot of it went over my head. *nervous laughter* But it was still just such a rocking good time and it still threw me some serious curve balls. I think the great part is that, even if you're not entirely following the science, you still pick up the essentials. It reiterates the important stuff and, while I mostly had no idea what anything looked like, I was able to follow along what was good, what was bad, and what was about to go down. And it was seriously about. to. go. DOWN.
The epic scale of this novel is exhilarating, and it just keeps building. It was a little trickier to get into because of the science, but by the end I was on the edge of my seat, anxious to discover how things would end.
The conclusion is satisfying, but there are still some loose threads which hopefully suggests we can look forward to more stories set in this world. I know that, if that's the case, I will definitely be strapping in for that ride, too. I'm committed to these guys for life, now.
Incredible third volume! PFH manages every time to make me gape in awe at the concepts he comes up with. What he did here with is simply astounding. I will never get tired of these kind of ideas and their development.
And what is best about this universe is that more will come in the next years (he said that in a FB post). I can't wait to follow Yirella further in her quest.
Mr. Hamilton, I can't even imagine where you get all these ideas from, but please, don't dare stop. Ever!
I received a free advance copy of this from NetGalley for review.
This final installment in Peter Hamilton's latest standalone Salvation Sequence trilogy goes above and beyond what I could have hoped for or imagined.
This is galaxy and millennia spanning, alien apocalypse mania that continues the parallel narratives, past and present, of the previous books. Many of the narrative threads are personal stories of triumph and tragedy that Hamilton masterfully weaves together in some unexpected and intriguing ways, converging in an ultimate showdown with the Olyix and the God at the End of Time. Instant galactic travel via quantum spatial entanglement, gender (and age) bending bio-engineering, time travel paradoxes and quantum temporal theory that twist your brain in knots, timeshifting via time flow control technology, post-human "corpus" aspects, von Neumann style self-replicating tech and more, even some cyberpunk vibes, mix with a thrilling story of humanity's fight for survival against an enemy of implacable, highly advanced alien zealots.
Part War of the Worlds, part Battlestar Galactica and even part Ender's Game, this is a fantastic end to an exhilarating, mind blowing trilogy that few authors could have imagined, let alone wrote so deftly. While this ends in a very satisfying way there is still a rather crucial component that Hamilton leaves wide open, possibly for exploration in future stories.
“Human civilization is always regulated, Del. It’s how it maintains itself, the eternal balance between freedom and authority. We all live in the middle, obeying the rules for the common good.” I’ve actually finished a sci-fi trilogy: I think my first. Many of the characters from the first two are here as well, although inevitably a few are killed off. Hamilton leads a number of loose ends, so I suspect that he may revisit the world at a later date. Hamilton clearly enjoys playing around with ideas and concepts. He has done it with gender and in this one he does it with the nature of time with a number of clever ideas. He manages the two main storylines well and brings them together at the end. Quite a neat trick as they start out several thousand years apart. The whole novel spans twenty thousand years in all. There is lots of speculative technology and the book is full of passages like this: “The Signal transmitter vehicles were the best stealth technology Kruse Station could devise, combining human and Neána technology. The development team had utilized the concept employed by the Neána insertion ship to produce spheres four meters in diameter with a matte black body that was totally light absorbent. Internal heat sinks meant they maintained an ambient thermal profile, and their systems were shielded to prevent any electromagnetic emission. Instead of a gravitonic drive, they had an external layer of active molecular blocks, which meant the entire fuselage was a rocket motor with an exhaust of cold neutral atoms, which left only the faintest of traces. In theory, it should be no different from a gust of solar wind particles.” All perfectly clear! Seriously though, if you don’t like speculative fiction, avoid this. Hamilton also manages to give the antagonists (the Olyix) all the worst aspects of humanity. Which, of course, gives a good deal away about Hamilton himself as they are essentially religious fundamentalist fascists who are doing what they do for love and the good of everyone else, whether they like it or not.
Prior to 2013 I did not read much science fiction. I read some classics like 2001 and Dune and some of Ted Chiang's short stories but not much else. I am also a lover of long books. If I'm into a story it doesn't matter if it's seven thousand six-hundred and fifty-seven pages long, I'm there for it. So, point being is that in 2013 someone recommended I read some Peter F. Hamilton because his books tended to be on the long side and the stories were pretty vast, so I read Pandora's Star and Judas Unchained back-to-back and while not only totally blowing my mind those two books opened my eyes to a genre I have been devouring ever since.
