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Jazz

March 2024

  • Julie Abbé, half smiling, outdoors with trees behind her

    Julie Abbé: Out of the Ashes review – a beautiful expression of the grieving process

  • Earthy tones … Ganavya.

    Global album of the month
    Ganavya: Like the Sky, I’ve Been Too Quiet review – ornate Tamil vocals, flutes and Floating Points

  • Bewitching … Charles Lloyd.

    Jazz album of the month
    Charles Lloyd: The Sky Will Still Be There Tomorrow review – sax legend shows no sign of slowing down

  • Moor Mother.

    ‘I tell the truth about what’s unknown’: Moor Mother on revealing Britain’s ongoing slavery links

  • Kahil El’Zabar’s Ethnic Heritage Ensemble: Open Me, a Higher Consciousness of Sound and Spirit – review

  • One to watch
    One to watch: Ganavya

  • Perfect pitch: the 2024 UK music festivals you can still book now

  • ‘I don’t want to be a legacy performer’: why Britain’s hottest jazz star is giving up his sax for the flute

  • From the Guardian archive
    The sophisticated jazz of Cab Calloway – archive, 1934

  • Jacob Collier: Djesse Vol 4 review – mind-melting final instalment of vast six-year project

  • TikTok jazz sensation Laufey: ‘It’s no longer about genre, it’s about feeling and mood’

February 2024

  • Graham McGregor-Smith performing at the Old Court, Windsor, in December 2023

    A new start after 60
    A new start after 60: after 47 years, I have finally released my first album

  • Laurence Canty

    Other lives
    Laurence Canty obituary

  • Muscular, complex rhythms … Amaro Freitas.

    Global album of the month
    Amaro Freitas: Y’Y review – transcendent sounds inspired by the Amazon

  • Mario Kart 8 Live in Oklahoma City

    Ever wanted to play Mario Kart accompanied by a live jazz band? In Oklahoma, you can

  • A century on from Rhapsody in Blue, debates about cultural ‘theft’ rage still

    Kenan Malik
  • James Brandon Lewis Quartet: Transfiguration review – angular, explosive experimentation

  • Jazz album of the month
    Vijay Iyer/Linda May Han Oh/Tyshawn Sorey: Compassion review – a trio of rare intuition

  • Jazz composer Maria Schneider: ‘David Bowie cracked me – maybe not in a good way’

  • ‘I think kissing is beneficial, actually’: the whistling prodigy courted by Dr Dre, Barbie and Karen O

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