Interesting for the jeopardy it places its characters in despite their great and magic tech. Somehow his soft technolTeeters on the edge of greatness.
Interesting for the jeopardy it places its characters in despite their great and magic tech. Somehow his soft technologies - the "stasis field" and the "variable-sword" (lightsaber) - feel real, because he pays consistent attention to tolerances, constraints, parameters.
Not literary, not hard, and yet not pulp. successful....more
Wonderful. Rivals Earthsea as the wisest and subtlest Fantasy, for people who don't like Fantasy. Fast-moving, full of ironies, antimonies, and ambivaWonderful. Rivals Earthsea as the wisest and subtlest Fantasy, for people who don't like Fantasy. Fast-moving, full of ironies, antimonies, and ambivalent symbolism - the kind which doesn't hit you over the head (I'm thinking of Gandalf changing colour hmmmmmm).
There's a dozen memorable characters in 300pp (Gurloes, Thecla, Agilus, Agia, Talos, Ultan, Inire, Eata, Baldanders, the man himself), even though many appear for just one scene. And there's a very unobtrusive frame narrative which deepens and undermines things.
And under all that: the beautiful post-post-apocalyptic layer: New Sun is actually science fiction, about what happens when the great project, Progress, collapses; what happens after thousands of years of decay.
those who dig for their livelihood say there is no land anywhere in which they can trench without turning up shards of the past. No matter where the spade turns the soil, it uncovers broken pavements and corroded metal; and scholars write that the kind of sand that artists call polychrome (because flecks of every colour are mixed with its whiteness) is actually not sand at all, but the glass of the past, now pounded by aeons of tumbling in the clamorous sea.
It is Clarkean: The book is unconcerned whether strange events are due to obscure high technology, psychological trickery, or bonafide supernatural force.
Because Wolfe is a bit difficult, it's not too incongruous to bring up Grand Narrative now: sure, the French theorists were wrong to suggest that such ideas are dead in our time (or bad, if alive) but they certainly could die, and Wolfe explores what that'd be like. Nessus has no master idea - not even god, not even family, not even order. (Or maybe it's class again.)
"Severian. Name for me the seven principles of governance." A foreboding grew on me; I sensed that if I did not reply, some tragedy would occur. At last I began weakly, "Anarchy . . ." "That is not governance, but the lack of it. I taught you that it precedes all governance. Now list the seven sorts." "Attachment to the person of the monarch. Attachment to the bloodline or other sequence of succession. Attachment to the royal state. Attachment to a code legitimizing the governing state. Attachment to the law only. Attachment to a greater or lesser board of electors, as framers of the law. Attachment to an abstraction conceived as including the body of electors, other bodies giving rise to them and numerous other elements, largely ideal." "Tolerable. Of these, which is the earlier form, and which the highest?" "The development is in the order given, Master," I said. "But I do not rrecall that you ever asked us before which was highest." Master Malrubius leaned forward, his eyes burning brighter than the coals of the fire. "Which is the highest, Severian?" "The last, Master?" "You mean attachment to an abstraction conceived as including the body of electors, other bodies giving rise to them, and numerous other elements, largely ideal?" "Yes, Master." "Of what kind, Severian, is your own attachment to the Divine Entity?" I said nothing. It may have been that I was thinking; but if so, my mind was too much filled with sleep to be conscious of its thought. Instead, I became profoundly aware of my physical surroundings. The sky above my face in all its grandeur seemed to have been made solely for my benefit, and to be presented for my inspection now. I lay upon the ground as upon a woman, and the very air that surrounded me seemed a thing as admirable as crystal and as fluid as wine. "Answer me, Severian." "The first, if I have any." "To the person of the monarch?" "Yes, because there is no succession."
(Dune occupies the same SFF feudalist netherland as this, but is much clumsier, occasionally contemptible.)
How do you write a truly immoral sympathetic character? (In this case, the most immoral: who does the worst thing you can do.) I think the answer is simple: detail. Make it first-person and simply show the ordinary range of interests, foibles, enculturation, passions. The reader does the rest. (Compare Lolita, Private Memoirs of a Justified Sinner, Wasp Factory, Crime and Punishment...)
