Madonna, 61, relies on her signature cane and clings onto an assistant as she leaves the London Palladium following another show
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She's is currently on the London leg of her Madame X tour.
And, Madonna, 61, relied on her signature cane and clung onto an assistant as she left the London Palladium following another show, on Saturday night.
Recently suffering from a knee injury, the singer, held onto her walking stick for support before being bundled into a black car by her hooded helper.
The Like A Prayer hitmaker looked typically glamorous as she wrapped up against the chilly climes in a bold black and gold Versace coat as she left the theatre.
Flashing a hint of her legs, the musician rounded off her outfit with a pair of revealing fishnet tights.
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The blonde accessorised with classic hooped earrings and edged up her look with fingerless gloves, which complemented her black manicure.
With her tresses worn in their naturally curly state, Madonna accentuated her youthful-looking complexion with her trademark red lipstick.
She recently took to Instagram to announce that two more of her shows in the capital had been called off on doctors' orders.
Last week, it was claimed that Madonna is being sued by two fans for reportedly being late on-stage.
The Vogue hitmaker is the subject of a class-action lawsuit from Antonio Velotta and Andrew Panos.
The duo insisted they waited hours past the advertised start time of her Madame X shows at the Brooklyn Academy of Music on September 21 and October 1.
TMZ reported that the pair also allege the iconic songstresses' tardiness reduced the value of the tickets and that concert promoter Live Nation denied a refund on the tickets.
The concertgoers pointed to similar delays at other shows in the suit, in which they have named both Madonna and promoters Live Nation.
Legal documents stated: 'By the time of the concerts' announcements, Madonna had demonstrated flippant difficulty in ensuring a timely or complete performance.
'And Live Nation was aware that any statement as to a start time for a show constituted, at best optimistic speculation.'
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