If ever a clarion call were needed in defense of the First Amendment in general and libraries in particular, that time would be now. Amanda Jones is aIf ever a clarion call were needed in defense of the First Amendment in general and libraries in particular, that time would be now. Amanda Jones is an educator in a small Louisiana town, where she has lived all of her life. When a censorship battle presented itself, primarily at the behest of organized outsiders with an agenda, she turned up and spoke in a public meeting; in doing so, she unwittingly entered the most chilling chamber of horrors one might imagine.
My thanks go to Bloomsbury and Net Galley for the review copy. This book is for sale now.
Amanda describes herself as a committed Christian and a political moderate; she blushingly confesses to have voted for Trump in 2016. How could a Southern Baptist teacher and librarian suddenly find herself at the heart of a maelstrom, being referred to online as a pedophile, a groomer, and a member of the “woke” left? In a place in which outsiders hold less credibility than those with longstanding roots, how could so many native residents be convinced that pornography is being peddled to children by one of their own? Of course, the only way to create such an atmosphere is through fear and convincing lies.
“Book censors will often say there are books containing pornographic, or sexually explicit, material in children’s sections of the library to rile up public fear. They decry the need to protect children from the evil smut they say is next to Dr. Seuss books. As if a kid could be looking for The Very Hungry Caterpillar and whoops, there’s The Joy of Sex or The Kama Sutra right next to it. That’s never the case. Libraries have collection development policies for ordering books, and appropriate books are placed in the appropriate section. Public libraries do not purchase pornography. Adult books are not in the library’s children section, and to suggest otherwise is ridiculous.”
The American Library Association has guidelines for challenging books. This is essentially what Amanda tells those in attendance at the meeting the book burners called that evening. She is one of more than twenty other locals that show up for the same purpose.
What occurs at this meeting turns out to be a formula frequently used by the extreme right. A page of alarming material is blown up on a big screen for attendees to see. The presenter explains that this very book was found in an area easily accessed by children, right here in the public library in Livingston Parish. It’s a lie. The book isn’t there at all. But most people are decent and tell the truth most of the time; it doesn’t occur to audience members that this is a complete fabrication.
Why Amanda was chosen by these sinister visitors to be the sacrificial lamb is anyone’s guess. Perhaps she is more persuasive than others, or better organized in her remarks. Who knows? By the following day, social media has blown up with vile, horrifying accusations against her. Worst of all, there are people that she has known all of her life and considered friends, that add approving reactions to these poisonous lies. People she always believed would stand up for her, disappear instead, or join the opposition. Her family, her closest friends, and her fellow librarians across the country are the core of her defense, which eventually finds its way into the courtroom. Fellow educators at work? Not so much.
Although this takes place in the deep South, Amanda points out that these challenges are taking place across the country, with the ultimate goal of defunding public libraries. She mentioned a challenge in my hometown, Seattle, Washington, and I gasped. And so, this is an issue that must be monitored, and libraries and free speech defended, by all liberty loving readers everywhere.
The first half of the book is beautifully organized and compelling. I believe my jaw dropped when she wrote of sleeping with a shotgun under her bed, and checking for bombs or tracking devices on the undercarriage of her car. Death threats? Oh honey. Yes. The second half is also good, but could probably use a bit of tightening up. However, were I in her shoes, I would no doubt ramble endlessly.
This would make a terrific movie, and if well done, would certainly deliver the message to still more people.
I wholeheartedly recommend this memoir to all readers that support libraries and the First Amendment....more
3.5 rounded up; thanks go to Net Galley and Simon and Schuster for the review copy. This memoir will be available to the public April 2, 2019.
Dave is3.5 rounded up; thanks go to Net Galley and Simon and Schuster for the review copy. This memoir will be available to the public April 2, 2019.
Dave is seventy, and his dog Lucy is up there in years as well. Unlike most of Barry’s essays and books, this one has a reflective aspect and a bit of advice for those nearing or entering their senior years. There’s still a great deal of humor, but there’s a gently philosophical self-help thrust not present in his earlier work. As a 60-year-old retired reader that loves her dog, I represent his target demographic. And I also have to say—his demographic is clearly Caucasian, and this made me a mite uncomfortable. I’ll get back to that in a minute. I have to, since apparently no other reviewer anywhere is going to address it. *
Dave breaks his advice down into seven suggestions, all of which are in some way inspired by Lucy. None of his points are especially new or profound, but because he is so capable in describing and explaining them, he makes old tired advice seem worthy of my attention. A number of his observations left me nodding my head, and he includes liberal humorous anecdotes that in some cases, made me laugh out loud. And here I will put on my teacher hat and tell you that brain studies reveal that learning is easier when there is positive emotion that goes with it.
Dave wants senior citizens to stop merely being content—which is exactly what I am—and take the occasional trip out of our comfort zones. He describes a family trip to a wildlife preserve in Africa to illustrate his point, and his story is so hysterical that it leaves me gasping for air. I can never imagine myself participating, as Dave has, in a parade involving decorated lawnmowers, but I love reading about it. And he reminds senior men to find their friends and tell them how important they are. A great many men have friends that are very important, and that they haven’t talked to in person or even by phone for years. What are you waiting for? At some point, one of you will be dead, and then the survivor will realize his mistake. Barry argues for seizing the moment. (He also makes me glad I am female. My friends hear from me all the damn time, and when I leave the planet, they will know what they meant to me.)
I began reading Barry’s work in the 1980s, and during the ‘90s and ‘00s, I used one of his columns, “How to Play with a Dog,” to teach middle school students expository writing. Step by step, he told us how to do it, and in the most enjoyable way; and that’s what expository writing is. Kids that didn’t like to write sat up and listened to this. It is a genius piece of work, and because of this, and because of the long period during which I loved each and every thing he wrote, this book receives a favorable rating from me. Because there’s also a big problem with it. Keep reading.
