While I find it a little odd that everyone is depicted with their eyes closed (one reviewer noted that doesn't really convey "boldness"), I generally While I find it a little odd that everyone is depicted with their eyes closed (one reviewer noted that doesn't really convey "boldness"), I generally find this illustration style adorable. And the illustration of Audre Lorde is one of my favorites. Though Angela Davis, Nina Simone, and Maya Angelou are also excellent.
The book grew out of a project to illustrate one historical African American woman each day during Black History Month, but this book actually contains 40 women -- 11 of whom were new to me. Mary Boswer spied against the Confederacy because no one suspected a "slave" would be able to read! Charlotte E. Ray applied to Howard University's all-male law school using her initials and they admitted her and let her stay even after they learned she was a woman -- and she was the third woman of any race to graduate from law school in the U.S. (first African American woman). Alice Ball developed a treatment for leprosy at the University of Hawaii! I hadn't previously registered the name of the woman who did the famous doll experiments (Mamie Phipps Clark, 1917-1983), nor had I internalized that those experiments were used as evidence in the Brown v. Board of Education case. I had no idea that Raven Wilkinson (1935-) predated Misty Copeland (Wilkinson was the first full-time African American dancer in the Ballet Russe de Monte Carlo, and also danced with the New York City Opera at Lincoln Center -- Misty Copeland was the first black principal dancer at the American Ballet Theatre).
I was a little uncomfortable in the Rebecca Lee Crumpler (1831-1895) section with "She was new to the adversity and racism of the South" (p. 8) as if Massachusetts (where she was from) was immune to that -- but then a couple pages later the Mary Eliza Mahoney (1845-1926) section says, "Although Massachusetts was a leading state in the antislavery movement, discrimination and segregation were still a way of life. The hospital [the New England Hospital for Women and Children, now the Dimock Center] however, prided itself on the fact that it treated both black and white patients. It also had a nursing program that admitted one black student and one Jewish student per year. They considered this quite progressive" (p. 12) and I felt better.
I was also pleased that the Marian Anderson (1897-1993) section included the full name of the 1963 "March on Washington for Jobs and Freedom." And the Mahalia Jackson (1911-1972) section included the fact I had only recently learned -- that when Dr. King gave his "I Have a Dream" speech, she was the one who, from the podium behind him, told him "tell 'em about the dream" -- "That most famous part of his speech wasn't planned, but Mahalia knew how powerful his words were, and how important it would be to share them" (p. 32)
I learned a badass story about Nina Simone (1933-2003, born Eunice Waymon): "At age twelve, when Eunice's parents were removed from the front row of one of her recitals to make room for a white couple, she stood up and refused to play until the injustice was corrected. The event left her hardened and distrustful but demonstrated the power of activism through music" (p. 52).
There are also 12 more women listed in the back -- 4 or 5 of whom were new to me (technically once I read "first black women to win an individual Olympic medal in swimming," I thought, "I think I remember that story," but the name Simone Manuel didn't trigger my memory in and of itself).
Addendum: After I had read this book, I learned that Minh Lê's "Best Picture Books of 2017" gave this an Honorable Mention for "Best History."...more
I don't love the illustration style of tiny bodies with giant heads, but I do really like that almost all the women profiled in this book are non-whitI don't love the illustration style of tiny bodies with giant heads, but I do really like that almost all the women profiled in this book are non-white (we start with 3 white women, then 7 women of color).
Each spread has a brief rhyme and then a couple of prose sentences explaining in more detail about the woman, which I think works well. The women selected felt to me like a good mix of more familiar and less familiar names. It's fairly US-centric, though it starts with Ada Lovelace and Florence Nightingale and ends with Malala Yousafazai.
I have a couple quibbles -- I don't love the "overcoming disability" narrative of Wilma Rudolph ("Wilma Rudolph wore a leg brace as a girl. Yet she became the first American woman to win three Olympic gold medals in track and field!") and Maya Lin's rhyme refers to the Vietnam War Memorial as "carved with heroes' names" but really it just has the names of all the USian soldiers who died in that war, and let's not equate military service with hero status -- but overall I'm pleased with it and will be gifting a copy to the nibling.