Gurloes was one of the most complex men I have known, because he was a complex man trying to be simple. Not a simple, but a complex man's idea of simplicity. Just as a courtier forms himself into something brilliant and involved, midway between a dancing master and a diplomacist, with a touch of assassin if needed, so Master Gurloes had shaped himself to be the dull creature a pursuivant or bailiff expected to see when he summoned the head of our guild, and that is the only thing a real torturer cannot be. The strain showed; though every part of Gurloes was as it should have been, none of the parts fit... He ate too much and too seldom, read when he thought no one knew of it, and visited certain of our clients, including one on the third level, to talk of things none of us eaves-dropping in the corridor outside could understand. His eyes were refulgent, brighter than any woman's.
Severian is completely cold-blooded about violence while still being notably heroic and sentimental. (view spoiler)[(Ok he doesn't actually torture anyone.) (hide spoiler)]
By the use of the language of sorrow I had for the time being obliterated my sorrow - so powerful is the charm of words, which for us reduces to manageable entities all the passions that would otherwise madden and destroy...
The heroism is natural and plausible, because he dooms himself in the middle of the book, so everything that happens is a bonus to him, so he takes bandits and duels and unlikely undertakings in his stride, which is an enviable attitude.
One of many lovely details: all the Latin is subtly wrong: 'terminus est' taken to be 'this is the line of division' rather than 'this is the end'; 'felicibus brevis, miseris hora longa', 'Men wait long for happiness'. But most of the rest of the jargon is historically accurate: 'hydrargyrum' for mercury, 'hipparch' for cavalier, 'archon' for lord, 'carnifex' for butcher, 'matross' for junior soldier, etc.
The second half, the quest with Agia and Dorcas, reminds me of 'Before Sunrise', of all things: glittering words exchanged by the young and instantly intimate. The writing is so fine and uncliched that it pulls off unreconstructed romance in the midst of post-apocalyptic feudalism. In general, the feudal trappings justify Wolfe's ornate prose well. Severian often says things that are wise to us, and the things which aren't make sense in brutal context:
the pattern of our guild is repeated mindlessly (like the repetitions of Father Inire's mirrors in the House Absolute) in the societies of every trade, so that they are all of them torturers, just as we. His quarry stands to the hunter as our clients to us; those who buy to the tradesman; the enemies of the Commonwealth to the soldier; the governed to the governors; men to women. All love that which they destroy.
Nietzsche on the wheel:
Weak people believe what is forced on them. Strong people what they wish to believe, forcing that to be real. What is the Autarch but a man who believes himself Autarch and makes others believe by the strength of it.
Probably 5/5 on re-read.
PS: I can't decide if this or Fall of Hyperion has the lower quality-of-book : awfulness-of-cover ratio....more
Card is obsessed with family; (view spoiler)[the happy ever after involves giving a mother of six another six children (hide spoiler)].
It was Plik
Card is obsessed with family; (view spoiler)[the happy ever after involves giving a mother of six another six children (hide spoiler)].
It was Plikt, the good Lutheran, who taught Valentine to conceive of Ender’s life in religious terms; the powerful stability of her family life and the miracle of each of her five children combined to instill in her the emotions, if not the doctrines, of faith.
Parochial Catholic norms somehow persist in a galactic empire. He has a slightly bizarre faith in the power of books to move entire populations. His names for things are often childish (buggers and piggies). He continues to make his young characters absurdly precocious (consider the 12yo Olhado, leet hacker).
But no matter: he is a master storyteller. He manages to use one village and one forest as if they were giant panoramas. If you found Ender's Game didactic, unrealistic, contrived - well, you're right, but give him another chance.
He's also slightly alien to me, which makes him good at scifi. Underneath Card's extreme Great Man Theory (where 3 people determine half of human history) there's a pretty realist account of how social forces work.
