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Ghosts (New Directions Paperbook Book 1133) Kindle Edition

3.8 3.8 out of 5 stars 58 ratings

The most unsettling and stunning of Aira's short novels published by New Directions.


"On a building site of a new, luxury apartment building, visitors looked up at the strange, irregular form of the water tank that crowned the edifice, and the big parabolic dish that would supply television images to all the floors. On the edge of the dish, a sharp metallic edge on which no bird would have dared to perch, three completely naked men were sitting, with their faces turned up to the midday sun; no one saw them, of course." — from
Ghosts



Ghosts is about a construction worker's family squatting on a building site. They all see large and handsome ghosts around their quarters, but the teenage daughter is the most curious. Her questions about them become more and more heartfelt until the story reaches a critical, chilling moment when the mother realizes that her daughter's life hangs in the balance.

Editorial Reviews

From Publishers Weekly

Aira, an unusual Argentinean author (How I Became a Nun), writes a compelling novel about a migrant Chilean family living in an apartment house under construction in Buenos Aires. New Year's Eve finds the hard-drinking Chilean night watchman, Raúl Vinas, hosting a party with his wife, Elisa, their four small children and Elisa's pensive 15-year-old daughter, Patri. Moreover, ghosts reside in the house: naked, dust-covered floating men, mostly unseen except by Elisa and Patri. The novel engineers a clever layering of metaphorical details about the building, but gradually focuses on Elisa's preparations for the party and her conversations with her daughter about finding a real man to marry. Prodded perhaps by her isolation within the family, Patri accepts the ghosts' invitation to a midnight feast, at her life's peril. Aira takes off on fanciful sociological analogies that seem absurd in the mouths of these simple folk, so that in the end the novel functions as an allegorical, albeit touching, comment on his characters' materialism and class. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker

Aira�s novella takes place in Buenos Aires on New Year�s Eve, inside a half-finished luxury-apartment complex. As the night watchman and his family, who occupy a makeshift dwelling on the roof, prepare for the evening�s festivities, a congregation of male ghosts flits about the building, sunning themselves in a �mood of summery exhibitionism.� Aira alternates between banal details of the family�s everyday existence and intellectual flights of fancy that include such diverse subjects as the social structure of Pygmy communities and Aborigine myth. As night falls, the watchman�s ineffectual, fiercely imaginative teen-age stepdaughter is drawn into a deadly pact with the ghosts as a way to escape an unnamed �specific torment.� Aira conjures a languorous, surreal atmosphere of baking heat and quietly menacing shadows that puts one in mind of a painting by de Chirico.
Copyright ©2008
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Product details

  • ASIN ‏ : ‎ B007CO9EN6
  • Publisher ‏ : ‎ New Directions (February 24, 2009)
  • Publication date ‏ : ‎ February 24, 2009
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1944 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 141 pages
  • Customer Reviews:
    3.8 3.8 out of 5 stars 58 ratings

About the author

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César Aira
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César Aira was born in Coronel Pringles, Argentina in 1949, and has lived in Buenos Aires since 1967. He taught at the University of Buenos Aires (about Copi and Rimbaud) and at the University of Rosario (Constructivism and Mallarmé), and has translated and edited books from France, England, Italy, Brazil, Spain, Mexico, and Venezuela.

Perhaps one of the most prolific writers in Argentina, and certainly one of the most talked about in Latin America, Aira has published more than eighty books to date in Argentina, Mexico, Colombia, Venezuela, Chile, and Spain, which have been translated for France, Great Britain, Italy, Brazil, Portugal, Greece, Austria, Romania, Russia, and now the United States.

One novel, La prueba, has been made into a feature film, and How I Became a Nun was chosen as one of Argentina’s ten best books. Besides essays and novels Aira writes regularly for the Spanish newspaper El País. In 1996 he received a Guggenheim scholarship, in 2002 he was shortlisted for the Rómulo Gallegos prize, and has been shortlisted for the Man Booker International Prize.

