The Paris Review

The Sticky Tar Pit of Time

A cat running. Collotype after Eadweard Muybridge, 1887. Credit: Wellcome Collection, via Wikimedia Commons.

This morning—that morning, rather—two men in my train carriage lift their heads—two men in their fifties in silky, understated ties—then there is a little snap, like a red light camera going off, and even before the next stop gets announced they’re leaning into each other laughing, How long has it been? Must be forty years give or take. What’s been happening? They run through their classmates: two cancers (one in chemo, one cannot hack chemo), a property development fraud, one guy (just on the other side of a protracted settlement) with too many ex-wives (stupid bastard, he and them deserve each other). A pause. Please don’t tell me it’s all there is. Fraud, cancer, bad marriages, being caught, extricating yourself, chance encounters on trains; can you remember the last time life felt long or kind, or like it was yours and mine?

My phone vibrates, one time only for texts. “Make sure

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