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Out and about | London, England | August 12, 2024

Vivienne Westwood ‘Cut Off Jacket’ - $1,395.00
Vivienne Westwood ‘Wizard Frill Shirt’ - $760.00
Vivienne Westwood ‘Cut Off Skirt’ - $960.00
Vivienne Westwood ‘Tuesday Mini Bag’ $690.00
Sézane ‘Georgia High Mary Janes in Pistachio’ - $230.00

This marks a second time Taylor has made a direct pull from the VW FW 2024 lookbook. Like her previous look, shared by Brittany Mahomes when they were in Amsterdam, Taylor sought to diverge from the designer’s styling through her choice in footwear. The VW team styled this look with thigh-high red socks and tonal red platforms. Taylor instead opted for a Christmas Clueless-meets-Austin Powers aesthetic with crisp white socks and olive mary jane heels that bring out the green tones in her tartan set. I think the choice works to create a cohesive colour palette and makes more sense for the warmer weather in London. And also greeeeeeeeeeeen.

I personally love seeing the difference from in how a garment ultimately gets worn as a street style look it demonstrates an individual’s POV. The power of styling is everything! While a copy + paste of a campaign look is fun to see (esp for the designer kick of it all!), I think it’s most fun when someone brings that ‘styling’ element to a look and can depart dramatically from the designer’s original vision to give us their take on an outfit. I actually could imagine Taylor keeping the socks but opting in for those mary jane pumps and ditching the fussy shirt underneath for a simple tee or tank. If this were taking place in cooler temps I could also imagine a turtleneck and tights with heeled booties.

Taken in isolation, this is a great shoulder season look that, while not my personal taste, bridges the short hemlines and cute heels of summer with an autumnal palette and layering via the frilly white shirt. It also continues the connection between TTPD and VW. A signature of this era so far has been the corseted look, something that VW played a huge role in modernizing and integrating into their brand house codes.Taylor has worn many VW pieces for this era including while performing songs from TTPD on the Eras Tour.

This is Taylor’s first physical appearance since her trio of shows in Vienna, Austria were cancelled due to planned threats of a terrorist attack. Taylor has not commented thus far on these cancellations. According to reports, this appearance in London was following a party for Eras Tour staff ahead of her final string of shows at Wembley which conclude the European leg of this tour.

Illustration by Amelia Noyes


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Out and about | Amsterdam, Netherlands | July 6, 2024

Vivienne Westwood ‘Tartan Wool Corset’ - $1,585.00

This particular styling of the blue Sunday dress and tartan corset is lifted directly from the VW Fall Winter 2024 collection. In classic Taylor fashion, it’s the accessory styling where she’ll quirkily make a look her own. The heart bag feels very true to Taylor’s perpetually romantic outlook and the sandals give the ensemble a vintage-leaning vibe (where VW would probably have opted for a punkier lace up boot or heeled platform).

Worn with: Vivienne Westwood dress and bag


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Out and about | London, England | June 11, 2024

Stella McCartney ‘Lace Up Jacquard Bustier Top’ - $1,775.00

Opting for Stella McCartney pieces while out to dinner with the designer and in said designer’s home city makes sense to me. The fact that she’d opt for something dark, sensuous, feminine, and with bustier / lingerie vibes feel on par for Poets fashion.

Worn with: Stella McCartney coat + pants, Lorraine Schwartz necklace, Gucci bag, and Gucci heels

Illustration by Amelia Noyes


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Kit Kat Club at the Playhouse Theatre | London, England | May 31, 2024

Stella McCartney ‘Oversized Knit Sweater with Fringe Hem’ - $1,690.00 (sold out)

In support of her friend Cara Delevingne, Taylor made an appearance at a London theatre to watch her play Sally Bowles in Cabaret. Cara’s been in the role since March of this year and it’s so nice that Taylor finally had an opportunity to support her in person.

Taylor opted for a very cozy knit by one of her favourite British designers, Stella McCartney.