There's also a 2-page spread at the end with 12 women, each with one line explaining their importance (I think 7/12 are white). This set is also fairly US-centric, though it includes Joan of Arc, Frida Kahlo, and Indira Gandhi.
Hilary Clinton's says "First woman to run for president of the United States with a major political party," and I wished they'd actually included Shirley Chisholm (the first Black woman to run for President of the U.S. -- though yes there are plenty of "firsts" we could include, like Victoria Woodhull), but I was really pleased that Lucille Ball's included "the first woman to run a major TV studio."...more
I really like this illustration style (the matte paper).
Whereas the adult book and ensuing movie works to show how Dorothy, Mary, and Katherine were pI really like this illustration style (the matte paper).
Whereas the adult book and ensuing movie works to show how Dorothy, Mary, and Katherine were part of a community together, this picture book merely moves from one woman to the next. Because I read quickly, I would often find myself confused and then remember that oh yes, the name of this woman was different than the name of the previous woman I was reading about.
Although it talks about various legal and cultural barriers the women faced because of racism (and, implied, sexism), because each woman's story is isolated, I often felt sort of detached from that broader socio-cultural context while reading this book -- maybe because I read so fast? There's a 2-page spread after John Glenn and before Christine Darden (who started at Langley in 1967, as opposed to the other women who started there in the 1940s and 50s) about segregation ending (I loved the background image of 4 Civil Rights leaders, though I could only name Rosa Parks and MLK). I appreciated that its text ended with, "Across the country, people started to think about ways to bring equality to all Americans" -- because the "started to think about" undercut the potential idea that all of segregation etc. got solved in that moment in history (though okay, it is a bit disingenuous to imply that people were only just starting to think about it now).
After the narrative ends, there's a timeline, brief bios of each of the 4 women, a glossary, and an author's note....more
This was one of Black Girls Love Books' "New books that celebrate Black girls and women for Black History Month!" so I was excited about it, but whileThis was one of Black Girls Love Books' "New books that celebrate Black girls and women for Black History Month!" so I was excited about it, but while it's a nicely illustrated book and the narrative isn't bad, it felt sparse and generic to me. (I mean, I also don't love the refrain of "If you can dream it, if you believe it and work hard for it, anything is possible," since that's not actually literally true, but I'm willing to roll with it for the sake of a picturebook encouraging children to not give up on their dreams just because they're not sure how to achieve them or other people discourage them.)
Another reviewer noted that Jemison's life is so rich and interesting that this book could have been so much more. I don't know anything about Jemison beyond the mini-biography at the end of this book, but even just in reading the book I was hoping for more about how Mae achieved her dream....more
While illustrated, this book is more text-heavy than I was expecting -- it's for older kids, not a picture book. Starting with the incident of Fannie'While illustrated, this book is more text-heavy than I was expecting -- it's for older kids, not a picture book. Starting with the incident of Fannie's death can be a little confusing, but overall I think the narrative is engaging. It's realistic about how often unions were unsuccessful, but not in a way that feels despairing.
Fannie was inspired by learning about garment worker unions in other cities! She started her work with garment workers but also worked with coal miners! When a mine owner shipped in scabs, rather than fighting them Fannie told them what they were brought in for and many of them joined the strike! (and the union paid for return tickets for anyone who wanted -- I really appreciate any moments in stories like these that include mention of the real financial support that was necessary for folks to be able to live into their ethical commitments)
I also really liked that book included what dollar amounts would be in today's currency -- 'cause sure, earning $5/wk sounds terrible, but we also know things were cheaper back then, so saying that's $145/wk today gives the reader a sense of scale....more
I understand that it was in part her efforts for peace that attracted the negative attention of the U.S. federal government, but I was really unintereI understand that it was in part her efforts for peace that attracted the negative attention of the U.S. federal government, but I was really uninterested in that part of the story (the peace efforts, not the part where the feds labeled her "dangerous"). I think in part because it felt generic -- we are told that the International Congress of Women passed 20 resolutions for peace, but we don't learn any details of any of them -- and because there's no indication that it helped stop WWI (and we know that wasn't the last global conflict) so it feels a bit like "what was the point?" -- but honestly probably mostly because I have a knee-jerk aversion to women-as-women working toward peace because there's so much baggage around essentialist ideas of women as inherently more peaceful, nurturing, less violent, etc.
