The Cuckoo Clock
By Mrs Molesworth and Walter Crane
3.5/5
()
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Reviews for The Cuckoo Clock
21 ratings3 reviews
- Rating: 3 out of 5 stars3/5I tend to judge children's books by whether or not they still manage to appeal to me as an adult which may seem unfair, but to me, a good story is a good story even if the intended audience is a few decades younger than me. By that metric, The Cuckoo Clock didn't particularly capture my attention. For one thing, I think it was too long and too wordy for the audience that might appreciate it most. The book succeeds best when it captures Griselda's flights of fancy. A good editor and great illustrations (the kindle edition had no illustrations but I think they existed in the original) could easily turn this book into a children's classic. Overall, I felt it underachieved as it pertains to its potential.
- Rating: 3 out of 5 stars3/5I am certain Mrs Molesworth was the inspiration for Molesworth of Down with Skool fame. Written by Mary Louise Molesworth nee Stewart
- Rating: 3 out of 5 stars3/5The best English children's authors always understand that children aren't angels and give them tempers and various other flaws. Grizelda, the heroine of The cuckoo clock, is a motherless girl who is sent to two of her father's elderly aunts to be raised. She is lonely despite the aunts' beautiful home and devoted attentions and begins to be cranky, bored and uncooperative. Her attention is taken by the family's cuckoo clock. The cuckoo is magic and he begins talking to Grizelda and takes her on several magical adventures. The adventures are charming and beautifully imaged, but the talking is more like nagging and the author outlines the behavior amendments required with a slightly heavy hand. Still, it's less preachy than most other children's book of the period and the fantasy is fun.
Book preview
The Cuckoo Clock - Mrs Molesworth
The Project Gutenberg eBook, The Cuckoo Clock, by Mrs. Molesworth, Illustrated by Walter Crane
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Title: The Cuckoo Clock
Author: Mrs. Molesworth
Release Date: April 6, 2005 [eBook #15569]
Language: English
Character set encoding: ISO-8859-1
***START OF THE PROJECT GUTENBERG EBOOK THE CUCKOO CLOCK***
E-text prepared by Ted Garvin, Chuck Greif,
and the Project Gutenberg Online Distributed Proofreading Team
(www.pgdp.net)
IT WAS A LITTLE BOAT.
THE CUCKOO CLOCK
BY MRS. MOLESWORTH,
AUTHOR OF HERR BABY,
CARROTS,
GRANDMOTHER DEAR,
ETC.
ILLUSTRATED BY WALTER CRANE.
London: MACMILLAN AND CO. AND NEW YORK.
1895
TO
MARY JOSEPHINE,
AND TO THE DEAR MEMORY OF HER BROTHER,
THOMAS GRINDAL,
BOTH FRIENDLY LITTLE CRITICS OF
MY CHILDREN'S STORIES.
Edinburgh, 1877.
CONTENTS
I. THE OLD HOUSE
II. IMPATIENT GRISELDA
III. OBEYING ORDERS
IV. THE COUNTRY OF THE NODDING MANDARINS
V. PICTURES
VI. RUBBED THE WRONG WAY
VII. BUTTERFLY-LAND
VIII. MASTER PHIL
IX. UP AND DOWN THE CHIMNEY
X. THE OTHER SIDE OF THE MOON
XI. CUCKOO, CUCKOO, GOOD-BYE!
LIST OF ILLUSTRATIONS.
LIST OF ILLUSTRATIONS:
IT WAS A LITTLE BOAT
WHY WON'T YOU SPEAK TO ME?
MANDARINS NODDING
MY AUNTS MUST HAVE COME BACK!
SHE LOOKED LIKE A FAIRY QUEEN
WHERE ARE THAT CUCKOO?
TIRED! HOW COULD I BE TIRED, CUCKOO?
CHAPTER I.
THE OLD HOUSE.
"Somewhat back from the village street
Stands the old-fashioned country seat."
