Not That Kind of Girl: A Memoir
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About this ebook
“[A] stunning new memoir… thick with contemplation, packed with ideas and images rendered in exacting, evocative prose…. Brave and startlingly beautiful.” —Time Out New York
“Truthful, intelligent, and engrossing. This may become a generation's definitive account of books and the city.” —Jeff Sharlet, New York Times bestselling author of The Family
A loving and literate, honest and insightful look into the heart of that unsung heroine: the good girl. Fans of the strong narrative voices of such writers as Donna Tartt (The Secret History, The Little Friend), Nell Freudenberger (Lucky Girls, The Dissident), and Amy Bloom (Come to Me, A Blind Man Can See How Much I Love You), as well as books such as The Nanny Diaries, Prep, and The Devil Wears Prada, will love Not That Kind of Girl: Carlene Bauer’s hilarious and touching memoir of God, books, and rock and roll.
Carlene Bauer
Carlene Bauer has written for Salon, Elle, the New York Times Magazine, and n + 1. She lives in Brooklyn, New York.
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Reviews for Not That Kind of Girl
20 ratings2 reviews
- Rating: 3 out of 5 stars3/5Well written and funny, but scattered and without much continuity. Many gaps where you are left wondering "how did I get here" or "why am I here?"
- Rating: 3 out of 5 stars3/5All things pointed to me loving Not That Kind of Girl, a spiritual memoir by Carlene Bauer. She tells of her upbringing in an evangelical Christian home, her conversion to Catholicism, and ultimately letting go of God and her inner good-girl. I'm intersted in the stories of those who grew up in an evangelical household because it's so much different than my own, Catholic upbringing. That she later chose to become Catholic made me want to find out why. Once I started reading, I discovered that we are roughly the same age and that we share very similar musical tastes and influences I became even more excited. While very well written, Not That Kind of Girl did not work well for me. Bauer is extremely intelligent and is logical in the examination of her spiritual history. It's just that cerebral approach that kept me at an arm's distance. She provided intellectual arguments for who she was and the choices she made, but she doesn't let her readers see into her heart.While very different memoirs, Not That Kind of Girl reminded me of Eat, Pray, Love. In both memoirs, I felt that the author were prone to over-analyzing. In tone, this memoir reminded me of The Mistress' Daughter. Both are well written memoirs, but with a cynical edge that made the authors remote and untouchable. That's not why I read memoirs. I read them because I want to share in another person's experiences, be they delightful or terrifying. It's a way of connecting to others and consider my own life. I just wasn't able to get that close this time.Because of the potential it had at the start, I wish that I had enjoyed this memoir more. I have always been curious evangelical churches. To someone used to the same routine week in and week out, those services seem so alive. Having attended many such services over the years, they just haven't clicked with me. As lively as they are, they've never clicked with my soul the way the Mass has as I've grown older and matured. I really wanted to know why Ms. Bauer left and joined the Catholic Church. In the end, I never really understood. She related to Dorothy Day and her conversion. She liked the Liberation Theology and the focus on social justice. Still, knowing about the history of the Church and the sexual abuse scandals, she converts. Shortly thereafter, she finds herself unable to sit through Mass thinking about what the priest might have done, might have thought to do, or might have covered up. Without the emotional connection to the author, it all seemed hollow.I am glad that Ms. Bauer is happy with her life in New York and with the spiritual choices she's made. Perhaps her memoir would be more up your alley, though.
Book preview
Not That Kind of Girl - Carlene Bauer
CHAPTER 1
SHE WHO HAS AN EAR, LET HER HEAR
My mother says she can’t listen to love songs anymore. Whatever men and women have to say about love is meaningless, she says, when she thinks about all that God has done for us.