I loved the way Barry skewers the whole ‘mindfulness’ shtick even as he also advocates for some of its better aspects. When he digs into the topic of the diversity workshop, I feel a little hitch in my breathing, a twinge of anxiety. I read Dave Barry Does Japan, and the things he said about the Japanese demonstrated that his understanding of other races and cultures needs an upgrade. Here he tells us that his wife is half Cuban, half Jewish, so we know he’s probably not an alt-right white supremacist, but at the same time, some of the jokes he makes are cringe-worthy at best. When he tells us that if he was ever forced to sit through another diversity workshop (as was required by the Miami Herald,) he would join the Klan and the Black staff members would go with him, I slumped. Aw, shit. Dave, statements like this are why diversity training even exists. If there’s a training and you are invited, run there and get you a real good seat. In fact, there’s a chance that other staffers had to go to a workshop that was mostly aimed at you!
I have had a similar experience with 3 or 4 other books I’ve reviewed, and there’s always someone out there that will leave a comment saying it’s ridiculous to fuss over one little sentence in the book. In anticipation, I have an analogy just for those people, and here it is:
Imagine you have been invited to a potluck supper. You hand your contribution--maybe a bowl of potato salad--to the host to add to the collection of food, and you grab a plate. There are three long tables, and you move down the row selecting from among the crispy fried chicken, the smoky ribs, watermelon, three-alarm chili, coleslaw, nachos, garden salad, pasta salad, fruit salad, a bowl of human excrement, baked squash with cinnamon, homemade cherry pie, key lime pie, shrimp salad, pesto salad, deviled eggs, and of course, your own contribution, the potato salad. But once you sit down, your appetite has fled, hasn’t it? You came in feeling hungry. You skipped a meal before this thing, cause you knew there’d be a lot of good things to eat. And of course, when you passed that bowl of human shit, you didn’t take any of it, and like everyone else, you politely diverted your eyes away from it once you were satisfied that it was exactly what it looked like. What the hell…?
After a glance around the room to see whether a joke is about to be sprung, or at least a conversation had about this inappropriate addition, you edge toward the garbage, where you quietly deposit your uneaten meal, and then you edge toward the door…all because of that one thing. Why would you toss a plateful of delicious food merely because there was one distasteful thing on the table? Because neither you nor your food could be close to that mess for even a minute.
So that’s how I see the Klan reference. It’s hard to chuckle after a bomb like that has been included, and he even includes a snarky remark after it about the fact that some will be offended, which comes off like an extended middle finger to anyone that doesn’t like a Klan-friendly joke.
And maybe that’s how it rolls with him; he has all the money he needs, and he doesn’t care if there are people that don’t like what he wrote. But I cannot for the life of me understand why someone would write a memoir like this, one intended to provide an excellent philosophy for his aging readers, one which will also be a part of his legacy after he’s gone, and then include something that will hurt some of the people that read it. I don’t get it.
Do I recommend this book to you? From where I sit, if you want it, don’t pay full price for it. I wouldn’t buy it for anyone I like, but now you have my take on it, so the as always, the decision rests with you.
*Sigh!
Merged review:
3.5 rounded up; thanks go to Net Galley and Simon and Schuster for the review copy. This memoir will be available to the public April 2, 2019.
Dave is seventy, and his dog Lucy is up there in years as well. Unlike most of Barry’s essays and books, this one has a reflective aspect and a bit of advice for those nearing or entering their senior years. There’s still a great deal of humor, but there’s a gently philosophical self-help thrust not present in his earlier work. As a 60-year-old retired reader that loves her dog, I represent his target demographic. And I also have to say—his demographic is clearly Caucasian, and this made me a mite uncomfortable. I’ll get back to that in a minute. I have to, since apparently no other reviewer anywhere is going to address it. *
Dave breaks his advice down into seven suggestions, all of which are in some way inspired by Lucy. None of his points are especially new or profound, but because he is so capable in describing and explaining them, he makes old tired advice seem worthy of my attention. A number of his observations left me nodding my head, and he includes liberal humorous anecdotes that in some cases, made me laugh out loud. And here I will put on my teacher hat and tell you that brain studies reveal that learning is easier when there is positive emotion that goes with it.
Dave wants senior citizens to stop merely being content—which is exactly what I am—and take the occasional trip out of our comfort zones. He describes a family trip to a wildlife preserve in Africa to illustrate his point, and his story is so hysterical that it leaves me gasping for air. I can never imagine myself participating, as Dave has, in a parade involving decorated lawnmowers, but I love reading about it. And he reminds senior men to find their friends and tell them how important they are. A great many men have friends that are very important, and that they haven’t talked to in person or even by phone for years. What are you waiting for? At some point, one of you will be dead, and then the survivor will realize his mistake. Barry argues for seizing the moment. (He also makes me glad I am female. My friends hear from me all the damn time, and when I leave the planet, they will know what they meant to me.)
I began reading Barry’s work in the 1980s, and during the ‘90s and ‘00s, I used one of his columns, “How to Play with a Dog,” to teach middle school students expository writing. Step by step, he told us how to do it, and in the most enjoyable way; and that’s what expository writing is. Kids that didn’t like to write sat up and listened to this. It is a genius piece of work, and because of this, and because of the long period during which I loved each and every thing he wrote, this book receives a favorable rating from me. Because there’s also a big problem with it. Keep reading.
I loved the way Barry skewers the whole ‘mindfulness’ shtick even as he also advocates for some of its better aspects. When he digs into the topic of the diversity workshop, I feel a little hitch in my breathing, a twinge of anxiety. I read Dave Barry Does Japan, and the things he said about the Japanese demonstrated that his understanding of other races and cultures needs an upgrade. Here he tells us that his wife is half Cuban, half Jewish, so we know he’s probably not an alt-right white supremacist, but at the same time, some of the jokes he makes are cringe-worthy at best. When he tells us that if he was ever forced to sit through another diversity workshop (as was required by the Miami Herald,) he would join the Klan and the Black staff members would go with him, I slumped. Aw, shit. Dave, statements like this are why diversity training even exists. If there’s a training and you are invited, run there and get you a real good seat. In fact, there’s a chance that other staffers had to go to a workshop that was mostly aimed at you!
