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Martin Scorsese

October 2022

  • Martin Scorsese at the New York film festival.

    Martin Scorsese: obsession with box office takings is ‘repulsive’

    Speaking at the New York film festival, the director said that cinema was ‘devalued, demeaned, belittled from all sides’

September 2022

  • Jean-Luc Godard shooting Le Mépris with Brigitte Bardot in 1963.

    ‘Godard shattered cinema’: Martin Scorsese, Mike Leigh, Abel Ferrara, Claire Denis and more pay tribute

    He was the explosively talented film-maker who changed cinema for all time. But what did other directing giants make of this movie legend – and did they find his latter films unwatchable?

July 2022

  • Spike Lee’s Do the Right Thing

    If you watch only one film … the greatest movies by the greatest directors

    Some directors come with such huge back catalogues that it can be hard to know where to start. Enter our film critics, who suggest the best routes in to the works of some of our most prolific film-makers

June 2022

  • ‘He had to be dangerous, disarming – and innocent’ … Liotta with Robert de Niro in Goodfellas.

    Martin Scorsese on Ray Liotta in Goodfellas: ‘The new guy never missed a beat’

    The great director remembers the actor’s astonishing performance in his gangster classic – and the day the distraught star had to play a euphoric scene right after receiving tragic news

May 2022

  • Ray Liotta, centre, with Frank Adonis and John Manca in the 1990 film Goodfellas.

    Ray Liotta obituary

  • Ray Liotta in 1980

    Film blog
    Ray Liotta: Goodfellas actor had boyish radiance to puncture the toughness

March 2022

  • Nicolas Cage in Ghost Rider.

    Week in geek
    ‘Why do they do that?’: Nicolas Cage isn’t down with the Coppola-Scorsese Marvel bashing

    Francis Ford Coppola reckons comic-book blockbusters are ‘despicable’ – his nephew, stage-named after an MCU superhero, disagrees

November 2021

  • Greg Jericho

    Grogonomics
    No dramas: superhero movies and their opening weekend cash cows crowd out realistic films

    Greg Jericho
    Fewer artistic risks means fewer films that say something about your life, unless it involves flying people

October 2021

  • Virginia Wetherell in Dr Jekyll and Sister Hyde, 1971.

    Edgar Wright edits Observer New Review
    The 50 British films that inspired a young Martin Scorsese

  • Edgar Wright

    Edgar Wright edits Observer New Review
    Edgar Wright: how Martin Scorsese helped me through lockdown

September 2021

  • Ray Liotta: ‘Sometimes I’m angry and hyper, like at traffic, and sometimes I’m not.’

    Ray Liotta: ‘Why haven’t I worked with Scorsese since Goodfellas? You’d have to ask him. I’d love to’

  • Robert De Niro in Casino.

    Ranked
    The 30 best mobster movies – ranked!

July 2021

  • Christopher Nolan

    Scorsese, Nolan, Pike … giants of cinema unite to save Radio 4’s film show

  • A scene from the Netflix film, Roma

    The Guardian view on the future of cinema: don’t panic…

June 2021

  • MARTIN SCORSESE<br>Mandatory Credit: Photo by Everett Collection / Rex Features RAGING BULL, director Martin Scorsese, Robert De Niro, 1980 MARTIN SCORSESE UK, EIRE, TURKEY, SOUTH AFRICA, HONG KONG, CROATIA ONLY No Merchandising. Editorial Use Only DIRECTOR ON SET

    ‘I made it as if this was the end of my life’: Scorsese on Raging Bull at 40

  • samuel l jackson sgt nick fury

    Ranked
    Samuel L Jackson’s 20 best films – ranked!

May 2021

  • Peter Blake

    On my radar
    On my radar: Peter Blake’s cultural highlights

    The artist on David Hockney’s move to France, a beautiful tale about an octopus, and the radio show he phones in to

March 2021

  • Robert De Niro and Joe Pesci

    The making of a heavyweight: Scorsese and De Niro behind the scenes of Raging Bull – in pictures

  • The ballroom sequence of The Leopard, 1963.

    Giuseppe Rotunno obituary

February 2021

  • Rebecca Nicholson

    Martin Scorsese: talk to me about great films, not ‘content’

    Rebecca Nicholson
    The director has mounted a spirited attack on those who insist on branding cinema – and all art – as a commodity
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