The knit dress is from Stella’s AW 2024 collection and its ruffled hem is meant to be inspired by fluffy feathers but of course in keeping with their ethos on animal cruelty, the effect is to mimic and not use the actual material.


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Travelling to Brazil | November 2023

Rodarte ‘Tie Dye Fairy Print Radarte Sweatshirt’ - $297.00

As comfy travel attire, Taylor wore a tie dye sweatshirt by Rodarte when travelling to Brazil during the South American leg of the Eras Tour.


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The Eras Tour | 1989 section | Version 8

Roberto Cavalli custom
Christian Louboutin custom

While I’m sure this particular two piece was a cheeky Chiefs nod, particularly with certain special guests in the audience when this set debuted during Paris 4, this is indeed a yellow / orange set.

The designer Fausto Puglisi, creative director of Roberto Cavalli, said, “The ombré shading in tones of orange and yellow adds depth to the design.”

Photo by Kevin Mazur/TAS24 via Getty Images


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The Eras Tour | 1989 section | Version 7

Roberto Cavalli custom
Christian Louboutin custom

One of the signature elements of the Eras Tour costuming has been balancing visually referencing eras past, but refreshing them for the modern day. Her co-ordinating tops and skirts worn for the 1989 section are a great example. The previous quad of beaded ensembles (pink, gree[eeeee]n, orange, and blue) all featured colours and coordination that embodied the polish and shine of the original 1989 era but in a new, fitted skirt silhouette.

With the European leg of the tour, Taylor introduced a new series of 1989 costumes by Fausto Puglisi for Roberto Cavalli that are a shift from the original design concept.

From the ombre shading, the skater skirt fit, the incorporation of the Cavalli big cat emblem at the bust, and the two tone element. To me it all falls much closer to the original costuming of the 1989 Tour with bralettes and metallic skater skirts by Jessica Jones. Many of the new outfits debuted in Paris seem to have undergone what I call a ‘makeunder’ to more closely resemble their original, canonical tour ensembles and not the refreshed 'Taylor Versions’ we’ve seen thus far on the Eras Tour in 2023/24.

While Taylor also has the opportunity to mix/match these coloured sets to create endless new pairing possibilities, based on the sketches my thought is that these two-tone sets were created with the intention of being mismatched, right down to the coordinating Louboutins. And on that note, there is one very famous New Yorker known for mismatching her Louboutins which, if intentional, would be an apt 1989 era reference: the one and only Carrie Bradshaw.

Photo by Kevin Mazur/TAS24 via Getty Images


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The Eras Tour | RED section | Version 6

Ashish Sequin Tee - custom

Worn with: Gladys Tamez hatAshish bodysuit, and Christian Louboutin oxfords

Photo by Kevin Mazur/TAS24 via Getty Images


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The Eras Tour | RED section | Version 5

Ashish Sequin Tee - custom

Worn with: Gladys Tamez hatAshish bodysuit, and Christian Louboutin oxfords

Photo by Kevin Mazur/TAS24 via Getty Images


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The Eras Tour | The Tortured Poets Department section | Version 2

Vivienne Westwood custom
Christian Louboutin custom

When it comes to the three versions of this set we’ve seen thus far I think the white does the best job at conveying the feeling of being stripped naked for the amusement of a live audience and integrates well into the leached starkness of the world she’s established in TTPD.

Photo by Kevin Mazur/TAS24 via Getty Images


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The Eras Tour | The Tortured Poets Department section | Version 3

Vivienne Westwood custom
Christian Louboutin custom

In my predictions post for TTPD costuming on the TSS Patreon I had guessed that lingerie might play a theme, based primarily on the album’s official visuals as well as the ways physical intimacy is portrayed across the album. Noting, “While I don’t necessarily expect a Victoria’s Secret Fashion Show (Taylor’s Version) I also wouldn’t be surprised if … lingerie-like pieces make its way into her [TTPD] wardrobe.” This metallic bustier and hot pant set by #VivienneWestwood is around what I was expecting but as with a lot of things within the #TTPD set, it comes with a dose of bitterness. 