That brings us to Saints of Salvation, the conclusion to what I think might be his most accessible series to date. The trilogy as a whole is more streamlined and focused than some of his earlier stuff but it retains everything that makes Mr. Hamilton one of the best science fiction writers writing today. This last book is almost too much to comprehend in terms of scope and some of the time fluctuation stuff and few authors would be able to pull off explaining some of the ideas and technology without becoming totally incomprehensible or turning my brain to mush. Ole Pete pulls it off while instilling a sense of wonder and excitement that I liken to what it was like for me to see The Empire Strikes Back in the theaters as a five year old and how at ten years old at Boardwalk and Baseball I overcame my fears and rode my first roller coaster. Sincerely, this book takes you up down, left right, and it made my stomach plunge, but in a good way. There are bigger action scenes than anyone could ever imagine filming for a movie and some serious fist-pumping, yell-out-loud moments in the third act. I thought I knew a few times where the book was going and what was going to happen and was deliciously surprised when I turned out to be wrong and unthinkable unfathomable ideas began to be poured into my brain. Epic writ so large it would look like an infinitely high wall if you were standing in front of it and fun beyond my wildest expectations, this book is spectacular in every sense of the word. There was not a boring page in this, as it is a culmination of events introduced in the previous two books. I loved the way everything came together and appreciated the few dangling carrots left to pursue in future books but those strands did not take anything away from the way it ended and how things turned out.
I can't thank NetGalley, Del Rey Books, and Peter F. Hamilton enough for the arc copy and how that in no way impacted my opinion or review.
Peter F Hamilton is a confident writer at the height of his powers. So why the 2 star rating?
Primarily worldview dissonance, though that alone wouldn't be fair on my part.
It's the ending. The whole thing was set up as a David/Goliath kind of conflict. But when David has to become something more powerful, bigger, and probably scarier than Goliath to beat him, then, in my humble opinion, the author has pulled the rug out from under this reader's feet.
The characters by and large are not likable, especially in the 23th century setting. The villains lose all their bite toward the end. And the resolution is not satisfying, at least to me. This sort of post-human utopia, I think, would be endlessly boring.
Still, I didn't regret reading the series. The first two books are really strong. The conflict really was epic. Probably too epic to be able to conclude in a satisfying way.
PFH is by far my favourite sci-fi writer. Actually, cannot even name who would be the distant second (maybe Vernon Vinge). However, I am not an unconditional fanboy: I hated Misspent Youth and - much to my shame - never finished Night's Dawn, gave up during the last book.
Now - somewhat unexpectedly - I find myself in a tough spot: I promised a honest review easily as it never occured to me there is any chance to give anything less than 5 stars. However, having finished Saints of Salvation, I walked away with the impression that, while the book provides a real good closure to the main story and a few twists along the way, it falls a bit short of the masterpiece status I expected. Simply put, PFH has raised the bar so high with his own books - including the first two in this very series - that cannot be always surpassed. There is still a very strong finish, but those who have read the Void & Fallers series, know that he can bring his amazing ideas to even more amazing conclusions.
So what do I think exactly? Let's find out.
Spoiler-free summary
The present time plot picks up two years after the events of the second volume. The humans and the the assessment team are preparing for the ultra-secret mission outlined in Salvation Lost. We get nail-biting thrills and terrific battles both on Earth and in space, superb stuff, really. We also continue following story of Horatio and Ollie: their viewpoints keep the story grounded, providing a welcome view into the life of besieged London. I have always loved the Earth chapters, as they ground the story in a world, that has been so vividly realized in the first book.
Then, we have the far-future storyline, where Yirella and Ainsley are the lead characters now, Dellian is relegated to the background. They are recovering from their harsh awakening at Vayan and now trying come up with new schemes against the - even more powerful - Olyix. In this storyline Yirella and Ainsley bonds together and takes matters into their own hands in an unexpected way. I touch on this part more in the spoilery part of the book.
Later the focus shrinks down to the remaining two plotline: the Saints and Yirella & Co. From this point forward the book is entirely focused on taking the fight the Olyix enclave's doorstep. It is a more straightforward story, grander in scope, having plenty of battles of both ships and wits, with the Olyix fighting back, of course. Without going into specifics, there is a retaliation which displays nicely how the fate of a person may carry more emotional impact than the destruction of a planet (this is just a metaphor, no planets get destroyed, ...or yes...who knows?:).
This being the last book of the trilogy, we get a closure to the Olyix storyline in a way that is sort of expected. At the same time, several aspects remain wide open. I was surprised, as PFH have always closed his series completely so far. That's not the case here. Reading the last few chapters, it is very clear he is not done yet with Olyixverse .