Some sort of rigid hierarchy always emerged as the conservative force in a community, maintaining its identity despite the constant variations and changes that beset it. If there were no powerful advocate of orthodoxy, the community would inevitably disintegrate. A powerful orthodoxy is annoying, but essential to the community... She compared the priestly class to the skeleton of vertebrates.
This means that he has to eventually drop his mockery of the narrow and pompous bishop, who is exactly this skeletal force: dumb, reactionary, regularising. Card really likes communitarian shit: constraints, norms, rituals, and roles.
And yet she felt strangely healed, as if simply saying her mistake were enough to purge some of the pain of it. For the first time, then, she caught a glimpse of what the power of speaking might be. It wasn’t a matter of confession, penance, and absolution, like the priests offered. It was something else entirely. Telling the story of who she was, and then realizing that she was no longer the same person.
I wonder about the Descolada, the horrifying mutagenic disease that perfuses the planet. Ender accepts it without hesitation, even knowing that he'll never be able to leave. This echoes Card's fetish for family: "constraints are good". (view spoiler)[The entire plot turns on one insane decision of Novinha. "she would have no other death on her conscience". The desire for clean hands as sick iron law, more important than the desire for a good world. Ender's guilt is much the same. Card views the sickness as honourable, but also a sin, "the pride of universal guilt". (hide spoiler)]
(view spoiler)[Everyone is very blasé about letting Miro leave town while infected with a universal ecocidal disease. Yes, he ends up not contacting any ecosystems, but this is a late development. (hide spoiler)]...more
Expected to hate it, but it's actually dumb fun if you don't stop and think. Obviously the philosophy (ethical egoism + logical word salad) is toxic (Expected to hate it, but it's actually dumb fun if you don't stop and think. Obviously the philosophy (ethical egoism + logical word salad) is toxic (and there's that sex scene...), but it works fine as a trashy yarn, the reader's equivalent of moshing to Rage Against the Machine.
There is exactly one good idea in it: the villain, Ellsworth Toohey is a fake socialist, a grand demagogue, a wolf in sheep's ideology. Because he's actually one of her Übermenschen - a brutal, self-actualised spirit just using socialism - he's thus a Worthy Opponent for her pet mavericks. His role in the book is risibly didactic: "Yes, fine, my heroes are assholes," Rand says, "but look how much worse they are when they pretend to be good!"...more
One of the more pompous books I've ever read. Read Taleb's Bed of Procrustes instead; he's actually from a couple villages over.One of the more pompous books I've ever read. Read Taleb's Bed of Procrustes instead; he's actually from a couple villages over....more
‘Look, the thing about Leonid Vitalevich is that he argues like that because he believes, he genuinely believes, that it’s argument that settles th
‘Look, the thing about Leonid Vitalevich is that he argues like that because he believes, he genuinely believes, that it’s argument that settles the issue. He is not scoring political points, or pleasing his friends, or giving shrewd knocks to his enemies. He expects to persuade people. He thinks that scientists are rational beings who respond to logic if you show it to them. Of course, he judges everybody by himself. He makes his mind up according to induction and deduction. Therefore, everyone does.’
‘An innocent, then?’
according to his daughter... he wrote to every Soviet leader from Stalin to Andropov [telling them they were doing it all wrong]... without making any reference to demand or to markets, Kantorovich had discovered a demand-like logic in the structure of production itself. In his scheme, it was the volume of planned output that was to be maximised, not the customer’s satisfaction, but he had still introduced the idea that the utility of the output to somebody should be the guide to how production was configured.
