ARMAUN, by Blendreed

ARMAUN

by Blendreed

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Includes unlimited streaming of ARMAUN via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Purchasable with gift card

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1.	Lance L’émoi 04:40	buy track
2.	Eolian Calm 07:45	buy track
3.	Ah Lilac Omen 03:38	buy track
4.	Mr Erased 07:13	buy track

about

French saxophonist Musina Ebobissé unveils ARMAUN, his third release under the Blendreed name. ARMAUN – Ambient Resistance Music Against Urban Noise – takes a stand against the interference of invasive irritants with sublime slow motion music. Its four pieces evoke an ecstatic peace, allowing both artist and listener to breathe deeply. As the compositions unfold, each exhalation resonates at the frequency of the human mind in repose.

Layers of treated and reverberant saxophone fuse into a hypnagogic whole, as elongated melodies interact with their own fragmented and transformed echoes. In a semi dream state, existence is experienced at a languid pace, as each phrase decays into a haze of crosscurrents.

If ARMAUN recalls the fourth world music of Jon Hassell and Eno, it equally finds oblique kinship with Andre 3000’s “New Blue Sun”. Likewise, it shares essential DNA with vaporwave and the tape-loop experiments of Terry Riley. Conceived as a confluence of acoustic and electronic elements, Blendreed explores the intersection of jazz, ambient, post-rock and experimental music.

This is work of exquisite beauty with a direct function. It provides an antidote to the bombardment of our senses. After unhooking your mind from temporal entanglements, ARMAUN will absorb your soul.

credits

released June 21, 2024

Musina Ebobissé: tenor saxophone and effect pedals
Recorded at Citadelle Studio, Pantin, France, October 2022
Mixed by Musina Ebobissé
Mastered by Antony Ryan at RedRedPaw

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Blendreed Paris, France

Musina Ebobissé: tenor saxophone and effect pedals. Conceived as a confluence of acoustic and electronic elements, Blendreed explores the intersection of jazz, ambient, post-rock and experimental music.

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