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Maxime Pascal
Ariane Levy-Künstler
Jasper Parrott
Jennyfer Fouani
Maxime Pascal is the Music Director of Paris-based orchestra Le Balcon
Music Director: Le Balcon
Maxime Pascal is a passionate advocate for French, twentieth century and new music, and makes it one of the foundations of his musical collaborations. In his operatic work, this has led him to creating Salvatore Sciarrino’s Te vedo, ti sento, mi perdo at La Scala in 2017, which he later took to Staatsoper Berlin. In 2019 he performed Luca Francesconi’s Quartett with Teatro alla Scala, his third collaboration with the opera house. In the summer of 2023, he made his debut at Festival d’Aix-en-Provence with Le Balcon, performing the highly anticipated production of Bertolt Brecht’s Threepenny Opera. Other operatic highlights of recent seasons include appearances at Vienna Festival with Lulu by Alban Berg as well as Bohuslav Martinů’s The Greek Passion at Salzburg Festival. He continues to present a new production of Sonntag aus Licht with Le Balcon in 2023 in Philharmonie de Paris.
Maxime also explores his French heritage in his opera work, collaborating with Opéra de Paris on multiple occasions to perform works such as Daphnis et Chloé, Boléro, L’heure espagnole and Gianni Schicchi. In Europe, he conducted Debussy’s Pelléas et Mélisande at Malmö Opera in 2016 and made his hugely successful BBC Proms debut in 2019 in Berlioz’s L’Enfance du Christ with the Hallé, Britten Sinfonia Voices and Genesis Sixteen. In the same season, Maxime conducted a Debussy/Stravinsky programme with the Simón Bolívar Youth Orchestra in Caracas. In recent seasons he conducted Peter Eötvös’s new opera Sleepless in Berlin and Geneva, and premiered Sivan Eldar’s Like Flesh in Lille.
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As a founding member of the multi-faceted artistic group Le Balcon, Maxime has developed together with his colleagues a unique vision of the musical performance as a striking and radical experience for the public. Performing a wide range of repertoire, Le Balcon integrates music with advanced sound and lighting systems, in exciting and compelling musical experiences. Their projects so far have included Ariadne auf Naxos, staged by Benjamin Lazar; a video spectacle on Pierrot Lunaire created by the Colombian artist Nieto; and Stockhausen’s Donnerstag Aus Licht at London’s Southbank Centre in 2019. This led to a seven-year collaboration with Philharmonie de Paris where the ensemble will perform Stockhausen’s whole Licht cycle, staging one opera per year, including Dienstag in October 2020. Maxime and Le Balcon offer unique programmes such as Boulez/Gesualdo/Grisey, or Mahler’s Das lied von der Erde. Both have been performed and streamed during the lockdown period where Le Balcon have remained very active. Maxime Pascal and Le Balcon have collaborated with Pierre Boulez, George Benjamin, Peter Eötvös and Michaël Lévinas, and in September 2016 released their debut album featuring a loose adaptation of Berlioz’s Symphonie Fantastique (Le Balcon & BMedia/distributed by Outhere).
Alongside operatic engagements, Maxime is establishing himself as a leading symphonic conductor. Highlights of the 2023/2024 season include his debut at Enescu Festival with Le Balcon and Messiaen’s Saint François d’Assise, followed by debut performances with Frankfurt HR and Santa Ceciia with the violinist Patricia Kopachinskaja. Other highlights of the season include Brecht’s The Three Penny opera revival in Paris, new production of Carmen with Theater Basel, as well as a project with the Hallé. His high demand in Japan results in re-invitations from Yomiuri Nippon Symphony Orchestra and Orchestra Ensemble Kanazawa.
Maxime Pascal and Le Balcon have been residents at the Singer-Polignac Foundation from 2010, and he is now Associated Artist to the Foundation as well as Artistic Adviser. In November 2011 the Academy of Fine Arts at the French Institute awarded him the Music Prize of the Simone and Cino del Duca Foundation. He was the first Frenchman to win the Nestlé and Salzburg Festival Young Conductors Award in March 2014.
HarrisonParrott represents Maxime Pascal for worldwide general management.
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“it’s hard to imagine a better presentation than this one [referring to Le Balcon’s Jakob Lenz Salzburg Festival], conducted with ferocity by Maxime Pascal and starring the Lenz of our time, Georg Nigl”
“Conductor Maxime Pascal is a phenomenon, a mover and shaker in the world of contemporary music who uses that knowledge to inform his interpretations of past maters (very fine in a Proms performance of Berlioz’s L’enfance du Christ). There is drive and subtlety here, while all the players sound fine when in full focus…”
“We had a chance to gauge the extraordinary talent of conductor Maxime Pascal […] He’s singular to watch, with swooping seabird movements with both arms – no baton – and a certain invertebrate quality which certainly doesn’t transfer to the music, beautifully shaped but with nodal points punched home.”
“Pascal is an individual conductor, tall, thin, almost insectile. Batonless, his hands are remarkably expressive, as is almost every other bit of his body […] The thing is, each gesture, or indeed non-gesture, had a point, and the orchestra responded magnificently”
“This 30 year old young conductor on the rise is above all a free artist who blows a breath of fresh air on the world of classical and contemporary music”
“We like this ensemble of musicians and their conductor for their cheek”
“The Balcon ensemble, under the baton of Maxime Pascal, is itself a frenetic centipede, going from stroking harps to panting percussions and from hissing strings to creaking brass”
“This young artist revolutionises the French musical world”