Overall, I believe this is a fantastic series. It is not a character-driven story: we get glimpses of decent characters (Callum, Gwendoline, Horatio), but there is no Edeard (Void) or Angela (Great North Road) level of characterization in there. Plot dominates this trilogy from start to finish. That's fine. I personally loved the first book the most, with its elaborate world-building, the criminal investigations and wonderfully executed 'wolf in the fold' concept, with perhaps the most shocking cliffhanger I have ever read. However, I acknowledge others may feel differently, and for some the first book may have been too slow and they may prefer the more action-packed volumes. That being said, the whole trilogy is excellent, so grab it and start reading. Still 5 stars :)
Further thoughts with mild spoilers
At one point in the book Yirella goes rouge, and together with Ainsley, she guerrilla-starts a new human civilization, hoping this new society can bootstrap itself up to a level where they have a chance against Olyix. Sure, I get how very special circumstances they had, considering its special location; the best human technology available as a starting base; the presence and cooperation of Ainsley (a super-advanced entity) and time pressure to advance. But, still, in earlier books it was stated several times, that humans have plateaued. And then, all of a sudden they cracked a lot of magical technology, that brought them up to be a real challenger. Yes, PFH does his best to elaborate how the unusual circumstances made this possible, but after spending several books being afraid how superior and invincible the Olyix were, it was a very sudden change to have something that actually kicks Olyix ass fairly easily. I understand this was necessary to be able to to close the trilogy with a win. Still, I guess your enjoyment of the final book will be down to this single plot element, how well it resonates with you.
The other aspect I have been slightly disappointed about is the role of the assessment team. Yes, they go on their mission, and it is engaging to follow them on their once-in-the-history roadtrip to the other side of the galaxy, but ultimately I was hoping that their arc factors more heavily into the endgame. This is acknowledged even by themselves at the end of story when they discuss how the humans managed to find another way. So they provide an interesting viewpoint, but in fact are not contributing that much to the final outcome. I have not expected this considering how well PFH weaves his threads together in a natural and satisfactory way in his other books.
Finally, as I said earlier, it is obvious that PFH will return to this universe and he is holding back stuff. We are teased about the message from the future - which has been first mentioned in Salvation Lost. We have an old-new plot seed about seeking the Sanctuary. We still don't know much about Neana, Angelis and Katos races including how the Factory was coming together, and how it dissolved. We are also very mildly teased that Jessica may have some additional hidden purpose after all. So, a lot of plot hooks left open on purpose. For all these reasons, it is hard to view the last book as a complete closure: it ends the Olyix conflict, but at the same time it is a new beginning for a galaxy we still barely know. Naturally, I am looking forward to have more books in this universe, but at the same time I was expecting few more answers at the end of the series.
A really minor note is there are some editing inconsistencies: in second book the portal missiles are called "callumites", while in the last book they are "calmissiles". In the last book there is a single occurence of Olyix "Redemption" ship, but they are never referred again, so I guess they should be "Resolution" ships. I indicated this to publishers, hopefully gets fixed in the print edition.
I was lucky to receive an advance copy of my most anticipated release of the year in exchange for a honest review. Thank you from here as well to Mr. Hamilton's awesome PR represenative (his name is secret, identity protection and all, you see)
Peter F. Hamilton is definitely my favorite science fiction author, and since since science fiction is my favorite genre, he is probably my favorite author overall. He is on my short list of must-buy authors that also includes literary mystery writer Tana French, epic fantasy writer Brent Weeks and British speculative fiction noir aficionado Richard K. Morgan. My must-read list of authors is much longer and includes people like Louise Penny, Peter V. Brett, Alastair Reynolds and many, many mystery-thriller authors whose series I’m making my way through methodically and contentedly. Hamilton has a special place in my heart as the author of the Night’s Dawn trilogy, which is probably my favorite science fiction work. But his duology Pandora’s Star/Judas Unchained is not very far behind that classic at the very top of my list of most esteemed reads. Hamilton’s books are huge sprawling works, often thick tomes running into page lengths of 4-digits, peopled with large casts of characters and featuring mind-bending technologies and bizarre physical phenomena.
Hamilton’s latest work is another trilogy, intriguingly called The Salvation Sequence. (This is intriguing because maybe this sequence of books won’t end at three? Hamilton has written many books in what is called the Commonwealth Universe but none of his prior book series using a majority of the same characters and/or same timeline has ever had more than three entries.)
The third book in The Salvation Sequence is The Saints of Salvation, which follows Salvation and Salvation Lost. As I have mentioned before, there are certain themes that often reappear in Hamilton’s works and many, if not all, of these are also present in the Salvation Sequence. Some of these themes are: a futuristic/utopian society, disruptive technology (often involving novel transportation methods), culturally opaque aliens, incredibly wealthy and powerful tycoons, secret/double agents and extinction-level threats to civilization.
In The Saints of Salvation, the two timelines of the plot from the previous books in the sequence (one plot line depicts the invasion of Earth by previously benevolent aliens and the other plot line is 10,000 years in the future where technologically advanced humans are planning to strike back against the aliens after the surviving human refugees escaped into the empty spaces of the galaxy) eventually intersect in a surprising way.