But when you go to a Goodwill and see all the Andy Williams records, and think Who could have possibly owned these?
picture my mother: Mila Ann Phifer of Haviland Avenue, Camden, New Jersey, Audubon High School, class of 1965. My mother owned more than one record by Andy Williams—and more than one record by his lady friend, Claudine Longet. She also owned records by the Association, the Turtles, Chad and Jeremy, and Sergio Mendes and Brasil ’66. French girls in minidresses surrounded by daisies. Suave, smiling Brazilians holding paper parasols and cocktails. Bespectacled, turtlenecked young men with guitars looking pensively at a lake in a glade, coming to call on your secretly sad daughters. The green record case that was the reliquary of her girlhood contained records by the Supremes, Smokey Robinson, Dionne Warwick, the Mamas and the Papas, and the Beatles. Before they started to do drugs,
she always made a point of telling me and my younger sister. After that she switched her allegiances to Motown.
The first thing my sister and I knew about her life before us was that it was filled with music. We did not know who she’d fallen in love with before she met our father or what she wanted to be when she grew up, but we knew the names of her favorite bands. She told us that she gave my sister the middle name Justine because it was the name of one of the American Bandstand regulars, and she liked the sound of it. She told us that she used to dance with our Aunt Carol—Audubon High School, class of 1968—and Aunt Susan—Haddon Heights High School, class of 1976—in the kitchen to the radio while they washed dishes. That our grandmother’s favorite song was Misty,
as sung by Johnny Mathis. That our grandfather had taken her and Carol to see the Supremes at the Latin Casino in Camden, where they gave you small wooden mallets—she still had one, in a shoe box in the top of her closet—to drum on the table instead of applaud. And when she worked at Woolworth’s and the Beatles released A Hard Day’s Night, one shift, while stationed in the record department, she commandeered the store stereo and played the album three times in a row.
To live, my mother was teaching us, was to love music, and I learned very quickly. When I was six, riding around in the car with her on errands, I heard on the radio that some planet or other was on course to collide with Earth. My stomach pitched, but when the radio went on to say that we’d passed out of danger, I announced to my mother from the back seat that I was glad we were still alive because that meant I could still listen to her Beatles records. Although I had a flair for the dramatic—All right, Sarah Bernhardt,
my mother would say to me when I took to the stairs in a huff or sighed too loudly—this wasn’t something I said for effect. I was addicted to their jubilance. It drove me to corral my sister and the girl across the street into forming a band that played badminton rackets on our front porch.
Our mother told us that Mama Cass died by choking on a sandwich, but she did not tell us much about God, at least not when we were very young. We did not know that my mother had earned an enameled pin for perfect Sunday school attendance in junior high, or that the workbooks from her Sunday school lessons, pictures carefully colored with crayons, also resided in a box at the top of her closet. She and her sisters had been raised largely Baptist but occasionally Methodist in rented houses and apartments with Warner Sallman’s Christ Knocking at Heart’s Door hanging in the living room, and, since they were granddaughters of Spiritualists, sometimes swore there was someone in the room with them when there was no one at all. As a result, my sister and I were familiar with Jesus, but not overly so. Our mother sometimes took us to church with Aunt Carol and our cousins, and my grandmother taught us to sing Jesus Loves the Little Children,
but we had not yet heard that we needed to formally ask Jesus into our heart for him to recognize us as his own.
My mother had longing and hope as a young woman, and it was not exactly for Jesus. She did believe that all you needed was love—love, however, as it was depicted in Funny Girl and Dr. Zhivago. A bell and then shots rang out at Kent State, and bombs were dropping on Cambodia, but for my mother 1970 sounded like Come Saturday Morning.
Saturday was what she longed for, because that was my father’s day off and their day to spend together. When we asked her how it went, she sang a few lines for us, lines about traveling aimlessly, contentedly, with a friend, sang them and smiled, making fun of the song’s sweetness just a little. When she married my father—John Anton Bauer, Camden Catholic High School, class of 1959, who brought no records into the union, and no stories—her faith was such that she did not mind being married in his boyhood parish, or having us christened there by a priest, if that’s what my father wanted. She would never again be so uninterested in who owned our souls.
