Today is the twenty-first-annual World Water Day, which was established, by the United Nations, to draw attention to the management and the use of fresh water. The occasion got me looking for photographers who take water as their central theme. Climate change, which has produced extremes of abundance and scarcity around the world, was a common subject, especially for documentary projects. But I was also drawn to works that highlight the beauty of water, which, as Roni Horn notes, “is full of paradox. It is ubiquitous, and yet so unfamiliar.”
Jessie Wender, formerly a photo editor at The New Yorker, is a senior photo editor at National Geographic.
More:Photography
In the Dark
Season 3
The New Yorker investigative podcast examines the killings of twenty-four civilians in Haditha, Iraq, and asks why no one was held accountable for the crime.
Daily Comment
What Tim Walz Brings to Kamala Harris’s Campaign to Beat Donald Trump
The Minnesota governor with a progressive agenda becomes the Democratic Vice-Presidential nominee after capturing the Zeitgeist with a single word.
By Peter Slevin
Under Review
Pete Rose and the Complicated Legacy of Cincinnati Baseball
The culture that sheltered Rose from the fallout of his excesses did not extend the same protection to the team’s Black players.
By Brandon Harris
Dispatch
The Betrayal of American Border Policy
A young Jesuit priest arrived in Texas hoping to cultivate hospitality toward migrants. During the past four years, he’s watched that possibility slip away.
By Jack Herrera