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Cuckoo
Cuckoo is a searing new novel from Manhunt author Gretchen Felker-Martin, where a motley crew of kidnapped kids try to stay true to themselves while serving time in a conversion camp from hell.
In the late 90s, five queer kids, whose parents want them “fixed,” find themselves thrown together at a secretive "tough love" camp deep in the scorching Utah desert.
Tormented and worked to the point of collapse by hardline religious zealots intent on straightening them out, they slowly become aware that something in the mountains north of the camp is speaking to them in their dreams, and that the children who return home to their families have...changed.
In the late 90s, five queer kids, whose parents want them “fixed,” find themselves thrown together at a secretive "tough love" camp deep in the scorching Utah desert.
Tormented and worked to the point of collapse by hardline religious zealots intent on straightening them out, they slowly become aware that something in the mountains north of the camp is speaking to them in their dreams, and that the children who return home to their families have...changed.
352 pages, Paperback
First published June 11, 2024
About the author
Gretchen Felker-Martin
13 books1,023 followersGRETCHEN FELKER-MARTIN is a Massachusetts-based horror author and film critic. Her debut novel, Manhunt, was named the #1 Best Book of 2022 by Vulture, and one of the Best Horror Novels of 2022 by Esquire, Library Journal, and Paste. You can follow her work on Twitter and read her fiction and film criticism on Patreon and in TIME, The Outline, Nylon, Polygon, and more.
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Displaying 1 - 30 of 316 reviews
April 25, 2023
Do you honestly think anything by Gretchen is not going to fuck hard? Like come on, get real.
July 8, 2024
**3.5-stars rounded up**
Cuckoo is an Extreme Horror novel following a diverse cast of Queer characters trying to survive a Conversion Camp and its aftermath. Kicking off in 1995, this book gets in your face and stays there. Warning: there are no limits!
It's guaranteed to make you uncomfortable, cringey, angry, and hurt for 99% of the time that you are reading it. If you're not, you may want to check your pulse.
This is the kind of book that makes me wish I had a BookTube channel, because I could talk about this book for hours. It made me think a lot and really analyze everything that's going on here.
Sadly, my patience for typing isn't as robust as my patience for talking, so I promise, this won't be too long. Most likely, you are wondering what this is all about. The cover doesn't reveal too much and the title could mean anything.
Basically, this story starts in 1995, it introduces us to a group of characters, all Queer, who are forcibly sent to a Conversion Camp by their families.
The very beginning of the novel is interesting, because as you're meeting the various characters it was delivered sort of via vignette style, which I'm not necessarily accustomed to. In a way, it made it feel like I was getting short stories for each of the major players.
Once they are all moved to the conversion camp, we then follow the various atrocities that occur there. Unsurprisingly, as the characters are being submitted to daily abuses, they begin to bond and form connections to one another.
Ultimately, a plan to break out is formed.
In Part II, we fast forward to where these teens are now adults, and they're brought together once again to try to fight the old evil they were exposed to at the camp. What they've come to call, the cuckoo. They want to save the next generation of teens suffering like they did.
The story is much more complex than this basic synopsis lets on, but it is best to go in knowing as little as possible.
However, with this being said, I want to stress that this is an Extreme Horror novel. I feel this is a very important distinction for me to make, because I'm not sure the synopsis, or the way it's currently being marketed, really makes that clear enough.
My concern for this book is that people are going to pick it up thinking it is a Queer Horror novel, which, yes, it is, but there is a very big difference between a mainstream Horror book and an Extreme Horror book.
I feel like people who have never read Extreme Horror before, or maybe aren't aware that is even a subgenre, will pick this up and be traumatized for life.
I read this subgenre regularly, so nothing here surprised me, especially having read Felker-Martin before, I knew what I was getting myself into. I signed up knowingly, willingly and I really enjoyed the journey of this story.
I just want to throw out a friendly warning to anyone else who may not be so prepared. This is extreme, it's graphic, both in a violent and sexual nature, and holds absolutely nothing back.
I wouldn't say this is quite as Splatterpunk as Manhunt, and I actually enjoyed the trajectory of this story more than Manhunt, but this is still full of Felker-Martin's signature style of extreme writing.
One small issue I had though was the pace. I felt like in the beginning, it read fairly slowly, and then by the end, it was progressing too quickly. The lead-up to the final events, I actually wish was more drawn out. While I appreciate the intensity built throughout, I actually would have preferred a more even pace.
Also, I really loved Part II, which followed the characters as adults, but it didn't start until around 70%. I would have loved a more 50/50 split, between following them as teens, and then following them as adults.
Overall, I thought this was great. It was engaging and thought-provoking. I feel like as a piece of Extreme Horror Fiction, it was creative and very well-written.
I enjoyed this more than Manhunt, which was quite a memorable reading experience, and feel like Felker-Martin's style is fine-tuning into something that is distinct in the subgenre. She is wildly-imaginative and not afraid to explore very difficult topics. She pulls no punches.
I listened to the audiobook and would definitely recommend that format. They used full cast narration and it really helped to set the various characters apart from one another.
Thank you to the publisher, Tor Nightfire and Macmillan Audio, for providing me with copies to read and review. I will definitely be picking up whatever this author writes next!
Cuckoo is an Extreme Horror novel following a diverse cast of Queer characters trying to survive a Conversion Camp and its aftermath. Kicking off in 1995, this book gets in your face and stays there. Warning: there are no limits!
It's guaranteed to make you uncomfortable, cringey, angry, and hurt for 99% of the time that you are reading it. If you're not, you may want to check your pulse.
This is the kind of book that makes me wish I had a BookTube channel, because I could talk about this book for hours. It made me think a lot and really analyze everything that's going on here.
Sadly, my patience for typing isn't as robust as my patience for talking, so I promise, this won't be too long. Most likely, you are wondering what this is all about. The cover doesn't reveal too much and the title could mean anything.
Basically, this story starts in 1995, it introduces us to a group of characters, all Queer, who are forcibly sent to a Conversion Camp by their families.
The very beginning of the novel is interesting, because as you're meeting the various characters it was delivered sort of via vignette style, which I'm not necessarily accustomed to. In a way, it made it feel like I was getting short stories for each of the major players.
Once they are all moved to the conversion camp, we then follow the various atrocities that occur there. Unsurprisingly, as the characters are being submitted to daily abuses, they begin to bond and form connections to one another.
Ultimately, a plan to break out is formed.
In Part II, we fast forward to where these teens are now adults, and they're brought together once again to try to fight the old evil they were exposed to at the camp. What they've come to call, the cuckoo. They want to save the next generation of teens suffering like they did.
The story is much more complex than this basic synopsis lets on, but it is best to go in knowing as little as possible.
However, with this being said, I want to stress that this is an Extreme Horror novel. I feel this is a very important distinction for me to make, because I'm not sure the synopsis, or the way it's currently being marketed, really makes that clear enough.
My concern for this book is that people are going to pick it up thinking it is a Queer Horror novel, which, yes, it is, but there is a very big difference between a mainstream Horror book and an Extreme Horror book.
I feel like people who have never read Extreme Horror before, or maybe aren't aware that is even a subgenre, will pick this up and be traumatized for life.
I read this subgenre regularly, so nothing here surprised me, especially having read Felker-Martin before, I knew what I was getting myself into. I signed up knowingly, willingly and I really enjoyed the journey of this story.
I just want to throw out a friendly warning to anyone else who may not be so prepared. This is extreme, it's graphic, both in a violent and sexual nature, and holds absolutely nothing back.
I wouldn't say this is quite as Splatterpunk as Manhunt, and I actually enjoyed the trajectory of this story more than Manhunt, but this is still full of Felker-Martin's signature style of extreme writing.
One small issue I had though was the pace. I felt like in the beginning, it read fairly slowly, and then by the end, it was progressing too quickly. The lead-up to the final events, I actually wish was more drawn out. While I appreciate the intensity built throughout, I actually would have preferred a more even pace.
Also, I really loved Part II, which followed the characters as adults, but it didn't start until around 70%. I would have loved a more 50/50 split, between following them as teens, and then following them as adults.
Overall, I thought this was great. It was engaging and thought-provoking. I feel like as a piece of Extreme Horror Fiction, it was creative and very well-written.
I enjoyed this more than Manhunt, which was quite a memorable reading experience, and feel like Felker-Martin's style is fine-tuning into something that is distinct in the subgenre. She is wildly-imaginative and not afraid to explore very difficult topics. She pulls no punches.
I listened to the audiobook and would definitely recommend that format. They used full cast narration and it really helped to set the various characters apart from one another.
Thank you to the publisher, Tor Nightfire and Macmillan Audio, for providing me with copies to read and review. I will definitely be picking up whatever this author writes next!
January 25, 2024
Like MANHUNT, this is a blisteringly angry book: a constantly burning blow torch pointed at homophobia, transphobia, and, especially, the pervasive scourge of hidden, ignored, and socially approved child abuse. But also like MANHUNT— perhaps even more so— CUCKOO has great tenderness for its immensely damaged protagonists, and also takes the time to flesh out and empathize with some of its odious antagonists. This nuanced characterization provides a necessary counterpoint to the rage that fuels the novel, and makes it more moving and memorable than most other politically charged, hyper-violent works of fiction. There are quiet moments of connection and sorrow that are going to stay with me far longer than the scenes of dynamite explosions and shoot outs with shrieking, starfish-faced cops.
