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Under the Greenwood Tree (Illustrated Edition) Kindle Edition
* Just as accessible and enjoyable for today's readers as it would have been when first published over a century ago, the novel is one of the great works of English literature and continues to be widely read throughout the world.
* This meticulous digital edition from Heritage Illustrated Publishing is a faithful reproduction of the original text.
- LanguageEnglish
- Publication dateMay 8, 2014
- File size1717 KB
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About the Author
Product details
- ASIN : B00K8DX4OS
- Publisher : Heritage Illustrated Publishing (May 8, 2014)
- Publication date : May 8, 2014
- Language : English
- File size : 1717 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 211 pages
- Best Sellers Rank: #971,921 in Kindle Store (See Top 100 in Kindle Store)
- #3,692 in Romance Literary Fiction
- #58,879 in Literary Fiction (Books)
- #70,709 in Romance (Kindle Store)
- Customer Reviews:
About the author
Thomas Hardy was born in a cottage in Higher Bockhampton, near Dorchester, on 2 June 1840. He was educated locally and at sixteen was articled to a Dorchester architect, John Hicks. In 1862 he moved to London and found employment with another architect, Arthur Blomfield. He now began to write poetry and published an essay. By 1867 he had returned to Dorset to work as Hicks's assistant and began his first (unpublished) novel, The Poor Man and the Lady.
On an architectural visit to St Juliot in Cornwall in 1870 he met his first wife, Emma Gifford. Before their marriage in 1874 he had published four novels and was earning his living as a writer. More novels followed and in 1878 the Hardys moved from Dorset to the London literary scene. But in 1885, after building his house at Max Gate near Dorchester, Hardy again returned to Dorset. He then produced most of his major novels: The Mayor of Casterbridge (1886), The Woodlanders (1887), Tess of the D'Urbervilles (1891), The Pursuit of the Well-Beloved (1892) and Jude the Obscure (1895). Amidst the controversy caused by Jude the Obscure, he turned to the poetry he had been writing all his life. In the next thirty years he published over nine hundred poems and his epic drama in verse, The Dynasts.
After a long and bitter estrangement, Emma Hardy died at Max Gate in 1912. Paradoxically, the event triggered some of Hardy's finest love poetry. In 1914, however, he married Florence Dugdale, a close friend for several years. In 1910 he had been awarded the Order of Merit and was recognized, even revered, as the major literary figure of the time. He died on 11 January 1928. His ashes were buried in Westminster Abbey and his heart at Stinsford in Dorset.
Photo by Bain News Service, publisher [Public domain], via Wikimedia Commons.
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This is a story of established customs breaking down through the interloper: a new vicar in town. Structurally divided into Winter, Spring, Summer, Autumn, it follows the natural rhythms of the earth and of society. Hardy revels in his descriptive powers.
Filled with nostalgia and that increasingly fashionable concept, "Englishness", and seasoned with wisdom and wit, this is truly fabulous. It's a mini-masterpice in a similar bag to, say, Mrs. Gaskell's "Cranford".
First, the good. There is no doubt but that Hardy is a superb writer. He captures perfectly what life was like in the 1840s (when the actions in this book were supposed to take place) as well as depicting the characters so well that you feel almost as if you'd recognize them on the street. If that is all you're looking for, then read this book. However, if like me you also want to ENJOY the process of reading, I'd recommend against this book.
For the plot, Hardy uses his writing skills to paint a tale of courtship between a young man and woman. He captures well the angst and naivete involved. For a subplot, he writes about the church choir's angst at being replaced by one person who plays the organ.
The above being said, there is such an undercurrent of cynicism in this book. The two characters as he paints them are very shallow in their courtship and it is apparent that soon after their marriage reality will set in. No one in this book is happily married and it almost seems as if that cannot be. No, the picture Hardy paints is that there is a rush of infatuation resulting in marriage. After marriage, the infatuation quickly fades and one just has to make the best of it. Depressing. I much prefer Dickens books that portray good and bad marriages as is closer to the truth in real life.
One last opinion here. Reading about Hardy's life I can't help thinking that he unfortunately could not keep a good relationship with either of his wives (he married again after being widowed) and thus thinks it is the same for all.
In fact, the supporting characters are far more interesting than the hero and heroine. "Under the Greenwood Tree" is really a tale of young love, and although Hardy touchingly illustrates the yearning and naivete of his lovers, both characters remain at arm's length. This is particularly true of Fancy, the heroine, whose emotions do not become apparent until close to the tale's end.
Hardy would explore many of "Greenwood Tree's" themes more effectivly in later books, but this novel is more than just a warm-up act. The decline of English country life- one of Hardy's greatest themes- has never been as tellingly illustrated as in the sub-plot of the Mellstock Quire, and the contented, ironic ending rings as true as any of the fatalistic horrors to come.
Top reviews from other countries
And so it is! Sure enough, not all is well in Mellstock village and Dick Dewy has to persevere to get Fancy Day's attention, and others fancy her too, but all in all this is a happy love-story, in the unique pastoral setting of Wessex ('part real, part dream-land' as Hardy put it). Hardy uses a seasonal framework (the story develops from one summer to the next), and - true to his reputation - I found that Hardy is indeed a master at creating the sense of a country community in times past, living their lives attuned to the rhythm of nature. The characters too are very well done, from grandfather William to the young vicar Maybold: each is subtly but very nicely drawn, and they all acquire a real voice and 'presence'. The story flows along quite easily and naturally, and I was glad to find that (as a non-native speaker) the dialect turned out to be no problem at all (indeed, without it the book simply wouldn't be half as good). So it's on to The Return of the Native (Oxford World's Classics) !
If you like is other works you'll certainly like this one.
I bought it after watching the tv movie (on bbc or itv, I can't remember) and liked it as much as I liked the movie.