Once upon a time in an old town, in an old street, there stood a very old house. Such a house as you could hardly find nowadays, however you searched, for it belonged to a gone-by time—a time now quite passed away.
It stood in a street, but yet it was not like a town house, for though the front opened right on to the pavement, the back windows looked out upon a beautiful, quaintly terraced garden, with old trees growing so thick and close together that in summer it was like living on the edge of a forest to be near them; and even in winter the web of their interlaced branches hid all clear view behind.
There was a colony of rooks in this old garden. Year after year they held their parliaments and cawed and chattered and fussed; year after year they built their nests and hatched their eggs; year after year, I suppose, the old ones gradually died off and the young ones took their place, though, but for knowing this must be so, no one would have suspected it, for to all appearance the rooks were always the same—ever and always the same.
Time indeed seemed to stand still in and all about the old house, as if it and the people who inhabited it had got so old that they could not get any older, and had outlived the possibility of change.
But one day at last there did come a change. Late in the dusk of an autumn afternoon a carriage drove up to the door of the old house, came rattling over the stones with a sudden noisy clatter that sounded quite impertinent, startling the rooks just as they were composing themselves to rest, and setting them all wondering what could be the matter.
A little girl was the matter! A little girl in a grey merino frock and grey beaver bonnet, grey tippet and grey gloves—all grey together, even to her eyes, all except her round rosy face and bright brown hair. Her name even was rather grey, for it was Griselda.
A gentleman lifted her out of the carriage and disappeared with her into the house, and later that same evening the gentleman came out of the house and got into the carriage which had come back for him again, and drove away. That was all that the rooks saw of the change that had come to the old house. Shall we go inside to see more?
Up the shallow, wide, old-fashioned staircase, past the wainscoted walls, dark and shining like a mirror, down a long narrow passage with many doors, which but for their gleaming brass handles one would not have known were there, the oldest of the three old servants led little Griselda, so tired and sleepy that her supper had been left almost untasted, to the room prepared for her. It was a queer room, for everything in the house was queer; but in the dancing light of the fire burning brightly in the tiled grate, it looked cheerful enough.
I am glad there's a fire,
said the child. Will it keep alight till the morning, do you think?
The old servant shook her head.
'Twould not be safe to leave it so that it would burn till morning,
she said. When you are in bed and asleep, little missie, you won't want the fire. Bed's the warmest place.
It isn't for that I want it,
said Griselda; it's for the light I like it. This house all looks so dark to me, and yet there seem to be lights hidden in the walls too, they shine so.
The old servant smiled.
It will all seem strange to you, no doubt,
she said; "but you'll get to like it, missie. 'Tis a good old house, and those that know best love it well."
Whom do you mean?
said Griselda. Do you mean my great-aunts?
Ah, yes, and others beside,
replied the old woman. The rooks love it well, and others beside. Did you ever hear tell of the 'good people,' missie, over the sea where you come from?
Fairies, do you mean?
cried Griselda, her eyes sparkling. "Of course I've heard of them, but I never saw any. Did you ever?"
I couldn't say,
answered the old woman.
My mind is not young like yours, missie, and there are times when strange memories come back to me as of sights and sounds in a dream. I am too old to see and hear as I once could. We are all old here, missie. 'Twas time something young came to the old house again.
How strange and queer everything seems!
thought Griselda, as she got into bed. "I don't feel as if I belonged to it a bit. And they are all so old; perhaps they won't like having a child among them?"
The very same thought that had occurred to the rooks! They could not decide as to the fors and againsts at all, so they settled to put it to the vote the next morning, and in the meantime they and Griselda all went to sleep.
I never heard if they slept well that night; after such unusual excitement it was hardly to be expected they would. But Griselda, being a little girl and not a rook, was so tired that two minutes after she had tucked herself up in bed she was quite sound asleep, and did not wake for several hours.
