Lilibet Bombshell's Reviews > A Warning About Swans

I was utterly stunned by Romero’s debut novel last year, The Ghosts of Rose Hill. At the time, I knew the novel would be told in verse but it had been so long since I had read a novel in verse it took me until I was about 10% of the way through the novel to really settle in and meld with Romero’s style and to be swept away with her story of the marriage of music and words and falling in love.

So this time I was prepared going in to A Warning About Swans for that lyrical, flowing verse Romero writes, this time spinning a fairy tale of a swan maiden who longs to know what it’s like to be free and human, only to discover that to be human girl in mid-19th century Bavaria is just another cage and now her powers are being held hostage by a man.

This story is most definitely a fairy tale, but it borrows ingredients from and then remixes from other mythological, folkloric, and fairy tale sources: The Swan Maidens are birthed by Odin just after he is resurrected, the pure white swan maiden being seduced away from the flock by a aristocratic boy is borrowed from Swan Lake, and bits and bobs of influence from The Last Unicorn can be felt throughout the book during Hilde’s (our swan maiden) journeys.

There is so much grief, regret, guilt, sadness, pain, and general melancholy in this book. Yet, I think that’s the point, and the book wouldn’t be the same without it.

During Hilde’s bound journey, she meets a non-binary painter named Franz Mendelsohn, who is Jewish. Both Franz and Hilde have left their homes and don’t think they can return. Both have secrets and have to hide their talents from the world. Both feel lost and without direction. Both feel used and taken advantage of and only find comfort in the companionship of one another. Romero never once makes Franz’ sexual identity an issue or a plot point except to let Franz explain how it makes them feel. For the story’s purpose, being Jewish in Bavaria is more dangerous than being non-binary.

The most lovely parts of this book are not found in the dialogue, but in the narration of the scenes without dialogue. That’s when Romero’s verse truly takes flight, spinning metaphors, similes, dizzying visions and beautiful turns of phrase. I wish I could quote them for you, but seeing as this is coming from a review copy, I can’t.

Romero can make time move as she wishes with her words. She can slow it down with Franz and Hilde lazily hanging out in a castle while Franz is painting and Hilde is daydreaming. She can speed it up with the simple sound of the stamping of boots down a marble corridor. Her timing is impeccable and she knows just when to tighten the knots and when to loosen them.

Romero is a genius in the making. I can’t wait for the next one.

I was provided a copy of the title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.

File Under: 5 Star Review/Fairy Tale/Romantasy/Historical Fantasy/LGBTQ Romance/OwnVoices/Paranormal Romance/YA Fantasy/YA Fantasy Romance