Hsin Hsin Lin

A decision-based scene visual cognition analysis when combines with prior subject knowledge as retinal input enables visualizing topological-based vision is a significant contribution for vision research.

Conventionally, a 2D image can be captured by a camera, composed and painted by a 2-button mechanical mouse (a digital brush) with a digital palette. A 3D object can be modeled by 3D (translate, rotate, scale, transform) software or formulated by equation-based method. Be it 2D images or 3D objects, the result can be displayed on a 2D image on screen or print it on a given surface. The color and lighting conditions can be embedded in the software in a single or multistep process. While… Show more

Conventionally, a 2D image can be captured by a camera, composed and painted by a 2-button mechanical mouse (a digital brush) with a digital palette. A 3D object can be modeled by 3D (translate, rotate, scale, transform) software or formulated by equation-based method. Be it 2D images or 3D objects, the result can be displayed on a 2D image on screen or print it on a given surface. The color and lighting conditions can be embedded in the software in a single or multistep process. While stereopsis is as old as the built-in capability of the human or animal (cats and apes), the desire for enabling stereopsis was first noted by Leonardo da Vinci, 15th Century. Subsequently, various stereoscopic 3D displays was manifested in 3D imaging by David Brewster, 1807, lenticular display in 1915, 3D television by John Logie Baird, 1928, the latest being the US235 million 3D movies Avatar premiered in December 2009. Show less

Beyond the known capabilities of the camera and the known techniques in photography, Lin Hsin Hsin can transform a photography subject into multiple unique art works which are visually different from the subject, its motion, the lighting conditions or the composition, hence the In-Camera Painting (ICP) created without a computer. Hsin Hsin 1st discovered, postulated, created and validated ICP in 2006.

Conventionally, a grid generator requires either an explicit or implicit description about the boundary vertices, boundary lines and boundary faces to define the geometry. In 2006, the author has developed the Interactive Web based Grid Geometry Construction process [1] to create and generate 2D ubiquitous platform independent, highly scalable, paintbrush, pixel and vector free geometry art. In 2008, she has established a new paradigm -- basically, a fundamental medium for visualization… Show more

Conventionally, a grid generator requires either an explicit or implicit description about the boundary vertices, boundary lines and boundary faces to define the geometry. In 2006, the author has developed the Interactive Web based Grid Geometry Construction process [1] to create and generate 2D ubiquitous platform independent, highly scalable, paintbrush, pixel and vector free geometry art. In 2008, she has established a new paradigm -- basically, a fundamental medium for visualization, development, creation and delivery tool for generating grid geometry art and beyond. With exceptions, the result is instantly Web-enabled. Show less

From phantom haptic devices, 3D mouse to multimodal interfaces, while the academics contend about the similarities and differences in theoretical approaches and understanding of the next generation of interfaces in the pursuit of formulating research directions; researchers are actively pursuing the emergence of the next generation of human-computer interaction predictions, discussing emerging new interaction styles and interface designs; few or almost none has discussed the exquisite… Show more

From phantom haptic devices, 3D mouse to multimodal interfaces, while the academics contend about the similarities and differences in theoretical approaches and understanding of the next generation of interfaces in the pursuit of formulating research directions; researchers are actively pursuing the emergence of the next generation of human-computer interaction predictions, discussing emerging new interaction styles and interface designs; few or almost none has discussed the exquisite offerings, the use and merits of using simply the age old two-button mechanical mouse in the artistic interactive taxonomy.
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Available in English, French, Spanish, Russian, Arabic & Chinese

Author of 75 books, several book chapters, dozens of academic papers, hundreds of product reviews
Published poems in English, French, Chinese & Japanese
2008 Initiated Interactive Visual Poetry & Poetry Reading
1997 Initiated Visual Poetry

Digital Media eBooks

Perception-based Art, 2011
The Art of Mondriaan by Lin Hsin Hsin, 2011
A New Paradigm for Visualization and Generating Grid Geometry Art and Beyond 2010

bel canto
Vol VIII: leaves n petals… Show more

Author of 75 books, several book chapters, dozens of academic papers, hundreds of product reviews
Published poems in English, French, Chinese & Japanese
2008 Initiated Interactive Visual Poetry & Poetry Reading
1997 Initiated Visual Poetry

Digital Media eBooks

Perception-based Art, 2011
The Art of Mondriaan by Lin Hsin Hsin, 2011
A New Paradigm for Visualization and Generating Grid Geometry Art and Beyond 2010

bel canto
Vol VIII: leaves n petals, 2010
Vol VII: blobs n spots, 2010
Vol VI: blue n white, 2010
Vol V: the fabric of vision
Vol IV: in focus, 2010
Vol III: between the lines, 2010
Vol II: when black meets white, 2010
Vol I: bird entering the teatro, 2010

VOIP by Lin Hsin Hsin
Vol III: Classic, 2010
Vol II: Paper As A Medium, 2010
Vol I: Digital Media, 2010
Painterly Yours, 2009
The Art of i,j,k, 2010
The A - Z of Visualization, 2010
What is in a Brush, 2008
The Automorphism of Amalgamation Polytopes and Tessellation, 2008
A New Paradigm for Visualization and Generating Grid Geometry Art, 2007
When Equations Paints, 2007
Every Pixel Counts, 2003
@art : A Cyberart show by Lin Hsin Hsin, 1997

Art Books

1994 Lin Hsin Hsin: Work from Art, Science & Technology Series
1993 Lin Hsin Hsin: Work from Memoirs of Deutschland Series II
1992 Lin Hsin Hsin: Work from Nature Series
1991 Lin Hsin Hsin: Work from Time Series
1990 Lin Hsin Hsin: Memoirs of Frankfurter Buchmesse Series
1989 Lin Hsin Hsin: Work from Memoirs of Deutschland Series I"
1989 Lin Hsin Hsin: Work from Aqua Series"
1987 Lin Hsin Hsin: Work from Music Series"

Poetry Books

2010 To the Point
2004 Between the Lines
1997 In Bytes we travel
(A collection of 100 poems entirely about the Internet)
1994 Sunny Side Up
1992 Love @ 1st Byte
(A collection of 100 poems entirely about the computer)
1991 From Time to Time
1989 Take A Word for a Walk Show less