Along with strong character work, Felker-Martin’s vivid sensory descriptions stick out. The primary antagonist is nauseating, with smell doing at least as much to convey the alien wrongness of the Cuckoo as its monstrous appearance. Elements from obvious (and acknowledged-in-text!) pop culture precedents like THE THING and INVASION OF THE BODY SNATCHERS are re-worked into something uniquely grotesque. The more mundane horrors-- a mother slamming her child's fingers in a door as punishment, conversion camp goons beating a sixteen year old girl to get her into the back of their truck, teens dehydrating and blistering with sunburn as they trek across the Utah desert-- are actually harder to read about. In contrast, beautiful evocations of the wild American landscape, the joys of existing in a human body (whether sexual or sensual), and fleeting moments of safety, calm, and interpersonal harmony drive home what the heroes (and the world) stand to lose. This is a queer pulp epic perfectly aimed at the present political moment, for all that it’s set decades in the past.
Along with strong character work, Felker-Martin’s vivid sensory descriptions stick out. The primary antagonist is nauseating, with smell doing at least as much to convey the alien wrongness of the Cuckoo as its monstrous appearance. Elements from obvious (and acknowledged-in-text!) pop culture precedents like THE THING and INVASION OF THE BODY SNATCHERS are re-worked into something uniquely grotesque. The more mundane horrors-- a mother slamming her child's fingers in a door as punishment, conversion camp goons beating a sixteen year old girl to get her into the back of their truck, teens dehydrating and blistering with sunburn as they trek across the Utah desert-- are actually harder to read about. In contrast, beautiful evocations of the wild American landscape, the joys of existing in a human body (whether sexual or sensual), and fleeting moments of safety, calm, and interpersonal harmony drive home what the heroes (and the world) stand to lose. This is a queer pulp epic perfectly aimed at the present political moment, for all that it’s set decades in the past.
July 5, 2024
Intense and disturbing at some parts. Want to read more by Gretchen Felker-Martin
June 24, 2024
This is like a cross between Invasion of the Body Snatchers and Stephen King's IT, except it's queer and takes place at a gay conversion camp instead of in the sewers.
When a group of teens are forced into a camp because of their sexuality, they'll be faced with harsh conditions in the middle of the desert, staff who physically and mentally abuse them, and threats of pain if they don't comply with instructions.
But that's just the beginning of their nightmare. Once they discover the true significance of this camp and what its true purpose is, a small group of kids realise they will have to escape or never be the same again.
Years later, their inner and outer scars from their time there still linger. And when one of them informs the others that whatever lurked in their time at camp is back, they will have to get back together to try and kill it once and for all.
This novel not only paints a horrifying picture of these so called "Christian" conversion camps but also ramps up that terror with a monstrosity that wants to replace their true selves with something supernatural, evil, and blood thirsty.
From the very first chapter, you know you're in for a creepy frightening ride as it begins with an oozy bang and never eases up on the tension throughout.
And, if you've read Manhunt by this author, you know that nobody writes about queer angst, anger, and horror like Gretchen Felker-Martin.
I highly, highly recommend this epic novel. I received an ARC of this book through Netgalley with no consideration. This review is voluntary and is my own personal opinion.
When a group of teens are forced into a camp because of their sexuality, they'll be faced with harsh conditions in the middle of the desert, staff who physically and mentally abuse them, and threats of pain if they don't comply with instructions.
But that's just the beginning of their nightmare. Once they discover the true significance of this camp and what its true purpose is, a small group of kids realise they will have to escape or never be the same again.
Years later, their inner and outer scars from their time there still linger. And when one of them informs the others that whatever lurked in their time at camp is back, they will have to get back together to try and kill it once and for all.
This novel not only paints a horrifying picture of these so called "Christian" conversion camps but also ramps up that terror with a monstrosity that wants to replace their true selves with something supernatural, evil, and blood thirsty.
From the very first chapter, you know you're in for a creepy frightening ride as it begins with an oozy bang and never eases up on the tension throughout.
And, if you've read Manhunt by this author, you know that nobody writes about queer angst, anger, and horror like Gretchen Felker-Martin.
I highly, highly recommend this epic novel. I received an ARC of this book through Netgalley with no consideration. This review is voluntary and is my own personal opinion.
March 21, 2024
2.5
This isn't bad and actually had a good plot. But man, it seemed like a lot of characters which took me out of the whole experience. I didn't find a single character likable. I slogged through this...it took me over a week to read this 300-something page book, which is just not like me. There was a sense of redemption in the end, but it wasn't satisfying and didn't really feel that way.
As always, thank you to the Nightfire team for providing me with spooky reads--this one just wasn't for ME, it happens!
This isn't bad and actually had a good plot. But man, it seemed like a lot of characters which took me out of the whole experience. I didn't find a single character likable. I slogged through this...it took me over a week to read this 300-something page book, which is just not like me. There was a sense of redemption in the end, but it wasn't satisfying and didn't really feel that way.
As always, thank you to the Nightfire team for providing me with spooky reads--this one just wasn't for ME, it happens!
February 4, 2024
A 1990's conversion camp with a sinister secret? Sure, sign me up. A group of queer teens battling a horrific evil? Uhm, of course I'm all for it.
Cuckoo is simultaneously tender and cheeky but also quite dark and twisted. Imagine an 80's summer camp horror movie and Invasion of the Body Snatchers mashup and you'll get the gist. It's not write-home-to-mother good, but it's definitely worth a read.
Cuckoo is simultaneously tender and cheeky but also quite dark and twisted. Imagine an 80's summer camp horror movie and Invasion of the Body Snatchers mashup and you'll get the gist. It's not write-home-to-mother good, but it's definitely worth a read.
January 7, 2024
the absolute EDGE of my tolerance for gross out shit (which isn't super high but isn't nothing) but that's what it's supposed to do just know that going in
the star is off because i had a really hard time with the names of the none pov characters being thrown in after they didn't appear for several pages so i would have a hard time remembering who was who
the star is off because i had a really hard time with the names of the none pov characters being thrown in after they didn't appear for several pages so i would have a hard time remembering who was who
Read
June 10, 2024big ups to Macmillan Audio and NetGalley for coming through with the audiobook arc with expediency.
this title hits shelves tomorrow, june 11th, 2024.
--
i think the issues that i had with this book are possibly mostly me issues.
i do jump at the chance to read anything set in a conversion camp. Camp Damascus by chuck tingle was an exemplary example of everything that i could want in conversion camp horror - actual horrific moments that explored the hatred, fear, and psychotic behavior of those who subject their children to it/support it, really authentic characters, and a bit of fun.
i'm not familiar with felker-martin's work, though i wanted to pick this up because she's trans and with conversion camps regaining popularity in the states, particularly targeting trans people, i was hoping for a great, own-voices perspective of some of the atrocities that are committed by them.
here's where i think this book may not be for me - this book is 90's set and to felker-martin apparently that means fatphobia so fucking rampant that it completely overshadowed the plot of the book for me. the fatphobia is written like someone taking a frying pan to your head. i got to 28% and i can't even begin to count the number of comments about someone's "fat and disgusting" body that were made. and i get it, fatphobia is very real and deserved to be explored, particularly in the 90's era of no-fat, no-cal snackwell's cakes and deifying the heroin chic look of calvin klein models, but i felt like this wasn't representative of the times it was straight up gratuitous and unnecessary.
i also had a weird issue with the sexual nature of this book. the graphic grotesque of body parts for no reason, weird bodily fluid stuff, etc. like. none of these people felt real and the magnification of that just happened through needless description of various body parts. the whole thing just felt edgy. and maybe that's someone's bag, but it's not personally mine.
i am able to say that there was some misgendering (expected, at a conversion camp) and i thought for what i read there was instances of a character being misgendered and within the narrative referring to themselves as the correct pronouns. so i don't think this is a BAD book - i simply didn't get far enough in to formulate an opinion about the plot - but i do think it'll work better for someone that likes much edgier horror than i do.
this title hits shelves tomorrow, june 11th, 2024.
--
i think the issues that i had with this book are possibly mostly me issues.
i do jump at the chance to read anything set in a conversion camp. Camp Damascus by chuck tingle was an exemplary example of everything that i could want in conversion camp horror - actual horrific moments that explored the hatred, fear, and psychotic behavior of those who subject their children to it/support it, really authentic characters, and a bit of fun.
i'm not familiar with felker-martin's work, though i wanted to pick this up because she's trans and with conversion camps regaining popularity in the states, particularly targeting trans people, i was hoping for a great, own-voices perspective of some of the atrocities that are committed by them.
here's where i think this book may not be for me - this book is 90's set and to felker-martin apparently that means fatphobia so fucking rampant that it completely overshadowed the plot of the book for me. the fatphobia is written like someone taking a frying pan to your head. i got to 28% and i can't even begin to count the number of comments about someone's "fat and disgusting" body that were made. and i get it, fatphobia is very real and deserved to be explored, particularly in the 90's era of no-fat, no-cal snackwell's cakes and deifying the heroin chic look of calvin klein models, but i felt like this wasn't representative of the times it was straight up gratuitous and unnecessary.
i also had a weird issue with the sexual nature of this book. the graphic grotesque of body parts for no reason, weird bodily fluid stuff, etc. like. none of these people felt real and the magnification of that just happened through needless description of various body parts. the whole thing just felt edgy. and maybe that's someone's bag, but it's not personally mine.
i am able to say that there was some misgendering (expected, at a conversion camp) and i thought for what i read there was instances of a character being misgendered and within the narrative referring to themselves as the correct pronouns. so i don't think this is a BAD book - i simply didn't get far enough in to formulate an opinion about the plot - but i do think it'll work better for someone that likes much edgier horror than i do.
