Virginia Architecture in the Seventeenth Century
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Virginia Architecture in the Seventeenth Century - Henry Chandlee Forman
The Project Gutenberg EBook of Virginia Architecture in the Seventeenth
Century, by Henry Chandlee Forman
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Title: Virginia Architecture in the Seventeenth Century
Author: Henry Chandlee Forman
Release Date: September 1, 2011 [EBook #37288]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK VIRGINIA ARCHITECTURE IN 17TH CENTURY ***
Produced by Mark C. Orton, David E. Brown and the Online
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VIRGINIA ARCHITECTURE IN
THE SEVENTEENTH CENTURY
By
Henry Chandlee Forman
Ph.D. (Fine Arts), A.I.A.
With Drawings and Photographs by the Author
Virginia 350th Anniversary Celebration Corporation
Williamsburg, Virginia
1957
COPYRIGHT©, 1957 BY HENRY CHANDLEE FORMAN
Jamestown 350th Anniversary Historical Booklet, Number 11
Dedicated to
Singleton Peabody Moorehead
INTRODUCTION
In the green, southern land which today comprises the Commonwealth of Virginia, there flourished three centuries ago the fine art of architecture, and it is with that subject—the art of building in good design, with sound construction, and for the proper use—that this brief essay is concerned. But it is deplorable for one interested in the subject of historic preservation to have to relate what time and man have done to seventeenth-century Virginia architecture; there is so very little left compared to what formerly existed. If it has not been man himself with his so-called improvements,
his neglect, and his vandalism, it has been fire, the weather, and the insects which have caused widespread obliteration—almost a clean sweep—of the structures of those times.
Nevertheless, by means of careful studies of a few existing buildings, of several foundations under the ground, of artifacts and manuscripts, of old prints and photographs—and even of relevant material found in Britain,—we possess today enough data to make a goodly outline of the subject. Set forth here are the principal styles of architecture in Virginia between 1600 and 1700, with some account of their origins and their development.
The writer has endeavored to approach this task with understanding and sympathy, for which he is qualified. He has lived on the Jamestown road in Williamsburg and has Jamestown in his blood; he has written and lectured much on Virginia; is currently a registered architect in that Commonwealth; and on both sides of his family traces his descent back to the seventeenth-century Chews, Brents, Ayres, and Skipwiths, who, living along the banks of the James River, saw much of the architecture described herein. In the preparation for this little work, two incidents stand out as being important and essential: in 1936 he was a house guest of the Association for the Preservation of Virginia Antiquities and lived in its Malvern Hill
reproduction at Jamestown while he made studies of the ruins on that property; and in 1940 he stayed several nights on the Pamunkey Indian Reservation, near West Point, as guest of those Virginia Indians, while he made a study in art and archaeology in part preparation for the doctorate.
This work is protected under the copyright law of the United States of America, and no part of this work may be taken or used in any fashion—whether text or illustration—without written permission from the publishers and the author.
We commence the fascinating story of the early architecture of Virginia by describing the first architectural style which ever flourished there—a style about which most people know little and most school children nothing.
VIRGINIA ARCHITECTURE IN THE SEVENTEENTH CENTURY
I
FIRST IN VIRGINIA: AMERICAN INDIAN ARCHITECTURE
When the first English colonists arrived before Jamestown Island, Virginia, on May 13, 1607, there was already in existence an indigenous architecture which had been flourishing in that land for hundreds of years. It is true that that particular kind of architecture, American Indian, was, by and large, a perishable wooden one; nevertheless, the subject may not be ignored by stating that it did not exist. This Indian art of building forms an important chapter in the early history of Virginia.
For thousands of years the Indian—a light-brown man, with brown or black eyes, and straight, blue-black hair—was the owner of what is now the United States of America. That he roamed the country which is now called Virginia for countless centuries
is proven by the ancient Folsom spear points—one of red jasper—discovered among the Peaks of Otter, near the Skyline Drive, Bedford County, Virginia. And the Indians who made those spear points lived thirteen thousand or more years ago.
The Indian tribes who settled east of the Mississippi River became skilful in mound-building, sculpture, and other accomplishments. They were generally clever and dexterous peoples. In the areas covered by Virginia and the other southeastern states the life of the natives had an exotic flavor. Their graceful and courtly manner was noted by the first European explorers.
At the time of the white settlement in 1607, the land of Virginia was occupied by three main linguistic groups: first, the Algonquian, which included the Powhatan Confederacy in tidewater north of the James River, and the gentle Accowmacks and Accohannocks on the Eastern Shore; second, the Siouan, located in Piedmont Virginia above the falls of the James, that is, west of Richmond—a group of Indians which included the Monacan and Manahoac Confederacies; third, the Iroquoian, which included the Cherokees and the Nottaways, both tribes of which lived south and southeast of the James River.
In 1607 there were altogether about 17,000 Indians in Virginia between the mountains and the sea. It has been estimated that they lived in about two hundred settlements, called towns,
and in some four thousand dwelling-houses.
Their architecture, as has been mentioned, was for the most part a perishable one. At this time, three hundred and fifty years after 1607, not one American Indian wooden structure has remained above Virginia ground. By such complete destruction we and our descendants are forever deprived of the physical background which would continuously remind us of the Indian past, in the way that the city of Rome reminds Italians of their Roman past.
i. The Towns
In the Old Dominion, Indian towns were small, usually covering about an acre of ground and containing ten or twelve buildings—seldom more than thirty. They were always built on or near a river or other body of water. One of these settlements by the name of Kecoughtan,
the present Hampton, possessed in 1607 only eighteen Indian buildings.
The towns themselves may be grouped into three kinds: open, fortified, and partially fortified.
The first group, the open towns, comprised those settlements which were laid out irregularly, with the buildings generally arranged loosely on either side of a central avenue or cleared space. Footpaths criss-crossed this open area.
The fortified or walled towns were, as far as is known, built on two designs, round and square. The chief constructional method of fortification was the palisade-and-moat, or to put it another way, the stockade-and-ditch. This architectural arrangement, it may be mentioned, was employed by some of the peoples of prehistoric Europe, and by the Romans, and Anglo-Saxons, and others abroad. But the American Indian developed the method entirely independently of Europeans.
The palisades thus built by the Indians in Virginia usually were tree trunks or heavy timbers, from five inches to eight in diameter. Sometimes, as at Patawomeke
or Potomac
village, the posts were only three to four inches across. Corner posts were generally larger, being ten inches thick or thereabouts. The timbers, usually with the branches uncut, were for the most part set vertically in the bank of earth thrown up by excavating the moat or trench. They reached two or three feet underground, and rose seven to twelve feet above the earth. At times, the posts leaned outward to make scaling them more difficult. The ditch was usually outside