Unlike our parents, my sister and I would never live in rented houses or in towns with bus lines and sidewalks. My father took to the woods for the same reason his father moved his family out of Philadelphia and over the river to Jersey: he wanted to come home to trees, as many of them as possible. He’d made more money than his father had, and so could buy a new house, free of stories and smells, and if you wanted a new house in the early 1980s, you had to go into the woods, because that’s where they were being built. When you drove out to our house from the crowded towns our parents had been raised in, the roads grew longer and darker, and peeling houses stood lonely as lighthouses on acres of farmland.
Unlike our parents, my sister and I would never know a desultory, perfunctory love of God. Soon after my father took to the woods, my mother, who had been baptized in her teens, became born again—again—through a church that a neighborhood friend had started attending. My father did not go to church with us. He worked long hours managing a Pontiac dealership, and on Sundays he had a standing appointment with a Löwenbräu mug full of Heineken and a wheelbarrow full of mulch. Although my father did often say grace, one that was different from the one our mother had taught us. He mumbled the words, and it would take us a few years before we made out what he was saying. Bless us our Lord, for these thy gifts, which we are about to receive, from thy bounty, through Christ, our Lord, amen. Then he’d cross himself while we watched. In the name of the Father, the Son, and the Holy Ghost. Thin-lipped, head bowed, shirtsleeves rustling with swift certainty, the way he might have thrown footballs in high school.
In the parking lot of the church in which we learned what God required of us, the bumper stickers said, God Said It, I Believe It, and That Settles It for Me.
In the sanctuary—padded pews and an altar flanked by lilies in foil-covered pots—we sang the doxology, praising God from whom all blessings flow, and hymns that once billowed through revival tents and anchored radio hours, hymns that conjured up a God who was massive and benign, like Lincoln in his memorial. Our pastor, a stout, smiling man with oiled black hair and heavy black brows, was not a thumper of pulpits; his girth and ample, soothing voice were authority enough.
This was where, at seven years old, even before I had a self, I learned that you had to get rid of it. In the same way,’
our pastor said, reading from Romans one Sunday, count yourselves dead to sin but alive to God in Christ Jesus. Therefore do not let sin reign in your mortal body so that you obey its evil desires. Do not offer the parts of your body to sin, as instruments of wickedness, but rather offer yourselves to God, as those who have been brought from death to life; and offer the parts of your body to him as instruments of righteousness.’
He described this process as dying to self. I turned to my mother and whispered, What does that mean?
My mother was never at a loss for explanations to my questions—my grandmother always said that my middle name should have been How come?
and she bent her head to mine and whispered that dying to self meant that we needed to put our desires aside in order to do what God wanted.
The women who taught us Sunday school showed me what it might look like if you had, like the hymn said, surrendered all to Jesus. In the basement, ready to bind us to Him with glue and yarn, waited the Misses Hull, a mother and daughter twinset with cat-eyed glasses, brightly pinked lips, and bouffant hairdos covered by green chiffon scarves. There waited Miss Clark and Miss Johnson, two women who seemed forty to me at the time but were more likely twenty-five, whose knowledge that they walked under the shading parasol of God’s grace drew them up tall and straight-backed. Miss Clark, who had long brown hair and dark circles under her sallow skin, would sometimes bring out a guitar and gather us around her long skirts to play us songs. Miss Johnson, who pulled her lank black bob back to the left side with one gold-plated drugstore barrette, was the church pianist; during my piano lessons, she bore down so heavily on chords that her hair swung forward and back against her pockmarked olive cheeks. It was said that Satan had appeared to Miss Johnson at the foot of her bed and that she shooed him away by saying, In the name of Jesus Christ, I command you to leave!
I carried that story around like a pocketknife for years, should Satan ever show up one night at the foot of my bed to prove that he did in fact exist. But the Misses Hull, Clark, and Johnson spooked me even more. I looked at them and wondered if their lives, because there were no husbands, fathers, or gentleman friends escorting them to church, were in some way too stubborn, or too stunted. Why did the Misses Hull have to take refuge under chiffon headscarves and lipstick the color of all the dead cold lipsticks from the sixties rolling around in my grandmother’s dresser drawers? Did Satan come after Miss Johnson because she pounded the piano with a fierce and unshakable devotion to Jesus that made him jealous?