Also, although the story talks about Hull House as something that Jane put together and ran herself (soliciting donations from wealthy women, but otherwise it seems to be all her), the note at the end mentions that she founded it with her college friend Ellen Gates Starr," and I wondered if they were lesbians, and lo Wikipedia supports me.
Early on, the book says, "The years passed quickly--time for Jane to leave home, get married, and start a family. That's what women were supposed to do. But Jane had plans of her own--college, and a career helping others." So yes, the book makes space for girls who don't wanna get married and start a family to see themselves reflected, but I was disappointed that it didn't include mention of the valuable partnerships that offered her so much support. Whatever one thinks about the nature of her relationships with Ellen and Mary, they were important relationships and I think it's important to show kids that doing great things doesn't have to mean doing them alone. Wikipedia says, "Her relationships offered her the time and energy to pursue her social work while being supported emotionally and romantically," and Jane literally did refer to her relationship with her second partner, Mary Rozet Smith, as a marriage....more
The fine colored-pencil illustrations give the story a feel that I'm not sure it would have had otherwise.
Unsurprisingly, I'm partial to the illustratThe fine colored-pencil illustrations give the story a feel that I'm not sure it would have had otherwise.
Unsurprisingly, I'm partial to the illustrations of the US Northeast in the fall -- though the illustration of the quarry where Martí is imprisoned, with the beautiful hillside in the background, is an excellent summation of his struggles.
Addendum: After I had read this book, I learned that Minh Lê's "Best Picture Books of 2017" gave this an Honorable Mention for "Best History."...more
Based on the true story of Mexican-American labor activist Emma Tenayuca -- and written by her niece Sharyll Teneyuca and her friend Carmen Tafolla (wBased on the true story of Mexican-American labor activist Emma Tenayuca -- and written by her niece Sharyll Teneyuca and her friend Carmen Tafolla (who are apparently working on a full-length biography of her?).
The story does a nice job of showing Emma's awareness of instances of poverty around her and her frustration with that injustice -- and then her background of her grandfather saying, "Sometimes things are not fair. But still, each of us can usually do something about it, even if it's just a little thing" -- and her awareness that individual charitable actions are insufficient (though that doesn't stop her from engaging in individual acts of charity #ThePerfectIsTheEnemyOfTheGood). And then as she grows up, she works for more systemic change.
I really appreciated that when she calls for a strike, she says, "We will make a soup kitchen to feed your families. If we all help each other, we can win" -- if you're asking people to give up what little money they have, you have to have a plan to keep them from starving. (Also, I like that the Spanish phrase is "una cocina común" -- a communal kitchen.)
The text doesn't make explicit that Emma herself is Mexican-American like the poor people she is surrounded by and advocates for, but she is clearly drawn with the same brown skin. (And the note at the back does make it explicit.) While the note at the back isn't a full biography (it doesn't mention her Communist Party membership, for example) it does include some cool stuff like how she was arrested for joining a picket line at age 16 -- and it gives some more background about the plaza where she goes with her grandfather and hears someone talking about labor issues....more
This book is excellent, and I would definitely recommend.
Khan-Cullors writes about growing up in Van Nuys, California -- a poor, multiracial area a miThis book is excellent, and I would definitely recommend.