Time, especially the manipulation of time as another feature of the physical world like gravity, becomes an increasingly important of the story in The Saints of Salvation. The animating reason behind the alien invasion of Earth is that the aliens claim to have received a message from the future from a being whom they call “The God at the End of Time” telling them to bring as many sentient creatures to him as they can. The aliens’ response to their God’s message is to seek out intelligent civilizations and place individuals in life-preserving cocoons in their ships and take them to their secret enclave until the end of time. The aliens have been doing this for literally millions of years and are often an order of magnitude more advanced than the other civilizations they meet/cull/kidnap and bring back to their enclave, whose location is their greatest secret. We learn that the aliens have the ability to slow and accelerate the passage of time, which they use to maintain the alien civilians they have collected in stasis. Humans eventually also learn how to manipulate time as well, which makes travel at relativistic speeds over vast distances possible within a human lifetime.
Hamilton’s books are often peopled with huge casts of characters, many of whom don’t make it to the end. The Salvation sequence is anchored around a group of five main characters, called the Saints. One of the key plot points in the first two books when we’re experiencing the story told in two time lines set thousands of years apart is to try and figure which characters in the earlier time line become beatified as Saints by the surviving humans in the later time line.
In The Saints of Salvation, we follow the Saints for a large part of the story. The other main thread in this books follows two advanced humans, named Dellian and Yirella, who lead a cadre of humans in the far future that are trying to finally get revenge on the aliens who forced humanity to abandon Earth and go into hiding millennia before.
One way that The Saints of Salvation and the other books in the Salvation sequence is very different from prior Hamilton works is the depiction of gender. As an indicator of technological and sociological advancement, Hamilton has characters who are non-binary and uses specialized pronouns (like sie, hir) to describe them. This occurs in the earlier timeline (which is set in the early 23rd century), where humanity has started forming habitats with their own cultural and social standards. In addition to non-binary characters, there are also characters who cycle between more male and more female presentations. In the beginning these depictions of gender can be somewhat distracting but eventually the reality of non-binary or (literally) gender-fluid characters becomes pretty standard. None of the main characters are non-binary but several of the important/pivotal ones, especially in the last book, are. A definite gap in the diversity of Hamilton’s characters is the lack of any openly LGB characters as we would perceive them, although there is some same-sex attraction (and perhaps bisexual sexual activity?) portrayed. Interestingly, he often does go out of his way to indicate racial and ethnic diversity in his books, and this is true here as well, although white British people are (unsurprisingly) over represented.
Overall, The Saints of Salvation is a fantastic final entry in another amazing, mind-bending space opera written by a science fiction grandmaster operating at the peak of his powers. If you have enjoyed his other similar, equally impressive works, such as Pandora’s Star / Judas Unchained, the Night’s Dawn trilogy, Great North Road, and A Night Without Stars / The Abyss Beyond Dreams, I am very confident you will enjoy the Salvation Sequence as well.
Well, my beloved Peter F. Hamilton does it again. The author constructs an evocative space opera trilogy full of highly speculative science and amazing adventures that spanns thousands of years of galactic-scale history.
A five star conclusion to a five star trilogy! Unexpectedly a massive hit for Luke and Juliane in 2020.
Full review on my podcast, SFBRP episode #437: Luke and Juliane are joined by special guest Peter F Hamilton to talk about The Saints of Salvation, the conclusion to the Salvation Trilogy.
'The Saints of Salvation' by Peter Hamilton is another mind-boggling novel as well as the conclusion (?) of the The Salvation Sequence trilogy. Readers MUST begin with Salvation - none of these books are standalone.
Below is the book blurb on the cover:
Humanity is struggling to hold out against a hostile takeover by an alien race that claims to be on a religious mission to bring all sentient life to its God at the End of Time. But while things may look grim in the immediate aftermath of the attack, mankind is busy playing an even longer game than the aliens may have expected. Will a strategy millennia in the making finally be enough to defeat this seemingly unstoppable enemy? And what secrets are the aliens truly hiding in their most deeply protected stronghold?
With his trademark optimism about humanity's tenacity and capacity for greatness, Peter F. Hamilton ends this brilliant saga with a bang--and reveals a few startling surprises along the way.
Although the blurb is accurate, it leaves out the incredible high tech developed from quantum and particle science as imagined by Hamilton. Portals for traveling between planets have been developed from quantum entangled particles, personalities are transferred into warships traveling throughout the Galaxy, food and clothes are printed out on demand - some of the examples of ordinary life in these books. The timespan of this series is 20,000 years, made possible by manipulations of space/time. Bodies are recreated as easily as manufacturing dolls are today, so characters from 'Salvation' are still battling the evil Olyix millennia later in 'The Saints of Salvation', although the end, final death, does come for some characters. Who? Not telling....