June 18, 2024
Cuckoo is horrific, grisly, utterly unapologetic and incredibly evocative. The prologue is amazing and it raised my expectations for the rest of the novel that were unfortunately not reached.
The premise of Cuckoo: seven queer kids are abandoned in a remote conversation camp in Utah for the summer by their parents, is nightmarish on its own and the addition of an evil creature that seeks to claim their bodies only heightens the tension.
The abduction scenes prior to the arrival to and several scenes within the camp are immensely difficult to stomach, as the characters experience: abandonment, emotional abuse, graphic physical abuse, racism, fatphobia, homophobia, transphobia and dehumanization. Gretchen Felker-Martin’s descriptions are unflinching and-at times-quite disgusting and the aspects pertaining to the inevitable body horror are also intense and vivid.
The multiple viewpoints of Cuckoo sometimes made it difficult to keep track of every character, though the audiobook’s different narrators did provide more of a distinction. The representation was also very well done, though with so many characters, some inevitably had stronger impacts upon the story than others.
The amount of graphic sexual content within Cuckoo also made me uncomfortable, as the characters are teenagers and some of the scenes seemed unnecessary. The pacing of the story-which is divided into about seventy percent focusing upon the time spent in the camp and thirty percent taking place fifteen years later-is also slightly uneven and made wish there was more of a balance between the two timelines.
The various narrators did an excellent job bringing: their characters, the malicious “counselors,” the husband and wife in charge of the camp and the monstrous Cuckoo, to life. I’m not sure if I’m the right reader for Gretchen Felker-Martin’s future works, but I am grateful to Macmillan Audio, Tor Nightfire and NetGalley for providing access to this ALC.
The premise of Cuckoo: seven queer kids are abandoned in a remote conversation camp in Utah for the summer by their parents, is nightmarish on its own and the addition of an evil creature that seeks to claim their bodies only heightens the tension.
The abduction scenes prior to the arrival to and several scenes within the camp are immensely difficult to stomach, as the characters experience: abandonment, emotional abuse, graphic physical abuse, racism, fatphobia, homophobia, transphobia and dehumanization. Gretchen Felker-Martin’s descriptions are unflinching and-at times-quite disgusting and the aspects pertaining to the inevitable body horror are also intense and vivid.
The multiple viewpoints of Cuckoo sometimes made it difficult to keep track of every character, though the audiobook’s different narrators did provide more of a distinction. The representation was also very well done, though with so many characters, some inevitably had stronger impacts upon the story than others.
The amount of graphic sexual content within Cuckoo also made me uncomfortable, as the characters are teenagers and some of the scenes seemed unnecessary. The pacing of the story-which is divided into about seventy percent focusing upon the time spent in the camp and thirty percent taking place fifteen years later-is also slightly uneven and made wish there was more of a balance between the two timelines.
The various narrators did an excellent job bringing: their characters, the malicious “counselors,” the husband and wife in charge of the camp and the monstrous Cuckoo, to life. I’m not sure if I’m the right reader for Gretchen Felker-Martin’s future works, but I am grateful to Macmillan Audio, Tor Nightfire and NetGalley for providing access to this ALC.
This entire review has been hidden because of spoilers.
June 17, 2024
DNF at 72%.
Cuckoo started off with a prologue that was honestly an excellent short story that could've stood on its own. Unfortunately, I didn't enjoy the rest of the book as much.
The characters were fairly two-dimensional, the plot points repetitive, and there was honestly so much abuse and torture in the build up, that I felt desensitized. The reveal/twist felt underwhelming when I got to it because everything up to that point had already been so gross. There was very little building of tension or atmosphere, which would have made the climax of the book more impactful. Instead, there were descriptors to ensure the reader was grossed out and ended up being quite repetitive (everything smelled a certain way, all orifices or cuts were described as vaginas, etc). These teenage characters were also "SO HORNY," as one reviewer described, which felt jarring when they actively undergoing so much physical torture and trauma while seeking out sex.
I'm sure there is an audience out here for this, but it wasn't me. I like the point the author is trying to make about the normalized horror of conversion camps and juxtaposing it with supernatural horror. The execution just wasn't what I was looking for.
Cuckoo started off with a prologue that was honestly an excellent short story that could've stood on its own. Unfortunately, I didn't enjoy the rest of the book as much.
The characters were fairly two-dimensional, the plot points repetitive, and there was honestly so much abuse and torture in the build up, that I felt desensitized. The reveal/twist felt underwhelming when I got to it because everything up to that point had already been so gross. There was very little building of tension or atmosphere, which would have made the climax of the book more impactful. Instead, there were descriptors to ensure the reader was grossed out and ended up being quite repetitive (everything smelled a certain way, all orifices or cuts were described as vaginas, etc). These teenage characters were also "SO HORNY," as one reviewer described, which felt jarring when they actively undergoing so much physical torture and trauma while seeking out sex.
I'm sure there is an audience out here for this, but it wasn't me. I like the point the author is trying to make about the normalized horror of conversion camps and juxtaposing it with supernatural horror. The execution just wasn't what I was looking for.
Read
July 9, 2024Felker-Martin's follow-up to her debut horror novel Manhunt surpasses that novel in a number of ways, while also having a mouth full of just as many—and just as sharp—teeth. Cuckoo is separated into two parts, with Part 1 being set in 1995 and following a group of queer teens who have been abducted and taken to a conversion camp in the heart of the Utah desert. In Part 2, we learn what happened to these kids when they grew up.
Cuckoo reads like the monster child of Stephen King's IT and the 1970s movie Invasion of the Body Snatchers (which is referenced more than once in the novel. In this desert lives a strange and dangerous thing that can wear the skin of those it preys upon, and it is hungry for these kids. They must band together to survive this monstrous predator, all while being tortured and "reeducated" by the just-as-monstrous people who run the camp.
Like Manhunt before it, Cuckoo is a visceral, raw, and nasty work of horror, drenched in copious amounts of blood (and plenty of other bodily fluids besides), but unlike Manhunt it's a horror novel with a focus on love and companionship—our protagonists continue to love themselves and trust one another in spite of everything.
My full thoughts: https://booksandbao.com/terrifying-qu...
Cuckoo reads like the monster child of Stephen King's IT and the 1970s movie Invasion of the Body Snatchers (which is referenced more than once in the novel. In this desert lives a strange and dangerous thing that can wear the skin of those it preys upon, and it is hungry for these kids. They must band together to survive this monstrous predator, all while being tortured and "reeducated" by the just-as-monstrous people who run the camp.
Like Manhunt before it, Cuckoo is a visceral, raw, and nasty work of horror, drenched in copious amounts of blood (and plenty of other bodily fluids besides), but unlike Manhunt it's a horror novel with a focus on love and companionship—our protagonists continue to love themselves and trust one another in spite of everything.
My full thoughts: https://booksandbao.com/terrifying-qu...
June 27, 2024
When I read the description of this I was so excited because this is not a genre I read and the premise sounded great. Queer horror conversion camp sign me up!
The horror was sooo well done. The descriptions in this book were insane. You get hit with all five senses. There were times I found myself cringing and even getting a bit nauseous. Talk about gore! Just based on this alone I'm now open to reading more horror genre. The parasitic monster while you don't fully get a lot of description for the bits and pieces really take your imagination out there. The writing really makes you feel the emotions of these teens; from their anger, fear, excitement,etc.
Now for the reason why I knocked off two stars. There were too many character povs. It got confusing trying to keep up with everyone. Thankfully with the audio there was some distinction but still too many. Also, I feel like a character in part 2 came out of no where but was there the whole time? Finally, the prologue sets up the book amazingly! I was hooked and part one was just as good. However, part 2 was lacking. You get so much from part one about 70% of the book and only 30% for part 2. I wish there was more. More character development, more plot, more something. It just felt rushed.
Thank you to Macmillan audio for the advanced listeners copy in exchange for an honest review.
The horror was sooo well done. The descriptions in this book were insane. You get hit with all five senses. There were times I found myself cringing and even getting a bit nauseous. Talk about gore! Just based on this alone I'm now open to reading more horror genre. The parasitic monster while you don't fully get a lot of description for the bits and pieces really take your imagination out there. The writing really makes you feel the emotions of these teens; from their anger, fear, excitement,etc.
Now for the reason why I knocked off two stars. There were too many character povs. It got confusing trying to keep up with everyone. Thankfully with the audio there was some distinction but still too many. Also, I feel like a character in part 2 came out of no where but was there the whole time? Finally, the prologue sets up the book amazingly! I was hooked and part one was just as good. However, part 2 was lacking. You get so much from part one about 70% of the book and only 30% for part 2. I wish there was more. More character development, more plot, more something. It just felt rushed.
Thank you to Macmillan audio for the advanced listeners copy in exchange for an honest review.
July 1, 2024
The prologue is incredible! Felker-Martin knows how to tell a nasty tale and I was immediately hooked.