Customer reviews

3.8 out of 5 stars
58 global ratings

Top reviews from the United States

Reviewed in the United States on May 7, 2014
Ghosts is one of my favorite reads this year. It's light and easy to read, delightfully unsettling and strangely hopeful. Aira writes in Spanish, but this translation is excellent and you won't feel you're missing out by not reading in Spanish. I'm not going to give away the plot, but I will say it keeps you engaged right to the last page and it's all about two amazing parties and a girl who has to choose between them. Pair that with some magically aged wine, and what more could one ask for?
4 people found this helpful
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Reviewed in the United States on August 26, 2010
All fiction is allegorical--which might explain why I don't read much fiction anymore. One tires, after a certain age, of lessons.

Most contemporary novelists try to disguise their allegories in the centuries-old conventions of realism. They pretend to be wholly--not selectively--reporting the world. But César Aira can't be bothered. So my principle reaction to Ghosts was relief: at least this guy isn't pretending. He's an unapologetic child of Kafka--or, more to the point, he shows us that we all are, fancy literary embellishments aside.

But I didn't only feel relief; I also felt like I'd been returned to fiction as it sounded when I was a child. We're trained early to look for the lessons--the moral--in stories. The history of my life as a reader can be summarized as a slow transition from explicit to implicit allegory. And now back. In this case, it's a happy return.

Aira's topics in Ghosts (which are really one topic) are the birth of desire, the end of innocence, the death in life that goes by the name eros. The book evokes that death with levity and precision. Like Kafka, Aria is never clever. He is compassionate, lucid, and funny. A girl in her mid-teens lives among ghosts, all of them men, naked phantasms covered in dust. She's lived among them for months, seen them floating about--but one day she actually sees them. And that's the difference, right? To really see a body. That's the moment when everything changes. This little book evokes that moment--when, to put it conventionally, a girl becomes a woman--exquisitely.

I read the book at a leisurely pace, in part because I was re-learning how to read like a kid. Sometimes I felt a kind of aching impatience to know what was going to happen, what the lesson would be. It might take me a while to once again experience that impatient ache as pleasure.

But among the book's many indisputable pleasures: a fantastic essay, dead in the middle of the book, on architecture; and the cast of characters, a family of immigrant Chileans living in Buenos Aires. Wonderful: people I love, a city I love, both evoked with generosity and intelligence.

Chris Andrews' translation is, as always, superb. Heartily recommended.
8 people found this helpful
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Reviewed in the United States on October 4, 2014
Read this in October. Classic Ghost story will have you turning your head at little noises.
Reviewed in the United States on August 20, 2018
I enjoyed this book immensely. It’s structure or open ended ideas set in a construction site is brilliant as you watch the deconstruction of time and place. Very paired down and well written.
Reviewed in the United States on August 22, 2012
This 1990 Argentinian book was the choice of my International reading group at my local bookstore. I read the whole book but wasn't able to make the discussion. This is a short book, merely 139 pages long and frankly, I suffered through all of them. The book is set in Argentina and tells the story of a Chilean immigrant family who are living in the top floor of a partly constructed luxury apartment house. Their teenage daughter meets some ghosts that are living in the building and the result is tragedy

The book is well written and is an international sensation but frankly, I hated every word of it and would never have finished it if I thought I would be absent from the discussion. Sometimes these discussions give me an appreciation of the book but because I wasn't able to attend that evening I am left with only the memory of slogging through a disagreeable book that didn't make much sense to me.
5 people found this helpful
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Reviewed in the United States on March 18, 2018
Very likely the glowing reviews in the New York Times, the New Yorker, and other places set my expectations too high. While not bad, Aira's Ghosts wasn't as experimental or as "chilling" (as the publisher called it) as they claimed; it was a mildly amusing novella with a not particularly surprising ending.

If you're in the market for a short novel that actually fulfills the claims made for this one, I recommend you try Maurice Blanchot's terrific Death Sentence. In fact, I think I'm going to re-read it now.
One person found this helpful
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Reviewed in the United States on December 13, 2015
This novel is really a poem.

Top reviews from other countries

anon
4.0 out of 5 stars Four Stars
Reviewed in the United Kingdom on May 28, 2017
Simple, compelling, story that burns steadily to its conclusion.

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