I have had a similar experience with 3 or 4 other books I’ve reviewed, and there’s always someone out there that will leave a comment saying it’s ridiculous to fuss over one little sentence in the book. In anticipation, I have an analogy just for those people, and here it is:
Imagine you have been invited to a potluck supper. You hand your contribution--maybe a bowl of potato salad--to the host to add to the collection of food, and you grab a plate. There are three long tables, and you move down the row selecting from among the crispy fried chicken, the smoky ribs, watermelon, three-alarm chili, coleslaw, nachos, garden salad, pasta salad, fruit salad, a bowl of human excrement, baked squash with cinnamon, homemade cherry pie, key lime pie, shrimp salad, pesto salad, deviled eggs, and of course, your own contribution, the potato salad. But once you sit down, your appetite has fled, hasn’t it? You came in feeling hungry. You skipped a meal before this thing, cause you knew there’d be a lot of good things to eat. And of course, when you passed that bowl of human shit, you didn’t take any of it, and like everyone else, you politely diverted your eyes away from it once you were satisfied that it was exactly what it looked like. What the hell…?
After a glance around the room to see whether a joke is about to be sprung, or at least a conversation had about this inappropriate addition, you edge toward the garbage, where you quietly deposit your uneaten meal, and then you edge toward the door…all because of that one thing. Why would you toss a plateful of delicious food merely because there was one distasteful thing on the table? Because neither you nor your food could be close to that mess for even a minute.
So that’s how I see the Klan reference. It’s hard to chuckle after a bomb like that has been included, and he even includes a snarky remark after it about the fact that some will be offended, which comes off like an extended middle finger to anyone that doesn’t like a Klan-friendly joke.
And maybe that’s how it rolls with him; he has all the money he needs, and he doesn’t care if there are people that don’t like what he wrote. But I cannot for the life of me understand why someone would write a memoir like this, one intended to provide an excellent philosophy for his aging readers, one which will also be a part of his legacy after he’s gone, and then include something that will hurt some of the people that read it. I don’t get it.
Do I recommend this book to you? From where I sit, if you want it, don’t pay full price for it. I wouldn’t buy it for anyone I like, but now you have my take on it, so the as always, the decision rests with you.
Dana Trent is the child of two drug addicted schizophrenics who met and fell in love on the psych ward. And you thought your childhood was difficult.
Dana Trent is the child of two drug addicted schizophrenics who met and fell in love on the psych ward. The fact that she lived to adulthood is astonishing. Her story is captivating; my thanks go to NetGalley and Random House for the invitation to read and review. This memoir will be available to the public April 16, 2024.
“’Kids make the best hustlers,’ King told me the week after I was expelled from preschool. He lifted me onto the counter and coated his arms with palmfuls of petroleum jelly from the biggest Vaseline tubs Walmart sold. Then he greased up mine. ‘No one expects a runt in a Looney Tunes T-shirt to shank you,’ he explained. ‘Budgie!’ he said and pointed to my chest, then sealed my street name with a Vaseline cross to my forehead. ‘Budgie,’ I parroted, finger to my own chest…‘Guns are for idiots,’ he added. ‘Here.’ He handed me my first pocketknife, a foldout two-inch blade with a horse and buggy painted on the handle. Knives teach you to accept the inevitable. ‘You’ll get stabbed,’ he said, ‘but you’ll survive. No big deal.’”
The nickname “Budgie” was chosen because she was his lookout on drug deals. She would ride along with him, his trunk stuffed full of drugs, and when he got out, she was stationed on the highest available vantage point. If she saw someone—an ambush, the cops, anyone—she was supposed to sing like a bird. (Even other drug dealers and manufacturers questioned the wisdom of hauling a three year old on such expeditions, but King, as her father was known, was not easily influenced.)
At such moments, one might wonder where her mother was. Usually her mother was either unconscious in bed, or on the way into or out of that state. Because her father was awake and slightly more predictable, Dana considered him the more reliable parent. Before she was old enough for kindergarten, she understood that it was up to her to take care of The Lady.
My initial response to this scenario was to be bitterly angry at whoever decided to expel this child from preschool. Boom, there went that tiny girl’s one tie to the safer, saner world. How could anyone look at her behavior, her clothing, her hair and not call Children’s Services? I’m still fuming.
Miraculously enough, Trent made it to adulthood, and after years and years of therapy, she is able to lead a normal life. She’s achieved a remarkable amount, with a Ph.D. to her credit along with a solid career in academia.
And she can write! There is never a slow moment in this memoir, a hair raising read that I brought out at lunchtime, but never at bedtime. There is very little by way of dialogue, and that makes the swift, steady pacing even more remarkable.
Between Two Trailers is one of the year’s best reads. Highly recommended. ...more
Ian Fritz was an Airborne Cryptologic Linguist who served with the U.S. Air Force in Afghanistan for five years. Trained in both Dari and Pashto, he bIan Fritz was an Airborne Cryptologic Linguist who served with the U.S. Air Force in Afghanistan for five years. Trained in both Dari and Pashto, he became one of only two people that could understand what was being said by all of the people on the ground before and during battle. Following his service, he became a physician and writer. This is his memoir.
My thanks go to Simon and Schuster Publishing and NetGalley for the invitation to read and review. This book is for sale now.
Fritz was in many ways the perfect recruit; his family didn’t have any money, and he was brilliant, which meant that if he was going to have any opportunities, they would most likely come from the U.S. armed forces. He blew through his public school years, as gifted students that aren’t challenged often do.
This is where I long to stand on a big box and yell through a bullhorn: gifted students are at risk children! We must provide them with challenging, interesting curriculum, or they will stop bothering with school. I’ve been saying so for decades, and I’m saying it again right now. So many times educators and school districts assume these kids will automatically be fine. If the student is bored, they use them as unpaid tutors for their peers, which distorts relationships among the students and does nothing to provide the highly capable student with new, interesting material. These kids need different educations from those in the mainstream. Ian’s story is a powerful example of why this is so.
Ian was sent to an elite language training program, and then he was deployed. Initially, the successful flights in which targets were found, identified, and killed—often partly or solely because of his contribution—were exhilarating, but as time went on, he began to feel conflicted. On the one hand, the Taliban were responsible for the horrific, cowardly attacks on American civilians on 9/11, and were therefore a legitimate target. On the other hand, being able to understand what enemy soldiers were saying to one another made him aware that these were normal people, attempting to live their lives and repel the U.S. invaders. It’s hard to hate someone, or to be indifferent to them, when you overhear them discussing their plans for after the day’s fighting is done, or declaring that it’s just plain “too hot for Jihad today.” Sometimes a threat on the ground would be identified, and the Americans wouldn’t realize that this was an error until after the person they’d targeted was dead. And he knew the names of the dead, sometimes hear the survivors below desperately trying to get their comrade to a medic, but then…oh. Too late.