Unfortunately, the rest of the book is not as strong as the first chapter. The biggest problem is that there are too many point-of-view characters. It is very challenging to track or invest in all of them. What's more, this is the horniest and filthiest group of kids I've ever read about. I get that they are hormonal, but these kids seem aroused by every human encounter. Coupled with the author's focus on pubes on toilet seats, sweat-soaked clothes, and first kisses in bathroom stalls. I was left confused and disgusted.
The author is clearly influenced by Stephen King namely his novel It. The book reads like a what-if version of the book with kids at a gay conversion camp. Sadly, Cuckoo misses the mark. I didn't feel bonded to these characters like I did with the losers in It. Cuckoo tries to duplicate the structure of It ie having half the book with the characters as kids and the other half with them as adults. This worked in It namely due to the book being so long. It does not work in Cuckoo. The book is too short and there are too many POV characters to pull this off. One of the characters is even a shameless ripoff of Henry Bowers. To make things even more confusing, one of the characters transitions to female in the second half of the book and goes by a new name. The book assumes we know who this character is and doesn't clarify until many chapters later. This makes zero sense since the author tells us right away with another trans character,
The other reason Cuckoo fails where It succeeds is the monster. Pennywise is an epic monster that feeds on fear. The cuckoo...well, not so much. It's more like The Thing without the great body horror moments.
This one wasn't for me, but if you love Stephen King's It or LQBTQIA+ horror, it might be worth checking out. Or for a gay conversion camp horror novel that I did enjoy, check out Chuck Tingle's Camp Damascus.
Unfortunately, the rest of the book is not as strong as the first chapter. The biggest problem is that there are too many point-of-view characters. It is very challenging to track or invest in all of them. What's more, this is the horniest and filthiest group of kids I've ever read about. I get that they are hormonal, but these kids seem aroused by every human encounter. Coupled with the author's focus on pubes on toilet seats, sweat-soaked clothes, and first kisses in bathroom stalls. I was left confused and disgusted.
The author is clearly influenced by Stephen King namely his novel It. The book reads like a what-if version of the book with kids at a gay conversion camp. Sadly, Cuckoo misses the mark. I didn't feel bonded to these characters like I did with the losers in It. Cuckoo tries to duplicate the structure of It ie having half the book with the characters as kids and the other half with them as adults. This worked in It namely due to the book being so long. It does not work in Cuckoo. The book is too short and there are too many POV characters to pull this off. One of the characters is even a shameless ripoff of Henry Bowers. To make things even more confusing, one of the characters transitions to female in the second half of the book and goes by a new name. The book assumes we know who this character is and doesn't clarify until many chapters later. This makes zero sense since the author tells us right away with another trans character,
The other reason Cuckoo fails where It succeeds is the monster. Pennywise is an epic monster that feeds on fear. The cuckoo...well, not so much. It's more like The Thing without the great body horror moments.
This one wasn't for me, but if you love Stephen King's It or LQBTQIA+ horror, it might be worth checking out. Or for a gay conversion camp horror novel that I did enjoy, check out Chuck Tingle's Camp Damascus.
June 15, 2024
3.5
the first 20 pages (prologue) were probably the best 20 pages of story I’ve read all year
but after that idk I liked it but the story was a bit all over the place and the characters were so vast as in there were prob 15 POVs throughout and they were different but all seemed to have the same motivations/goals………
Idk idk but I enjoyed overall
the first 20 pages (prologue) were probably the best 20 pages of story I’ve read all year
but after that idk I liked it but the story was a bit all over the place and the characters were so vast as in there were prob 15 POVs throughout and they were different but all seemed to have the same motivations/goals………
Idk idk but I enjoyed overall
June 27, 2024
First chapter was soooooooo good. The rest of the book didn’t deliver, mostly descriptions of gross smells and bodily fluids tbh.
Read
March 14, 2024All hail the queen of body horror.
June 19, 2024
Horror at its BEST! Critical social commentary. Marginalized community. At risk youth. Representation.
I LOVE the use of a conversion camp to become the source of bodies for mass invasion of a questionable entity. Creative, much needed knock to society STILL using conversion camp for the LGBTQIA+ youth. Children - even teenagers, desperate for family's approval and acceptance. So well done all around.
I LOVE the use of a conversion camp to become the source of bodies for mass invasion of a questionable entity. Creative, much needed knock to society STILL using conversion camp for the LGBTQIA+ youth. Children - even teenagers, desperate for family's approval and acceptance. So well done all around.
This entire review has been hidden because of spoilers.
June 17, 2024
Easily the worst book that I've read so far this year. I read the first half hoping that things would improve, and then continued while reminding myself every time I turned a page that I could just put the silly thing down and walk away. Cuckoo almost definitely would have been at least a little bit better if Felker-Martin had focused on one or two members of their unwieldy cast instead of randomly shifting between more characters than they can efficiently manage. They repeatedly substitute random anecdotes for character development, so that none of the characters really feel consistent.
The plot makes little sense. Apparently alien body snatchers are targeting queer kids because they're vulnerable, but at the same time anyone might be a body snatcher? I'm all for queer youth shooting up possessed cops, but I'd also like it if that made sense to the plot. And years go by but the contagion barely spreads?
At times Felker-Martin leans into gross extravagance, but goes so far over the top that it becomes cosmic horror word salad. I did kind of think those parts were fun to read, but not because they were good.
I often feel mean when I write negative reviews, but Cuckoo is bad. Bad.
The plot makes little sense. Apparently alien body snatchers are targeting queer kids because they're vulnerable, but at the same time anyone might be a body snatcher? I'm all for queer youth shooting up possessed cops, but I'd also like it if that made sense to the plot. And years go by but the contagion barely spreads?
At times Felker-Martin leans into gross extravagance, but goes so far over the top that it becomes cosmic horror word salad. I did kind of think those parts were fun to read, but not because they were good.
I often feel mean when I write negative reviews, but Cuckoo is bad. Bad.
June 13, 2024
This was SO fun and SO gross. I think it had a real forward trajectory and cohesive story (moreso than Manhunt) and it's a quick read despite the horrors.
April 27, 2024
Thanks to Netgalley and the publisher for the ARC.
I never been so uncomfortable when reading a book. The body horror og and gore was intense, and the real horror the kids went through, not only in the camp but also outside, was gutwrenching. Well done.
The character gallery was a bit large for me, so at times it was difficult to follow, but the high pace and high stake story made up for it.
Cuckoo is not a book for the squeamish, but a must read for fans of unsettling/gory horror.
I never been so uncomfortable when reading a book. The body horror og and gore was intense, and the real horror the kids went through, not only in the camp but also outside, was gutwrenching. Well done.
The character gallery was a bit large for me, so at times it was difficult to follow, but the high pace and high stake story made up for it.
Cuckoo is not a book for the squeamish, but a must read for fans of unsettling/gory horror.
June 7, 2024
Phew!! This book was a wild ride, but also a very important book for the times we’re living in. We follow a group of teens who are sent to a conversion camp and things seem a bit off. These poor kids are punished daily and forced to do hard intense labor until they drop, but they notice that some of the others are disappearing. What happens next is a whole of frightening and gory cosmic horror that would give Cronenberg a run for his money. The message in this book was clear though, these parents wanted their queer kids to be more “normal” replacing them with something that is far from their true selves. And in this story they become something completely “other”. It’s something we still see in the world today, and sadly it’s getting worse. Felker-Martin does an amazing job scaring us and opening our eyes to the disgusting nature of these camps to steal children’s identities and force them to be the way “God intended”. This book really pulled me in and feel for these poor teens and those that struggle with this on a daily basis.
April 1, 2024
Reading for review in the April 2024 issue of Library Journal
Three Words That Describe This Book: utterly terrifying, character focused, Cosmic Horror
I was struggling between Body Horror and Cosmic in the three words. Both themes are big here but the Cosmic wins out.
Draft Review:
It’s the summer of 1995, and readers watch as teenagers from all over the country are taken forcibly from their homes, one by one, tied up again their will, and placed into unmarked white vans to be taken to Camp Resolution, a gay conversion camp hidden in the Utah desert, miles from civilization, with no contact with the outside world. Told by the full cast of well drawn and authentic characters and in three distinct parts– a stage setting prologue of short story length, set in 1991, the meat of the novel set at camp, and an action-packed final section taking place in 2011–this is a novel where the pacing is brisk, the world building immersive, effectively employing all five senses, the plot intriguing, original, and existentially terrifying, and the emotions, raw. Readers will quickly become invested in each of the teens, feeling their physical and psychological pain, ultimately rooting for them against all odds. Seething with anger at horrors both real and supernatural, this is a story that sets out to whip the reader up and inspire them to protect queer kids at all costs.
Verdict: No one writes like Felker-Martin and her unrelenting and brutally honest novels are crucial inclusions to all Horror collections. Pair with Chuck Tingle’s Camp Damascus or Lucy Snyder’s Sister, Maiden, Monster, but also, this is a great update to the classic Invasion of the Body Snatchers.
The prologue was well done. It is set 4 years before the action of part 1. It is more like a short story than a prologue and it sets the scene perfectly. It puts the reader on edge and primed me for the horror that was to come. That reminded me of what SGJ did with The Only Good Indians.
There are a lot of narrators here, but I liked that. Part 1 which is the bulk of the novel and set at the camp mentioned in the summary, bounces around between a lot of different kids. We are in and out of their POV frequently. I found that this drew me into the story immediately. Each kid was unique and interesting, their situations different.