Highly recommended for hardcore science fiction readers! FYI, my favorite character is Kandera, for those of you have read the series.
What!? That's NOT an ending. Review to follow, once I get over my grumpiness at how this (does not) fucking end. Mmm. Did Hamilton ever say this was only going to be 3 books?
A lot of people like this book and the whole series. They praise it for "No cringe sex scenes" - a point I can agree upon -, a less meandering plot and less "unnecessary" details. It's more modern with gender fluidity and time travel paradoxes. It didn't really come together for me. I can still remember characters from his Commonwealth Saga. I'm not only talking about Paulo Mayo or the Sentient Intelligence. I don't know if it's because it's the first big series of his that I read, because the characters are more distinctive, or because later characters feel a bit like shallower copies of these earlier characters. He repeats his ideas with variations, space travel via portals, city shields, wealthy benefactors, criminal gangs, even a personality with multiple bodies, ... It's becoming a blur for me. Technology has become fantastical. It feels like there are no rules. You can't predict the outcome of space battles because the "laws of physics" are only partially revealed or changed in the thick of it. An aspect of Hamilton's Commonwealth Saga I really liked, the science fiction technology felt like a logical extension of the present. I don't like time travel. It usually leads to untidy illogical scenarios and it feels a bit tagged on here because nowadays everybody needs to include the grandfather paradox or parallel universes. Fortunately these scenarios are only theoretically discussed in the book and not really relevant for the plot. It's Alastair Reynolds meets Ann Leckie meets Doctor Who.
Saints of Salvation is the third and final book in the Salvation Sequence series where, with refreshing determination and hopeful grit, humanity activates a bold endgame against an alien invasion. Humanity is struggling to hold out against a hostile takeover by an alien race that claims to be on a religious mission to bring all sentient life to its God at the End of Time. But while billions of cocooned humans fill the holds of the Olyix’s deadly arkships, humankind is playing an even longer game than the aliens may have anticipated. From an ultra-secret spy mission to one of the grandest battles ever seen, no strategy is off the table. Will a plan millennia in the making finally be enough to defeat this seemingly unstoppable enemy? And what secrets are the Olyix truly hiding in their most zealously protected stronghold?
This is captivating and exciting read which has you fully engaged and engrossed by the tension, exhilarating incidents and danger running throughout. It's highly entertaining, fast-paced and will have your nerves jangling and your heart pounding for the characters we have grown to love and admire as they try to evade the enemy. The complexity and intricate world-building had me immersed so much that I didn't want the book to conclude. It's a richly-imagined story with a positive message about the importance of freedom and the ability to choose our own path in life. A compulsively readable and beautifully written work of science fiction. I look forward to whatever Hamilton publishes next. Unreservedly recommended. Many thanks to Pan Macmillan for an ARC.
2 Sterne, einen für die vielen Buchstaben und einen dafür, dass diese Saga endlich ein "Ende" gefunden hat. Das Buch hat von allem zu viel! Zu viele Wörter, zu viele geklaute Ideen, zu viele Handlungen, zu viele Zeitebenen, zu viel FATASY, und zum Schluss noch zu WENIG INHALT. Ich bin ja ein bekennender Peter F. Hamilton Fan, aber leider holt er mich seit einigen Büchern nicht mehr wirklich ab. Ach so, wer abgefahrene Ideen und wahrlich Kosmische Weiten mit Bombastischen Settings sucht sollte Dirk van den Boom lesen, der Kanns wirklich!
How else can you describe Hamilton's trilogies besides epic. This one was only 1600 pages total vs some of his 4000 page series. This final book was more of the same with a fairly satisfying conclusion. The characters you have grown attached to are all there fighting the good fight, the time distortions both entertaining and confusing but ultimately fitting perfectly into the story.
Of the four series I have read this one ranks just below the Commenwealth Saga and well above the Void trilogy.
Recommended to Hamilton fans and lovers of very long space operas
Kā jau visas Hamiltona kosmiskās operas arī šī bija vērienīga. Telpā stiepās veselus 50000 gadus un telpā aptuveni tikpat. Katrs, kurš lasījis viņa iepriekšējos darbus jau zinās, ko no šī autora sagaidīt.
Pati centrālā grāmatas tēma ir reliģoza apsēstība. Apsēstie ir kāda citplanētu rase, kuras uzdevums ir aizgādāt visas saprātīgās radības līdz Visuma beigām. un viņi to dara ar vērienu. Paaudžu kuģi, episkas cīņas kosmosā, varoņi kuri iespiežas atmiņā. lielākā daļa mums ir līdzās visas triloģijas garumā, jo relativitāte ir īsta lieta.