Once, after a service, my mother told her how much she enjoyed her playing, and Miss Johnson said to her, eyes wide, Oh, no! It’s all Jesus!
Well, whoever it is,
my mother said, it’s lovely.
My mother could not let Miss Johnson die to self over a compliment, but when the church decided to operate a school out of its basement, offering its congregants the opportunity to protect their children from other children who didn’t know Jesus, or that he had a rule about loving one another or else, she enrolled us. The church sold the curriculum as accelerated Christian education,
and my mother thought we would speed ahead if we were allowed to work at our own pace. We wore uniforms, and sat at cubicles filling out workbooks that were color-coded for subject matter—yellow for math, blue for science, red for English, green for social studies—with moralizing comics running across the bottom of the pages that starred Archie, Jughead, and Betty types. We had monitors, not teachers, who were outfitted like waitresses at an IHOP, in dark green polyester vests with brass buttons and green checked pleated skirts. When we needed their help we placed a Christian flag in a gold plastic stand at the top of our desk to let them know; when we wanted to go to the bathroom or get a drink of water, we replaced it with an American flag. We graded our workbooks ourselves, at tables in the middle of the room, using red ballpoint pens chained to the tables and answer keys filed in banker’s boxes.
Whenever I finished my work, I would ask if I could read at my desk, and what I read most often was the Bible. Alone with a King James Version that had belonged to my mother as a girl, its desiccated black leather flaking off into my lap, I befriended God. Every week we were asked to memorize scripture, and the verses tumbled down into me like coins in a bank. The fruit of the spirit is love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self-control; against such things there is no law. Be anxious for nothing, but in everything by prayer and supplication with thanksgiving let your requests be known to God. And we know that God causes all things to work together for good to those who love God, to those who are called according to his purpose. Though I speak with the tongues of men and of angels, and have not love, I am a resounding cymbal. Look at the birds of the air; they do not sow or reap or store away in barns, and yet your heavenly Father feeds them. Are you not much more valuable than they? Who of you by worrying can add a single hour to your life?
God’s words became my words, the words that I used to talk to myself. In my cubicle I read the Christmas story in Luke over and over, and I saw that God was a God who herded shepherds and teenage mothers as they wandered under stars. I loved the book of Esther, because it told the story of a young woman proving her fitness to live in a palace—in it a beautiful Jewish girl is chosen to be queen by a Persian king who decrees her people dead, but her grace and courage deliver the Jews from danger. For if you remain silent at this time,
the uncle who raised her tells her when she is not sure she can ask her husband to change his plans, relief and deliverance for the Jews will arise from another place, but you and your father’s family will perish. And who knows but that you have come to royal position for such a time as this?
I thought about how, when I was learning how to walk, I’d pulled myself up on our ironwork dining room chairs, and, according to my mother, nearly poked my eye out. Now that wasn’t just a story, it was a clue: if my sight had been saved, maybe that meant that God wanted me to work with the blind when I grew up! Like Annie Sullivan.
I looked into the future, squinting. And then returned to the book in my lap. I went hunting for more women’s names in the concordance, and when I found them I pored over the details, wondering what it was like to live in tents and walk through palaces, trailing hair and veils. I hunted down anything else that resembled a love story: Abraham and Hagar, Jacob and Rebecca, David and Bathsheba, David and Saul’s daughter Michel. I got a crush on David—redheaded, joyful, cunning, and doomed. I read the Song of Solomon, because I’d heard that that was a love story, too, and was not too shocked by what were supposedly the dirty parts. Not even C. S. Lewis was as enthralling as the Old Testament. They’d read to us from the Narnia books, but I wasn’t interested. Too many princes and horses. Not enough thwarted passion.