Without all of those POVs, I would not have gotten as invested in their plight and may not have followed the story through to see what happened to them. While the storyline of what happens at the camp is important, while the world building behind what is going on their was very well developed, it is the characters who carry this story and fuel all the feelings-- the terror, the anger, the rage.
Speaking of that world building-- Felker-Martin uses all 5 senses and gets them on the page. You smell things-- like really smell them, feel the heat, there are visceral descriptions that you can almost touch, you can see the landscape, you are there with the characters as they explore each other and themselves sexually.
I am struggling with giving this the proper readalikes because I don't want to give things away, but after reading it and seeing the publisher description I feel okay saying this is Invasion of the Body Snatchers updated from a 21st century queer point of view. If you liked Camp Damascus, this book is different but they feel like cousins.
I also thought of Queen of Teeth by Hailey Piper, The Death of Jane Lawrence by Caitlin Starling, and Sister, Maiden, Monster by Lucy Snyder while reading this, but none of these are the right comp because they all miss one of the key things about this book, something that makes it unique and an important read, and that is the rage and anger that explodes off of every page. And not just the character's anger and rage, not just the author's, the book is written for you, the reader to seethe with anger as well. There is terror here. It is a terrifying book but the terror is supernatural and all too real. But the fact that the story invokes both terror and anger is remarkable.
Which leads to the final point-- I am not sure how any human can read this book and not want to protect queer children from a world that wants to destroy them. I mean, I know how; I am not dumb. But you have to be full of hate and unwilling to allow others to live their authentic lives. I think this is a book that may make many who think they are allies of the queer community-- especially the trans community--realize that they were not doing enough to show their support. This book will call these people out and I hope, inspire them to go out and act.
4.5-- almost a star. I gave Manhunt an unequivocal star. Why not this one? A few very small reasons that are nit picky about its construction. The main section (part 1) which takes place all at the camp in 1995, I think it could have been shorter so that Part 2 which is set in 2011 could have been longer. What to cut? I have opinions on what details from part 1 matter more than others (I will not share because spoilers), but the key is that I would have loved 50 more pages before the final showdown (which was great) to give the characters as they are "now" more depth and like 50 fewer pages in part one. The pacing was good so more pages overall would not be good. One of the best things about part 1 was how the characters were developed with nuance and care (mentioned above), I wish that part wasn't as rushed in part 2.
Overall this is a book that needs to be read by all Horror fans, yes, but I feel like the people who need to read it most won't and that makes me even more angry.
Three Words That Describe This Book: utterly terrifying, character focused, Cosmic Horror
I was struggling between Body Horror and Cosmic in the three words. Both themes are big here but the Cosmic wins out.
Draft Review:
It’s the summer of 1995, and readers watch as teenagers from all over the country are taken forcibly from their homes, one by one, tied up again their will, and placed into unmarked white vans to be taken to Camp Resolution, a gay conversion camp hidden in the Utah desert, miles from civilization, with no contact with the outside world. Told by the full cast of well drawn and authentic characters and in three distinct parts– a stage setting prologue of short story length, set in 1991, the meat of the novel set at camp, and an action-packed final section taking place in 2011–this is a novel where the pacing is brisk, the world building immersive, effectively employing all five senses, the plot intriguing, original, and existentially terrifying, and the emotions, raw. Readers will quickly become invested in each of the teens, feeling their physical and psychological pain, ultimately rooting for them against all odds. Seething with anger at horrors both real and supernatural, this is a story that sets out to whip the reader up and inspire them to protect queer kids at all costs.
Verdict: No one writes like Felker-Martin and her unrelenting and brutally honest novels are crucial inclusions to all Horror collections. Pair with Chuck Tingle’s Camp Damascus or Lucy Snyder’s Sister, Maiden, Monster, but also, this is a great update to the classic Invasion of the Body Snatchers.
The prologue was well done. It is set 4 years before the action of part 1. It is more like a short story than a prologue and it sets the scene perfectly. It puts the reader on edge and primed me for the horror that was to come. That reminded me of what SGJ did with The Only Good Indians.
There are a lot of narrators here, but I liked that. Part 1 which is the bulk of the novel and set at the camp mentioned in the summary, bounces around between a lot of different kids. We are in and out of their POV frequently. I found that this drew me into the story immediately. Each kid was unique and interesting, their situations different.
Without all of those POVs, I would not have gotten as invested in their plight and may not have followed the story through to see what happened to them. While the storyline of what happens at the camp is important, while the world building behind what is going on their was very well developed, it is the characters who carry this story and fuel all the feelings-- the terror, the anger, the rage.
Speaking of that world building-- Felker-Martin uses all 5 senses and gets them on the page. You smell things-- like really smell them, feel the heat, there are visceral descriptions that you can almost touch, you can see the landscape, you are there with the characters as they explore each other and themselves sexually.
I am struggling with giving this the proper readalikes because I don't want to give things away, but after reading it and seeing the publisher description I feel okay saying this is Invasion of the Body Snatchers updated from a 21st century queer point of view. If you liked Camp Damascus, this book is different but they feel like cousins.
I also thought of Queen of Teeth by Hailey Piper, The Death of Jane Lawrence by Caitlin Starling, and Sister, Maiden, Monster by Lucy Snyder while reading this, but none of these are the right comp because they all miss one of the key things about this book, something that makes it unique and an important read, and that is the rage and anger that explodes off of every page. And not just the character's anger and rage, not just the author's, the book is written for you, the reader to seethe with anger as well. There is terror here. It is a terrifying book but the terror is supernatural and all too real. But the fact that the story invokes both terror and anger is remarkable.
Which leads to the final point-- I am not sure how any human can read this book and not want to protect queer children from a world that wants to destroy them. I mean, I know how; I am not dumb. But you have to be full of hate and unwilling to allow others to live their authentic lives. I think this is a book that may make many who think they are allies of the queer community-- especially the trans community--realize that they were not doing enough to show their support. This book will call these people out and I hope, inspire them to go out and act.
4.5-- almost a star. I gave Manhunt an unequivocal star. Why not this one? A few very small reasons that are nit picky about its construction. The main section (part 1) which takes place all at the camp in 1995, I think it could have been shorter so that Part 2 which is set in 2011 could have been longer. What to cut? I have opinions on what details from part 1 matter more than others (I will not share because spoilers), but the key is that I would have loved 50 more pages before the final showdown (which was great) to give the characters as they are "now" more depth and like 50 fewer pages in part one. The pacing was good so more pages overall would not be good. One of the best things about part 1 was how the characters were developed with nuance and care (mentioned above), I wish that part wasn't as rushed in part 2.
Overall this is a book that needs to be read by all Horror fans, yes, but I feel like the people who need to read it most won't and that makes me even more angry.
June 25, 2024
u know what i really liked the last third of this! no big thoughts really. blessedly so much less corny than manhunt. the YA section i didn't really fuck with because it felt like unnecessary legwork; too perfunctory to stack up to the obvious inspo in summer of night or it. felker-martin's writing is on a leash when writing about a bunch of interchangable queer teens. there isn't quite enough space in the last ~100 pages to make it all happen but she’s putting the umm ... competition ... to shame in a couple of passages. all that said this does mention twitter on the LAST PAGE 😥 Getting scooped by my own publisher on the conversion-camp angle by "chuck tingle" would drive me to suicide i think
June 18, 2024
The basic premise of Cuckoo is this: a bunch of queer young folks are sent to this horrific camp by their asshole families because of their aforementioned queerness. Their families have all found out about their gender identities and/or sexualities, and just... shipped 'em out to this conversion camp on steroids. We see the perspectives of quite a few of the victims (because they are not, under any circumstances, "campers"), and at times it was a wee bit hard to keep track of all of the POVs (we're talking at least a dozen kids here, so it was a big cast of characters), but I really did appreciate their stories, so I understood the choice.
And look, I did not have a clue as to what was going on with the "Cuckoo" aspect- is it a parasite? Just symbolic for evil? Who knows. But the story itself was good, and I did understand most of the symbolism and commentary. So that is obviously what is important here. Since it is a book by Gretchen Felker-Martin, you can expect some very gnarly stuff. Lots of body horror, sexual depravity, etc. That is just how she rolls, so if you aren't down, this is likely not the book for you. But I think that if you can handle that sort of thing, the story is certainly worth it. The story eventually takes a turn that I did not expect, and I really enjoyed it, though I don't want to talk about it because spoilers.
Bottom Line: Always, always here for calling out (loudly and very creatively, in this case) the vile atrocities some parents force on their kids.
You can find the full review and all the fancy and/or randomness that accompanies it at It Starts at Midnight
And look, I did not have a clue as to what was going on with the "Cuckoo" aspect- is it a parasite? Just symbolic for evil? Who knows. But the story itself was good, and I did understand most of the symbolism and commentary. So that is obviously what is important here. Since it is a book by Gretchen Felker-Martin, you can expect some very gnarly stuff. Lots of body horror, sexual depravity, etc. That is just how she rolls, so if you aren't down, this is likely not the book for you. But I think that if you can handle that sort of thing, the story is certainly worth it. The story eventually takes a turn that I did not expect, and I really enjoyed it, though I don't want to talk about it because spoilers.
Bottom Line: Always, always here for calling out (loudly and very creatively, in this case) the vile atrocities some parents force on their kids.
You can find the full review and all the fancy and/or randomness that accompanies it at It Starts at Midnight
Read
June 23, 2024The kind of book that made me feel like I cannot possibly call myself a writer after I finished it. Dark and despairing, but always tinged with hope. Loved Manhunt; love this more.