Khan-Cullors writes about growing up in Van Nuys, California -- a poor, multiracial area a mile away from the very wealthy, very white Sherman Oaks neighborhood. She writes about how the police were constantly present but never kind, never helpful. She writes again and again about how systems of oppression break down members of her family, and I think even if I didn't already agree with her about the police state etc. I would have found her stories compelling.
She writes about the radical honesty of AA meetings with her father Gabriel -- how that was so transformative for her (in a positive way) and at the same time how the personal accountability of the Twelve Steps had no place for contributing systemic factors.
She writes again and again about the importance of love and community....more
I saw this book recommended lots of places -- including Minh Lê's "Best Picture Books of 2017" awarded this "Best (Auto)Biography."I saw this book recommended lots of places -- including Minh Lê's "Best Picture Books of 2017" awarded this "Best (Auto)Biography."...more
The page describing Clara starting work as a garment worker is surrounding by strips of cloth; and the next page is an aerial shot of rows of garment The page describing Clara starting work as a garment worker is surrounding by strips of cloth; and the next page is an aerial shot of rows of garment workers, making them look like a patch of cloth themselves; and the page outlining the tough rules has illustrations evocative of scraps of cloth. Those pages are really excellently illustrated -- brava, Melissa Sweet.
I love that Clara is the one who proposes a general strike (the small strikes haven't been effective, because the bosses keep finding "other young women to do the work for the same low pay and long hours").
The union holds a meeting. Throngs of workers pack the seats, the aisles, the walls--the hall thrums with excitement. Clara listens to speech after speech.
The speakers, mostly men, want everyone to be careful. Two hours pass. No one recommends a general strike.
Finally, the most powerful union leader in the country goes up to the podium. Not even he proposes action!
So Clara does.
That's right--Clara. She calls out from the front of the hall. The crowd lifts her to the stage, where she shots in Yiddish:
"I have no further patience for talk--I move that we go on a general strike!"
And she starts the largest walkout of women workers in U.S. history.
The next morning, New York is stunned by the sight of thousands of young women streaming from the factories.
One newspaper calls it an army. Others call it a revolt. It's a revolt of girls, for some are only twelve years old, and the rest are barely out of their teens.
In the coming weeks, Clara is called a hero. She lights up chilly union halls with her fiery pep talks. Her singing lifts the spirits of the picketers. When a group of thugs approaches, she yells, "Stand fast, girls!"
And they do. All winter long, in the bitter cold, in their cheap, thin coats, tired and starving and scared, the girls walk alongside the men on the icy sidewalks of the picket line. They spill out of the union halls, blocking the roads, filling street corners and public squares.
Newspapers write stories about them.
College girls raise money for them.
Rich women--swathed in fur coats--picket with the factory girls.
By the time the strike is over, hundreds of bosses agree to let their staff form unions. They shorten the workweek and raise salaries.
The strike emboldens thousands of women to walk out of garment factories in Philadelphia and Chicago.
The whole bit is really powerful -- from Clara's growing frustration at non-action, to the reminder that these barely-clothed girls are picketing outside in NYC in the winter, to the fact that they were successful and inspired strikes in other cities. (Hi, this book made me teary, too.)
The "More About the Garment Industry" after the story ends with: "Though there are still wrongs to be righted, today's workers have five-day workweeks, overtime pay, and other protections due in great part to labor leaders like Clara Lemlich and the thousands of brave girls who picketed in the winter of 1909." [crying emoji]
The relatively simplistic narrative of the book is aimed at young readers and elides a lot of details -- what country did Clara and her family immigrate from? [Ukraine] how old was she when she started as a garment worker? [17] -- including her Judaism, though it does nod to it when she speaks in Yiddish that one time (and I like that the illustration includes some Yiddish words -- "unzer ayntsiger oysveg iza zshneral strayk!"), and it becomes more clear in the "More About the Garment Industry" after the story:
Between 1880 and 1920, two million Jews immigrated to America, fleeing persecution, pogroms (government-sanctioned attacks), and poverty in Ukraine, Poland, and other parts of Eastern Europe. Many of these immigrants found work in the booming garment industry. In 1909, the year of the genera strike, nearly four hundred factories employing forty thousand people made blouses for half the country. Of these workers, 80 percent were female. 70 percent were between sixteen and twenty-five years of age, and 65 percent were Russian/Eastern European Jewish (the remainder of workers were Italian and American).