Then there was this culture among others he served with, those not trained in the language and who were therefore able to demonize the targets, howling with laughter at the way a body on the ground could be made to bounce if you shot it at just the right angle. He realized that “no one else had heard, and no one else ever would hear, the simultaneous screams of the JTAC [U.S. officer on the ground] and the Talibs. Or the sudden quiet when the Talibs died.”
Ultimately, he learned that Afghanistan was actually a lot safer without U.S. forces than with them.
As Fritz began to internalize his despair, he grew suicidal, and he knew he had to get out. It’s at this point that he was charged with malingering and cowardice; he would later learn that it was a trend among the linguists serving in this theater.
Fritz is one hell of a fine writer, and the narrative flows smoothly. I was surprised to find that this was a quick read, despite the intensity of the material. Surely there must be other military memoirs relating to Afghanistan, but as he points out, nobody else is writing about this experience, because almost nobody else has done what he has.
For those with the interest and the courage, this memoir is recommended. ...more
I was a teenager when Elton John’s music exploded onto the radio, and to this day, there are certain songs that I play in celebration, or when I need I was a teenager when Elton John’s music exploded onto the radio, and to this day, there are certain songs that I play in celebration, or when I need my mood lifted. For decades it lay in the back of my mind, wondering what was behind these lyrics or those. Never one to delve into the lives of celebrities all that often—a few shallow attempts convinced me that usually the most interesting thing about them is their work, which I’ve seen or heard already—I nevertheless filed it away, to find out about those lyrics one day.
Retirement came, and so with extra time to spare, I finally learned that Elton didn’t write those words. None of them! It was his writing partner, Bernie Taupin. I found this out only after reading an Elton John bio. I searched for one of Bernie’s and found empty air instead. When I saw this galley, I had to read it, and I am so glad that I did. Big thanks go to Net Galley and Hachette Books for the review copy; this book is for sale now.
Sometimes a public figure will publish a memoir, but either openly or secretly, they require a ghost writer, and in the cases of some others, we may wish that they had. Taupin, however, is a writer, and boy does it show! His eloquence is undeniable, hilarious in some places, moving in others. His judgment is unerring, knowing when to be brief and when to use detail, and his candor is refreshing as well. The result, for me, is that when I’ve finished reading, instead of the usual five or six quotes that I’ve highlighted so that I can select one or two to use later, I instead find that I’ve highlighted eighty-eight, and some of these are multiple pages in length! I’ve spent an hour trying to choose which one to share, and it’s hard because they’re all brilliant. Since choosing just one is impossible, let’s just go with the first, which is near the beginning of the book, the beginning of the Bernie and Reg (Elton, later) show. The chapter begins:
“Sheila hated my coat. I can’t say I blame her. It hung on a hook on the back of our bedroom door like a Neanderthal artifact from the Natural History Museum…when it rained, which was often, it smelled like an uncured yak hide. Afghan coats were in style, as were kaftan jackets, three button tees, and velvet pants. I’m positive we didn’t succumb to the latter, but as for everything else, my new best friend and I did our very utmost to look the part…Sheila was Reg’s mother.”
Born in a tiny, isolated hamlet into the very bottommost scrapings of the working class, Bernie knew from an early age that he wanted out. He loved his family, and later, when money came his way, he took good care of his parents, but he never wanted to live in that place again, and became Californian down to the marrow of his bones the instant he landed in Los Angeles.
Taupin doesn’t hold much back, that’s for sure. The most essential ingredients of a top notch autobiography are that the person has lived an interesting life; knows how to write about it; and is willing to talk about just about every aspect of it. Taupin gets top marks in all three areas. Early on, I became concerned about his attitude toward women, given that the first we learn of his having married is when he makes a side reference to his first marriage dissolving, and I thought, Seriously? You tell us all of the everything, but don’t even mention your marriage? Small wonder it didn’t take. I maintain that concern through two more marriages that get little ink; but then we reach his current, and most likely permanent union, and everything changes and I feel much better.
Taupin has stories about just about every celebrity on the planet, and he does talk about the inspirations for his lyrics. I would have finished this book much sooner, but the greatest joy of reading a rock and roll musician’s memoir is reaching back to listen to the songs whose lyrics he scribed, as well as the many musical influences that shaped him. (Country western, I kid you not!) This book became such a prominent part of my day that my family was leery of turning up during the lunch hour, because I had passages to read aloud. And yet they had to admit that many of them were pretty damn good.
This book is highly recommended to all that love rock music, Elton John, and also to those that just love a resonant, well written memoir. ...more
Rebecca Renner is a journalist who has written for National Geographic and a host of other prestigious newspapers and magaz3.5 stars, rounded upward.
Rebecca Renner is a journalist who has written for National Geographic and a host of other prestigious newspapers and magazines. Gator Country is her first book. Lucky me, I read it free and early. My thanks go to Macmillan Audio and Net Galley for the review copy. This book is for sale now.
Gator Country is the true story of wildlife officer Jeff Babouta and the sting that brought in a number of poachers and slowed the ravaging of the alligator population in the Florida Everglades. Babouta is coasting toward retirement when he is approached, and although he is reluctant, he is eventually convinced that he is the best qualified officer to carry out this assignment. To do it, he has to live away from his family for years, posing as a newbie gator farmer. This is a legal profession, but it’s also one that is rife with poachers. In order to bring the poachers in, he must first convince them to mentor him and befriend him in his farming operation. He spends years gaining their trust and learning from them, but then has to turn them in.
I thought hard about whether to read this book, because generally speaking, I don’t have warm feelings toward cops, and the past ten years have intensified that sentiment. But rangers and other wildlife cops are a bit more ambiguous; some of them do more good than harm. So it is with Babouta.
There are, Renner tells us, basically two types of poachers. Some are the small, independent people that she says are just trying to feed their families, and some are the large scale despoilers, those working on a large scale to provide gator parts to buyers from China, where they are prized for their medicinal properties and folk cures. Renner is sympathetic toward the former but not the latter.
