Lilibet Bombshell's Reviews > Juniper & Thorn

“Juniper & Thorn” is a very loose retelling of a German fairy tale originally called “The Juniper Tree” (it’s also sometimes known as “The Almond Tree”). It was sanitized somewhat by those pesky Grimm Brothers once they picked it up and put it in their collection, but the very loose roots of this wonderful new adult (NOT young adult) dark fantasy (at times it verges close to horror fantasy but doesn’t quite get there in whole) Ava Reid has written come from a much simpler but no less horrific story involving a vengeful parent, a juniper tree, a dead child, a bird transformation, and a girl named Marlinchen. Ava Reid took the seeds (pardon the nature pun) of that story and crafted a gaslamp fantasy set in the same world of her book “The Wolf and the Woodsman” (AKA - Eastern Europe, the Caucasus Region, and Russia) that hooked me immediately, reeled me in effortlessly, and kept me on the line for the whole ride with no complaints. I was happy to read page after page of this beautifully, lovingly crafted story that brings me the beauty of a person’s first trip to the ballet (I’m a huge fan), mentions the fairy tale of “The Swan Princess”, which is the basis for my favorite ballet, “Swan Lake”, and doesn’t shy away from the darkest parts of fairy tales for the sake of wider audience appeal.

Fairy tales were initially not meant to serve as stories to entertain small children to the tune of “... and they lived happily ever after”. After all, fairies themselves weren’t considered to be good or evil. They just were. And they possessed an extreme amount of power. Fairy tales were stories meant to serve as warnings to small children about the evils and trials the world outside might put them through. They were cautionary tales. Tolkien once argued that if you were going to keep the dark parts of fairy tales from children then you shouldn’t tell them the tale at all. Do I think my 7 year-old nephew needs to hear about ritualistic cannibalism? Nope. Do I think he’d think it’s wicked cool? Right now, yeah. He’s at that age. But my niece at 7? She would’ve been terrified. That’s why I love these fairy tale and folklore retellings by authors like Ava Reid and Hannah Whitten (among others): they do their research into those original tales and the permutations of them over time, collate and matrix the tales to find out where they differ and where they’re the same, find out what works and what doesn’t so they can sort the wheat from the chaff, and then they put their own spin on the distillation of the tale. It’s the fruits of literary phylogeny.

Throughout all this meticulous storycraft, Reid’s wonderful prose shines like a diamond. She has a fantastic eye for setting a scene without lapsing into being overly descriptive. She gives us just enough of a visual outline that we can fill the rest in easily with our minds. She keeps our senses engaged: smells, tastes, colors, textures, awareness of how the body looks and moves are all kept in mind and used as part of the story in a way that reminds me a bit of Erin Morgenstern. Best of all, Reid uses her plot devices to deliver the exposition instead of using the characters themselves. This accomplishes my favorite thing: showing and not telling us what’s going on. That’s true literary magic right there.

I highly recommend it. It’s dark, violent, fantastical, romantic, tragic, whimsical, crude, and may even trigger some readers. But it’s also magical in word and deed.

Thanks to NetGalley and Harper Voyager for granting me early access to this title in exchange for a fair and honest review.