This book doesn't shy away from the difficulties of being Black in the U.S. It starts in Texas in 1901 where Bessie and her family are working in cottThis book doesn't shy away from the difficulties of being Black in the U.S. It starts in Texas in 1901 where Bessie and her family are working in cotton fields, and includes mention that "Ma can't be too mad at me, Bessie decides. I'm the one who can do the figuring so that we get every penny we earn for every pound of cotton," and, "Bessie loves the lessons in school, but every year the schools for black children are closed until all the cotton is harvested. The schools for white children open on time, as always." And even just Bessie's experience at the circus where there are two "Whites Only" ticket lines but only one line that she is allowed in, so of course the one line takes much longer and even when a "Whites Only" line is empty and the show is about to start, the vendor won't sell her and her sister and tickets. (Oh, and there's also mention at the beginning that Bessie's father is almost a full-blooded Indian and left the family to go live in the Indian Territory of Oklahoma. It doesn't go any further into the relationships between Blacks and Natives in the US, but I appreciated that acknowledgement.)
Bessie's fantasies of flying far away, up past the clouds, recur throughout the narrative.
She follows her older brothers to Chicago, and we read, "To Bessie, Chicago is a land of dreams. Here, she is far away from the Jim Crow laws of the South---laws that tell Bessie she can't eat, drink, or ride in the same places as whites. Bessie does not know that even in the North, people with skin the darker shades of heaven are not always considered people at all."
When her brothers return from fighting in World War I, they tell her about the airplane fighter pilots and how some of them are even women. The accompanying illustration of Bessie on a rug reading newspaper articles is seen from above, so she appears almost to be floating in mid-air.
No one in the US will teach a black woman to fly a plane, and she is recommended to go to France -- so she saves up to go to France and takes night classes to learn French. She earns her pilot's license -- supposedly the first black woman in the world to do so -- and hopes to open a flying school in the US. She does airshows to raise money. The book ends before her early death in a plane crash (though the Author's Note after the story covers it briefly), ending instead a few years prior on a happy note in the midst of a successful air show....more
Having just watched the documentary Dolores, I was so pleased that this book correctly attributes the origin of the phrase "sí se puede" to her raHaving just watched the documentary Dolores, I was so pleased that this book correctly attributes the origin of the phrase "sí se puede" to her rather than Cesar. (She was at a workers' organizing thing in Arizona and someone was like, "Yeah, you did that in California, but you/we can't do that in Arizona -- no se puede," and she said, "Sí, se puede -- yes, we can").
The biopic focuses on Dolores' work with the United Farm Workers, so I learned a bunch about her childhood in this book.
This book tells their childhood stories in parallel (on facing pages) and then merges into a single narrative when they meet up and start working together, which is a nice narrative device.
I also just so appreciate how this book portrays them as equal partners....more
The first ~half of this book is short stories from Oodgeroo's life growing up on Stradboke Island off the Queensland coast. While the stories are of hThe first ~half of this book is short stories from Oodgeroo's life growing up on Stradboke Island off the Queensland coast. While the stories are of her childhood, I'm not sure how much children are the target demographic for this book. Maybe older kids?
The second ~half is traditional Aboriginal stories -- many are stories "explaining" the origins of various plants and other natural phenomena.
This book isn't necessarily one you read straight through, though some of the stories reference earlier ones so I would recommend reading in order at least the first time.
While I wasn't particularly engaged by Bronwyn Bancroft's illustrations in her word/counting books, here where she's illustrating scenes rather than simple objects, I was much more engaged....more