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+Calvary (2014 film)
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				Revision as of 15:44, 20 August 2018 edit
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 →‎Critical response:  The opinion of Taste of Cinema
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  | title = Calvary: Sundance 2014 – first look review
  
  | title = Calvary: Sundance 2014 – first look review


  
  | url = https://www.theguardian.com/film/2014/jan/20/sundance-film-festival-calvary-review
  
  | url = https://www.theguardian.com/film/2014/jan/20/sundance-film-festival-calvary-review


  
  }}</ref> In their appraisal of Gleeson's ten greatest performances, Calvary topped Taste of Cinema's list <ref>Lyng, Eoghan (2018). "The Ten Best Brendan Glesson Performances" Taste of Cinema</ref>.
  
  }}</ref> In their appraisal of Gleeson's ten greatest performances, Calvary topped Taste of Cinema's list, writing that "a legacy of how twenty years of film-making can make people feel many differing emotions. But he also did something else during the film´s 101 minutes. He made audiences happy". <ref>Lyng, Eoghan (2018). "The Ten Best Brendan Glesson Performances" Taste of Cinema</ref>.


  
  

  
  



  
  Praising ''Calvary'' for its treatment of its weighty thematic elements, Lauren Ely for ''[[First Things]]'' wrote: "Is it possible for a film to capture the horror of the sexual abuse scandal in the Catholic Church while at the same time presenting a case for the necessity of the institutional priesthood? Against all odds, this is exactly what Irish director John Michael McDonagh's Calvary manages to do."<ref>{{cite web|last1=Ely|first1=Lauren|title=The Scandal of Calvary|url=http://www.firstthings.com/web-exclusives/2014/08/the-scandal-of-calvary|website=www.firstthings.com|publisher=First Things|accessdate=10 August 2014}}</ref>
  
  Praising ''Calvary'' for its treatment of its weighty thematic elements, Lauren Ely for ''[[First Things]]'' wrote: "Is it possible for a film to capture the horror of the sexual abuse scandal in the Catholic Church while at the same time presenting a case for the necessity of the institutional priesthood? Against all odds, this is exactly what Irish director John Michael McDonagh's Calvary manages to do."<ref>{{cite web|last1=Ely|first1=Lauren|title=The Scandal of Calvary|url=http://www.firstthings.com/web-exclusives/2014/08/the-scandal-of-calvary|website=www.firstthings.com|publisher=First Things|accessdate=10 August 2014}}</ref>
@@ Line 111: / Line 111: @@
 | title = Calvary: Sundance 2014 – first look review
 | url = https://www.theguardian.com/film/2014/jan/20/sundance-film-festival-calvary-review
-}}</ref> In their appraisal of Gleeson's ten greatest performances, Calvary topped Taste of Cinema's list <ref>Lyng, Eoghan (2018). "The Ten Best Brendan Glesson Performances" Taste of Cinema</ref>.
+}}</ref> In their appraisal of Gleeson's ten greatest performances, Calvary topped Taste of Cinema's list, writing that "a legacy of how twenty years of film-making can make people feel many differing emotions. But he also did something else during the film´s 101 minutes. He made audiences happy". <ref>Lyng, Eoghan (2018). "The Ten Best Brendan Glesson Performances" Taste of Cinema</ref>.
 Praising ''Calvary'' for its treatment of its weighty thematic elements, Lauren Ely for ''[[First Things]]'' wrote: "Is it possible for a film to capture the horror of the sexual abuse scandal in the Catholic Church while at the same time presenting a case for the necessity of the institutional priesthood? Against all odds, this is exactly what Irish director John Michael McDonagh's Calvary manages to do."<ref>{{cite web|last1=Ely|first1=Lauren|title=The Scandal of Calvary|url=http://www.firstthings.com/web-exclusives/2014/08/the-scandal-of-calvary|website=www.firstthings.com|publisher=First Things|accessdate=10 August 2014}}</ref>
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