Hanna Hipp
Mezzo-soprano
“Hanna Hipp, whose emotional investment in the character’s vulnerable idealism is touchingly captured in lithe, soaring tone”
The Stage, February 2023
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Gallery
![Hanna Hipp WNOAinadamar credits to Johan Persson.](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2024-02/WNOAinadamar2023JP_15098-Edit%20credits%20to%20Johan%20Persson.jpg?h=82f404e2&itok=rWWNyu_9)
![Hanna Hipp as Hensel © Tristram Kenton](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2024-01/Hanna%20Hipp%20%28Hansel%29%20Hansel%20and%20Gretel%20%28c%29%202023%20ROH%20ph.%20Tristram%20Kenton%20%281%29%20%281%29.jpg?h=b13a2641&itok=VeJ-hLcN)
![Hanna Hipp © Camilla Winther](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2022-12/---credit%20Camilla%20Winther.jpg?h=9dd951d5&itok=ALGSzTwQ)
![Hanna Hipp © Johan Persson](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2021-07/1333.GORosenkavalier%2001%20%28c%29%20Johan%20Persson.jpg?h=bd0785ea&itok=1zSxyR8K)
![Hanna Hipp © Johan Persson](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2021-07/1333.GORosenkavalier%2002.jpg?h=2f2f74e7&itok=GnPcvQDa)
![Hanna Hipp](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2019-03/varvara-c-james-glossop.jpg?h=4f037463&itok=qDhaBfGZ)
![Fantasio 1 (c) Clive Barda](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2019-06/Fantasio%201%20%28c%29%20Clive%20Barda.jpg?h=34e43602&itok=D92a1ISc)
![capriccio 1333)Garsington Opera 2018 Capriccio Hanna Hipp (Clairon) credit Johan Persson](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2018-07/gocapriccio2018jp_01832-1.jpg?h=603e2d77&itok=5txQCsBF)
![Hanna Hipp © Marc Brenner](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2020-03/ENO%20The%20Marriage%20of%20Figaro%202020%2C%20ENO%20Chorus%2C%20Hanna%20Hipp%2C%20%C2%A9%20Marc%20Brenner-523.jpg?h=6812c2d0&itok=3lH6dPYu)
![Hanna Hipp (c) Frances Marshall](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2019-11/hanna-hipp-1%20%28c%29%20Frances%20Marshall.jpg?h=82f92a78&itok=MemND-EG)
![Hanna Hipp as Hensel and Lauren Fagan as Gretel © Tristram Kenton](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2024-01/Hanna%20Hipp%20%28Hansel%29%20Lauren%20Fagan%20%28Gretel%29%20Hansel%20and%20Gretel%20%28c%29%202023%20ROH%20ph.%20Tristram%20Kenton%201265.jpg?h=28bc5cbb&itok=lK92K2BL)
![Seattle Opera](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2020-04/77046515-2018_BeatriceBenedict_JL_197%20-%201%20%28c%29%20Seattle%20Opera.jpg?h=4cfde567&itok=wZhe61Hj)
![© Marc Brenner](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2020-04/ENO%20The%20Marriage%20of%20Figaro%202020%2C%20Hanna%20Hipp%2C%20%C2%A9%20Marc%20Brenner-583.jpg?h=0f167ff2&itok=iBgNp9kX)
![Hanna Hipp © Clive Barda](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2021-04/1333_1813-hanna-hipp-as-hansel-c-roh-2018.-photographed-by-clive-barda.jpg?h=35a0046f&itok=5rEtVX-p)
![Hanna Hipp WNOAinadamar credits to Johan Persson.jpg](/https/www.harrisonparrott.com/sites/default/files/styles/square_small/public/images/galleries/2024-02/WNOAinadamar2023JP_15256%20credits%20to%20Johan%20Persson.jpg?h=c5fea9f1&itok=EmRcy1-S)
Opera Magazine, September 2024
Opera Magazine, November 2023
The Guardian, February 2023
Weekendavisen, November 2022
Ungt Teaterblod, November 2022
Kristeligt Dagblad, November 2022
Simone Zwicky, Den4Væg.dk, November 2022
Lars Olde Bonde, Ascolta, Winter 2022
Søren Kassebeer, Berlingske Tidende, October 2022
PN, Critique, October 2022
Ulla Strømberg, Kulturkupeen.dk, October 2022
Olyrix, November 2022
Opera Magazine, May 2022
(Telegraph, Jan 2022)
(Express, Jan 2022)
(Opera Today, Jan 2022)
(Seen and Heard, Jan 2022)
(Opera Online, Jan 2022)
(Frankfurter Allgemeine Zeitung, Jul 2021)
(Richard Fairman, Financial Times, Jun 2021)
(Hugh Canning, Opera Magazine, Jul 2021)
(Fiona Maddocks, The Observer, Jun 2021)
(The Spectator, Jun 2021)
(Musical America, Jun 2021)
(MusicOMH, Jun 2021)
(Bachtrack, Jun 2021)
(Arts Desk, Jun 2021)
(Richard Morrison, The Times, Jun 2021)
(Independent, Jun 2021)
(Opera Magazine, May 2020)
(Opera Now, April 2020)
(Hugh Canning, Sunday Times, March 2020)
(The Guardian, March 2020)
(Arts Desk, March 2020)
(Rupert Christiansen, Telegraph, March 2020)
(The Scotsman, September 2019)
(Seen & Heard, September 2019)
(The Herald, September 2019)
(Opera Magazine, September 2019)
(All Opera Now, August 2019)
(Financial Times, June 2019)
(The Times, June 2019)
(Opera Magazine, May 2019)
(Bachtrack, March 2019)
(The Guardian, Fiona Maddocks, March 2019)
(Vorarlberger Nachtrichten, January 2019)
(Neue Vorarlberger Tageszeitung, January 2019)
(Tim Ashley, Opera Magazine, February 2019)
(Fiona Maddocks, The Guardian, January 2019)
(Opera Magazine, August 2018)
(Tim Ashley, Gramophone, May 2018)
(Limelight Magazine, May 2018 – Editor’s Choice)
(The Times, June 2018)
(Opera Today, June 2018)
(Opera Today, February 2018)
(Opera Magazine, March 2018)
(Operaclick.com, February 2018)
(Seattle Times, January 2018)
(Concertclassic.com, September 2017)
(Bachtrack, April 2017)
(Rupert Christiansen, Telegraph, March 2017)
(Bachtrack, March 2017)
(Seen & Heard, March 2017)
(Music OMH, March 2017)
(Opera Critic, November 2016)
(The Guardian, October 2016)
(Opera Critic, October 2016)
(Seattle Times, August 2016)
(Rupert Christiansen, May 2016)
(Andrew Clements, The Guardian, May 2016)
(Fiona Maddocks, Guardian, May 2016)
(The Express, June 2016)
(What’s on Stage, May 2016)
(Bachtrack, May 2016)
(Music OMH, May 2016)
(Twin Cities Pioneer Press, September 2015)
(Star Tribune, September 2015)
(The Post Bulletin, Oct 2015)