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263 pages, Paperback
First published January 1, 1599
Rosalynde was the most popular and one of the best of the pastoral romantic tales which were the fashion in the early 1590s. By 1598 the book was in its fourth edition. The story was thus likely to be well known to many in the original audience. Shakespeare followed his source fairly closely, though he added some characters of his own and changed most of the names.
All the world���s a stage,What can follow that? Yeah, the rest of the play. But I’ll leave it there. For a synopsis of the play, see http://en.wikipedia.org/wiki/As_You_L...
And all the men and women merely players.
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths and bearded like a pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances,
And so he plays his part. The sixth age shifts
Into the lean and slippered Pantaloon
With spectacles on nose and pouch on side,
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
ROS. Alas the day! What shall I do with my doublet and hose? What did he when thou sawest him? What said he? How looked he? Wherein went he? What makes he here? Did he ask for me? Where remains he? How parted he with thee? And when shalt thou see him again? Answer me in one word!(My emphasis.) Heck, Celia’s reply isn’t even necessary, though it does put a lovely phrase to the preposterousness of Rosalind’s command.
CEL. You must borrow me Gargantua’s mouth first. ‘Tis a word too great for any mouth of this age’s size. To say aye and no to these particulars is more than to answer in a catechism.
All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages.