The Atlantic

The Lynching That Sent My Family North

How we rediscovered the tragedy in Mississippi that ushered us into the Great Migration
Source: Olivia Joan Galli for The Atlantic

Photographs by Olivia Joan Galli

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Last fall, on an overcast Sunday morning, I took a train from New York to Montclair, New Jersey, to see Auntie, my mother’s older sister. Auntie is our family archivist, the woman we turn to when we want to understand where we came from. She’s taken to genealogy, tending our family tree, keeping up with distant cousins I’ve never met. But she has also spent the past decade unearthing a different sort of history, a kind that many Black families like mine leave buried, or never discover at all. It was this history I’d come to talk with her about.

Auntie picked me up at the train station and drove me to her house. When she unlocked the door, I felt like I was walking into my childhood. Everything in her home seemed exactly as it had been when I spent Christmases there with my grandmother—the burgundy carpets; the piano that Auntie plays masterfully; the dining-room table where we all used to sit, talk, and eat. That day, Auntie had prepared us a lunch to share: tender pieces of beef, sweet potatoes, kale, and the baked rice my grandma Victoria used to make.

When Auntie went to the kitchen to gather the food, I scanned the table. At the center was a map of Mississippi, unfurled, the top weighted down with an apple-shaped trivet. Auntie told me that the map had belonged to Victoria. She had kept it in her bedroom, mounted above the wood paneling that lined her room in Princeton, New Jersey, where she and my grandfather raised my mother, Auntie, and my two uncles. I’d never noticed my grandmother’s map, but a framed outline of Mississippi now hangs from a wall in my own bedroom, the major cities marked with blooming magnolias, the state flower. My grandmother had left markings on her map—X’s over Meridian, Vicksburg, and Jackson, and a shaded dot over a town in Hinds County, between Jackson and Vicksburg, called Edwards.

I wondered whether the X’s indicated havens or sites of tragedy. As for Edwards, I knew the dot represented the start of Auntie’s story. Following an act of brutality in 1888, my ancestors began the process of uprooting themselves from the town, ushering themselves into a defining era of Black life in America: the Great Migration.

about the lynching of Bob Broome in 2015, when Auntie emailed my mother a PDF

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