![]() Professor of American Literature Primary Office: LIT 446 Primary Phone: (858) 534-5754 Quarterly Office Hours Email: [email protected] Website: Nineteenth-century Women at Work |
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Academic Senate Distinguished Teaching Award Winner, 2013
Books:
The Allotment Plot: Alice C. Fletcher, E. Jane Gay, and Nez Perce Survivance. Lincoln: U of Nebraska P, 2012.
Trading Gazes: Anglo-American Women Photographers among North American Indians. With Melody Graulich, Lisa MacFarlane, and Susan Bernardin. New Brunswick: Rutgers UP, 2003.
Domesticity with a Difference: The Nonfiction of Catharine Beecher, Sarah Josepha Hale, Fanny Fern and Margaret Fuller. Jackson: UP of Mississippi, 1997.
The Allotment Plot: Alice C. Fletcher, E. Jane Gay, and Nez Perce Survivance. Lincoln: U of Nebraska P, 2012.
Trading Gazes: Anglo-American Women Photographers among North American Indians. With Melody Graulich, Lisa MacFarlane, and Susan Bernardin. New Brunswick: Rutgers UP, 2003.
Domesticity with a Difference: The Nonfiction of Catharine Beecher, Sarah Josepha Hale, Fanny Fern and Margaret Fuller. Jackson: UP of Mississippi, 1997.
Editions:
Elder Northfield's Home; or, Sacrificed on the Mormon Altar. By A. Jennie Bartlett. 1882. Forthcoming, U of Nebraska P, 2014.
The American Woman's Home. By Catharine Beecher and Harriet Beecher Stowe. 1869. New Brunswick: Rutgers UP, 2002.
Archival Catalogs:
The E. Jane Gay Photograph Collection (Accession 63-221). Idaho State Historical Society and Archives, Boise, Idaho. Forthcoming, 2015.
The Papers of Corbett Lawyer and Mylie Lawyer (Accession 632). Nez Perce National Historical Park Archives, 2006.
Selected Essays:
"Parallax, Transit, Transmotion: Reading Race in the Allotment Photographs of E. Jane Gay." MELUS special issue on Visual Culture and Race. Forthcoming, 2014.
"Who Put the Gun into the Whore’s Hand?: Disability in Deadwood." In Dirty Words in Deadwood: Literature and the Postwestern. Ed. Nicolas Witschi and Melody Graulich. Lincoln: U of Nebraska P, 2012.
"At Cross Purposes: Church, State, and Sex in Mary Austin's Isidro." Exploring the Lost Borders: Critical Essays on Mary Austin. Ed. Melody Graulich and Betsy Klimasmith. Reno: U of Nevada P, 1999. 1-20.
"Genealogy, Genre, Gender: Edith Maude Eaton's 'Leaves from the Mental Portfolio of a Eurasian.'" Beyond the Binary: Reconstructing a Multicultural Sense of "American" Identity. Ed. Timothy Powell. New Brunswick: Rutgers UP, 1999. 236-60.
"Guardian Angels, Missing Mothers, and Western Fictions: Race and Domesticity in Winona and Deadwood Dick on Deck." Western American Literature 32.1 (1997): 240-64.
"Writing in Circles: Harriet Beecher Stowe, the Semi-Colon Club, and the Construction of Women's Authorship." in Nineteenth-Century Women Learn to Write. Ed. Catherine Hobbs. Charlottesville: UP of Virginia, 1995. 147-75.
"An Excess of Recompense: The Feminine Economy of The Mother's Recompense." American Literary Realism 26.3 (1994): 12-32.
"Traveling in the West, Writing in the Library: Margaret Fuller's Summer on the Lakes." Legacy: A Journal of Nineteenth-Century American Women Writers 10.2 (1993): 79-102.
"Rhetorical Power in the Victorian Parlor: Godey's Lady's Book and the Gendering of Nineteenth-Century Rhetoric." in Oratorical Culture in Nineteenth-Century America: Essays on the Transformation of Nineteenth-Century Rhetoric. Ed. S. Michael Halloran and Gregory C. Clark. Carbondale: Southern Illinois UP, 1993. 158-83.