I wonder what it will all look like in the morning,
was her last waking thought. If it was summer now, or spring, I shouldn't mind—there would always be something nice to do then.
As sometimes happens, when she woke again, very early in the morning, long before it was light, her thoughts went straight on with the same subject.
If it was summer now, or spring,
she repeated to herself, just as if she had not been asleep at all—like the man who fell into a trance for a hundred years just as he was saying it is bitt—
and when he woke up again finished the sentence as if nothing had happened—erly cold.
If only it was spring,
thought Griselda.
Just as she had got so far in her thoughts, she gave a great start. What was it she heard? Could her wish have come true? Was this fairyland indeed that she had got to, where one only needs to wish, for it to be? She rubbed her eyes, but it was too dark to see; that was not very fairyland-like, but her ears she felt certain had not deceived her: she was quite, quite sure that she had heard the cuckoo!
She listened with all her might, but she did not hear it again. Could it, after all, have been fancy? She grew sleepy at last, and was just dropping off when—yes, there it was again, as clear and distinct as possible—Cuckoo, cuckoo, cuckoo!
three, four, five times, then perfect silence as before.
What a funny cuckoo,
said Griselda to herself. "I could almost fancy it was in the house. I wonder if my great-aunts have a tame cuckoo in a cage? I don't think I ever heard of such a thing, but this is such a queer house; everything seems different in it—perhaps they have a tame cuckoo. I'll ask them in the morning. It's very nice to hear, whatever it is."
And, with a pleasant feeling of companionship, a sense that she was not the only living creature awake in this dark world, Griselda lay listening, contentedly enough, for the sweet, fresh notes of the cuckoo's friendly greeting. But before it sounded again through the silent house she was once more fast asleep. And this time she slept till daylight had found its way into all but the very darkest nooks and crannies of the ancient dwelling.
She dressed herself carefully, for she had been warned that her aunts loved neatness and precision; she fastened each button of her grey frock, and tied down her hair as smooth as such a brown tangle could be tied down; and, absorbed with these weighty cares, she forgot all about the cuckoo for the time. It was not till she was sitting at breakfast with her aunts that she remembered it, or rather was reminded of it, by some little remark that was made about the friendly robins on the terrace walk outside.
Oh, aunt,
she exclaimed, stopping short half-way the journey to her mouth of a spoonful of bread and milk, have you got a cuckoo in a cage?
A cuckoo in a cage,
repeated her elder aunt, Miss Grizzel; what is the child talking about?
In a cage!
echoed Miss Tabitha, a cuckoo in a cage!
There is a cuckoo somewhere in the house,
said Griselda; I heard it in the night. It couldn't have been out-of-doors, could it? It would be too cold.
The aunts looked at each other with a little smile. So like her grandmother,
they whispered. Then said Miss Grizzel—
We have a cuckoo, my dear, though it isn't in a cage, and it isn't exactly the sort of cuckoo you are thinking of. It lives in a clock.
In a clock,
repeated Miss Tabitha, as if to confirm her sister's statement.
In a clock!
exclaimed Griselda, opening her grey eyes very wide.
It sounded something like the three bears, all speaking one after the other, only Griselda's voice was not like Tiny's; it was the loudest of the three.
In a clock!
she exclaimed; but it can't be alive, then?
Why not?
said Miss Grizzel.
I don't know,
replied Griselda, looking puzzled.
I knew a little girl once,
pursued Miss Grizzel, "who was quite of opinion the cuckoo was alive, and nothing would have persuaded her it was not. Finish your breakfast, my dear, and then if you like you shall come with me and see the cuckoo for yourself."
Thank you, Aunt Grizzel,
said Griselda, going on with her bread and milk.
Yes,
said Miss Tabitha, you shall see the cuckoo for yourself.
Thank you, Aunt Tabitha,
said Griselda. It was rather a bother to have always to say thank you,
or no, thank you,
twice, but Griselda thought it was polite to do so, as Aunt Tabitha always repeated everything