Jason Pettus's Reviews > Cities in Flight
Cities in Flight (Cities in Flight, #1-4)
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Jason Pettus's review
bookshelves: alt-history, classic, did-not-finish, late-modernism, sci-fi, smart-nerdy
Jul 24, 2023
bookshelves: alt-history, classic, did-not-finish, late-modernism, sci-fi, smart-nerdy
2023 reads, #59. DID NOT FINISH. I originally picked this up because of the "Five Books About..." series at the blog of science-fiction publisher Tor, I believe in that case the subject being five books about alternative forms of spaceflight besides fuel-based rockets. It was written by James Blish, one of those Silver Age also-rans who was writing and publishing sci-fi in the 1950s that sounded almost exactly like his peers Isaac Asimov and Robert Heinlein, but who ended up not achieving nearly the same kind of success as them. (He's arguably most famous now not for his original work but for being the first-ever author of official Star Trek non-canon novels, back in the late 1960s soon after the original series first went off the air, including the now classic Spock Must Die!)
As such, then, it's important to know that Blish's work suffers from all the same problems as Asimov and Heinlein as well, only magnified and then intensified since his writing doesn't contain the kinds of strengths that allowed Asimov and Heinlein's work to counterbalance the weaknesses. In particular, one of the big drawbacks here is that Blish very much defined himself (at least with these books) as a "hard" sci-fi author, meaning that the main point of his books is to actually examine the real science behind whatever subject is being discussed (in this case the human race's discovery of "anti-gravity," with Blish positing this development a mere two decades after the real-life discovery of "anti-matter," basically allowing his fictional humanity to begin interstellar exploration in the year 2018); but as we've discovered now, 75 years later, what the writers of the '50s called "hard" sci-fi was actually based on little more than academic theories at the time that have largely been disproven by now, meaning that the "hard" sci-fi they thought they were writing has turned out to be as soft and squishy as a children's book about little Mary Sue playing with her adorable little dog.
That's a huge problem with authors like Blish, because when you remove the debunked science from their stories, almost nothing is left from a literary aspect, with Blish (much like Asimov and Heinlein) not really that interested in such petty things as "compelling characters" or "believable dialogue" or "a three-act plot that makes any sense whatsoever." Now add that he suffers from the same woman-hating problem as all these other bullying '50s nerds (there's literally two female characters in this entire novel, and both of them are described primarily by how fuckable they are in the eyes of James Blish), and you've got yourself a book that's nearly impossible to actually get through in the 2020s, much less enjoy. I originally checked out the four-book omnibus of this series from the library, entitled Cities in Flight; but I have to admit, I couldn't even get halfway through the first book in the tetralogy (1956's They Shall Have Stars) without throwing away the entire thing in bored, offended disgust, which unfortunately has been the case with most 1950s sci-fi I've tried to read here in the 21st century. That's a shame, because this important genre deserves a better history than the one filled with manipulative sexists writing terrible books that we actually have; but it doesn't stop the fact that this is now a book to be avoided instead of celebrated, and that the problematic elements regarding the origin of modern science-fiction is destined to simply get worse with each passing year instead of better. It should all be kept in mind when deciding whether or not to pick up a copy yourself.
As such, then, it's important to know that Blish's work suffers from all the same problems as Asimov and Heinlein as well, only magnified and then intensified since his writing doesn't contain the kinds of strengths that allowed Asimov and Heinlein's work to counterbalance the weaknesses. In particular, one of the big drawbacks here is that Blish very much defined himself (at least with these books) as a "hard" sci-fi author, meaning that the main point of his books is to actually examine the real science behind whatever subject is being discussed (in this case the human race's discovery of "anti-gravity," with Blish positing this development a mere two decades after the real-life discovery of "anti-matter," basically allowing his fictional humanity to begin interstellar exploration in the year 2018); but as we've discovered now, 75 years later, what the writers of the '50s called "hard" sci-fi was actually based on little more than academic theories at the time that have largely been disproven by now, meaning that the "hard" sci-fi they thought they were writing has turned out to be as soft and squishy as a children's book about little Mary Sue playing with her adorable little dog.
That's a huge problem with authors like Blish, because when you remove the debunked science from their stories, almost nothing is left from a literary aspect, with Blish (much like Asimov and Heinlein) not really that interested in such petty things as "compelling characters" or "believable dialogue" or "a three-act plot that makes any sense whatsoever." Now add that he suffers from the same woman-hating problem as all these other bullying '50s nerds (there's literally two female characters in this entire novel, and both of them are described primarily by how fuckable they are in the eyes of James Blish), and you've got yourself a book that's nearly impossible to actually get through in the 2020s, much less enjoy. I originally checked out the four-book omnibus of this series from the library, entitled Cities in Flight; but I have to admit, I couldn't even get halfway through the first book in the tetralogy (1956's They Shall Have Stars) without throwing away the entire thing in bored, offended disgust, which unfortunately has been the case with most 1950s sci-fi I've tried to read here in the 21st century. That's a shame, because this important genre deserves a better history than the one filled with manipulative sexists writing terrible books that we actually have; but it doesn't stop the fact that this is now a book to be avoided instead of celebrated, and that the problematic elements regarding the origin of modern science-fiction is destined to simply get worse with each passing year instead of better. It should all be kept in mind when deciding whether or not to pick up a copy yourself.
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Reading Progress
Started Reading
July 24, 2023
– Shelved
July 24, 2023
– Shelved as:
alt-history
July 24, 2023
– Shelved as:
classic
July 24, 2023
– Shelved as:
did-not-finish
July 24, 2023
– Shelved as:
late-modernism
July 24, 2023
– Shelved as:
sci-fi
July 24, 2023
– Shelved as:
smart-nerdy
July 24, 2023
–
Finished Reading