The Unexpected Guest
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About this ebook
A classic from Agatha Christie, the original queen of mystery.
When a stranger runs his car into a ditch in dense fog in South Wales and makes his way to an isolated house, he discovers a woman standing over the dead body of her wheelchair-bound husband, gun in her hand. She admits to murder, and the unexpected guest offers to help her concoct a cover story.
But is it possible that Laura Warwick did not commit the murder after all? If so, who is she shielding? The house seems full of possible suspects.
Agatha Christie
Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She died in 1976, after a prolific career spanning six decades.
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Reviews for The Unexpected Guest
40 ratings10 reviews
- Rating: 4 out of 5 stars4/5This is a 1999 novelisation of an original Agatha Christie play first performed in 1958. It enjoyed considerable success, notching up 600 performances over the next 18 months, clearly dwarfed even then by the success of The Mousetrap, which had already been running 6 years, but a good record in its own right. This play is in fact very similar to the Mousetrap in its construction and atmosphere, and on the face of it, it's difficult to see why this did not run on and on like its more famous predecessor (whose 27,818th performance I watched two days ago). This novelisation is a very straightforward adaptation of the play, with no extra scenes or lines or characters, so it reads as a bit stilted and restricted in places, but it turns into a good read with the usual plethora of red herrings and twists. I'd watch a performance of it if it came round.
- Rating: 3 out of 5 stars3/5In the middle of a foggy country night, a stranger crashes his car into a ditch and stumbles into the drawing room of a nearby house seeking help - only to discover a murdered man in one corner of the dark room, his professed murderer in the other. This scene launches The Unexpected Guest, a novelization of what was apparently a fairly successful stage play by Agatha Christie. Not sure how much Charles Osborne got for turning it into a novel but hope it wasn't much, because it isn't apparent that he's added much value. Characters pop in and out of doors just when they're wanted, there's no interaction that isn't directly related to the plot, and the whole thing is entirely dialog driven. You can practically read the set directions embedded in the connecting sentences, but if you're craving additional detail with respect to clothing, furniture, weather, or anything else visual, you're out of luck. I suspect most people who saw this as a play guessed the murderer by the second act. Certainly anyone reading this adaptation won't be long fooled. Had this been intended for bookstores rather than the stage, I suspect Dame Agatha would have taken the time to add more characters, more entanglements, and a lot more red herrings. But it's a quick read, and you could argue that some of the charm arises from imagining yourself garbed in a dapper wool suit or glamorous evening dress, seated on a velvet-upholstered cushion in a be-gilded and be-marbled MCM theater as the curtain sweeps open and there's a collective gasp! as the lights gradually rise to reveal the sight of the late, unlamented Richard Warwick, lying slumped in his wheelchair with a decorous bullet hole through his skull.
- Rating: 3 out of 5 stars3/5This isn't really a brand new mystery novel by Agatha Christie. Instead its a novelization, by Christie biographer Charles Osborne, of a stage play by Agatha Christie. Reviews suggested that Osborne did a better job than I thought he did. It's okay, but it's very obvious that it was a play. I would describe it as "thinly novelized." Still, for those who are fans of Agatha Christie, this is a real discovery. Enjoy.
- Rating: 5 out of 5 stars5/5Wow........ what an ending! And it was short and to the point!! One of my favorites by my favorite author!!! Rest In Peace Mrs. Christie, you never cease to amaze me! And I'm the midst of all the murder and chaos, she never ceases to make me laugh, and that's a bonus. ?
- Rating: 5 out of 5 stars5/5LOVED IT!! So many twists & turns in such a short book.
- Rating: 5 out of 5 stars5/5This was originally written as a stage play. Charles Osborne adapted it to a novel, as he did for the original stage play “Black Coffee.”On a foggy night, in the countryside of South Wales, Michael Starkwedder has sunk his car in a muddy ditch. Try as he might, he can’t get it out so heads to the nearest house.The house is dark but he knocks on the French doors hoping someone will answer. When he pushes on the doors they swing open. He finds a man sitting in a wheelchair looking like he’s asleep. When Starkwedder touches the man’s shoulder, to see if he was awake, it turns out the man is dead. Starkwedder then notices an attractive woman standing on the other side of the room. She is holding a revolver.It appears to be a decided case of murder, but Starkwedder thinks there is more to the case than initially appears. Instead of immediately calling the police, he asks questions and finds there are multiple suspects and multiple motives. It seems everyone had a reason to wish the man dead.As Starkwedder learns more and more about the family members and their relationships with the murdered man, he also finds himself deeper and deeper involved. It is no longer a simple case of murder.The whole story takes place in pretty much the one room the murder happened in, with various characters making their entrances and exits. There is a sketch of the set layout at the beginning for reference. At the end of the book is a write up about Christie’s plays and a short bio of Christie along with a bio of Osborne. All interesting reading if you’re a Christie fan. There is a snippet of “Spider’s Web,” another play that has been novelized.There is a lot to be found in “The Unexpected Guest.” Not as much as in one of the Christie’s mysteries written as a novel, but enough to make it and enjoyable read.