What is a question mark? An exclamation mark in middle age
Reminder of what a book can be and almost never is. Above mere nonfiction and mere fiction. A deep and moving treatment of one of the most important questions (how can we make everyone happy?) and my current fixation (how can we make people realise the giant romance and supreme moral imperative of technology and work?). A light on the ignored gears that drive the world, the terminally boring made fascinating by the sheer force of understanding and curiosity and taste. A celebration of an unjustly obscure great man, Leonid Kantorovich, and woman, Raissa Berg, and man, Alexander Galich. A moving portrait of a great and terrible man, Nikita Khrushchev. Comically well-researched (he reads Brezhnev's tailor's memoirs; he visits the dance hall; "all of the tattoo designs here are authentic, and can be found in Danzig Baldaev et al., Russian Criminal Tattoo Encyclopedia (Gottingen: Steidl, 2004)"), synthesising a vast literature (and but also a single sampled path taken though its indeterminacies). I care for every character, including the monsters. Real tragedy - for some of them really did mean well.
We begin in the confident rationalism of catch-up-growth in a socialised economy. It's easy to forget that even the capitalist economists briefly glumly agreed that the reds had the edge in growth:
If he could solve the problems people brought to the institute, it made the world a fraction better. The world was lifting itself up out of darkness and beginning to shine, and mathematics was how he could help. It was his contribution. It was what he could give, according to his abilities. He was lucky enough to live in the only country on the planet where human beings had seized the power to shape events according to reason, instead of letting things happen as they happened to happen, or allowing the old forces of superstition and greed to push people around. Here, and nowhere else, reason was in charge...
Seen from that future time, when every commodity the human mind could imagine would flow from the industrial horn of plenty in dizzy abundance, this would seem a scanty, shoddy, cramped moment indeed, choked with shadows, redeemed only by what it caused to be created. Seen from plenty, now would be hard to imagine. It would seem not quite real, an absurd time when, for no apparent reason, human beings went without things easily within the power of humanity to supply, and lives did not flower as it was obvious they could. Now would look like only a faint, dirty, unconvincing edition of the real world, which had not yet been born. And he could hasten the hour, he thought, intoxicated. He gazed up the tram, and saw everything and everybody in it touched by the transformation to come, rippling into new and more generous forms, the number 34 rattlebox to Krestovsky Island becoming a sleek silent ellipse filled with golden light, the women’s clothes all turning to quilted silk, the military uniforms melting into tailored grey and silver: and faces, faces the length of the car, relaxing, losing the worry lines and the hungry looks and all the assorted toothmarks of necessity. He could help to do that. He could help to make it happen, three extra percent at a time...
When a market is matching supply with demand, it is the actual movement of the potatoes themselves from place to place, the actual sale of the potatoes at ever-shifting prices, which negotiates a solution, by trial and error. In the computer, the effect of a possible solution can be assessed without the wasteful real-world to-ing and fro-ing; and because the computer works at the speed of flying electrons, rather than the speed of a trundling vegetable truck, it can explore the whole of the mathematical space of possible solutions, and be sure to find the very best solution there is, instead of settling for the good-enough solution that would be all there was time for, in a working day with potatoes to deliver...
The theory in their heads was universal in its reach, and their expertise was supposed to be universal too. They were the agents of humanity’s future, which they were to manufacture by being, in the present, experts in human nature. In this sense, even the grimmest of them was, professionally, a people person. They acted as progress-chasers, fixers, censors, seducers, talent-scouts, comedians, therapists, judges, executioners, inspirational speakers, coaches, and even from time to time as politicians of the representative variety, carrying a concern of their constituents to the centre for attention
The Plan:
Gosplan’s annual output of commodity allocations... 11,500 pages in seventy volumes [nearly all computed by hand, recalculated hundreds of times each year]
Spufford does more to make me feel Khruschchev's coarseness, idealism, and vitality than reading his smuggled memoirs did, and despite S often using the same direct quotes:
They tried to crush us over and over again, but we wouldn’t be crushed. We drove off the Whites. We winkled out the priests, out of the churches and more important out of people’s minds. We got rid of the shopkeepers, thieving bastards, getting their dirty fingers in every deal, making every straight thing crooked. We dragged the farmers into the twentieth century, and that was hard, that was a cruel business and there were some hungry years there, but it had to be done, we had to get the muck off our boots. We realised there were saboteurs and enemies among us, and we caught them, but it drove us mad for a while, and for a while we were seeing enemies and saboteurs everywhere, and hurting people who were brothers, sisters, good friends, honest comrades...