In following Babouta’s story I pick up odd bits of knowledge. I have never been to the Everglades, nor do I plan to, and so had I not read this book, I would probably never have known that there are bottlenose dolphins there. Who knew? There are a number of such tidbits that I pick up along the way, and this is one of the best things about reading—or listening to—nonfiction.
That said, the audio becomes a complicated read for two reasons. One is that the narrative skips around a great deal. The main part is Babouta’s, but we also hear about Peg Brown, a legendary poacher whose name keeps coming up as Babouta converses with his new colleagues. I have no idea why I or any reader needs to know so much about the guy; from where I sit, Brown hasn’t earned his place in this book, but then it’s not my book. The story is needlessly complicated by Brown as well as a handful of other bits that are woven into the narrative, such as the journalist following along, and we would be better off without these.
The other issue with the audio is that when we shift the point of view, the person whose story we’re hearing has exactly the same voice as Babouta. Now and then I would have to pause and run it back, just to figure out who we’re talking about, or hearing from.
Even though the synopsis makes it crystal clear that the book is about wildlife poaching, rather than an alligator version of Jaws, I expected to hear of some close calls, some scary moments. But the scary moments are mostly about humans.
At the beginning, this book was such a snooze that in order to force myself to keep listening, I found other things to do with my hands. About a third of the way in, however, the story woke up, and after that I was mostly interested, apart from the occasional divergence of topic and point of view. For those that are sufficiently interested to want to read this book, I recommend that you either stick to the print version, or if you strongly favor the audio, get the print version to help you stay oriented and follow along. I would also try to get it free or cheap, unless you have an endless amount of cash to burn....more
Francoise Malby-Anthony is an established author and the owner of a game reserve in South Africa. Although she’s written previous books about this resFrancoise Malby-Anthony is an established author and the owner of a game reserve in South Africa. Although she’s written previous books about this reserve, The Elephants of Thula-Thula is the first of her books that I’ve read. My thanks go to Net Galley and Macmillan Audio for the review copy; this book is for sale now.
As I begin listening to the audiobook, I am not sure I like it much. After a brief passage about elephants, the author segues into a longer piece about rhinos and by the time she admits that the rhinos are her favorites, I mutter, “No kidding!” There are other passages in which she gushes about the refuge’s well-heeled but generous donors, and I’m beginning to feel as if this is the sort of book that people will buy because the refuge is a good cause, but nobody will actually learn anything or even enjoy it much.
About halfway in, though, I have a change of heart. The second half is much better than the first. She discusses throughout the book the challenges posed to the refuge by the pandemic, and she talks about the measures taken to remain solvent while also keeping her employees whole. There is actually more talk about elephants now. I confess I am jarred by the moment when a favorite animal dies (no spoilers) and she tells us that this is the worst grief of her entire life. She says this not too long after explaining that the reserve’s founder, her husband, has recently died, and so my head snaps up when the tells us that the loss of the animal is the worst. I am chalking it up to hyperbole, but if I were the editor, I’d suggest a rewording.
Nevertheless, there are wonderful anecdotes about the elephants, and of course the rhinos, as well as the addition of a cheetah. She discusses baboons—I’d never fully realized how scary they can be—and I enjoyed hearing about how one goes about moving a giraffe to another location. There’s a lot more about elephants in the second half, and she discusses the threat to the herd when some bureaucrats add up the acreage and decide that there are too many elephants here, and some must be either moved out or “culled” (which means, of course, killed!) The reserve is expanded, but it takes a whole lot of jockeying and maneuvering to carry it off.
Readers that have enjoyed Malby-Anthony’s earlier books, or that have a strong interest in wildlife preserves may enjoy this book greatly, and it is to them that I recommend it....more
Kim Foster and her husband, David, create a food pantry in front of their house—and later, inside it—during the pandemic. It begins with the employmenKim Foster and her husband, David, create a food pantry in front of their house—and later, inside it—during the pandemic. It begins with the employment of one hungry handyman who’s also an addict, and from there, it mushrooms. This is her memoir of that time, and also a philosophical treatise on poverty and hunger in the United States.
My thanks go to Net Galley, R.B. Media, and St. Martin’s Press for the review copies. This book is for sale now.
When Foster’s family moves from New York to Las Vegas, one of the first thing she notices is the meth. It’s everywhere. Perhaps it is the milder weather; addicts in New York have to find a spot out of the weather during much of the year, but Vegas is in the desert, mild enough for the unhoused to sleep just about anywhere, warm enough that addicts don’t have to hide themselves away to get high.
The pandemic hits Vegas hard. So many people make their living from some aspect of the entertainment business, and for a while, it is a dead industry. And so, after hiring a man with an obvious dependency to do work on their property—work that he never completes—and hearing his story, the Fosters decide to convert the little free library in front of their home to a little free pantry. And from there, it mushrooms.
The pantry begins small, but Foster is a chef, and she can’t stand the notion of just putting out pre-packaged crap when she can cook food with fresh ingredients that will make others feel better. And as the book takes off, I momentarily regret taking this galley, because I generally hate stories that drop recipes into the middle of the plot. If I want cooking information, I’d rather go to a cookbook, or to a recipe website. And it was right there in the title, after all: The Meth Lunches. It’s pretty obvious from the get go that lunch is going to be juxtaposed with social issues.
But as the story continues, I don’t hate it after all. For one thing, this whole book is nonfiction. There’s no plot that is sidelined by a recipe. The whole point is that that Foster considers food, and the act of feeding others, to be a sort of therapy. She makes the point well.
Eventually, the scale of the operation becomes mind boggling. Multiple freezers to hold meat; trucks that deliver food. The pantry begins as an out-of-pocket gift from the Fosters to the down and out of Las Vegas, occasionally supplemented via Venmo from friends, when they are able to help. Inevitably, the pantry finds its way into the local media, and networks form with other food banks and nonprofits.
In between all of this, Foster develops relationships with some of the people that come by. She and her husband are foster parents—ironic, given their name, right? And we hear not only about what the children they house and love have experienced, but also about the children’s biological families. Because although it’s officially discouraged, Kim strongly feels that the children heal best if their biological parents are in their lives in whatever limited way is possible. So before we know it, she is deeply involved with some horribly dysfunctional adults as well. And it is the stories she tells about interacting with them and the children, two of whom she and David eventually adopt, that make this story so riveting.