- Rating: 3 out of 5 stars3/5Not a particularly challenging read - finshed in a day.
Obviously written as a stage play and has been 'novelised' by another author. As I read it, I could see the staging and imagine the set: drawing room with French Windows, garden just seen in the distance, characters wandering in and out of the set/room/plot. Interesting plot, but fairly easy to see where it was going. I think it's failings (if you can call them that) would not have been there had Agatha Christie adapted the play herself - the clues were too obviously signposted for a reader. (well for this reader anyway).
Suspect it works better as a play than a novel. - Rating: 5 out of 5 stars5/5December 14,1999The Unexpected GuestAgatha Christie (Charles Osborne)Apparently, Osborne – who may be a relative of Christie’s; I’m not sure – has been commissioned to put some of Christie’s most famous plays into novel form, and this is one of those, just recently released.Although Osborne takes absolutely no individual license of his own and is almost annoyingly rote and mechanical in his delivery so as not to deviate one iota from Christie’s version of the story, I quite liked it – all the more for its often dry recitation of the play, action for action, word for word. It strips away the excess and gives a near-perfect visual of the mystery at its most pure. I can see the characters so clearly.It’s the middle of the night in rural Scotland, and a man has wrecked his car on a dark, country road. He goes to the nearest house for help (a vintage Christie English country manor, of course!). When he gets there, he finds a man in a wheelchair, dead. Shot. Nearby stands a woman with a gun. It appears that a wife has just shot her handicapped husband. Although Michael (he of the wrecked car) doesn’t know the woman, he decides to help her cover up her crime since she believes she was driven to it out of frustration.Of course, nothing – and I do mean NOTHING – is what it seems. Just when you think you’ve figured it out, another surprise comes careening around the corner.I like it even more than some of Christie’s own novels, if truth be told. It was less complex, and that’s how I like it! Don’t want to have to work my brain too hard! I’ll definitely read it again, I think. Glad I got it in hardcover.
- Rating: 1 out of 5 stars1/5Reviewed Oct 2000 Wow really bad! I thought that “Black Coffee” was horrible this is right up there. A man walks into a room with a woman holding a gun and a murdered man sitting in a wheelchair. The unexpected guest falls in love with this woman and conceals the crime. Either the play/novel is very badly written or the guest is not who he claims to be and actually committed the crime himself. It seems that Mr. Osborne has adapted another Christie play, “Spider’s Web” I know I’ll read it, but through clenched teeth.
- Rating: 4 out of 5 stars4/5I had just finished reading Black Coffee which is a similar adaptation by this author, and this one was SO much better! It had a great plot with attention getting plot twists. I did manage to guess one or two of the plot twists, but it's only because I'm getting familiar with Christie's style. I really enjoyed this one. It did NOT give away the killer the way Black Coffee did, which is always important to me. It made me think. No Poirot or Marple in this one, but it didn't need that to be absorbing.
Book preview
The Unexpected Guest - Agatha Christie
Chapter 1
It was shortly before midnight on a chilly November evening, and swirls of mist obscured parts of the dark, narrow, tree-lined country road in South Wales, not far from the Bristol Channel whence a foghorn sounded its melancholy boom automatically every few moments. Occasionally, the distant barking of a dog could be heard, and the melancholy call of a night-bird. What few houses there were along the road, which was little better than a lane, were about a half-mile apart. On one of its darkest stretches the road turned, passing a handsome, three-storey house standing well back from its spacious garden, and it was at this spot that a car sat, its front wheels caught in the ditch at the side of the road. After two or three attempts to accelerate out of the ditch, the driver of the car must have decided it was no use persevering, and the engine fell silent.