at last it was becoming possible to make good on all the promises which they’d fed to people during the hungry years. All well and good, he thought, because we really meant them, we weren’t trying to hoodwink anyone, but there’s a limit to how long you can keep going on that kind of diet. You can’t make soup out of promises. Some comrades seemed to think that fine words and fine ideas were all the world would ever require, that pure enthusiasm would carry humanity forward to happiness: well excuse me, comrades, but aren’t we supposed to be materialists? Aren’t we supposed to be the ones who get along without fairytales? If communism couldn’t give people a better life than capitalism, he personally couldn’t see the point.
Khrushchev had taken the advice of experts. He had tried to do the virtuous thing, the anti- Stalinist thing, and it had just made him a mass-murderer again... Fire hoses were used to wash the blood off the ground, and when stains still remained, the square was repaved overnight with a fresh layer of asphalt. The bodies were distributed to five different cemeteries, and buried anonymously, in graves already filled with more peaceful bones. Relatives were never told what had become of the dead. It was as if they had suddenly evaporated...
Working for the future made the past tolerable, and therefore the present. But now no one wanted his promises. The hours gaped. There was too much time to think, and no means to lose the thoughts again in action. He couldn’t rid himself of what he thought now. Little by little, in the most undisciplined way, things he had never wanted to remember drifted up from the depths; foul stuff, past hours and minutes it did nobody any good to recall, leaving their proper places in oblivion and rising up into the mind, like muck stirred up from the bottom of a pond to stain the clean water above... So much blood, and only one justification for it. Only one reason it could have been all right to have done such things, and aided their doing: if it had been all prologue, all only the last spasms in the death of the old, cruel world, and the birth of the kind new one. But without the work it was so much harder to believe. Without the work the future had no heft to keep the past at bay. And the world went on the same, so it seemed, unchanged, unredeemed, untransfigured.
Spufford manages this without knowing Russian!
Your mental picture of the Red Army’s advance into Nazi-occupied Europe is not complete if it does not include, alongside the mass rapes and the dromedaries pulling baggage wagons, the sight of Eddie Rosner and his band playing ‘The Chattanooga Choo-Choo’ among the ruins of cities
The crux, the point at which the dream died, and forever:
If they could produce a million tons of steel, they could produce a million tons of anything
(No.)
Throughout this book, it is necessary to remember that, on certain crucial points, most people in the Soviet Union will have known less about its history than does an averagely-informed Westerner in the twenty-first century
Where the United States (for example) was a society ruled by lawyers, with a deep well of campus idealism among literature professors and sociologists, the Soviet Union was a society ruled by engineers, with a well of idealism among mathematicians and physicists. Law, economics, history were sterile, insignificant fiefdoms, ruled by ‘little Stalins’, pint-sized intellectual stand-ins for the great mind in the Kremlin. After Stalin’s death, these subjects had to be revived by incomers from engineering and the pure sciences – who brought with them the engineers’ faith in the solvability of problems, and the scientists’ uncompromising delight in pure pattern.
The deep inequality of the state which sacrificed all values except growth and equality:
life was pretty good up at the top, with a salary twenty times, thirty times the wages on the shopfloor, as steep a relative reward as the spoils of any capitalist executive. There’d be a car and a cook and a housekeeper, and a fur coat for Mrs Red Plenty to wear when the frost bit. There’d be a dacha in the country, from whose verandah the favoured citizen could survey the new world growing down below
The reserved car lanes for Party officials is only the most visible division.
One remarkable bit involves the distinction between the original revolutionaries and the professionals (represented by Kosygin and Brezhnev). The sociopaths and mops. The most egregious and tragic goodharting in human history.
