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Dance

August 2024

  • dancer Wayne Sleep, photographed at home.

    This much I know
    Wayne Sleep: ‘The bigger the stage, the better I became’

  • David Jonsson as Andy in Alien: Romulus

    Going out, staying in
    From Alien: Romulus to Ugly Sisters: to a complete guide to this week’s entertainment

  • 'I really appreciate the positivity and I’m glad I was able to bring some joy into your lives'

    2:19

    'I worked my butt off': breaker Raygun responds to 'devastating' online hate – video

  • Ryan watches and participates with dancer Clementine Benson in Lien, a one-to-one dance performance.

    ‘I feel a rising anxiety ...’ My odyssey through Edinburgh’s intense, unsettling one-to-one shows

  • ‘Ballet is so punk rock’: Neve Campbell and Karen Kain on pressure, pain – and partnering Nureyev

  • ‘I can move my body how I want’: standup Stephanie Laing on conquering her fear of public dancing

  • Dance and circus at Edinburgh fringe: high concepts and sky-scraping feats

  • Lost Connection review – dance quartet in thrall to their smartphones

  • Swan Song review – ‘punk rock’ ballet film goes behind-the-scenes to get show afloat

  • Viral Australian breaker 'Raygun' dances her way to the Paris Olympics closing ceremony - video

  • At the fringe with your kids? Edinburgh festival shows for families

  • Songs of the Bulbul review – sumptuously scored solo dance is full to bursting with feeling

  • The Q&A
    Riverdance creator Michael Flatley: ‘Who would play me in a film of my life? I’d pick John Cleese’

  • Going out, staying in
    From The Instigators to Bludfest: a complete guide to this week’s entertainment

  • Australia’s first Olympic breaker ‘Raygun’ vows to keep being herself amid online jibes

  • Lewis Major: Triptych review – intense movers trip the light fantastic

  • What Songs May Do... review – Nina Simone puts a spell on dance duet

  • Prom 24: The Fairy Queen review – street-dance, hip-hop style suits Purcell surprisingly well

  • Prospect of blind competitor on Strictly thrills visually impaired ballroom dancers

  • Grupo Corpo review – the Brazil of Gilberto Gil and Umbanda in music, mood and motion

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