At the outset, she intends for the pantry to be a resource for local families that have homes and kitchens, but whose finances have taken a huge hit due to the pandemic. The very poor already have resources, she reasons. But of course, the homeless find her, and she doesn’t turn them away. And here is the rub, the only aspect of this book that I dislike. She tells us that one unhoused person in four is mentally ill, and she believes that this official figure is low, at least in Las Vegas. And then she talks about those with addiction issues.
But what she never gets around to discussing at all—unless she does it so briefly that I miss it—is the unhoused people that are not chemically dependent on anything, whose mental health is stable, but who don’t have a permanent residence because they straight-up ran out of money. To hear her tell it, you’d think they don’t exist, and you know that’s not so. So many American families live from paycheck to paycheck, even when the economy is said to be booming. And I feel that she has left these people without faces or voices. And that, in turn, perpetuates a stereotype, the one that suggests that everyone that is homeless is there because they’re either crazy or junkies or both. I use the offensive terms intentionally, because that’s how the stereotype works.
And the stereotype in turn begets a lie, the insinuation that nobody has to be unhoused. Don’t use drugs. Get mental health care. Get over yourself. And whereas I can see that Foster doesn’t intend to promote such thinking, and in fact takes a hard line over poverty existing at all in such a wealthy nation, when she doesn’t give space to the many, many individuals and families that are out there because the wage earner was laid off, or because they were just squeaking by but then the rent increased, it does distort her overall picture. I don’t come away from this book thinking that most of the homeless are not using meth or any other dangerous, life-altering street drugs, even though it’s true.
Nevertheless, this is a poignant, stirring tale that won’t be told by anyone else, because it can’t be, and bearing in mind the caveats above, I recommend it to you, both as audio and print. ...more
On the Line, a labor memoir by Daisy Pitkin, tells the true story of a grassroots struggle to organize a nonunion laundry in Arizona as part of an indOn the Line, a labor memoir by Daisy Pitkin, tells the true story of a grassroots struggle to organize a nonunion laundry in Arizona as part of an industry-wide unionizing campaign. My thanks go to NetGalley and Algonquin for the invitation to read and review. This book is for sale now.
Daisy is an organizer for UNITE, a labor union that organizes textiles, laundries, transportation, service workers, and some others, created by the merger of ILGWU (International Ladies Garment Workers Union) and ACTWU, the American Clothing and Textile Workers Union (of which this reviewer was once a member and union activist.) She is working at the ground level, approaching workers in the parking lot, partnering with a woman named Alma that worked there and could talk to other workers inside the factory.
The memoir is written in the second person to Alma, and at first this seems odd, but as I read, I realize this is an effective and intelligent choice. By addressing Alma and the things that Alma has said and done during this fight, as well as the things the author did, along with what they did together, and the occasional differences of opinion they had and how they resolved them, she avoids making herself sound like a martyr to the cause. It would not read nearly so well in the first person, with the reader as audience.
The tasks of the workers all revolve around the commercial laundering process. Immense bags of dirty linens weighing up to 300 pounds are pushed off of the delivery trucks in rolling carts.
“The linen moves down the belt, you said, and then you flicked your arms back and forth to demonstrate how you and the other sorters toss sheets into one bin, towels to another, gowns to a third, and so on. You said, Sometimes they speed up the conveyor, and we don’t have time to be careful. There is a lot of blood and puke and feces. You said, We don’t get shoe covers, so some of us take off our shoes and drive home in our socks. You said, Our gloves are too big—they slip off our hands. Sometimes when they tear open, we have to handle the soiled linen with exposed skin…you were demanding a seemingly simple thing: to work your eight-or-ten-hour shift and come home unharmed. You wanted gloves that hospital needles cannot puncture. You wanted face masks to keep the blood and fluids from other bodies from entering your bodies. You wanted safety guards put back on machines where they had been removed. You wanted linen dust cleaned from the rafters to prevent fires.”
Safety rules are routinely flouted. Dirty linens land on the belt, and the belt feeds them into the mouth of a tunnel washer. When the washer jams, workers sometimes have to crawl through hot, bleachy, contaminated water to clear it and get it working. The supervisors are supposed to cut power when someone is in there, but they don’t. Ultimately it’s a choice for the owners to risk a possible, but unlikely fine from the government, or frequent decreases in production, which cut into profits. The workers are expendable; they can always find more. The wash and dry departments of industrial laundries are the most fatal of all industries, according to U.S. government statistics.
Daisy and Alma are working on a shoestring. When they have to be away from home overnight in order to meet workers as they go in or come out, they sleep in the car. Their signs are made by hand with posterboard and Sharpies. Initially, all of the workers sign cards, but then management begins a campaign of threats and intimidation. Not all of the workers are in the States legally, and most of them don’t know their legal rights. Most of them rescind their votes, and then it’s an uphill climb to get them to sign again.
This is a topic that is of great interest to me, and I was supposed to have read and reviewed this book in April of 2023, but my stomach twisted as I read of the horrific obstacles encountered by workers and by Daisy, and halfway through I had to put it down. Only recently did I slap myself upside the head and resume reading.
In any labor union, there are two sets of obstacles. The first, the one that is obvious, is the company, the bosses. Unions cut into profits, so the owners or boards of directors nearly always fight unionization. The second, and lesser known, is the union officialdom at the top. These people spend more time around the bosses and other highly paid union officers than they do around the workers, and they become jaded, sometimes contemptuous of those that they are supposed to represent, whose dues pay their salaries. When Daisy is eventually promoted, she discovers it’s harder to do anything that is in the interests of the clientele.
The book also includes a fair amount of union history, and it’s clearly explained, well woven throughout the narrative.
For those that are interested in unions and labor history, this is an excellent resource. But don’t read it at bedtime; it will do things to your dreams....more
I was in the mood for a celebrity wallow and that’s what I got. I have never watched Gay on any reality TV program, but was drawn by the book’s sassy I was in the mood for a celebrity wallow and that’s what I got. I have never watched Gay on any reality TV program, but was drawn by the book’s sassy title. I checked out the audio version of this memoir from Seattle Bibliocommons and listened to it in the evenings when I was watering my plants.