It almost looked like Paris. But he had seen Paris. Moreover he worked in film: he saw this city, and he couldn’t help but notice the way its surfaces habitually turned face-outward to be seen, instead of inwards for the comfort of the inhabitants. He recognised the thinness of the scrim, the cutting of corners where the audience would have its attention elsewhere and be content to register a general blur of grandeur. Those doors would be out of focus anyway: who needed to make sure they actually fitted their frames? The skyscrapers blocked out bold volumes of air, the walls of the city were receding planes, leading the eye back to a sky painted on glass. Moscow was a set, and like all sets looked more convincing from the middle distance than close up.He had started to brood lately on what was behind it; on what you would find if you peeled back a corner of the painted hardboard...
There had supposed to [have been] a space preserved inside the Party for experiment and policymaking, but the police methods used on the rest of Russian society crept inexorably inward. The space for safe talk shrank with the list of candidates to succeed Lenin as the embodiment of infallibility, till, with Stalin’s victory over the last of his rivals, it closed altogether, and the apparatus of votes, committee reports and ‘discussion journals’ became purely ceremonious, a kind of fetish of a departed civilisation...
They were social scientists who thought principle required them to behave like gangsters. But their successors – the vydvizhentsy who refilled the Central Committee in the thirties – were not the most selfless people in Soviet society, or the most principled, or the most scrupulous. They were the most ambitious, the most domineering, the most manipulative, the most greedy, the most sycophantic; people whose adherence to Bolshevik ideas was inseparable from the power that came with them... Stalin had been a gangster who really believed he was a social scientist. Khrushchev was a gangster who hoped he was a social scientist. But the moment was drawing irresistibly closer when the idealism would rot away by one more degree, and the Soviet Union would be governed by gangsters who were only pretending to be social scientists.
On top of everything else it is, it is one of the great works of scientist fiction, an actual depiction of actual thought (though as usual, not the steps of the mathematics).
She had her own professional vision which removed her, in some ways, even further from everyday human sympathies, when she was looking through her science’s eyes. She too was a believer in a world that could be reduced, along one dimension of its existence, to information: only in her case, it was the information of the genes, not the information of the computing circuit, which stood as the pattern of patterns. And once you had seen it, once you had parted the curtains of the visible world and seen that human beings were only temporary expressions of ancient information, dimly seen in tiny glimpses by the light of science’s deductive flashlight, but glimpsed enough to tell that it was vast, and intricate, and slowly changing by indifferent rules of its own as it went on its way into a far future – then all the laws and plans of the self-important present looked like momentary tics and jitters in comparison. A dark message, posted from the past to the future; a dark armada, floating through time. Dark masses, moving in the dark. Dark water. Dark ocean swell...
The hard light of creation burns within the fallible flesh; outshines it, outshines the disappointing world, the world of accident and tyranny and unreason; brighter and brighter, glaring stronger and stronger till the short man with square spectacles can no longer be seen, only the blue-white radiance that fills the room. And when the light fades the flesh is gone, the room is empty. Years pass. The Soviet Union falls. The dance of commodities resumes. And the wind in the trees of Akademgorodok says: can it be otherwise? Can it be, can it be, can it ever be otherwise?
A beautiful portrait of pragmatism vs idealism, colonialism and collaboration, surveillance culture vs everything, the possibility of deep translationA beautiful portrait of pragmatism vs idealism, colonialism and collaboration, surveillance culture vs everything, the possibility of deep translation, the beauty and gaucheness of trade, and the ultimate fate of civilisations.
Programming went back to the beginning of time. It was a little like the midden out back of his father's castle… There were programs here written five thousand years ago, before Humankind ever left Earth. The wonder of it — the horror of it… down at the very bottom of it was a little program that ran a counter. Second by second, the Qeng Ho counted from the instant that a human had first set foot on Old Earth’s moon. But if you looked at it still more closely… the starting instant was actually about fifteen million seconds later, the 0-second of one of Humankind’s first computer operating systems…
“We should rewrite it all,” said Pham.
“It’s been done,” said Sura.
“It’s been tried,” corrected Bret…“You and a thousand friends would have to work for a century or so to reproduce it… And guess what—even if you did, by the time you finished, you’d have your own set of inconsistencies...”