A minute or two passed before the driver emerged from the vehicle, slamming the door behind him. He was a somewhat thick-set, sandy-haired man of about thirty-five, with an outdoor look about him, dressed in a rough tweed suit and dark overcoat and wearing a hat. Using a torch to find his way, he began to walk cautiously across the lawn towards the house, stopping halfway to survey the eighteenth-century building’s elegant façade. The house appeared to be in total darkness as he approached the french windows on that side of the edifice which faced him. After turning to look back at the lawn he had crossed, and the road beyond it, he walked right up to the french windows, ran his hands over the glass, and peered in. Unable to discern any movement within, he knocked on the window. There was no response, and after a pause he knocked again much louder. When he realized that his knocking was not having any effect, he tried the handle. Immediately, the window opened and he stumbled into a room that was in darkness.
Inside the room, he paused again, as though attempting to discern any sound or movement. Then, ‘Hello,’ he called. ‘Is anyone there?’ Flashing his torch around the room which revealed itself to be a well-furnished study, its walls lined with books, he saw in the centre of the room a handsome middle-aged man sitting in a wheelchair facing the french windows, with a rug over his knees. The man appeared to have fallen asleep in his chair. ‘Oh, hello,’ said the intruder. ‘I didn’t mean to startle you. So sorry. It’s this confounded fog. I’ve just run my car off the road into a ditch, and I haven’t the faintest idea where I am. Oh, and I’ve left the window open. I’m so sorry.’ Continuing to speak apologetically as he moved, he turned back to the french windows, shut them, and closed the curtains. ‘Must have run off the main road somewhere,’ he explained. ‘I’ve been driving round these topsy-turvy lanes for an hour or more.’
There was no reply. ‘Are you asleep?’ the intruder asked, as he faced the man in the wheelchair again. Still receiving no answer, he shone his torch on the face of the chair’s occupant, and then stopped abruptly. The man in the chair neither opened his eyes nor moved. As the intruder bent over him, touching his shoulder as though to awaken him, the man’s body slumped down into a huddled position in the chair. ‘Good God!’ the man holding the torch exclaimed. He paused momentarily, as though undecided what to do next, and then, shining his torch about the room, found a light switch by a door, and crossed the room to switch it on.
The light on a desk came on. The intruder put his torch on the desk and, looking intently at the man in the wheelchair, circled around him. Noticing another door with a light switch by it, he went across and flicked the switch, thus turning on the lamps on two occasional tables strategically placed around the room. Then, taking a step towards the man in the wheelchair, he gave a start as he suddenly noticed for the first time an attractive, fair-haired woman of about thirty, wearing a cocktail dress and matching jacket, standing by a book-lined recess on the opposite side of the room. With her arms hanging limply by her sides, she neither moved nor spoke. It seemed as though she was trying not even to breathe. There was a moment’s silence while they stared at each other. Then the man spoke. ‘He–he’s dead!’ he exclaimed.
Completely without expression, the woman answered him. ‘Yes.’
‘You already knew?’ asked the man.
‘Yes.’
Cautiously approaching the body in the wheelchair, the man said, ‘He’s been shot. Through the head. Who–?’
He paused as the woman slowly brought her right hand up from where it had been hidden by the folds of her dress. In her hand was a revolver. The man drew in his breath sharply. When it seemed that she was not threatening him with it, he approached her, and gently took the gun from her. ‘You shot him?’ he asked.
‘Yes,’ the woman replied, after a pause.
The man moved away from her, and put the gun on a table by the wheelchair. For a moment he stood looking at the dead body, and then gazed uncertainly around the room.
‘The telephone is over there,’ said the woman, nodding towards the desk.
‘Telephone?’ the man echoed. He sounded startled.
‘If you want to ring up the police,’ the woman continued, still speaking in the same detached, expressionless manner.
The stranger stared at her as though unable to make her out. Then, ‘A few minutes one way or the other won’t make any difference,’ he said. ‘They’ll have a bit of a job getting here in this fog anyway. I’d like to know a little more–’ He broke off and looked at the body. ‘Who is he?’
‘My husband,’ replied the woman. She paused, and then continued, ‘His name is Richard Warwick. I am Laura Warwick.’
The man continued to stare at her. ‘I see,’ he murmured finally. ‘Hadn’t you better–sit down?’
Laura Warwick moved slowly and somewhat unsteadily to a sofa. Looking around the room, the man asked, ‘Can I get you a–drink–or something? It must have been a shock.’