I filled out my workbooks, read through the Bible, and learned hardly anything of academic worth during my year and a half at this first Christian school. Laura Ingalls Wilder and a set of Story of America cards that my mother ordered off the television—yellow journalism, plantation life, Paul Revere’s pewter business, Civil War battles, the Mexican Revolution, Pocahontas, rituals of Aztec sacrifice, Boss Tweed and Tammany Hall—taught me more about the natural world and American history than those color-coded workbooks did. What they really meant to teach us at this school was that the world was a poxed and pustuled old thing, diseased by our pride and greed, headed for destruction.
On Sunday the hymns we sang were lullabies. This is my Father’s world, we sang—
and to my listening ears
all nature sings, and round me rings
the music of the spheres.
This is my Father’s world:
I rest me in the thought
of rocks and trees, of skies and seas;
his hand the wonders wrought.
But at school they were intent on waking us up to our imminent doom. One afternoon, we were all taken up to the sanctuary and shown a film called A Thief in the Night. The film warbled and stuttered into life, and we were introduced to a young woman named Patty, a long-haired blonde who wakes up one sunny seventies day to some strange news on the radio: crowds of people are disappearing everywhere. She eventually learns that those people didn’t just disappear—they were raptured. Patty had fallen in with a group of young Christians who had been warning her of the end times, but she was also dating a shiftless hippie who sneered at those squares, and since she couldn’t decide who was right, she’d been taking her time in asking Jesus to come into her heart. But she didn’t make up her mind quickly enough, and was left behind on earth with the other unbelievers to live out the rest of her days under an international fascist regime. And because she refused to take the mark of the beast that was being administered by the new world order, she couldn’t buy groceries or wrap dresses, or go to the bank. She spent the rest of the movie running through prairies and high grass pursued by vans and helicopters for her transgression against the Antichrist, shivering with the remorse of the footdragger.
After the film, we were led back down into the basement, seated in folding chairs around a conference table in a room with no windows, and Miss Clark set forth all the terrors that would attend the end of the world. Jesus, she said, had a nemesis called the Antichrist who, in the last days, would set up a one-world government and require us all to take the mark of the beast on our forehead. If you didn’t, you’d be tortured. The Romans, she told us by way of illustration, loved to tie Christians’ limbs to four different horses and then send them running. And this wasn’t going to happen in a time far, far away. It could happen, like, now. The book of Revelation, we were told, contained signs of the end that closely corresponded to current events—specifically to current events in the Middle East and Russia. This would be a sign unto us: that there would be movements to rebuild the Temple on the site of the Dome of the Rock in Jerusalem. Also, said Miss Clark, we would not know the seasons, so look out for warmth in winter and snow in summer. The one-world government in the film? We already had one, in the form of the United Nations. The mark of the beast? It would probably end up being a bar code that people would have to carry on credit cards—or on their foreheads or the backs of their hands. Pregnant women and nursing mothers, Miss Clark said Jesus said, would be especially at risk. I would later realize that she must have been telling us about what would happen if you asked Jesus into your heart after the rapture, but I lost the facts, such as they were, in Miss Clark’s litany of terrors, which suggested that Jesus might not really love the little children.
When she had finished, the boy beside me raised his hand. Can’t we just lie and take the mark of the beast?
he asked. God would know we still really loved him, right?
I’d thought the same thing. If God knew everything, he’d know we were lying to live, and would not count the lie as a sin or a betrayal. Wouldn’t he? The upshot was no. You could have your own thoughts about who God was and what he would tolerate, Miss Clark was saying, but what you thought mattered not one bit. Forget about cooking up some clever bit of reasoning to outsmart his will.