Vai man patika autora piedāvātais situācijas atrisinājums, teiktu, ka nē. Es pat teiktu, ka autoram acīmredzams, nebija ideju, kā visu atrisināt un nācās vien izstumt ārā "klavieres no krūmiem". Visa pasākuma racionalizācija bija pamatota, bet nu kas tad liedz cilvēkiem veikt tādu triku pirms tūkstoš gadiem? Kosmosa cīņu apraksti gan ir noslīpēti, autors piekrīt konceptam, ka pie relatīviem pārvietošanās ātrumiem pat gultņu lodīšu spainis ir nāvējošs ierocis. Tādēļ te nav nekādi mistiski spēka lauki, kuri, ja to spētu absorbēt atrisinātu arī abu pušu pamatproblēmas.
Grāmatai 9 no 10 ballēm. Nepatika ka grāmata beidzās ar klifhangeri un bez cerībām redzēt turpinājumu.
I wanted to like this a lot more. Really liked the first book - and I loved the way Peter Hamilton managed to hide from us the main premise of the series until that final jaw-dropping book 1 revelation (and the way he used the whole "alien monsters after your BRAINZ" trope in such an original way.
A trilogy like this though - it lives or dies by the conclusion - and to me, this final volume ran of steam a little. It was still enjoyable - and it was epic on a scale that few authors can pull off, but which Peter Hamilton generally excels at - and it wasn't *bad* - just a little underwhelming, and, for me, a bit too long and drawn out. Things like the reveal of where the saints had been, and what they'd been up to all this time... felt a little anti-climactic, and there was a touch too much of the trope - which first came in in Salvation Lost.
All in all, a decent series, but, IMO, not his best.
This book was quite frustrating. Peter F. Hamilton gave up on any character development. He did the development in previous books, and now you just have to take it as read. Yirella is smart but scared of battle (so smart she's basically physic). Yirella and Del love each other. No reason for that, they just do. Del thinks he's dumb, and on and on. There is a weird nostalgia for an earth that none of the characters knew, and time travel (of a sort). I hate time travel. And some really lazy writing - one of the characters gets old and starts using the word "dear" a lot. Why? Meanwhile, all I want to know is what are the Neana. Do you think we find out? I'm not going to add spoilers here, but let's just say this book could have been so much more satisfying. But it wasn't.
This is such a good trilogy and I enjoyed its conclusion. I must admit to have trouble remembering events and people from earlier books in trilogies, but it soon came back to me. I loved seeing the strands come together, in the near future and thousands of years from now. Peter F Hamilton is such a fantastic story teller and imaginer of strange and wonderful - and frightening - worlds, futures and aliens. Review to follow shortly on For Winter Nights.
How I do wish book rating systems allowed for decimal designations of some sort. The previous two books in this trilogy (hmm, can't help but wonder if that will really hold true) were solid 5 star books for me. This one wasn't as good for me but it certainly didn't slip too far backward either. 4.5 would definitely come closer to an accurate rating. I latched on to one of the main big concepts flowing throughout the series and discovered in this book that I had been sold a slightly incorrect bill of goods. I was disappointed about that.
I do not recommend that any reader begin this Salvation Sequence series with this third book. Author Peter F. Hamilton never does any kind of recap of at least book two - Salvation Lost, so anyone new to this series will be pretty much lost the whole time. The concepts in this series are large and it takes the full three books for them to unfold completely. But, was it completely? There seemed to be some niggling dangling threads still unresolved. As with the first two books I thoroughly enjoyed the portions of the book which described what was happening on Earth. Living under protective shields and having Olyix ships bombarding those shields constantly made the efforts of the human population so poignant, a touching tribute to the human will to survive. Most of the earth portions take place in London which is suffering under what the people are calling Blitz2, a description that took me back to the real history of an heroic population trying to find some normal ways of living during the World War II years. That touch of quasi realistic life made portions of the book more relative to me.
I must admit that I bought into what was being urged on me throughout the first two books, so the conclusion of this third book made me go back and re-read portions to see if I had gotten what was being presented correctly. After thinking over the full story I can't help but wonder if this is really the end. There is a very large number of characters in these books and it seems a shame for them to stop being used to tell stories. Maybe some of them will migrate over into another series and the adventure can continue.
Thank you to NetGalley and Random House Publishing Group, Ballantine for an e-galley of this novel.
Really really weak book. Major narrative threads are shown at the start and they mean nothing in the end. And the whole thing devolves into a deus ex machina where the /only/ thing holding back a human civilization was just spending 50 years around a particular type of star (without being any kind of relevant reason for why they didn't do that before either).
We also have some POVs from pre-Fall Earth that served almost no purpose other than padding out the book some more.
