Devoted fans and scholars of Jane Austen―as well as skeptics―will rejoice at Tony Tanner’s superb book on the incomparable novelist. Distilling twenty years of thinking and writing about Austen, Tanner treats in fresh and illuminating ways the questions that have always occupied her most perceptive critics. How can we reconcile the limited social world of her novels with the largeness of her vision? How does she deal with depicting a once-stable society that was changing alarmingly during her lifetime? How does she express and control the sexuality and violence beneath the well-mannered surface of her milieu? How does she resolve the problems of communication among characters pinioned by social reticences?
Tanner guides us through Austen’s novels from relatively sunny early works to the darker, more pessimistic Persuasion and fragmentary Sanditon ―a journey that takes her from acceptance of a society maintained by landed property, family, money, and strict propriety through an insistence on the need for authentication of these values to a final skepticism and even rejection. In showing her progress from a parochial optimism to an ability to encompass her whole society, Tanner renews our sense of Jane Austen as one of the great novelists, confirming both her local and abiding relevance.
They say, 'one half of the world does not understand the pleasures of the other' Quite similarly, there are as many fanatics of Jane Austen, as there are skeptics. Her enduring popularity continues to bewilder a section of authors and literary critics who find her novels and concerns too remote and limited. Her growing fame confused even her contemporaries like Charlotte Bronte and Mark Twain who repeatedly wondering aloud what all the fuss around her was. Many derisively said that if you had one Austen novel, it was as good as reading all.
Tony Tanner tackles many of these criticisms through his nuanced and deep study of Austen's novels. His last chapter on Persuasion - the writer's last novel - in particular is very illuminating and helps you see both Austen and the book in a new light. Popularly it has been believed that Austen's novels were quite isolated from the happenings of her time. Though Austen never referenced too many political incidents in her books, Tanner points out how Austen was by no means unaware or unaffected by contemporary history. Many important political changes were coming about when Austen was writing her novels and the fall of Napoleon Bonapart and the Navy role in safeguarding England had a distinct echo in Persuasion, proves Tanner. Austen, he says, was starting to have serious doubts about her society and all that it had stood for. The waves of change were coming, and Austen was seeing this development with curiosity but with a distinct feeling that society was now entering into the realm of the unfamiliar and unknown. Austen was growing increasingly restless about her old society, its narrowness and complacency. The great wars heightened this feeling in Austen, and this aspect clearly comes through in Persuasion, where she frowns upon her own society, while looks very favourably (even admirably) at the Navy - which she felt was responsible for saving the country, while England's land-owning elite community did nothing. The book often provokes by throwing up various ideas, but at all points is challenging and illuminating.
You are forgiven for thinking this is a biography. It isn't. It's actually an analysis of most of her works (besides Lady Susan, The Watsons, and her juvenalia). While Tanner can be a bit bloviating and pontificating, he has some interesting insights; for instance, the connection between property and propriety in Austen's time, or how Marianne Dashwood's excessive sensibility exposes the falsehood of her society. It's worth checking out only if you're a huge Austen fan; there are worse books about her works out there.
I have read a lot of literary criticism, and this is absolutely one of the best. I used it extensively while studying for my English degree. Tanner really digs beneath the surface to bring us details about Austen's work that the reader wouldn't normally think of. Truly excellent.
Tony Tanner writes with clarity and insight. He is scholarly without being pretentious or dry. His analysis of acting in Mansfield Park and of the Navy in Persuasion broaden the context for us. His discussion of Sanditon, Austen’s final unfinished novel is especially enlightening.
Worthy of consideration as among the best of literary criticism, as estimable as that of F.R. Leavis and Lionel Trilling. Tanner gives us a Jane Austen worthy of being called the Aristotle of English fiction (although that's my comparison, not his). His Jane is fully immersed in the social, economic, political, and moral life of 17th & 18th century England: It ain't all love, pride, prejudice, and wit, although the wit is certainly appropriately honored. My only criticism of the book, which opens with a stage-setting introduction and takes us through the canon from Northanger Abbey to Sandition, is that Tanner doesn't follow through with a summary of this voyage, this voyage of her life and thinking. It's all there, but it would have been wonderful if he had brought it together for us.
Read this slowly, one chapter at a time as I finished each novel. It's useful, but at times I got the idea he didn't write it but spoke it into a tape recorder.
Brillantly written, full of references to history, econimics, lifestyle and linguistics. It is a must read for everyone who's fond of Jane Austen, and for those who want to deepen the Regency period as well.