Vinge's great skill is in drawing out sick tragic tension for hundreds of pages, driving the reader on to ever more complex injustices, until... The smooth-talking fascist antagonists are a bit too simple, a bit Harkonnen; their mind-raping slavery, their inversion of justice by lying perfectly, their flat-toned planning of atrocities:
"At which time, we'll feed them the story of our noble effort to limit the genocide." Ritser smiled, intrigued by the challenge. "I like it."
You are made to wait 500 pages for a comeuppance. The "Focused", the mindwiped slaves are extremely creepy; weaponised savants (see Ada Palmer's set-sets for a less straightforward treatment of human computers).
Pham Nuwen, the great programmer-statesman, is far more interesting here than in the first book. He stands out in a large cast of interesting characters, all laying down schemes and intrigues with at minimum 20 years until payoff (at maximum 2000 years). Not ordinary, but not unrealistic; there have been dozens like him, possessed of or by the force that drives Napoleon off his island, Washington over the river, Alexander everywhere. He is a psychopath:
The [armed fascists] might try to chase him around in here. That would be fun; Nau's goons would find just how dangerous their tunnels had become...
The evolutionary role of such people - both the fearless hero, Nuwen, and the bloodthirsty predator, Nau - is not handled explicitly, but Pham is held up as a paragon.
The arachnid aliens are much better than the hivehounds of the last book: Vinge and his translator characters' anthropomorphisations (or, rather, personalisations) are successful. Though maybe I'm just biased because the Spiders are shown going through their Information Revolution rather than their Pre-Renaissance period. It shows the deep connection between lack of economic growth, lack of intellectual growth and lack of social progress. The great scientist Sherkaner is also the one to challenge his society's sexual oppression. ("Either way, the cycles were shattered forever") The "counterlurk" is the Enlightenment. It's an exquisite portrait of the great promise and risk of a technological society; you get the end of hunger and disease, you get spaceflight, but you also get nuclear standoffs.
There are wonderful symmetries between the Spiders and humans: they each have odd, distended sleep cycles (the humans going into cryogenic suspension most of the time, the Spiders hibernating centuries until the sun reignites). There's also the Sura/Pham, Qiwi / Ezr, and Victory/Sherkaner pairings, the actual beauty of complementing another, of power couples with aims beyond their own power.
The title looks clumsy but isn't: it refers to a very large thought, that decentralising a system is the only way to make it last; that space is not only a cold and hostile place, it is also the way to break the terrible forces that might work against mere interplanetary civilisations:
Pham would get their localizers in return for decent medical science. Both sides would benefit enormously. Magnate Larson would live a few extra centuries. If he was lucky, the current cycle of his civilization would outlive him. But a thousand years from now, when Larson was dust, when his civilization had fallen as the planetbound inevitably did—a thousand years from now, Pham and the Qeng Ho would still be flying between the stars. And they would still have the Larson localizers...
"If you accept the trade I'm hoping for, you will live just as many years as I. But I am Qeng Ho. I sleep decades between the stars. You Customer civilizations are ephemera to us."
One unintentional detail: the "huds" that all the human characters depend are I think just Google Glass.
Stayed up late to finish it. Maybe 5/5, will re-read in a while and see.
---
How does it do as Serious science fiction?
Social development: all three societies depicted are very distinct and have believable economies, genderings, . The Qeng Ho - the empire without a capital, the force without an army - are a lovely depiction of the humanistic and progressive side of trade. The Emergents are maybe a little too simple, too feudal and dastardly.
Software development: Fantastic. Central to the plot (titanic cruft as feature), with a subtle twist on the horror of legacy systems: an entire multi-planet civilisation is shown collapsing because its software is too fucking crufty to live. (That might sound ridiculous, but I promise you I see this story in miniature everywhere at my work.) No one does it better.
Actual Science: Lots, with a breathless romp through all of C20th physics and engineering - though there's also a magic antigrav ore.
Not long enough for Watts' highly inventive, highly depressive details to overwhelm you.Not long enough for Watts' highly inventive, highly depressive details to overwhelm you....more