And worst of all is that the entire premise of the series - that the aggressive and fanatical aliens are like this despite the fact that it defies logic - is left with a gigantic cliffhanger. This series is the literary equivalent of blue balls.
Im Grunde bekommt man mit diesem Buch das, was man von den beiden Vorgängern kennt. Es ist beeindruckend, wie es Peter F. Hamilton gelingt, die Extreme zu verbinden: Er erzählt gleichzeitig die Erlebnisse einer kleiner Gruppe innerhalb eines überschaubaren Zeitraums und die Geschichte der Menschheit über Jahrtausende und quer durch die halbe Galaxis. Letztlich finden die Handlungen auch noch zusammen!
Im ersten Band der Trilogie (?) wurde ja durchgespielt, was es bedeuten würde, wenn es wirklich Portale gäbe. In ähnlicher Form wird diesmal gezeigt, was sich mit Zeitmanipulation alles anstellen ließe.
Nur - irgendwie hat es mich diesmal nicht mehr gepackt. Klar, alles ist um eine weitere Größenordnung gewachsen, trotzdem stellt sich der "Sense of Wonder" nicht ein. Es ist ein bisschen wie bei Star Wars: der erste Sternenzerstörer, der damals durchs Bild flog, war WOW! Die zehntausend Zerstörer aus Episode 9 hingegen: Gähn ...
Natürlich muss die Menscheit jetzt den Aliens überlegen werden, die Guten sollen ja schließlich gewinnen. Das geschieht dann aber - zack!- im Hintergrund, wir werden einfach mit dem Ergebnis konfrontiert. Jo, wir haben uns also superschnell weiterentwickelt und sind supermächtig. Die Olix hingegen beherrschen auch zehntausend Jahre nach der Eroberung der Erde die Portaltechnologie immer noch nicht. Sie werden teils mit den altbekannten Portal-Raketen zur Strecke gebracht. What the ...?
Zusätzlich hat sich in den drei Bänden auch ganz schön viel angesammelt an Story-Elementen. Das macht das Lesen anstrengend. Wie war das noch mal mit "Der Fabrik"? Sollte ich die Angelis kennen und die Kato? Trotzdem ist die Story übrigens nicht zu Ende. Yirella nimmt noch eine Aufgabe mit, die einen Folgeband rechtfertigen dürfte. (Den ich dann allerdings nicht mehr lesen werde.)
Die schiere Menge SF-Sprech kann einen erschlagen. "Gravitationsverzerrungsfeld", "Invertierte Gravitationswirbel", "Quanten-Varianten-Sprengkopf", "exotische Materie" "Kanalisierungsaktivierung" und so weiter.
Wie gehabt ist die Übersetzung eine Zumutung. Der automatische Übersetzer kann das "Image" einer Person immer noch nicht von einem "Bild" von einer Person unterscheiden. Beides heißt einfach Image. "Negative Energiegeneratoren" fand ich auch hübsch. Muss sowas sein wie das "Erneuerbare Energiengesetz". Oder: "Ich habe die Urquy und die Konvo, zwei Astronomische Einheiten der Hauptflotte, vorausgeschickt." Schon vor zwei Lichtjahren, nehme ich an.
Having originally welcomed the Olyix and their technologies, it became apparent that they had tricked mankind. They laid siege to the Earth and began harvesting the people there, cocooning them and shipping them back through their wormholes as offering to their god. They claim it is a mission to present all sentient life to this god at the end of time. Humanity is fighting back though, and they are prepared to play the long game, their plan has been millennia in the making and they are starting to reach the point where the final elements can be put into action.
The final part of this huge trilogy is set in two separate timelines. The main story is of Yirella and Ainsley and their efforts to take the fight to the Olyix. They decide to take a few calculated risks in their preparation to stop the Olyix taking humans and other species to their deity. The second smaller sub-plot is set on Earth; it is not a place as we would recognise. Cities are protected by shields to stop the harvesting of the population by the Olyix. They have laid waste to the world and slowly their agents and are some traitors are ensuring that the shields are coming down so their capturesnakes can capture the people left.
The final battle between humanity and the Olyix is frantically paced and contains all the things that I have come to expect from Hamilton, new concepts like time flowing differently only meters apart, wormholes linking places thousands of light-years apart, star-sized weapons, huge 3-metre tall humans that have evolved down a different path. On top of that, all the technologies feel plausible and utterly alien at the same time.
I really liked this as with the other two books in the trilogy. He has a knack of writing the huge galaxy-wide space operas that still have those intimate stories woven through it. It is very much plot-driven and the various threads that were teased out from the first two books are concluded almost neatly. I say almost, as there are certain suggestions in the book that implies there is much more to come from this universe that he has created here. I really hope that is the case.
