The American Scholar

Diamonds

WHEN MY MOTHER DIED of a heart attack in 1984, she did not leave me, her only remaining daughter, her considerable fortune—money that my hard-working father, a timber merchant in Johannesburg, had left her. The inheritance amounted to 12 million rand, which in those days was worth about $12 million. (Since then, the enormous decline of the rand has seemed inevitable to me, without my mother there to prop it up.) The money went to her two sisters, her brother, and their children. There may have been a provision made for a love child of her youth.

At the time, I accepted the loss without acrimony. I supposed that after the death of my sister, four years before, my mother had been unable to feel the same about the daughter who remained. Also, her own family, which had always clustered around her, aiding and abetting her luxurious, hard-drinking, pill-taking ways, had taken care of her, particularly before she died, and naturally expected to be remunerated.

We had always been different in every way, my mother and I: my mother so small, dark-haired, dark-eyed, and olive-skinned, with tiny hands and feet. She loved fine clothes, fine food, jewelry. She wanted to dance, to drink, to sleep through the hot afternoons. She loved to travel. Her highest compliment was to say someone was “full of beans.” I took after my father, whose family came from Germany. I was taller, blonder, with light gray-blue eyes, and more interested in matters of the mind. From a young age, what I wanted to do

You’re reading a preview, subscribe to read more.

More from The American Scholar

The American Scholar6 min read
For Whom Do We Create?
American Fiction is the film I’ve been waiting for since I majored in ’lm studies at Columbia University more than two decades ago. Only 27 minutes into it, I was compelled to stop, not only so that I could contemplate the beauty and complexity of th
The American Scholar1 min read
Anniversaries
One hundred years ago, the composer Gabriel Fauré died, leaving behind a body of work noted for its elegance and refinement. After training to be a church organist and studying with Camille Saint-Saëns, Fauré went on to teach at the Paris Conservator
The American Scholar4 min read
The Rescuer
Araminta Ross, or “Minty,” was born into slavery on Maryland’s Eastern Shore in the 1820s. Catastrophe marked her early life. She was six years old when she was sent away from her mother to work as a weaver; three of her sisters were sold into the De

Related Books & Audiobooks