Andrew Foster-Williams
Bass-baritone
“Andrew Foster-Williams [is] outstanding as the easily manipulated, nervy Gunther.”
(Financial Times, Hugo Shirley)
![Andrew Foster-Williams](/https/www.harrisonparrott.com/sites/default/files/styles/landscape_small/public/images/2018-02/afw-201607-c-paul-foster-williams.jpg?h=e69eafa9&itok=sgYLkVUq)
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Gallery
![Andrew Foster-Williams, Monika Ritterhaus](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2018-03/andrew-foster-williams01-1.jpg?h=7bcb408a&itok=gTYmfABv)
![Andrew Foster-Williams, Paul Foster-Williams](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2018-03/andrew-foster-williams01-6.jpg?h=1b5e802d&itok=rZXLj2Iq)
![Andrew Foster-Williams, Catherine Ashmore](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2018-03/cold-genius.jpg?h=f714ca3d&itok=ONvBJTCQ)
Slipped Disc, May 2024
Gramophone, May 2024
Göttinger Tageblatt, April 2024
Opera Actual, November 2023
Olyrix, October 2023
ResMusica, October 2023
The Post, June 2023
Bachtrack, June 2023
Bachtrack, March 2023
Opera, April 2023
Bachtrack, November 2022
(Kurier, October 2021)
(Opera, July 2021)
(Das Opernmagazin, 13 April 2021)
(Hugh Canning, Opera Magazine, November 2020)
(George Hall, Opera Magazine, August 2020)
New Zealand Arts Review – June 2020
(BBC Music Mag, December 2019)
(Sophie Bourdias, Télérama, September 2019)
(The Times, September 2019)
(Mark Valencia, Musical America, May 2019)
(Soline Heurtebise, Olyrix, May 2019)
(Bachtrack, May 2019)
(Opera Magazine, April 2019)
(Ako Imamura, Bachtrack, January 2019)
(Martin Gasser, Kleiner Zeitung, January 2019)
(Tiroler Tageszeitung, January 2019)
(Marco Stücklin, Das Opernmagazin, January 2019)
(Jacques Bonnaure - Opéra magazine)
(Opera magazine, September 2018)
(Opera Magazine, August 2018)
(Marie-Aude Roux, Le Monde May 2018)
(Opera Magazine, March 2018)
(Laurent Bury, Forum Opera, November 2017)
(Hugo Shirley, Opera Magazine, November 2017)
(Gramophone Magazine, August 2017)
(Presto Classical, March 2017)
(Cleveland.com, March 2017)
(Lawrence Toppman, Charlotte Observer, March 2017)
(David Bratman, San Francisco Classical Voice, February 2017)
(Opera Magazine, November 2016)
(Laurent Bury, Forum Opera, September 2016)
(Arts Desk, July 2016)
(Seen & Heard, July 2016)
(Bachtrack, July 2016)
(Moore Parker, Opera Critic, December 2015)
(Simon Thompson, Seen & Heard, August 2015)
(Anne Midgette, Washington Post, January 2015)