Saints of Salvation by Peter F. Hamilton- The third book in this exciting trilogy is full of strange twists and turns as we find out more about the Olyix and their strange Enclave. Across several timelines, humans are playing a millennial-long game after their rude awakening at the Vayan trap. They need to outthink and outmaneuver their deadly foe, who has become even more resourceful and dangerous. Once again Peter F. Hamilton gives us a daring space epic, where the human condition stands steadfast and unbent. Thanks to NetGalley for this great ARC!
The alien Olyix are besieging Earth, whose great cities stand protected by forcefields, each one powered by a quantum entanglement portal leading to distant colony worlds. One-by-one the fields and the cities they protect are failing, the inhabitants captured and cocooned for an unknown fate. The defenders of Earth are preparing to launch a counter-attack, knowing they are only buying time for the great exodus fleets which are hurtling into deep space, intending to preserve humanity for the eventual fight back. In the distant future that fight is now underway, with myriad different human societies and several alien species allying for a direct strike on the Olyix home system. If they succeed, they will free trillions of lives from imprisonment; if they fail, the galaxy will be subjected to a reign of religious terror. Key to the victory are the Saints, the first human to recognise the threat of the Olyix, and whose fates remain a mystery.
Peter F. Hamilton has spent more than a quarter of a century writing a potent combination of science fiction, mixing formidable scientific and technology speculation with fiendish readability and accessibility, along with characters who remain sympathetic and human in their motivations. Whether it's near-future techno-noirs thriller or far-future, posthuman cosmic epics, his ability to write page-turning novels remains undimmed.
The Salvation trilogy, here reaching a conclusion after Salvation (2018) and Salvation Lost (2019), is Hamilton working in a new setting and milieu, and shaking up his standard space opera format with some interesting new structural techniques. This trilogy is notable both for its relative brevity - the trilogy as a whole is only slightly longer than one of his longest, shelf-annihilating single novels like The Naked God or Great North Road - and its clear focus with a restrained number of characters and subplots. Some fans may miss the vast array of characters and cultures clashing across multiple storylines, but others (particularly those with an aversion to books that threaten to break their wrists every time they pick them up) will find his sense of purpose in this trilogy is more preferable.
The first novel in the trilogy had a great, Hyperion-style focus on the individual "Saints," the humans who first discern the scale of the alien threat through their individual experiences, fleshed out in almost self-contained, backstory-heavy novellas. The second novel couldn't sustain that device but continued the structure from the first book between alternating between events in the early 23rd Century and an unclear period in the distant future, building up impressive narrative momentum between the two timelines. Some may wonder why Hamilton adopted that structure in lieu of a more linear narrative, but The Saints of Salvation makes the reasoning clear, and it's very impressively handled.
Hamilton does have a slight weakness with endings. His classic Night's Dawn Trilogy is oft-criticised for its maybe-too-neat ending, whilst the Commonwealth Saga duology's second book was decidedly weaker than the first. His later series have had stronger finales, but they were also somewhat slighter works without quite the same feeling of tense horror that he nailed in those earlier series. The Salvation Trilogy brings back the horror in spades and also nails its ending, delivering a massive, widescreen-style space opera finale with more explosions, hyper-advanced space battles and exotic technology than sometimes seems feasible.
There are hints that this isn't quite the end. Hamilton has expressed a preference for messier endings following The Night's Dawn, and the finale to this novel leaves several key questions open to speculation. Whether he intends to return to this universe with more books is unknown at present (Hamilton has projected possibly a different setting for his next work), but he leaves enough track laid to pursue future storylines there if possible.
Negatives are few. Perhaps the characters aren't quite as memorable as in his previous works (there's no equivalent of Paula Myo here), maybe the story hinging once again on an ultra-rich but fortunately benevolent super-corporation run by a quasi-immortal philanthropist is a bit of an overdone trope, maybe this last volume jettisons a few quieter character moments in favour of exposition, but it's hard to criticise a book which slams its foot to the accelerator and moves the plot to a grand crescendo without any filler. Certainly some of Hamilton's earlier weaknesses are long gone (the trilogy lacks any slightly embarrassing sex scenes you have to flick past, which bogged down some of his early work).
As it stands, The Saints of Salvation (****½) delivers an epic, fast-paced and well-characterised grand finale to an enjoyable trilogy. The trilogy isn't quite up to the engrossing scale of Hamilton's best work, but it's still one of the strongest space opera series of recent years.
Here in the 3 volume all the story lines comes together after thousands of years (or a few months), depending on point of view, (obviously time manipulation plays a major role in this volume).
It's space opera on a grand scale, it's imaginative and action filled, but just like Salvation Lost, the characters feels a little Two-dimensional.