June 17, 2024
One of my favorite books this year.
Loved Every Second
Loved Every Second
June 30, 2024
Thank you to Goodreads and the publisher for a copy of this book in exchange for an honest review.
My Selling Pitch:
Gretchen: hey, can I copy your homework
Stephen King: sure, just change a few things so it’s not obvious
Camp Damascus if it was actually horror. King’s It but now everyone’s ~explicitly~ not straight.
Pre-reading:
I loved Manhunt last year. For all its flaws, it lives rent-free in my brain. This is one of my most anticipated releases for the year, but I am weirdly intimidated by it. I’ve had the arc for a little bit but kept putting it off. I really hope it’s good. It’s got another killer cover.
Thick of it:
One of these things is not like the other 🎶
Anyone who picks this book up and says this author can’t write is lying.
We’re already going in on the satire, and I’m live laugh loving.
If you tell me she’s gay because she got baby raped I’m out. (What is it with queer horror implying this this year?)
Oh no.
What the fuck is in the box? My gut just sank. (We never find out. Unfair.)
Hell yeah, hyenas!
You make me do too much labor🎶
I know a lot of people demonize these anti-religion books, but it’s just like this is the reality for so many people. This is what your religion has done. And even if you didn’t experience the abuse to this degree, you can spot echoes of it in your own home life.
And that’s on undiagnosed postpartum depression.
chivvy
I am uneducated and had to Google the Turner Diaries. Very different from the Princess Diaries.
Detritus sin
It’s my dick in a box🎶
Ew ew ew
Now this is what I was expecting from C. J. Leede’s new religious horror book!
This is creepy. This is scary. This is so good. I smell five stars. (SIGH.)
Are you kidding? That was just the prologue? That was so good!
I love the chapter names. This has such menacing voice to it. It’s so good.
Love how she writes gore.
This is what I was expecting from Camp Damascus.
What is it with the overlap between Christians and Peanuts? Is it just because they did the Christmas movies? It’s wild to me that every single religious trauma horror with a Christian skew brings up the Peanuts. And like I relate, my parents were obsessed.
The cast is too big for me to keep track. Oh no.
I’m already invested in these children, and I want good things for them. Oh no.
I like John a lot. And Malcolm even though he’s an ass.
A Sam!
This is gorgeous imagery.
Jo feels expendable so it’s not looking good for her
Ayyy Dune! Still hate that book lol.
Not me fresh off the Ernie mysteries and trying to decipher these letters like they’re something I can solve.
I mean, it’s not a braid, but you do have convergent evolution…
I’m having a really hard time keeping track of names and genders and it doesn’t matter for the book but it does matter for the summary so that I get pronouns right and it’s stressing me out a little bit. It’s such a big cast.
One time, Regina punched me in the face. It was awesome.
Every book is about bears
Detritus sin again
Don’t love how we’re playing sexual trauma bingo for the kids’ backstories. Like I know they’re all very real instances that have been in the news, but it’s heavy to read, and it kinda reads like people’s sexualities and gender identities only come about because of their trauma. No likey.
My brain also autocompleted Ghostbusters.
Stochastic
Big fan of Nadine.
This would make a good Goonies-esque TV show.
The Glovers as in body gloves omg.
Really wish everyone was 18+ if we’re writing orgies and trying to make it sexy. Call me a prude but I’m aging everyone up in my head. College-aged if we’re fucking. Thanks!
Title drop
Not the dog!
Detritus sin again, jesus.
I imagine the villain is somehow their dead daughter, but I don’t know how it’ll work.
This really is like a Camp Damascus rewrite.
Oh, the audiobook voices got CREEPY.
OK, so it is saying an alien crash-landed in Utah and learned to make its body parts out of what it eats. Duskwalker-y. Never like aliens or supernatural as explanation. I think it’s lazy.
Man, we’re only halfway! How much more fucked is this gonna get? I feel like we were wrapping towards a conclusion, but like I’ve still got another half of the book!
Malcolm‘s humor is so good.
That’s the wrong there. That’s irritating.
I hate that this basically amounts to a femcel woman’s fault.
Oh man, she’s a monster fucker haha
Oh Nadine, you absolute badass. I like her so much. If she dies, I’m gonna be pissed.
These creatures are hard to picture.
I love that the horror is seductive. Like the creepy line is I’ll show you true love. That is excellent horror.
Oh, I bet that’s Malcolm and the dynamite. (It’s somebody and the dynamite. You were half right.)
Goddamnit, I liked Nadine so much!
I love you here feels cheesy. Like you shouldn’t be in love after a day or two.
But Gabe’s been body-snatched, hasn’t he? Are we playing some sort of alien long game and he’s gonna hide in plain sight and kill them all off to end this book? That’d be a bummer.
This book feels so hopeless now. I miss Nadine. I don’t wanna book without Nadine.
It’s very Goonies, very It.
Oh fuck, what if Jo got body snatched too?
Don’t trust Jo. This is too convenient. I think she’s a cuckoo. (Wrong.)
Humus
How are we not referencing It? Or the Goonies? Could they not get the IP?
There’s a lot of body shame commentary in this book.
In the nicest way, it is so hard to keep track of who is who when you have such a large cast and you have memories overlapping, and you have dead names and different pronouns for everyone based on who’s talking. It’s really fucking hard.
Props to this book for not forgetting periods during a disaster.
Oh c’mon, you’re telling me that’s not It? It’s literally in the sewers.
I love Kesha.
I don’t like that Mal is mean to John.
Ayyy Manhunt!
So you’re saying Jo exhibits parasitic behavior. Interesting. I think I’m so right that she’s Cuckoo. (You are so wrong.)
Mal is such a hard character because I love their humor, but I can’t stand that they’re mean to John because John is so nice. He deserves good things.
That’s gotta be a nod to the Winchesters, no?
sclerotic
I have a collie too.
OK, we’re even referencing King. Like this is just It.
I don’t know why I’m struggling to get through this book so much. I’m enjoying it. It’s not even that long, but it feels so long.
Why does this car chase matter?
This ending is really falling off. Like it feels kind of pointless, like we’re circling the drain. Just get to killing the monster. I don’t need all this getting from point A to point B stuff.
I’m bored. It’s not scary anymore. You faked us out with death twice now. Like I don’t care.
Where are we going with this x3
Okay, Katniss.
It’s so frustrating because the first time we got the gore descriptions, it was new. It was novel. It was interesting. It was horrifying. But now we’ve described it the same way every single time so I’m just desensitized.
Literally how is this not It. This is the exact same ending.
I genuinely think the first half of this was four stars and then it is literally just a rewrite of It so it’s down to two.
Post-reading:
I want you to look me in my eyes and tell me this isn’t It fanfiction.
The prologue? A stunner. Viscerally creepy with the right amount of caustic satire. I was genuinely hoping we were about to get some mommy horror in the vein of Grady Hendrix’s Guide to Slaying Vampires or Ainslie Hogarth’s Normal Women. There was a book there that would’ve been unique and new and exciting. I don’t think I’ve seen anything published that falls into the intersection between horror and social commentary on motherhood and queerness. And you’d be doing all that with the biting undercurrent of religious criticism. Girl, in this political landscape? Fuckin’ gimmie.
But that’s not this book. Instead, we’re trying to make teenagers sexy again. Can y’all knock it off already? Tell a love story, but don’t sexualize minors. There’s a difference between talking about teen sexuality and trying to make underage characters’ actions sexy for adults to read. It upsets me every time, and you can call me a prude, but I don’t like it.
There’s a lot of sexual horror in this book. For some reason, that’s trendy right now. It seems like it’s been trendy since American Horror Story started. I think it’s cheap and 99% of the time gratuitous. This book is no exception. The sex scenes feel like they’re in the book for shock value or to titillate an audience. There’s no emotional weight to them.
This book has a gigantic cast. I would argue that it’s way too big to be digestible to the reader. There’s a lot of nothing side characters, but we still try to name them. But even if we ignore all those one-off characters, the main cast is incredibly unwieldy because we’re dealing with trans characters with dead names who use different pronouns and who get purposely misgendered within the book depending on whose point of view we’re in. It was so hard to keep track of who was who and what backstory went to which character. But the abundance of queer characters is the point of this book, and I’m not suggesting we eliminate them to make the book more palatable. I just think they probably could’ve been consolidated down. I think we should’ve referred to characters more consistently throughout the text.
Now the characters themselves are decently developed, although I hesitate to write that because most of their development comes from tragic backstories. Every single character had one. It started to feel a bit like we were playing sexual trauma bingo. What’s sad is that these backstories are all real incidences that have been in the news lately. Children suffered these fates. You just get habituated to it. If everything is sad, nothing is sad. It also starts reading like these characters’ sexual preferences and gender identities only came about because of their trauma. And that’s not an argument you wanna be making.
But fuck me, I’m real easy. I loved Nadine. Loved. I would’ve taken an entire book just about her. I loved John. I loved Malcolm. I hated that they ended up together. John deserves so much better, and Malcolm deserves to heal. I also didn’t love that most of the characters ended up being trans and all in love with each other. It gets back to that differentiation struggle. They all started to feel the same. They all started to have the same voice.
For as many pretty bits of imagery as there are in this book, there’s also sequences with the alien where I just had no idea what to picture. The descriptions for the gore and the monster also got so repetitive. They were deliciously gross the first time around. They were grating by the sixth.