I had a bit of an anti-Mormon bias going into this thing, having spent a somewhat traumatic freshman semester at BYU, the Mormon’s flagship college, several decades ago. I was a squeaky clean kid with several Mormon friends, and I thought I’d fit right in. I didn’t, and the system reeked of superficiality, rewarded passivity for the girls, and I saw hypocrisy right and left; it grated on me. I couldn’t wait to get out of there, even though I had initially been desperate to live anywhere in the world other than home. So I smiled when I saw this memoir, and thought okaaay! Let’s hear it.
By the time Gay was finished, I was a little less anti-Mormon than when she began. What can I say? Perhaps I was born contrary. But to kick over the traces of the faith and culture in which you have been raised, there should be a good reason, right? Maybe you’ve found disparities and contradictions within the doctrine, or decided that a system that endorsed racism and sexism was not okay, or as a woman, you longed for a professional career that required brains and didn’t involve staying home all day. Any good reason.
But for Gay, she changed, and yet she didn’t. She wanted more control of her own life, and there, I sympathize. But ultimately what she really wanted to do was develop a business in which she sold women booty-shot photographs of themselves and peddled a product that allowed women to do their own Botox injections; because, she asks, what could possibly be more important than your physical appearance? And I said, Yup. Sounds plenty Mormon to me.
Other things rubbed me the wrong way, too. Here’s one: while she is being filmed for the Real Housewives TV program, she realizes that she has to formally break with the Church, which in turn means pulling the rug out from under her three daughters. Telling them about this is something to be done privately, with sensitivity and care, right? Well, no. She does it while she’s being filmed, so it will turn up in a zillion living rooms all over America, including those of their extended family and the girls’ classmates. She peppers her narrative with quotes from the Book of Mormon--which she doesn’t cite; is she being ironic, or running on automatic pilot?
I just can’t.
On the other hand, what does one expect from a book like this? There are a few good laughs, and lots of cliches. And I learned what goes on in a temple ceremony; spoiler alert, it’s dull.
For those that are interested, I advocate for getting this book free or cheap. Don’t pony up the full cover price. ...more
Marked for Life is the legal memoir of Isaac Wright, Junior, and it is a compelling story. At age 28, Wright was framed as a “drug kingpin,” though heMarked for Life is the legal memoir of Isaac Wright, Junior, and it is a compelling story. At age 28, Wright was framed as a “drug kingpin,” though he had never used or sold drugs, and when he rejected the plea deal offered him, he was convicted and sentenced to life plus seventy years.
Through his own efforts, he was able to prove his own innocence and regain his freedom. This book is for sale now, and you should get it and read it.
My thanks go to Net Galley and Macmillan Audio for the review copy. Listening to the recorded version is all the more powerful, because the author reads it himself. Readers should know that this book starts out painfully harsh, with the blow-by-blow events of the day he is arrested, and his subsequent treatment. There’s not a tremendous amount of physical violence, but the emotional toll could just about bring me to my knees; imagine how it must have been for Wright, who lived through it! I begin to fear that I will dread listening to it, and so I promise myself that this will be my car book; I will listen to it while I am driving around, and when I get home, I will turn it off. However, only the beginning is harsh, and once I am twenty percent of the way into it, it becomes so interesting that I quickly change my mind, and it joins me in the kitchen. So reader, don’t be afraid of this book. The rough part is all in the first few chapters.
Wright is targeted by corrupt local officials, who are under the misapprehension that he has a small fortune socked away in the safe in his bedroom. In fact, Wright is a successful businessman; he starts as a music producer, then moves into management, touring with Run DMC, and indeed, he and his family live well. Although he doesn’t say as much, part of me wonders if that is his crime, in the eyes of the local cops and courts: he’s a Black man with money. As soon as he is arrested, the shakedown begins. Give us the money, Wright, and we’ll make it all go away.
He doesn’t, and they don’t.
The most fascinating part of this is learning how a prisoner is able to study the law and represent himself. Obviously, not everyone is as literate and intelligent as Wright is; he makes himself indispensable to other prisoners by assisting them with their own cases also. His ability to juggle a lot of moving parts—his own appeal, his fellow inmates’ cases, and the rigors and restrictions of the prison system, along with the endless pressure on him from those that framed him—is impressive. A lot of his success lies in his perception of what other people want. What does the warden want? What do his fellow prisoners want and need? If this had been me, I don’t think it would have gone well. I’d have been good with the research and the paperwork, but I doubt I could have read the wishes and intentions of those around me as successfully as Wright has done. Ultimately, it is an inspirational story, and I highly recommend it to you....more
My thanks go to Net Galley and Random House for inviting me to read and review The Forgotten Girls, by Monica Potts. I generally enjoy reading books tMy thanks go to Net Galley and Random House for inviting me to read and review The Forgotten Girls, by Monica Potts. I generally enjoy reading books that focus on the working class, and so I thought this would be a good fit. And it might have been, had it been better written.
In broad contours, it’s a memoir that examines the lives of Potts and her best friend, Darci, both of whom grow up in a tiny, isolated town in the Ozark Mountains. The community is long on religion and red hats, and short on jobs, opportunity, ambition, and encouragement for girls to make something of themselves. Nevertheless, Monica, whose mother has raised her with the expectation that she complete her high school education, go to college, and then live somewhere else where there are more possibilities, has done all of those things, while Darci, who is every bit as talented and has just as much potential, is raised by a dithering mother that lets her do whatever she chooses because she dislikes conflict, and who has no expectation that her daughter will make a better life for herself, since she herself did not.
Okay.
Potts wonders why she made it out of there and Darci didn’t, and yet I’m not seeing the mystery, nor anything that’s all that different from what’s happening all over the country. And indeed, part of the time, Potts discusses this fact, that it is happening in many places that lack resources and that don’t prioritize education. And so, sometimes the story seems to be a sociological study that uses Monica and Darci as examples, and at other times there is so much anguished self-flagellation that I find myself wondering why she thinks the public needs to hear about her friend’s failure to thrive, and whether this isn’t mostly therapeutic writing for the author’s own benefit.
In other words, the book seems like a lengthy treatise in search of a thesis. We wander in and out of both girls’ lives, with a good deal of attention paid to the death of Potts’s sister, but there’s no real direction or clear purpose that I can find.
In the back of my mind, I can hear choruses of other readers asking whether this situation is considered special because it’s about white girls. Nobody makes a fuss when girls in rural areas that are Black or of Latinx heritage fall through the cracks; hell, it’s been happening for more than a hundred years.
