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The mourning outfit made for Queen Victoria immediately after the death of her grandson Prince ‘Eddy’.
The mourning outfit made for Queen Victoria immediately after the death of her grandson Prince ‘Eddy’. Photograph: Linda Nylind/The Guardian
The mourning outfit made for Queen Victoria immediately after the death of her grandson Prince ‘Eddy’. Photograph: Linda Nylind/The Guardian

Queen Victoria's mourning dress among items in Disease X exhibition

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Show at Museum of London highlights continued vulnerability of big cities to disease epidemics

The mourning dress worn by Queen Victoria after the death of her grandson from Russian flu is to go on display for the first time, as part of an exhibition highlighting the ongoing threat from epidemics.

The tiny black silk and crepe dress was made for the diminutive queen in 1892 following the death of Prince Albert Victor, known as Prince Eddy, who was 28 and second in line to the throne when he was struck by the illness a month before his wedding.

His death “changed the course of history” and showed that even the most privileged could succumb to disease, according to Vyki Sparkes, co-curator of the exhibition, Disease X, which opens later this month at the Museum of London.

“But it also changed the way epidemics were seen. Influenza, before that, was seen as not very serious. This really drove home that influenza was a serious and virulent disease.”

The prince’s younger brother would go on to inherit the throne as George V, the present Queen’s grandfather.

The exhibition has been staged to mark the centenary of the 1918-19 Spanish flu epidemic, which killed between 50 and 100 million people worldwide.

While London has been hit by epidemics for millennia, Sparkes said, the exhibition’s name reflected the fact that even sophisticated modern cities were still vulnerable to possible disease epidemics.

“Earlier this year the World Health Organisation added ‘Disease X’ to its list of the top 10 priority diseases to research. And the reason they did that was they wanted to recognise that one of the biggest risks to life from an epidemic might be from something that has never been known to cause death before,” she said.

“The idea was that you need to have models and systems in place so you are prepared for the outbreak of a disease. It’s not just the ones you know about, it’s the ones you don’t know about.”

Other exhibits, many of which have not previously been displayed, include a 17th-century gold pomander, carried in the hope that the herbs it contained could ward off the plague. A large poster from the early 20th century advertises a product called Flu-Mal as a cure for both influenza and malaria, from just a shilling and three pence per bottle.

“What do they tell us about Disease X?” asked Sparkes. “They tell us that we might not have the remedies.”

Other artefacts will illustrate the success stories of the fight against disease, she said. As well as the skeleton of an infant who died in the early 19th century from smallpox, now globally eradicated, the exhibition will also include some examples of the drug PrEP, which is given to HIV-negative people to reduce their risk of contracting the disease and which Public Health England has said could contribute to the future elimination of HIV and Aids in the UK.

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