I thought the book’s dialogue was excellent. The kids had snappy banter, especially Malcolm. He added such needed levity and humor to the book. It was a perfect tension breaker. They were genuinely funny.
But we’ve got to talk about how this book is a blatant rip-off of It. We have a group of kids suffering together during the summer and having a weird orgy together. They’re facing off against some alien creature. One sacrifices themselves. One tries to commit suicide. They have to go after the alien again in a part two where they’re adults now. The author even talked about how the alien was in the sewers and name-dropped King. I don’t understand if this book was trying to do a Maeve Fly where it’s a love letter to another work, but Maeve is distinctly its own story echoing American Psycho whereas Cuckoo felt like it was copy-pasting the original.
In this book’s defense, I don’t like King’s It. I think aliens or the supernatural as explanation is lazy fucking writing. I don’t like the fact that a grown man chose to write about children having an orgy. That’s fucking weird. What’s wrong with you? And if you’re like Sam, it’s weird that you’re cool with dead kids over kids fucking, I don’t know what to tell ya. Call me weird then.
And unfortunately, the ending and how similar it is to It really ruined the book for me. I felt like I knew what was coming. It didn’t feel like anything had stakes anymore. If you break that sense of dread in a horror book, it’s over. Death fakeouts are jumping the shark in books. You get one chance and then you annoy your audience. They don’t trust you as the narrator anymore.
I think it was a huge mistake to kill off Nadine. It really soured me on the book. I liked her so much that I didn’t care anymore once she was gone. It felt very pointless. I didn’t like any of the other characters enough to root for them to survive. I may not have wanted them to die, but I wasn’t actively pulling for any of them to live.
The book has a little bit of a pacing issue as well. The prologue nails it. Part one feels a little slow and clunky because we’re introduced to so many characters so rapidly. We don’t have a chance to bond to any of them before we’re thrown to another one. It almost feels info-dumpy, like you’re not sure who to pay attention to. And then if part one is too slow, part two is way too fast. Part two is another tragic backstory info dump, meandering traveling from point A to point B that is actually pointless and adds nothing to the novel, and then a bit of a deus ex machina conclusion that has to work because we’re out of pages and need to get to the end.
The ending itself is bitter. I understand that it’s an angry, reactionary book. The world does not treat queer and trans people fairly, but I think continuing to rehash the us versus them mentality only furthers the divide. It’s not a hopeful message. It’s deliberately othering, and I’m not sure if that’s the best message to leave your readers with especially when this book veers a little towards YA because of the age of its protagonists and their struggles and in spite of its graphic violent and sexual content.
Ultimately the book just leaves a bad taste in your mouth because it feels like It fanfiction. It’s a bit of a bait and switch. You prime your audience for stellar religious horror satire with that prologue and then you never deliver. It’s a messy read. And yet when this book was good, I was loving it. If you read for concept and not execution, it’s worth picking up, just bear in mind that it’s going to quickly devolve into feeling like something you’ve already read.
Who should read this:
Queer horror fans
It fans
Camp Damascus fans
Do I want to reread this:
Nope, but I will always pick up this author’s books
Similar books:
* It by Stephen King-this is the same book
* Camp Damascus by Chuck Tingle-gay teens sent to pray the gay away camp vs demons
* Maeve Fly by C. J. Leede-book that’s an homage to a classic horror movie, horror satire
* The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix-horror satire
* Godly Heathens by H. E. Edgmon-queer ensemble cast, YA magical realism
My Selling Pitch:
Gretchen: hey, can I copy your homework
Stephen King: sure, just change a few things so it’s not obvious
Camp Damascus if it was actually horror. King’s It but now everyone’s ~explicitly~ not straight.
Pre-reading:
I loved Manhunt last year. For all its flaws, it lives rent-free in my brain. This is one of my most anticipated releases for the year, but I am weirdly intimidated by it. I’ve had the arc for a little bit but kept putting it off. I really hope it’s good. It’s got another killer cover.
Thick of it:
One of these things is not like the other 🎶
Anyone who picks this book up and says this author can’t write is lying.
We’re already going in on the satire, and I’m live laugh loving.
If you tell me she’s gay because she got baby raped I’m out. (What is it with queer horror implying this this year?)
Oh no.
What the fuck is in the box? My gut just sank. (We never find out. Unfair.)
Hell yeah, hyenas!
You make me do too much labor🎶
I know a lot of people demonize these anti-religion books, but it’s just like this is the reality for so many people. This is what your religion has done. And even if you didn’t experience the abuse to this degree, you can spot echoes of it in your own home life.
And that’s on undiagnosed postpartum depression.
chivvy
I am uneducated and had to Google the Turner Diaries. Very different from the Princess Diaries.
Detritus sin
It’s my dick in a box🎶
Ew ew ew
Now this is what I was expecting from C. J. Leede’s new religious horror book!
This is creepy. This is scary. This is so good. I smell five stars. (SIGH.)
Are you kidding? That was just the prologue? That was so good!
I love the chapter names. This has such menacing voice to it. It’s so good.
Love how she writes gore.
This is what I was expecting from Camp Damascus.
What is it with the overlap between Christians and Peanuts? Is it just because they did the Christmas movies? It’s wild to me that every single religious trauma horror with a Christian skew brings up the Peanuts. And like I relate, my parents were obsessed.
The cast is too big for me to keep track. Oh no.
I’m already invested in these children, and I want good things for them. Oh no.
I like John a lot. And Malcolm even though he’s an ass.
A Sam!
This is gorgeous imagery.
Jo feels expendable so it’s not looking good for her
Ayyy Dune! Still hate that book lol.
Not me fresh off the Ernie mysteries and trying to decipher these letters like they’re something I can solve.
I mean, it’s not a braid, but you do have convergent evolution…
I’m having a really hard time keeping track of names and genders and it doesn’t matter for the book but it does matter for the summary so that I get pronouns right and it’s stressing me out a little bit. It’s such a big cast.
One time, Regina punched me in the face. It was awesome.
Every book is about bears
Detritus sin again
Don’t love how we’re playing sexual trauma bingo for the kids’ backstories. Like I know they’re all very real instances that have been in the news, but it’s heavy to read, and it kinda reads like people’s sexualities and gender identities only come about because of their trauma. No likey.
My brain also autocompleted Ghostbusters.
Stochastic
Big fan of Nadine.
This would make a good Goonies-esque TV show.
The Glovers as in body gloves omg.
Really wish everyone was 18+ if we’re writing orgies and trying to make it sexy. Call me a prude but I’m aging everyone up in my head. College-aged if we’re fucking. Thanks!
Title drop
Not the dog!
Detritus sin again, jesus.
I imagine the villain is somehow their dead daughter, but I don’t know how it’ll work.
This really is like a Camp Damascus rewrite.
Oh, the audiobook voices got CREEPY.
OK, so it is saying an alien crash-landed in Utah and learned to make its body parts out of what it eats. Duskwalker-y. Never like aliens or supernatural as explanation. I think it’s lazy.
Man, we’re only halfway! How much more fucked is this gonna get? I feel like we were wrapping towards a conclusion, but like I’ve still got another half of the book!
Malcolm‘s humor is so good.
That’s the wrong there. That’s irritating.
I hate that this basically amounts to a femcel woman’s fault.
Oh man, she’s a monster fucker haha
Oh Nadine, you absolute badass. I like her so much. If she dies, I’m gonna be pissed.
These creatures are hard to picture.
I love that the horror is seductive. Like the creepy line is I’ll show you true love. That is excellent horror.
Oh, I bet that’s Malcolm and the dynamite. (It’s somebody and the dynamite. You were half right.)
Goddamnit, I liked Nadine so much!
I love you here feels cheesy. Like you shouldn’t be in love after a day or two.
But Gabe’s been body-snatched, hasn’t he? Are we playing some sort of alien long game and he’s gonna hide in plain sight and kill them all off to end this book? That’d be a bummer.
This book feels so hopeless now. I miss Nadine. I don’t wanna book without Nadine.
It’s very Goonies, very It.
Oh fuck, what if Jo got body snatched too?
Don’t trust Jo. This is too convenient. I think she’s a cuckoo. (Wrong.)
Humus
How are we not referencing It? Or the Goonies? Could they not get the IP?
There’s a lot of body shame commentary in this book.
In the nicest way, it is so hard to keep track of who is who when you have such a large cast and you have memories overlapping, and you have dead names and different pronouns for everyone based on who’s talking. It’s really fucking hard.
Props to this book for not forgetting periods during a disaster.
Oh c’mon, you’re telling me that’s not It? It’s literally in the sewers.
I love Kesha.
I don’t like that Mal is mean to John.
Ayyy Manhunt!
So you’re saying Jo exhibits parasitic behavior. Interesting. I think I’m so right that she’s Cuckoo. (You are so wrong.)
Mal is such a hard character because I love their humor, but I can’t stand that they’re mean to John because John is so nice. He deserves good things.
That’s gotta be a nod to the Winchesters, no?
sclerotic
I have a collie too.
OK, we’re even referencing King. Like this is just It.
I don’t know why I’m struggling to get through this book so much. I’m enjoying it. It’s not even that long, but it feels so long.
Why does this car chase matter?
This ending is really falling off. Like it feels kind of pointless, like we’re circling the drain. Just get to killing the monster. I don’t need all this getting from point A to point B stuff.
