The Paris Review

Staff Picks: Hipster Stewardesses, Swedish Paper Mills, Soil

From the cover of Afterland

“In American Apparel I feel old. Especially when I ask one of the hotties for help.” So begins one of the dozens of prose poems in Jeremy Sigler’s new book, . Another one: “I want to be watched so bad. I want a voyeur to be here so bad. A secret admirer.” Some of Sigler’s lines read like poetry (“Words like flat barges trace slowly past the jagged architecture. Buildings punch the sky like staple guns.”), but by and large, the poems are nimbly unpoetic. They’re conversational, and Sigler’s persona is like that weird, boozy

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