‘Shooting my husband?’ Her tone was drily ironic.
Appearing to regain his poise somewhat, the man attempted to match her expression. ‘I should imagine so, yes. Or was it just fun and games?’
‘It was fun and games,’ replied Laura Warwick inscrutably as she sat down on the sofa. The man frowned, looking puzzled. ‘But I would like–that drink,’ she continued.
The man took off his hat and threw it onto an armchair, then poured brandy from a decanter on the table close to the wheelchair and handed her the glass. She drank and, after a pause, the man said, ‘Now, suppose you tell me all about it.’
Laura Warwick looked up at him. ‘Hadn’t you better ring the police?’ she asked.
‘All in good time. Nothing wrong with having a cosy little chat first, is there?’ He took off his gloves, stuffed them into his overcoat pocket, and started unbuttoning his coat.
Laura Warwick’s poise began to break. ‘I don’t–’ she began. She paused and then continued, ‘Who are you? How did you happen to come here tonight?’ Without giving him time to answer, she went on, her voice now almost a shout, ‘For God’s sake, tell me who you are!’
Chapter 2
‘By all means,’ the man replied. He ran a hand through his hair, looked around the room for a moment as though wondering where or how to begin, and then continued, ‘My name’s Michael Starkwedder. I know it’s an unusual name.’ He spelt it out for her. ‘I’m an engineer. I work for Anglo-Iranian, and I’m just back in this country from a term in the Persian Gulf.’ He paused, seeming briefly to be remembering the Middle East, or perhaps trying to decide how much detail to go into, then shrugged his shoulders. ‘I’ve been down here in Wales for a couple of days, looking up old landmarks. My mother’s family came from this part of the world and I thought I might buy a little house.’
He shook his head, smiling. ‘The last two hours–more like three, I should think–I’ve been hopelessly lost. Driving round all the twisting lanes in South Wales, and ending up in a ditch! Thick fog everywhere. I found a gate, groped my way to this house, hoping to get hold of a telephone or perhaps, if I was lucky, get put up for the night. I tried the handle of the french window there, found it wasn’t locked, so I walked in. Whereupon I find–’ He gestured towards the wheelchair, indicating the body slumped in it.
Laura Warwick looked up at him, her eyes expressionless. ‘You knocked on the window first–several times,’ she murmured.
‘Yes, I did. Nobody answered.’
Laura caught her breath. ‘No, I didn’t answer.’ Her voice was now almost a whisper.
Starkwedder looked at her, as though trying to make her out. He took a step towards the body in the wheelchair, then turned back to the woman on the sofa. To encourage her into speaking again, he repeated, ‘As I say, I tried the handle, the window wasn’t locked, so I came in.’
Laura stared down into her brandy glass. She spoke as though she were quoting. ‘The door opens and the unexpected guest comes in.
’ She shivered slightly. ‘That saying always frightened me when I was a child. The unexpected guest
.’ Throwing her head back she stared up at her unexpected visitor, and exclaimed with sudden intensity, ‘Oh, why don’t you ring up the police and get it over?’
Starkwedder walked over to the body in the chair. ‘Not yet,’ he said. ‘In a moment, perhaps. Can you tell me why you shot him?’
The note of irony returned to Laura’s voice as she answered him. ‘I can give you some excellent reasons. For one thing, he drank. He drank excessively. For another, he was cruel. Unbearably cruel. I’ve hated him for years.’ Catching the sharp look Starkwedder gave her at this, she continued angrily, ‘Oh, what do you expect me to say?’
‘You’ve hated him for years?’ Starkwedder murmured as though to himself. He looked thoughtfully at the body. ‘But something–something special–happened tonight, didn’t it?’ he asked.
‘You’re quite right,’ Laura replied emphatically. ‘Something special indeed happened tonight. And so–I took the gun off the table from where it was lying beside him, and–and I shot him. It was as simple as that.’ She threw an impatient glance at Starkwedder as she continued, ‘Oh, what’s the good of talking about it? You’ll only have to ring up the police in the end. There’s no way out.’ Her voice dropped as she repeated, ‘No way out!’
Starkwedder looked at her from across the room. ‘It’s not quite as simple as you think,’ he observed.
‘Why isn’t it simple?’ asked Laura. Her voice sounded weary.
Approaching her, Starkwedder