For her final number in the TTPD set, Taylor gives a rousing theatrical performance of “I Can Do It With A Broken Heart”. It’s thoroughly entertaining. It’s sardonically meta. It’s theatrical sarcasm.

The addition of the coat and tails reminds me a lot of her very famous ringleader costume from the original RED Era. Just as much as it did then, it feels like Taylor acknowledging the figurative circus that surrounds her celebrity and how, whether masterminding arbiter or unwilling performative participant, she is at the center of it. 

Full review of the TTPD set to come on the TSS Patreon! 

Photo by Kevin Mazur/TAS24 via Getty Images


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The Eras Tour | 1989 section | Version 5

Roberto Cavalli custom
Christian Louboutin custom

One of the signature elements of the Eras Tour costuming has been how it balances visually referencing eras past but refreshing them for the modern day. Her co-ordinating tops and skirts worn for the 1989 section are a great example. The previous quad of beaded ensembles (pink, gree[eeeee]n, orange, and blue) all featured colours and coordination that embodied the polish and shine of the original 1989 era but in a new, fitted skirt silhouette.

With Version 5 by Fausto Puglisi for Roberto Cavalli we see a lot of changes in tactic. From the ombre shading, the skater skirt fit, the incorporation of the Cavalli big cat emblem at the bust, and the two tone element. To me it all falls much closer to the original costuming of the 1989 Tour with bralettes and metallic skater skirts by Jessica Jones. Many of the new outfits debuted in Paris seem to have undergone what I call a ‘makeunder’ to more closely resemble their original, canonical tour ensembles and not the refreshed 'Taylor Versions’ we’ve seen thus far on the Eras Tour in 2023/24.

Unless this is Taylor’s cheeky attempt at an Alvin and the Chipmunks meme replication I’m a bit stumped on the decision to go cotton candy two tone across this entire outfit - mismatched Louboutins included. My only thought is there is one very famous New Yorker known for mismatching her Louboutins which would be an apt 1989 era reference if intentional: Carrie Bradshaw.

Photo by Kevin Mazur/TAS24 via Getty Images


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The Eras Tour | RED section | Version 4

Ashish Sequin Tee - custom

During the RED set I wasn’t just confused because it was the first set to have moved from its original spot in the setlist, but Taylor’s new shirt saying took me aback.

Firstly, we haven’t had a new addition costume-wise to this set since the early days of the tour. You might recall that Version 3 of the shirt (featuring “We Are Never Ever” lyrics) was added in March 2023 during the show’s first three-day run in Arlington, Texas.

This phrase also took me aback because it’s our first in the series that isn’t a direct callback to an established moment within the RED era lexicon. In addition to the aforementioned V3’s lyrics, Version 1 (“Not A Lot Going On”) is a direct lift from the “22” music video costuming and Version 2 also features “22” lyrics (“Who’s Taylor Swift Anyway? Ew.”).

So what does this particular phrase mean?

To me one of the key functions of the Eras Tour, especially in the form of its costuming, has been toeing the line between referencing eras of the past while also giving them a slightly refreshed, modern facelift. We saw that in the fringed dresses of Fearless, the dramatic princess ballgowns of Speak Now, and the matching sets of 1989. But as we also saw tonight in Paris, all of those respective outfits got what I suppose we could call a ‘makeunder’. Which is to say, they all took a time machine to more closely resemble their original, canonical tour ensembles and not the refreshed 'Taylor Versions’ we’ve seen thus far on the Eras Tour in 2023/24.

But why is she now beginning to more overtly replicate instead of subtly reference? Something to think about!

Worn with: Gladys Tamez hatAshish bodysuit, and Christian Louboutin oxfords

Photo by Kevin Mazur/TAS24 via Getty Images


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#ForAFortnightChallenge | April 25, 2024

Popflex ‘Corset Bra’ - $44.00


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#ForAFortnight Challenge | April 19, 2024

Rumored ‘Be Mine Top’ - $42.00

Worn with: Popflex skirt


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