Many other reviewers seem to find merit here, but I confess I don’t see much. If you choose to read this one, I suggest getting it free or cheap. ...more
Pulitzer Prize finalist Matthew Hongoltz-Hetling takes on the weird world of alternative medicine and the medical freedom movement in his new book, IfPulitzer Prize finalist Matthew Hongoltz-Hetling takes on the weird world of alternative medicine and the medical freedom movement in his new book, If It Sounds Like a Quack. My thanks go to Net Galley and PublicAffairs for the review copy. This book is available to the public right now.
The fact is, I have—or I had—no particular interest in alternative medicine, but I had read Hongoltz-Hetling’s last book, A Libertarian Walks Into a Bear, which was well researched, well written, and most importantly, completely hilarious. I have reviewed over 800 books, but the number of those that I later purchase is smaller than 10; yet I bought that book to give as a Christmas gift. So when I saw that he had another book available, I didn’t hesitate. And I wasn’t disappointed.
The book describes the bizarre programs and treatments espoused by six individuals: Larry Lytle, Toby McAdam, Robert O. Young, Alicja Kolyszko, Dale and Leilani Neumann, and The Alien. The seventh player in each section is America, and that’s where we see what U.S. laws say, and what enforcement, if any, comes down on these snake oil salesmen.
The opening section, the first of four, introduces each of these players and explains what led to them going into the businesses they have chosen. Among the various One True Cures are a laser salesman, a leech peddler, faith healers, a supplement seller, and a Mormon missionary that resurrects a long-dead theory about germs. There’s also a pair that develops a health drink; one of them is human, and one is not.
The author suggests that the success of these characters—and some of them have become wealthy beyond belief—has a good deal to do with the state of standard medical care in America. Nobody trusts Big Pharma. The disparity of what treatments we can expect is so great that in one New York hospital, there’s a wait time in the ER of nearly 6 hours for most people, whereas the wealthy can get a private room with high thread count sheets and a butler. One can see why many people conclude that anything must be better than this; yet, they are mistaken.
Apart from his sterling research and documentation, and his clear, conversational tone that at times caused me to forget, momentarily, that I was reading nonfiction, the thing that sets Hongoltz-Hetling apart from others is his ability to shift seamlessly from prose that is falling-down-funny, to that which is not only serious, but tragic, without ever breaking the boundaries of good taste. Because he did it so brilliantly in his last book, I watched for it this time—and I still couldn’t catch the segue way from one to the other.
Because I had fallen behind in my nonfiction reviews, I checked out the audio version from Seattle Bibliocommons and listened to it while I watered my plants. It is very well done, and I had no problem following the thread. The only downside is that the printed version has some humorous puns by way of spelling that the listener misses.
One way or the other, get this book and read it, even if the topic isn’t inside your usual field of interest. Highly recommended to everyone. ...more
Julia Lee is not amused, and she’s decided to say the things nobody else is saying. In this deeply analytical, provocative memoir, she tells us about Julia Lee is not amused, and she’s decided to say the things nobody else is saying. In this deeply analytical, provocative memoir, she tells us about her own experiences growing up, and the issues faced by Asian immigrants and Asian Americans in the United States, where “we are critical to the pyramid scheme of the American Dream.”
My thanks go to Net Galley, Henry Holt Publishers, and Macmillan Audio for the review copies. This book is for sale now.
In some ways, I feel as though I am reading someone else’s mail as I read this, because it is clearly intended for an audience of people of color. However, I did read it, and I’m going to review it.
When the discussion of race in the U.S. comes about, it is, as Lee states, almost always a conversation about Black people and Caucasians. Those that don’t fit into either group are sidelined. Perhaps more harmful is the way that people of Asian descent are presumed to be sympathetic to the status quo. Ever since a major news periodical dubbed Asians as “the model minority” back in the early 1960s, expectations and assumptions have leaned in that direction. And the roots of this division—Black versus Asian—make this a particularly thorny assumption to untangle. After all, a large percentage of African-Americans can trace their lineage to slavery; their ancestors weren’t born in the States, nor did they choose to come here, but were kidnapped and brought by force. Angry? You bet! But Asian immigrants came of their own accord, oftentimes fleeing untenable circumstances in their countries of origin. And so, their children, and those that have come after, have largely been indoctrinated to be appreciative. If things don’t go well, they tell them, then we must work harder!
This Caucasian reviewer comes to you without the Asian background, appearance, or experience that Lee speaks of; yet I live in a city that has one of the largest Asian populations in the U.S., and am married to an Asian immigrant, and parent to a child that is half-Japanese. So many of the stories—strangers that ask where you’re from, and won’t accept the truth of “California,” where Lee was born, or “Seattle,” my daughter’s hometown, are familiar ones.
Lee is fed up with the mainstream news stories that endeavor to pit Asian and Black people against each other. Her parents were small business owners in a mostly Black part of Los Angeles during the riots of 1992, and her experiences inform her conclusion, that there must be solidarity between all people of color in order to successfully fight for significant change.
The one bone I have to pick is the casual manner in which she dismisses the question of social class as a key factor. Her very brief note about this is that it’s a tomato and to-mah-to issue, not worth much discussion, because most people of color are working class. This is simply untrue, and it enforces a stereotype of Black people as being mostly poor and dispossessed, when in actuality, eighty percent of Black people in the US live above the poverty line. There are African-Americans that have far more money than I will ever see; some of the many Asian groups have a higher median income than Caucasians. So yes, social class is a huge factor here, one that Lee should examine more critically. There are working class Whites that can be allies; there are wealthy families of color that would shut down the struggle, given half a chance. The missing star in my rating reflects her failure to recognize this, and to offer concrete solutions to this problem.
The book’s title comes from Lee’s mentor at the otherwise very white-supremacist dominated Harvard—Jamaica Kinkaid. I actually gasped when I saw this. What a luminary she found to guide her!
Both the audio and print version of this book are equally readable, so go with whatever you usually prefer.
This is a fine resource for those seeking to examine Asian and Asian-American racial dynamics. Read it critically, but do read it. There’s a lot here that has needed to be said for a long, long time....more
Donna (eye problems; please be patient)
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