Betye saar

The Liberation of Aunt Jemima 1972 - Betye Saar

Bettye Saar 1975 Collage of cut printed papers and fabrics, with matte and metallic paint and ink stamps on laminated paperboard 15 x 10 inches (38.1 x 25.4 cm). Illustration for Ishmael Reed’s poetry.

Doreen St. Félix writes about the assemblage art of Betye Saar, which is featured in a new exhibit, “The Legends of ‘Black Girl’s Window,’ ” at the Museum of Modern Art.

The artist talks to Jonathan Griffin about her stereotype-busting sculptures and explains why major shows in Los Angeles and New York are ‘just another gig’

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Assemblage by Betye Saar

Above 'Birds of a Feather' 2010, Here is a selection of collages by Betye Saar, Betye Saar was born in Los Angeles in 1926. "I never had the stroke for the mainstream. But the flotsam and jetsam of tides is what I make my art from; I recycle things that I find. It’s not only materials, images, and objects, but feelings and ideas." Betye Saar Above: 'Mother and Children in Blue',1998, Below: 'The Blue Madonna's 1996. "I grew up in a family with strong older women who led and inspired the rest…

Betye Saar. House of Tarot. 1966. Etching with relief printing and relief-printed and embossed found objects. plate: 17 11/16 × 23 3/4" (45 × 60.4 cm); sheet: 19 15/16 × 27 9/16" (50.6 × 70 cm). Betye Saar, Los Angeles. Betye Saar, Los Angeles. Acquired through the generosity of The Friends of Education of The Museum of Modern Art in honor of Marquita Pool-Eckert. 1193.2018. © Betye Saar, courtesy the artist and Roberts Projects, Los Angeles. Drawings and Prints

The artist talks to her friend, the actress CCH Pounder, about some of the trips they’ve taken and the places they’ve yet to go.