I’m bored. It’s not scary anymore. You faked us out with death twice now. Like I don’t care.
Where are we going with this x3
Okay, Katniss.
It’s so frustrating because the first time we got the gore descriptions, it was new. It was novel. It was interesting. It was horrifying. But now we’ve described it the same way every single time so I’m just desensitized.
Literally how is this not It. This is the exact same ending.
I genuinely think the first half of this was four stars and then it is literally just a rewrite of It so it’s down to two.
Post-reading:
I want you to look me in my eyes and tell me this isn’t It fanfiction.
The prologue? A stunner. Viscerally creepy with the right amount of caustic satire. I was genuinely hoping we were about to get some mommy horror in the vein of Grady Hendrix’s Guide to Slaying Vampires or Ainslie Hogarth’s Normal Women. There was a book there that would’ve been unique and new and exciting. I don’t think I’ve seen anything published that falls into the intersection between horror and social commentary on motherhood and queerness. And you’d be doing all that with the biting undercurrent of religious criticism. Girl, in this political landscape? Fuckin’ gimmie.
But that’s not this book. Instead, we’re trying to make teenagers sexy again. Can y’all knock it off already? Tell a love story, but don’t sexualize minors. There’s a difference between talking about teen sexuality and trying to make underage characters’ actions sexy for adults to read. It upsets me every time, and you can call me a prude, but I don’t like it.
There’s a lot of sexual horror in this book. For some reason, that’s trendy right now. It seems like it’s been trendy since American Horror Story started. I think it’s cheap and 99% of the time gratuitous. This book is no exception. The sex scenes feel like they’re in the book for shock value or to titillate an audience. There’s no emotional weight to them.
This book has a gigantic cast. I would argue that it’s way too big to be digestible to the reader. There’s a lot of nothing side characters, but we still try to name them. But even if we ignore all those one-off characters, the main cast is incredibly unwieldy because we’re dealing with trans characters with dead names who use different pronouns and who get purposely misgendered within the book depending on whose point of view we’re in. It was so hard to keep track of who was who and what backstory went to which character. But the abundance of queer characters is the point of this book, and I’m not suggesting we eliminate them to make the book more palatable. I just think they probably could’ve been consolidated down. I think we should’ve referred to characters more consistently throughout the text.
Now the characters themselves are decently developed, although I hesitate to write that because most of their development comes from tragic backstories. Every single character had one. It started to feel a bit like we were playing sexual trauma bingo. What’s sad is that these backstories are all real incidences that have been in the news lately. Children suffered these fates. You just get habituated to it. If everything is sad, nothing is sad. It also starts reading like these characters’ sexual preferences and gender identities only came about because of their trauma. And that’s not an argument you wanna be making.
But fuck me, I’m real easy. I loved Nadine. Loved. I would’ve taken an entire book just about her. I loved John. I loved Malcolm. I hated that they ended up together. John deserves so much better, and Malcolm deserves to heal. I also didn’t love that most of the characters ended up being trans and all in love with each other. It gets back to that differentiation struggle. They all started to feel the same. They all started to have the same voice.
For as many pretty bits of imagery as there are in this book, there’s also sequences with the alien where I just had no idea what to picture. The descriptions for the gore and the monster also got so repetitive. They were deliciously gross the first time around. They were grating by the sixth.
I thought the book’s dialogue was excellent. The kids had snappy banter, especially Malcolm. He added such needed levity and humor to the book. It was a perfect tension breaker. They were genuinely funny.
But we’ve got to talk about how this book is a blatant rip-off of It. We have a group of kids suffering together during the summer and having a weird orgy together. They’re facing off against some alien creature. One sacrifices themselves. One tries to commit suicide. They have to go after the alien again in a part two where they’re adults now. The author even talked about how the alien was in the sewers and name-dropped King. I don’t understand if this book was trying to do a Maeve Fly where it’s a love letter to another work, but Maeve is distinctly its own story echoing American Psycho whereas Cuckoo felt like it was copy-pasting the original.
In this book’s defense, I don’t like King’s It. I think aliens or the supernatural as explanation is lazy fucking writing. I don’t like the fact that a grown man chose to write about children having an orgy. That’s fucking weird. What’s wrong with you? And if you’re like Sam, it’s weird that you’re cool with dead kids over kids fucking, I don’t know what to tell ya. Call me weird then.
And unfortunately, the ending and how similar it is to It really ruined the book for me. I felt like I knew what was coming. It didn’t feel like anything had stakes anymore. If you break that sense of dread in a horror book, it’s over. Death fakeouts are jumping the shark in books. You get one chance and then you annoy your audience. They don’t trust you as the narrator anymore.
I think it was a huge mistake to kill off Nadine. It really soured me on the book. I liked her so much that I didn’t care anymore once she was gone. It felt very pointless. I didn’t like any of the other characters enough to root for them to survive. I may not have wanted them to die, but I wasn’t actively pulling for any of them to live.
The book has a little bit of a pacing issue as well. The prologue nails it. Part one feels a little slow and clunky because we’re introduced to so many characters so rapidly. We don’t have a chance to bond to any of them before we’re thrown to another one. It almost feels info-dumpy, like you’re not sure who to pay attention to. And then if part one is too slow, part two is way too fast. Part two is another tragic backstory info dump, meandering traveling from point A to point B that is actually pointless and adds nothing to the novel, and then a bit of a deus ex machina conclusion that has to work because we’re out of pages and need to get to the end.
The ending itself is bitter. I understand that it’s an angry, reactionary book. The world does not treat queer and trans people fairly, but I think continuing to rehash the us versus them mentality only furthers the divide. It’s not a hopeful message. It’s deliberately othering, and I’m not sure if that’s the best message to leave your readers with especially when this book veers a little towards YA because of the age of its protagonists and their struggles and in spite of its graphic violent and sexual content.
Ultimately the book just leaves a bad taste in your mouth because it feels like It fanfiction. It’s a bit of a bait and switch. You prime your audience for stellar religious horror satire with that prologue and then you never deliver. It’s a messy read. And yet when this book was good, I was loving it. If you read for concept and not execution, it’s worth picking up, just bear in mind that it’s going to quickly devolve into feeling like something you’ve already read.
Who should read this:
Queer horror fans
It fans
Camp Damascus fans
Do I want to reread this:
Nope, but I will always pick up this author’s books
Similar books:
* It by Stephen King-this is the same book
* Camp Damascus by Chuck Tingle-gay teens sent to pray the gay away camp vs demons
* Maeve Fly by C. J. Leede-book that’s an homage to a classic horror movie, horror satire
* The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix-horror satire
* Godly Heathens by H. E. Edgmon-queer ensemble cast, YA magical realism
April 18, 2024
I definitely liked the Invasion of the Body Snatchers vibe here. I was also surprised and delighted that this becomes pretty full-on horror. It doesn’t stint on giving you some seriously messed up situations!
Readers sensitive to blood, gore and sex, may wish to tread carefully.
Where I struggled was with some of our characters. Many of them blended in so thoroughly that I wasn’t sure who I was reading at times. In fact, there’s one character who pops up later in the book that, while ostensibly in the book the whole time, I seem to have wiped from my memory! I mean they’re suddenly in the book, all the characters know them and reference them as being part of the first part of the book, and I’m completely blank. Even after finishing the book, I would swear that this character did not exist in the first part of the book! (Note: it is entirely possible that this is a me problem. Maybe my reading comprehension was off?)
It wasn’t just this character, though. Transitions between character points of view were a bit shaky here and there and caused confusion.
Overall, I did like the book. I just needed a bit stronger characterization to really engage.
• ARC via Publisher
June 21, 2024
This was for me the most utterly joyless, miserable, pointless slog of any book I have read in the past two years. And I have read over 50 books by trans authors in the past two years, including Felker-Martin's earlier "Manhunt". I was perhaps not in the right, in forcing myself to finish this text.
Structurally, this book has some serious authorial issues which make it just generally a poorly built tale, with too many characters too chaotically juggled to allow for their development to be enjoyable or smoothly conducted. But more generally, it just suffers from its having been written by a seemingly miserable person who seems to want to foist misery and hate and loathing and disgust on all of her characters at all times, in an endless stream of highly repetitive utmost unpleasantness.
I give this work a begrudging one star because I must grant that there are surely others out there as miserable and devoid of joy or hope or love as Felker-Martin herself, who wish to hear their joyless, hateful miserable disgust at humanity and trans lives mirrored back at them. But for me, I do not need the trans experienced given its most hateful and joyless and self-loathing form. That does not enrich my own trans experience, and it is admittedly very difficult to see or understand how it could enrich anyone else's.
Structurally, this book has some serious authorial issues which make it just generally a poorly built tale, with too many characters too chaotically juggled to allow for their development to be enjoyable or smoothly conducted. But more generally, it just suffers from its having been written by a seemingly miserable person who seems to want to foist misery and hate and loathing and disgust on all of her characters at all times, in an endless stream of highly repetitive utmost unpleasantness.
I give this work a begrudging one star because I must grant that there are surely others out there as miserable and devoid of joy or hope or love as Felker-Martin herself, who wish to hear their joyless, hateful miserable disgust at humanity and trans lives mirrored back at them. But for me, I do not need the trans experienced given its most hateful and joyless and self-loathing form. That does not enrich my own trans experience, and it is admittedly very difficult to see or understand how it could enrich anyone else's.
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