I was an incredibly anxious child, an eight-year-old who, when not charmed by the saucer eyes and British accent of Hayley Mills, was given to imagining that she might die of a slow, silent heart attack or a splinter that had found its way into a vein. If you told me something was coming to get me, whether it was tetanus or the Jersey Devil, I’d believe you. Before that day in the basement, the Jersey Devil had been my greatest childhood fear. The Jersey Devil was the infamous thirteenth child of a Mother Leeds who, because she cursed aloud at having yet another child, was said to have given birth to a creature who slipped out of her eighteenth-century womb, sprouted wings, and flew out of her window to spend the rest of his days soaring through the Pine Barrens looking in on the sleeping children of southern New Jersey, seeing if there were any fit to snatch. The possibility that my limbs and the limbs of many other Christians might be used as logs for a pyre set ablaze by the Antichrist became a much more vivid nightmare.
The very fact that we are here and able to discuss this means that everything will be all right, the radio in the film kept telling everyone who had been left behind, we were to see that we were lying to ourselves if we didn’t believe we were living in the end times. The movie convinced me that wars, and rumors of wars, were one day going to be broadcast through the clock radio my sister and I kept on our dresser. We were going to hear the rumors first thing in the morning, or wake to them in the middle of the night, history closing in on us in our nightgowns, stubbing our very young lives out. There were rumors of war, of nuclear war, already—I had read about it in Time, had seen the orange and black mushroom cloud roiling on the cover, and it seemed the perfect way for God to destroy the earth if that was what he wanted. And I couldn’t convince myself that he wouldn’t. For most of my childhood, headlines and newscasts would sound no different from prophecy—evil empires, Great Satans, angry ayatollahs. Islamic fundamentalists holding Americans hostage in Iran. Bombings in Beirut embassies and barracks. Every time Peter Jennings or Tom Brokaw popped up on the television to deliver a special bulletin during a sitcom or soap opera, I was sure they had come to broadcast some sign of the end—has the moon turned to blood, do we not know the seasons, is there squabbling over the Temple Mount?—so I would flee the room.
After that day in the basement I would be of two minds about God: he loved us, but he might also one day unleash his wrath, no matter how much we loved him. God would be the source of panic, but also the salve. At night the room would spin with my fear of the end, and I would have to say God—just the one word, a reminder that he existed and, like Jesus said in John 3:16, did so love the world—to myself to make it stop. Every time I heard the words Israel, bar code, nuclear war, or unseasonably warm, my heart would flutter and whirr like a hummingbird until I said it: God.
Not Mom! but God. Even after taking us to church and putting us in Christian school, my mother did not speak to us about who she thought God was and what she thought he required of us. I never told her how scared I was. I assumed she knew what I knew, had probably heard about it one Sunday in a sermon while we were down in the basement making Christmas ornaments or God’s eyes, and because she had lived her life, did not mind giving it over to war and pestilence for Jesus’ sake.
But she still let the Top 40 soothe us to sleep, turning our clock radio on to keep us company after she kissed us goodnight, leaving us curled up around a secret: the world wasn’t really a terrible place. If you went out into it, said her stories and photo albums, you could come back with pocket money, records, party dresses, champagne headaches, straw bags from Acapulco, and husbands who took you to dinner. I wanted those things. I wanted to grow up into a teenager for whom all the songs on the radio made sense. I wanted to have bottles of Love’s Lemon Fresh on my dresser, like my Aunt Susan did. And have boyfriends like girls did on television. I would whisper my request to God: Could I live until I fell in love?
CHAPTER 2
THE AGE OF REASON
Our second Christian school was a real school, not a bunker for indoctrination. There were talent shows, gym uniforms, room mothers, book reports, recesses on blacktop, and sports teams that traveled to play away games. I longed to be forced to memorize and then disgorge whole lengths of The Charge of the Light Brigade
or The Rime of the Ancient Mariner
on a wood platform in front of my classmates—a result of having read too many books set in the olden days—and I thought there might be similar tests of academic mettle on offer at this new school. It made up for having to move deeper into South Jersey’s rural wilds because my father had been transferred to another car dealership.
There were Mennonites attending this Christian school, and aside from going with my mother to the Reading outlets in Pennsylvania to buy cheap underwear and whoopie pies, this was the closest I would ever get to the Amish. The girls, like their mothers, wore thick-soled shoes, and skullcaps made out of white netting secured to their heads,